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National Wool Museum
Textile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
National Wool Museum
Textile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurrence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
National Wool Museum
Textile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.""For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Checked blanket, pink, blue and creamPhysician/Standard Chillproof/Pure Wool Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1959
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets (man asleep in bed) Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros mills, physician, advertisement, australian women's weekly, geelong -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1959
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets -(mother and child)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros, physician, geelong, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1961
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets - (woman on telephone in bed under red blanket)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, physician, collins bros, geelong, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1964
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - the most beautiful blankets (double page)Vibrant colours or muted tones are yours in/Physician/pure lambswool, chillproof, mothproof, odourlessblanket, blanket fever, wool, collins bros mills, physician, geelong, advertisement, australian women's weekly -
National Wool Museum
Textile - Physician Blanket Sample, Collins Bros Mill Pty Ltd
Long crinkle cut blue fabric sample with label stamped in ink. A brown paper tag is attached with string with hand written blue text.front: [tag] SW3 Dyed / Blue 4 / 37 ½ lln(?) – 70 yds / PeNo 678 front: [label] TRADEMARK / PHYSICIAN / REG No 76880 / SPOTLESS FINISH / CHILLPROOF / GUARENTEED PURE VIRGIN WOOLwool, fabric, blankets, sample, physician, collins bros mill pty ltd -
National Wool Museum
Textile - Physician Blanket Samples, Collins Bros Mill Pty Ltd
Ten striped blanket samples held together with split pins. Colours include brown, pink, blue and cream. Each sample has an ink printed Physician label and a Physician sticker with a number.wool, fabric, blankets, sample, physician, collins bros mill pty ltd -
National Wool Museum
Archive - “Physician” Chillproof Blankets, Collins Bros Mill Pty Ltd, July 1959
Single page black and white leaflet with printed text. front: [printed] When required / “PHYSICIAN” CHILLPROOF BLANKETS / are rendered Unshrinkable by our special / process inaugurated in 1933products, blankets, collins bros mill pty ltd, physician, advertising -
Linton Mechanics Institute and Free Library Collection
Book - Novel, [Collins, Wilkie], After dark : leaves from Leah's diary, [n.d.] [1856? This re-issue 1890s]
v ; 392 p. : bound in calico which is printed with product advertisements. Title page missing. Information for catalogue record from Wikipedia and online catalogues.fictionshort stories, fiction, wilkie collins, t. craig [bookbinder] -
Ballarat Tramway Museum
Document - Log book, Diary, State Electricity Commission of Victoria (SECV), Ballarat Depot workshop, 1968
Lists for each weekday, the work done on each tram, who was on leave, and events or failures, derailments - shown in red ink, motormen examined. Some pages during May were left blank. Related item diaries: 8280 - 1960 8281 - 1961 8282 - 1962 8283 - 1964 8284 - 1965 8285 - 1966 8286 - 1967 8286A - 1968 8287 - 1969 8288 - individual sheets for each tram 8289 - 1970 8290 - Monthly reports from May 1965 to August 1971Yields information about the Ballarat Workshop activities, tramcars maintained and events.Printed and bound book - Collins Australian Diary No. 324 for 1968 - two pages per week, ruled with date and holiday information and sheets for events, finances etc.ballarat, tramcars, workshop records, workshops, maintenance -
Ballarat Tramway Museum
Document - Log book, Diary, State Electricity Commission of Victoria (SECV), Ballarat Depot workshop, 1969
