significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a hay fieldsigned: HDF (lower right)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a country scenesigned: JARVIS (lower right)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Painting of a woman holding a flower signed: CM Pattenden 2006 (lower left)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a goannasigned: R ROGERS Bush Ka (lower right)

Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Glover-Fleay's work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria significant as a work of art by a modernist-era female artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a large treeSigned: Glover-Fleay 34 (lower right) Verso: Storm Tossed TWISTED AND TORN

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of building a sheep yardsSigned: R READ 03 (lower right)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a old house on the streetSigned: R READ 2000 (lower left)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of large rocks in Australian desertSigned: Adams (lower left)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of Kata TjutaSigned: Adams (lower left)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a bush sceneSigned: Adams (lower left)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a rockSigned: Melville R (lower right)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of people at a tableVerso: Longest lunch Maggie Barnes-Oaks 'Maggie M'

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culturelandscape with Lexton Shire OfficesAffixed front: Presented by Lexton's Anniversary Committee to the Lexton Shire Council IN RECOOGNITION OF IT'S VALUABLE SUPPORT & ASSISTANCE IN THIS, VICTORIA'S 150TH ANNIVERSARY YEAR 14-4-85

Saunders Waterford - water coloursigned: M Chapple (lower left)

From the 30th to the 1st day of Tet (Lunar New Year), the VC have shamelessly violated the truce that they themselves proposed. The have attacked a number of town in Central Vietnam and in the Highlands. On the nights of the 1st, 2nd, and 3rd of Tet, they have taken advantage to infiltrate into the capital, Saigon - and into Gia Dinh and Cho Lon. They have also attacked in the provinces of the 3rd and the 4th Tactical Zones to destroy infrastructure and public utilities. However, thanks to the rapid reaction of the Republic of Vietnam Armed Forces, they have been completely and humiliatingly defeated. (1968) On the reverse side reads: Herewith are the casualty rates of us and the enemy: Period: 30-01-68 - Our causalities 282 killed and wounded. Enemy 2,338 killed on the spot, 182 captured. Period 1-02-68 - Our soldiers: 203 killed and wounded. Enemy 2,617 killed, 198 captured. Period 2-02-68 to 12 midday: Our soldiers 211 killed and wounded. enemy 2,112 killed, 119 captured. Summary: Our casualties: 706, Enemy casualties 7,561. Enemy weapons captured: 144 crew-served weapon; 2,253 individual weapons.TONG KET TINH HINH CHIEN SU TRON 3 NGAY - VUA QUA TREN TOAN QUOC - A Summary of the war situation in the country over the past days: On one side there is information in Vietnamese and on the reverse side the information is in a table format.pamphlet, psycological warfare, propaganda, nva/vc, viet cong, 7th battalion, 1st battalion, the royal australian regiment, terry michael collie, 2790361, lunar new year, central vietnam, saigon, gia dinh, cho lon

non-fictionThe life of a female doctor, born into a wealthy Melbourne family, who graduated in medicine in 1915 and chose to practice in the remote central highlands of Victoriawomen surgeon, trentham (vic.), dr gwen