Kukri knife as used by Ghurka soldiers in Burma. Curved steel blade with bone handle. Leather sheath with steel tip. Bone handle decorated with ivory dots and brass pins. Missing the two smaller knives.Blade adorned with intricate scroll and flower etching and the word INDIA .

Displayed in original toy cabinet of museum for unknown length of time. Copy of an original lithographBiography of Outhwaite, Ida Sherbourne 188 - 1960 in Supplementary FileBlack and white etched print of children and pixies playing around open fire. Print is set in brown wooden frame. Copy of an original lithograph. The etching is by Ida Rentoul Outhwaite identified by her signature in the top right hand corner covered by the mounting.|On the back of this copy of the etching (the page appears to be cut from a book) is an etching of a koala and a camp fire on which he has brewed billy tea. A sweet four verse poem describing the picture accompanies the etching.|The initials I.S.R.O. are at base of the etchingillustrations, reproductions

John Wesley (1636 - 1678) English nonconformist minister was the grandfather of John and Charles Wesley. He graduated M.A. from New Hall Inn OxfordB & W printed etching of John Wesley M.A. john wesley, charles wesley, oxford

First World War ship -USS VermontTeaspoon with the handle in the shape of sailor and an etching of a ship in bowl.U.S.S. Vermontuss vermont

Bookplate etching showing a cat on a share in front of bookshelvesBelow plate '11/50 Big Mac's Bookplate Pat Rowley'bookplate, pat rowley, keith wingrove memorial trust, australian bookplate design award, cats, animals

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching showing a nude model lying on drapery.A/P Signed 'Walters,wes walters, printmaking, available, nude, lifedrawing

Australia 1913 - 1986Etching, aquatint, drypoint 1/15 s.91ivTitle, edition, signed and dated

German 1867 - 1945Etching and through-press process, K.91 ixb

This item shows the excavation of the side of a railway track using a pneumatic shovel and a rail mounted truck by two workmen. The period covered was well before State Health and Safety requirements, such as helmets, became law. It also details that the workmen were from European heritage as their head coverings were a handkerchief knotted at each corner. This was typical for workmen of this heritage, others used caps or hats or no head covering at all (the macho male look)The photograph of this item was one of many depicting great achievements and opening up the region. A visual link or time capsule of the 1950s rural/mining sectors clashing with the established rural industriesThis photo depicts the time (1950's) and place (Bogong and Mount Beauty) where construction workers had an immense impact, not only on the physical environment but also on the social and economic development of the Victorian Alps region. The fast expansion of smaller settlements brought about increased pressures on the welfare viability of certain subgroups within the region e.g. farming, droving and commerce (caravan hawkers versus static shops). These changes brought about a heightened awareness by both local and State Governments to upgrade not only facilities within the region but also access to the region. Black and white photo of two workmen on a rail mounted shovel truck. The photo is of good definition allowing a clear view of the subject matter. The paper is semi gloss.On the back of the photo, paper suppliers etchings are "Kodak XtraLife II paper"mining, hydro electricity, victorian alps, construction camps, earth moving machines

These cello strings belonged to Edith Jacobs (nee Larwill) who was prominent in music circles in Queensland before her marriage to Henry Jacobs, a Warrnanbool Estate Agent and Auctioneer during the 1940s and 50s. Edith Jacobs featured in many concerts and musical entertainments in Warrnambool during the middle years of the 20th century. Her son, Frank Jacobs was a prominent businessman in Warrnambool in the 70s, 80s and 90s and the wallet was either made by him or for him. These items are of some significance as they belonged to Edith Jacobs, a musician who was prominent in the Warrnambool musical scene in Warrnambool in the 1940s and 50s.This is a light brown leather wallet, hand made with two fringed areas, one on the top covering. There is some machine stitching and some hand stitching (repairs)The wallet is lined with cream-coloured silk and the back of the wallet has an etching of an emu. The opening has two press studs for closing the cover. There are also three paper packets containing cello strings. Two of the strings are loose in the packets. Label stitched on – ‘Frank H. Jacobs’ Etching of emu Strings – ‘Calizi Tru-tested Strings, Cello, G or 3rd, Wound on selected gut, Made in England, J. E D. & S Ltd.’ ‘Conservatoire, Cello, A gut, Reliable and Durable, No. 1620, J.E.D.& S. Ltd’ edith jacobs (larwill), cello, cello strings, warrnambool

Rev James Bickford (1816-1895) was President of the Australian Conference in 1868. He wrote a book entitled James Bickford: An Autobiography.Black and white print of an etching of a portrait of Rev James Bickford.bickford, j, methodist

Purchased, 2014Two-plate photo-polymer etching on chine colle on papergippsland, artwork, permanent collection