Lists for each weekday, the work done on each tram, who was on leave, and events or failures, derailments - shown in red ink, motormen examined. Has notes in the front cover the start dates for M Devlin, W Kell and the death date of G Minns. A birth date for Davis entered? At the page for 13/2/1969 was a handwritten list of work done to the tram fleet during 1969 - see item 8288. Related item diaries: 8280 - 1960 8281 - 1961 8282 - 1962 8283 - 1964 8284 - 1965 8285 - 1966 8286 - 1967 8286A - 1968 8287 - 1969 8288 - individual sheets for each tram 8289 - 1970 8290 - Monthly reports from May 1965 to August 1971Yields information about the Ballarat Workshop activities, tramcars maintained and events.Printed and bound book - Collins Australian Diary No. 324 for 1969 - two pages per week, ruled with date and holiday information and sheets for events, finances etc.ballarat, tramcars, workshop records, workshops, maintenance -
Ballarat Tramway Museum
Document - Log book, Diary, State Electricity Commission of Victoria (SECV), Ballarat Depot workshop, 1970
Lists for each weekday, the work done on each tram, who was on leave, and events or failures, derailments, sick leave, and recreation leave - shown in red ink. Related item diaries: 8280 - 1960 8281 - 1961 8282 - 1962 8283 - 1964 8284 - 1965 8285 - 1966 8286 - 1967 8286A - 1968 8287 - 1969 8288 - individual sheets for each tram 8289 - 1970 8290 - Monthly reports from May 1965 to August 1971Yields information about the Ballarat Workshop activities, tramcars maintained and events.Printed and bound book - Collins Australian Diary No. 324 for 1970 - two pages per week, ruled with date and holiday information and sheets for events, finances etc.ballarat, tramcars, workshop records, workshops, maintenance -
Melbourne Tram Museum
Photograph - Safety Zone prow & W2 305, Melbourne & Metropolitan Tramways Board (MMTB), 1961
Photo, an Official MMTB photograph, shows a safety zone concrete prow with a set of flashing lights at the intersection of Collins and Spencer Sts. In the view is W2 305 (Route 12, South Melbourne Beach). The tram has large experimental roof ventilators and two White Wings Tomato sauce adverts on the end panels. In the background are the Victorian Railways Spencer St buildings. Photo used in the 1961 MMTB Annual Report.Yields information about Safety zones and W2 305.Black and White photograph on plain paper.In ink on rear "Collins & Spencer"tramways, collins st., spencer st, safety zone, w2 class, tram 305 -
National Wool Museum
Samples, "From Sheep to Sleep"
Samples of wool, fibres and cloth demonstrating the processes in the creation of blankets, from greasy wool to finished cloth, produced by Collins Bros Pty Ltd.Samples of wool, fibres and cloth demonstrating the processes in the creation of blankets, from greasy wool to finished cloth, produced by Collins Bros Pty Ltd."From Sheep to Sleep" when buying Blankets or Flannels, always look for, and insist on "PHYSICIAN' 'CHILLPROOF' Brand Only the finest and best of wool used in the production of "Physician" Productstextile industry - education, collins bros mill pty ltd, blankets -
National Wool Museum
Award - Sporting Trophy Cup, 1937
Sporting trophy cup, G.I.C.A. W.T Wiggs Discipline Cup won by Collins Bros. 1936-37.Trophy, large electro plated nickel silver cup, ornate handles and stem, on bakelite base. Engraved on side of cup.G.I.C.A. / W.T Wiggs / Discipline Cup / won by / Collins Bros. / 1936-37sporting teams textile mills - sporting teams, collins bros mill pty ltd, sport, sporting teams, textile mills - sporting teams -
National Wool Museum
Trophy
G.I.C.A. WT Wiggs Discipline Cup won by Collins Bros 'B' 1940-41.G.I.C.A. WT Wiggs Discipline Cup won by Collins Bros 'B' 1940-1sporting teams, collins bros mill pty ltd, sport -
Kew Historical Society Inc
Photograph - Wading Pools : Studley Park Reserve
In the 1930s, the Studley Park Trust decided to cater for young children by constructing wading pools in the Studley Park Reserve where the Collins Bridge crosses into Kew. The earliest references to the pools in newspaper articles and letters to the editor appear in the late 1930s. The eventual closing date of the Studley Park Pools has not been discovered, but it was clearly still in existence in 1940 when a representative of the Trust described the facility as one of many public fixtures requiring regular maintenance. Black and white print positive of the former wading pools in the Studley Park Reserve (now Andrews Reserve) on the Kew side of the Collins Bridge. In the foreground adults are sitting on seats while small children play in the pools. The Abbotsford Convent is in the background.Reverse: "Collins Bridge / Wading pools Collins Bridge"andrews reserve -- kew, studley park trust, wading pools -- kew, studley park reserve -
Melbourne Tram Museum
Photograph - Set of two Black & White Photograph/s, "Swanston St looking south from Little Collins St Corner, World War 1 era", 1980's?
