Black and white photograph of tennis players and coaches at a tennis clinic in Italy. Many players and spectators are youths in uniforms, possibly schoolchildren. Materials: Paper, Photographic emulsiontennis

Black and white photograph of Brad Drewett and Mark Edmonson playing on court. Writing on reverse states :'Stars of the Australian Open' and 'The Year that Was'. Materials: Paper, Photographic emulsiontennis

Framed colour photograph of the Australian team that won the 1987 World Youth Cup in Freiburg, West Germany. Materials: Ink, Photographic emulsion, Paper, Glass, Woodtennis

Photograph of Frank Sedgman, Ken McGregor, Jack Kramer and Pancho Seguro after signing business contracts. United Press photo. Materials: Photographic emulsion, Papertennis

Photograph of Rod Laver hitting a backhand shot at Wimbledon during a match against John Alexander in 1970. Press photo (Credit UPI). Materials: Photographic emulsion, Papertennis

Photograph of Margaret Court and Evonne Goolaging standing on a court at Wimbledon when playing as a doubles team, 1971. Press photo (credit UPI). Materials: Photographic emulsion, Papertennis

Photograph of Australian team competed at World Youth Cup (Junior Davis Cup?): From left: Todd Woodbridge, Brett Steven, and Jamie Morgan. Materials: Paper, Photographic emulsiontennis

Photograph of young people exercising in a gymnasium under direction of Neale Fraser. Caption on reverse states: 'Hitachi Follow Up camp August 1978'. Materials: Paper, Photographic emulsiontennis

Photograph of young people exercising in a gymnasium under direction of Neale Fraser. Caption on reverse states: 'Hitachi Follow Up camp August 1978'. Materials: Paper, Photographic emulsiontennis

Black and white photograph of Mark Edmondson and Kim Warwick (?) in on court ceremony, behind sign stating 'Australie'. Possibly 1981 Davis Cup in France. Materials: Paper, Photographic emulsiontennis

Framed colour photograph of the Australian team that won the 1988 World Youth Cup (16 and under Girls) in Perth, Australia. Materials: Ink, Photographic emulsion, Paper, Glass, Woodtennis

Framed photograph of tennis match. Caption reads 'Davis Cup in Queensland...Milton, Brisbane...Australia v. USA...October 1986'. Materials: Paper, Glass, Metal, Photographic emulsiontennis

Colour photograph of Nicole Provis. Caption reads 'Nicole provis with the Federation Cup...Picture Bruce Magilton...Herald Sun'. Materials: Wood, Glass, Cardboard, Paper, Photographic emulsiontennis

A collage tribute to Jaroslav Drobny, comprising a black & white photograph and printed text blurb. UV glass. Materials: Paper, Photographic emulsion, Ink, Glass, Metal, Wood, Cardboardtennis

Colour photograph framed in silver frame. Frame engraved 'Compaq Grand Slam Cup, December 10-15 1991'. Materials: Glass, Silver/Metal, Paper, Photographic emulsiontennis

Photograph of Davis Cup team, date unknown, but including Harry Hopman, Roy Emerson, Ashley Cooper, Lew Hoad and possibly Frank Sedgman. Materials: Photographic emulsion, Papertennis

Leather album belonging to Nell Hopman and containing photographs taken by her on a 1938 tour to Europe with other Australian tennis and cricket players. Materials: Leather, Paper, Photographic emulsiontennis

Photographic print of 1955 winning Australian Davis Cup team. as been later autographed by Ken Rosewall (in 2001), Lucy Hopman and Rex Hartwig. Materials: Paper, Photographic emulsiontennis

hand crocheted synthetic film, Japanese bamboo tape, plastic thread over high density foam, synthetic polymer emulsion, cotton rag paper, wire, hidden talismans

Image taken in c.1900 of Albert Road, Beechworth, showing surrounding landscape. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniquesThis glass slide is significant because it provides insight into Beechworth's social amenities and religious infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, 1900s, landscape, streetscape, albert road

This image of a man is possible an early version of the modern photographic technique the 'selfie'. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's social amenities and religious infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome

Framed colour photograph of the Australian team that won the 1987 World Youth Cup (16 and under Boys) in Freiburg, West Germany. Materials: Ink, Photographic emulsion, Paper, Glass, Woodtennis

A photographic reproduction print from a colour-tinted glass plate slide, of people playing tennis in a park, with seated children in the foreground, in Troy, New York. Materials: Photographic emulsion, Papertennis

This image showing a man sitting on a bench seat reveals what life was like in the Edwardian era through the clothing and hairstyle worn by the seated man. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniquesThis glass slide is significant because it provides insight into Beechworth's social amenities and religious infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, edwardian era, portrait

This image was taken c.1900 and shows one of the offices upstairs in the Beechworth Town Hall. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniquesThis glass slide is significant because it provides insight into Beechworth's social amenities and religious infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, office, town hall, beechworth town hall, 1900s

A hand-painted slide from c.1900 depicting a circular image of 11 goldfish swimming around the words 'Good Night'. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniquesThis glass slide is significant because it provides insight into early photographic and film-making technology in use in regional Victoria during the late 1800s and early 1900s.Thin translucent sheet of glass with a circular image printed on the front and hand-painted in shades of orange, red, blue, and green.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, fish, hand-painted, good night, 1900s

Framed photograph of Martina Navratilova. Written in pen on print: 'To Geoff...Don't I look cute?!?...Look forward to coming back...Martina". Materials: Ink, Photographic emulsion, Paper, Glass, Metaltennis

Photograph of Don Budge, seated and holding U.S. Chamionships men's singles trophy. Photograph is signed by Budge in blue marker. Glass missing. Materials: Paper, Photographic emulsion, Wood, Cardboard, Inktennis

Photo album containing a range of photographs of female tennis stars from the 1960s-1970s. Most appear to be copies of press shots by various photographers. Materials: Paper, Ink, Vinyl, Photographic emulsiontennis

Offical access all area pass for 1990 Australian Open issued to Glen Sharam (head groundsman at National Tennis Centre ca. 1990-91). Materials: Paper, Photographic emulsion, Plastic, Cordtennis