Donated by Freestone Press, 2016Two-plate photo-polymer etching on chine colle on papergippsland, artwork, permanent collection

Donated from the estate of the artist, 2014Soft-ground etching and aquatint from two plates on papergippsland, artwork, permanent collection

Philip DAVEY (1949- ) Born Devon, United Kingdom Arrived Australia 1958 The broad artistic practice of Philip Davey incorporates images of urban and natural landscape, as well as figurative narrative works, often inspired by classic Australian texts. He has been artist in residence at several Victorian secondary institutions. Framed etching of a man in convict uniform surrounded by three thylacines.available, thylacene, convict

Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of an etching depicting the Cowes Jetty and the Isle of Wight Hotel 1880.local history, photography, photographs, jetties, phillip island, isle of wight hotel, john jenner, bryant west, cowes jetty

Shenzhen Polytechnic was founded in 1993. It is a senior academy with three campuses in China and co-operative relationships with 40 universities outside mainland China. It has been ranked first among China's vocational colleges.Heavy glass with etching on two sides and hologram of clasped hands in baseCircular emblem of Shenzhen Polytechnic - 1993 on one side. Opposite side has University of Ballarat Australia shenzhen polytechnic, senior academy, china, universities, paper weight, glass, hologram

Ordained 1865. B: 1841 South Australia; D: 1911 Rookwood NSW. President S.A. Conference 1885 (but spelled as Newnham in the Ministerial Index).B & W head and shoulders etching of the Rev. Charles T. Newman.Rev. C.T. Newman, Adelaide. Published by request of the South Australian Book Company. Engraved by R. Rapkin from a photograph by Hammer & Co.newman, charles t., methodist minister, president of conference

Rev William Butters (1810 - 1887). Born Hibbaldstone, Lincolnshire on 24 January 1810. Entered the Wesleyan ministry in 1833 and sent as a missionary to Van Dieman's Land. Worked with convicts at Port Arthur, then served at Hobart, Ross and Launceston. In 1850 he was appointed to Melbourne. His health failed during the unprecedented difficulties initiated by the discovery of gold in 1851. Appointed to Adelaide 1855 - 1862. returned to Victoria in 1862, but his health broke down completely and he returned to England in 1863 and became a supernumerary. A founder of the Wesleyan Mission Carlton. President of the Australasian Conference in 1858. William Butters lived for 24 years in the London (Brixton) circuit before dying suddenly on 10 October 1887.B & W waist length printed etching of Rev. William Butters"Revd William Butters President of the Australasian Conference"william butters, wesleyan, methodist, minister, chaplain, port arthur, van dieman's land, wesleyan mission carlton, president of conference

Metal hair curling tongs- Double handle with etching and 2 prongspersonal effects-toilet requisites, hairdressing

The five men who were staff officers of the Victorian Volunteer Force were Captain Snee, Major Pitt, Colonel Anderson, Captain Payne and Captain Burton. The Victorian Volunteer Force was the main defence force in Victoria after the withdrawal the Imperial Troops in 1870. IN that same year a Permanent Artillery Corps ( Victorian Artillery) was also formed. The Volunteer force was disbanded in 1884 and replaced by the Victorian Militia force. The members were paid and enrolled for a set term.A black and white photograph of an etching of 5 officers in the Victorian Volunteers Force.victorian volunteer force., victorian artillery, victoria militia, military history

Councillor Joseph Haweil spoke to a Legacy Comradeship Luncheon on 27 June 2023. Cr Haweil is Mayor of Hume City and a member of the Assyrian community in Melbourne. He spoke about the actions of Stanley Savige during World War 1 that lead to him saving over 50,000 Assyrian refugees in Persia. After the speech he presented President Kerry Jenke with this artwork by Mr Furat Yosip.The artworks shows that the Assyrian Community are grateful for the life of Stan Savige.Wooden board with burnt etching of Stanley Savige with a gold coloured plaque.Plaque says "Presented to Melbourne Legacy / In Eternal Gratitude and Remembrance of Lieutenant General Sir Stanley George Savige, KBE CB DSO MC / By the Assyrian Community of Victoria at the Assyrian Martys Day Commemoration, Coolaroo - 5 August 2018 / Artist: Mr Furat Yosip"stan savige, assyrians

German 1867 - 1945Etching K.32 iv b, Plate 4 in the Weaver's cycle

German 1867 - 1945Etching and emery through-press process, K.103 viii bPrinters marks

A small bottle that held imported liqueur. Small white bottle with blue etching and 2 small black and gold label.On labels "Minted chocolate liqueur" and "Vandermint liqueur"mint liqueur, bottles, vandermint