Set of two reproduced photographs, sepia toned of "Swanston St looking south from Little Collins St Corner, World War 1 era", with Town Hall in background. Has cable cars, motor vehicles, horse drawn vehicles in the view. Also Rayners Ladies Draper, Marlborough Studios. One of a series of four photographs produced by an unknown person/company. One large and two small prints held.On the rear of 587 "Cable Tram prints $10/set"trams, tramways, melbourne, swanston st, cable trams, town hall -
National Wool Museum
Trophy
Cup, G.I.C.A. Simmonds Cup won by Collins Bros B.C.C. Runners-up 1939-40.G.I.C.A. Simmonds Cup won by Collins Bros B.C.C. Runners-up 1939-40.sporting teams, collins bros mill pty ltd, sport -
National Wool Museum
Trophy
Cup, G.I.C.A.. Wt Wiggs discipline cup won by Collins Bros. B 1938-39CIGA W.T. Wiggs Discipline Cup Won by Collins Bros B 1938-39sporting teams, collins bros mill pty ltd, sport -
National Wool Museum
Trophy
Cup, GICA WT Wiggs Discipline Cup won by Collins Bros 'B' 1941-42.GICA WT Wiggs Discipline Cup won by Collins Bros 'B' 1941-42sporting teams, collins bros mill pty ltd, sport -
Ringwood and District Historical Society
Minute book, Collins, Freemason's Lodge Amaroo No. 828 Minute Book 27-Jul-1962 to 22-Aug-1975. Blue watermarked covered minute book, with fawn/suede spine. Red label with gold printing on front. Prenumbered with 333 pages; 329 used, 27-Jul-1962 to 22-Aug-1975
Used by the Masonic Lodge Amaroo No. 828 Ringwood from the first to the 146th meeting held at the Masonic Hall, Pratt Street, Ringwood.Blue watermarked covered minute book, with fawn/suede spine. Red label with gold printing on front. Prenumbered with 333 pages; 329 used.Lodge Amaroo No. 828 Minute Book (on front).; Minute Book Collins 4394 (on spine) -
Melbourne Tram Museum
Postcard, Valentine's, "Town Hall, Collins St Melbourne", late 1940's?
