Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. William C. Ashton, Mayor of Kew 1901-2. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.William C. Ashton, Mayor [of Kew] 1901-2mayors of kew (vic), cr. william c. aston, australian photographers - josiah earl barnes, kew (vic.) — municipal collection

Mayor, Perce WHITE with City of Port Melbourne Councillors c.1986. L - R; Phillip LANG; Barry MITCHELL; Nick TSILFOGLOU; Ray JULIER; Perce WHITE; Jim MITCHELL; Fred WINDUSS; Russell GRIFFITHS; Christopher RAEBURN.Colour photograph of Mayor & Councillors c.1986 in the Council Chamber at Port Melbourne Town Hall.local government - city of port melbourne, perce maguire-white, phillip lang, barry 'bomber' mitchell, nick tsilfoglou, ray julier, frederick robert winduss, russell griffiths, chris raeburn, james malcolm (jim) mitchell

1041-01 Family of Elizabeth Rebecca Bryant & Solomon West - family identified c1924 - ?? 1926 1041-02 Back to Phillip Island c 1924. People identified in 1989 by Mrs Beth Freeman, daughter of William Otway MorrisonHistorical1041-01 Photograph: Family of Elizabeth Rebecca Bryant & Solomon West 1041-02 Photograph: Back to Phillip Island c 1924 with names1041-01: Family of Elizabeth Rebecca Bryant & Solomon West Back L-R Alfred Ernest West, Albert Bryant, Edwin Calver, William Joseph Front L-R Charles Solomon, Alice Elizabeth McDonald, Fanny Maria Morrison, Emily Elizabeth Lock, Harry Thomas 1041-02: Back to Phillip Island c.1924 Identification 1989, Mrs Beth Freeman daughter of William Otway Morrison Front L-R 1. Dan Morrison 2. Ted West 3. Norman McDonald 4. William West s/o Solomon 5. ? 6. William Otway Morrison Second Row L-R 1.? 2. Miriam West Henderson d/o John 3. ? 4. Emily West Lock d/o Solomon 5. ? 6. Fanny West Morrison w/o No. 6 above, d/o Solomon 7. Child to 10 (man with pipe) not identified Back Row L-R 1 to 5 not identified 6. Albert West, s/o Solomon 7. Marion Somerville West 8. Janet Morrison w/o Wm West (obscured) 9. Harry Brown 10. Nell West Brown d/o William West 11-13 unidentified 14. Alice West McDonald d/o Solomon 15. Jenny?west, back to phillip island c1924, morrison family, bryant, solomon

6 in. x 4 in.Scanned copy of a photograph of Maurice C. W. Bowden 452 A M 1st. Australian Flying Squadron A.I.F Middle East 1916Maurice C. W. Bowden 452 A M 1st. Australian Flying Squadron A.I.F Middle East 1916

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 18 Argyle Road, Kew by Margaret Picken.18 ARGYLE RD., KEW / MARARET PICKEN (c) 2001 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 argyle road -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 36 Argyle Road, Kew by Margaret Picken.36 ARGYLE RD, KEW / MARARET PICKEN (c) 1993 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 36 argyle road -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3/16 Childers Street, Kew by Margaret Picken.3/16 CHILDERS ST., KEW / PICKEN (c) 2003 / REALTOR (FLETCHERS)artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/16 childers street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 314 Cotham Road, Kew by Margaret Picken.314 COTHAM RD., KEW / MARGARET PICKEN (c) 2001 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 314 cotham rod - kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 5 Dean Street, Kew by Margaret Picken.5 DEAN ST., KEW / MARGARET PICKEN (c) 2001 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 5 dean street -- kew (vic.)

The Identification Disc (ID) are worn by soldiers on war like duties. Two disc are worn in such a manner that one can be removed from the necklace without dislodging the other. If a soldier is killed in battle and unlikely to be removed to a field mortuary or is buried in the field of battle, one disc is taken from necklace with the second disc remained with the with corps. The disc is stamped with the soldiers service number (VX11873); religion (C E - Church of England ) the Soldiers name and initials and Blood Group. Items are commonly referred to as "Dog Tags"These tags were worn into battle by Pte William KellyTwo metal Identification tags on twine necklace, coloured ocher discs are tied in a manner that one can be removed whilst remains attached to the twine necklace. Upper most "VX11873 / C E / KELLY / W C. identity tags, disc

Engineering Challenges in 19th Century Victoria by Brian C S Harper, or Brian Harper, soft cover 256 pages with black and white photographs. Book includes information on the construction of the Bendigo Railway Line, Coliban Water Scheme, Lower Stony Creek Dam, the Saltwater Railway Bridge, and the Taradale Railway Viaduct. Transferred to Specimen Cottage for use June 2016 Missing from Specimen Cottage. Check sale items 8.12.22Brian C. S. Harperbooks, technical, engineering

This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 138 Edgevale Road, Kew by Margaret Picken.138 EDGEVALE RD., KEW / MARGARET PICKEN (c) 2000 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 138 edgevale road -- kew (vic.)

This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 121A Eglinton Street, Kew by Margaret Picken.121A EGLINTON ST., KEW / MARGARET PICKEN (c) 2000 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 121a eglinton street -- kew (vic.)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 615 Burwood Road, Hawthorn by Margaret Picken.615 Burwood Rd, Haw, Margaret Picken '91. Woodards - C&I. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 14 Carlyle Street, Hawthorn East by Margaret Picken.14 Carlyle St, Hawthorn, Marg Picken '88. Woodards - C'well - 'C'. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 1 Falmouth Street, Hawthorn by Margaret Picken.1 Falmouth St, Hawthorn, Margaret Picken '88. Woodards - Hawthorn - 'C'.artist - margaret picken 1950-

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