Postcard - Black and White - Valentines "Town Hall Collins St Melbourne" number V62 - looking north west from near Russell St at the Melbourne Town Hall buildings. Has a number of motor cars and trams in the view. In the background is Manchester Unity Building and the Athenaeum Theatre portico. Appears to be late 1940's or early 1950's. On the rear - has a divided back, and "A Real Photograph" " & Produced in Australia" and the Valentine's logo.On the rear has the stamp of Graeme S Breydon - see image i2.trams, tramways, elizabeth st, gpo, post office -
Port Melbourne Historical & Preservation Society
Document - Receipt, Chrysler sedan service, Collins Motors, South Melbourne, 19 Dec 1966
The Mathews family have been in continuous ownership of 395 Howe Parade (was 8 Howe Parade until 1964 when addresses re-assigned), Port Melbourne from 1938 to the present (Sept 2019)Six folders of assorted documents relating to the life of Alan Mathews and his family. Employment documents. Folder 4 has Motor car purchases, Registration & Licences Receipts from Collins Motors Sth Melb. Servicing Chrysler sedan registration JPH 501 - no chargetransport - motor vehicles, alan mathews, commonwealth aircraft corporation, cac -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Elsna, Hebe, I Have Lived To-day by Hebe Elsna, 1944
Romance novel.Hardcover book, 160 pages. Book has a dark green cover.fictionRomance novel.hebe elsna, romance, fiction -
Ringwood and District Historical Society
Book - Minutes, Collins, Ringwood Primary School Mothers' Club Minute Book 1982-1988, Nov-82
Minute book of the Mothers Club Committee for the Ringwood Primary School No 2997 Nov-1982 to 1988.Minute book of the Mothers Club Committee for the Ringwood Primary School No 2997 Nov-1982 to 1988. Red covered Collins 3880 Series Minute Book - with gold lettering. All pages filled. -
The Beechworth Burke Museum
Photograph, J. Collins, c.1940-1950s
This photograph was captured sometime between an estimated 1940s-1950s. It depicts the Beechworth Benevolent Asylum (later the Ovens and Murray Hospital for the Aged) which was built in 1862. It is located on an elevated site in Beechworth, Victoria because it was believed the height was beneficial to the health of the patients at the Benevolent. Later wings were added to the original building between 1867 and 1890. The building was constructed in an unusual Flemish Gothic Revival style which contrasts with the classical style of the Mayday Hills Hospital in close proximity to the Benevolent. The Hospital was designed in Italianate Revival architecture. The appearance of buildings like the Mayday Hills Hospital and the Ovens Benevolent Asylum are representative of the importance of Beechworth as a town shortly after the goldrush. During the 1850s and 1860s, administration buildings were erected alongside churches, shops and structures of justice. This marks a movement away from the "chaotic" structure of life on the goldfields and towards a more civilised and cultural lifestyle. This social phenomenon is also witnessed in Melbourne with the creation of buildings like the State Library and the University of Melbourne. The Beechworth Benevolent Asylum was renamed the Ovens Benevolent Home in 1935. The Asylum had been set up to provide accommodation and care for permanently injured gold miners, and for women and children who were penniless, homeless, or whose parents were guests of the state. In 1954 it was renamed as The Ovens and Murray Home (as pictured in this photograph). The purpose of this building was to provide a refuge for the poor and destitute, homeless older men, deserted women and children along with providing care for the mentally ill. These buildings were built at the government's expense and are of great historical and architectural significance.This photograph depicts the Ovens and Murray Home (previously the Ovens Benevolent Home) during the 1940s or 1950s. Since this building is of great historic and architectural significance, photographs like this are especially valuable in reconstructing the use history and any changes/additions to the building over a period of time. This building is important for what it can reveal about society in Beechworth and also architectural styles. This building is made in the Flemish Gothic Revival style which is quite unusual for the 1860s. It is important as an early example of a building constructed for a specific purpose, in the case of this particular building: caring for the aged/destitute. This building is important for research into the civic development of Beechworth as an early Gold Rush town located in Victoria's North-East. During this period, Beechworth was developing as the main center of administration in this region which made it a very influential and quickly developed town. Photographs like this one which depict a building during one period in history can reveal important information for the use and alterations of a building and for preferences in architectural style. It can also be studied for what it reveals about society in Beechworth and compared and contrasted to similar institutions across Australia and with additional photographs in the Burke Museum collection.Black and white rectangular photograph printed on gloss photographic paperObverse: OVENS & MURRAY HOME / Reverse: KODAK PAPER / 727 / J. Collins BMM 8689.1 /mayday hills, beechworth benevolent asylum, ovens benevolent home, asylum, refuge, poor and destitute, goldrush, flemish gothic revival, architecture -
National Wool Museum
Trophy
Cup, G.I.C.A.. Wt Wiggs cup A Section premiers won by Collins Bros. B 1942-43.G.I.C.A.. Wt Wiggs Cup A Section premiers won by Collins Bros B 1942-43.sporting teams, collins bros mill pty ltd, sport