Set of 2 photographs taken on the AETA tour Sat. 10/2/1962 - Closure of the Local Tram Routes at Footscray. .1 - Scene at Footscray Tram Depot with the name "Footscray Tramways Trust" Prominent on the building with tram X1 467 sitting on the depot fan with many of the travellers in the view on the hot day. .2 - as above. Taken on Perutz film - see 3997 for the AETA Tour circular.trams, tramways, footscray, aeta, footscray depot, ftt, x1 class, tram 467

Wal Jack kept extensive notes on railways and tramways around the world, provided by his correspondents and research. This set of notes has information on the Puget Sound Electric Railway (Seattle to Tacoma), cars of the Jamestown, Westfield and North western Railroad. closure of the Lancaster Ohio streetcar (tram) system, the McKeen Motor car company and Central Electric Rail fan's Association. (CERA) who published a detailed magazine. Bickarts were Ballarat Watchmakers and Jewellers.Yields information about type of work undertaken by Wal Jack.Two orange coloured sheets - Bickarts of Ballarat letterhead - recording details of USA Streetcar systems.letters, wal jack, archive, usa, mckeen, cera, records, bickarts

Object. Woven palm - frond handle and 'spine'. Strips of palm-frond have then been split from the fronds, and woven in a 'basket' effect, with slightly wider - 1 cm, at the base of the fan shape, tapering to .5 cm at the top. Lower section at the centre. A second 5 cm straight shape section steps up to a top peak, 4 cm high. Some pattern is visible, in a darker colour.costume accessories, female, palm -frond diamond shaped fan

Colour photograph of Barry McCandlish talking to an assembled group of school children from the Melton West Primary School when they visited the Museum during 1995. Children sitting on the depot fan, while Barry stands on a step of tram 27. Another photo of the group is used on the front cover of the education kit. Photo taken by Leanne Fitzsimons, daughter of member/conductor Len Doull. On Kodak paper.school visits, melton west primary school, charters, education, tram 27

Bone fan with hand painted violets. One pair of black leather wrist length gloves. One pair of grey suede gloves (made expressly for Peter's Glove Specialist, Melbourne.) One beige beaded hand held handbag. Original Schonanek. Made in Czechoslovakia. Two lace doileys with dogs on them and pink embroidery around the edges. Two linen embroidered pillowslips with covered buttons.folding fans, fans, evening bags, pillowcases, gloves, baby clothing, doilies, detachable collars

Reverend Howard Sinclair Bailey and his wife left the South Shields Seamen's Mission, England, to work in Melbourne to replace Reverend John Reginald Weller who had left in January 1929 to work as Superintendant in London. Reverend Bailey arrived in May 1929 on the ship Cathay. He had been working in South Shields for two years. During WWI, he was on active service with the Australian troops in Egypt and Palestine. The article was found loose in the fan album dating 1928.The article relates to one of the chaplains who have worked at the Melbourne Mission.Newspaper article with photographreverend howard sinclair bailey, south shields, england, 1929

Centre pages show a map of the system and the sections. The extension to North Bendigo is yet to be constructed. Gives times for trams leaving the city or the terminals for the routes and for the Eaglehawk route, leaving Long Gully Bridge. Has four SECV Advertisements within the book for hot water, ovens - cookers, toasters and electric fan heaters. Three copies held. See item 5356 for a digital image of the same document with a photograph of Len Smith of Geelong loading a pram into a Birney tram.Provides details of 1940 tram services in Bendigo.Forty-page booklet, with orange lightweight covers, saddle-stapled, SECV Provincial Tramways with the title "Official Time Table Bendigo June 1940". Has address if Hargreaves St Bendigo on bottom of the cover. Two copies held.bendigo, timetables, secv

Black and White Photograph of S.N. Castle 254 mm x 208 mm. Inscription on reverse side reads S.N. Castle in English Harbour Fanning Island. From my own photo given by me to the skipper Capt. J.H. von Dahlern. Now in possession of Minna Wenzke of San Francisco, a niece of the skipper. 215 mm x 165 mm. SH 067 [1] Ships C - E.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, s.n. castle, fanning island, minna wenzke

Part of the Frederick Gardner Davey DFC RAAF collection. Refer Cat No 3536P for his service record.Folded four page advertising card with black printing on each page, front page features the business name, address and phone number in addition to moral advice. The inside two pages feature quotes and further moral advice regarding appropriate behaviour, the back page features to fan shaped decorations between “God save the King” and “God bless everybody is my earnest wish”, printed in Gothic type.souvenirs, advertising, taverns

!6.5 cm x 10.5 cm black & white seated young woman holding fan in studio. Wrist watch on right arm. Open necked dress topped with gathered flounces pinned to dress. Bare shoulders. Printed on Front. Vandyck Studio Melbourne. Bourke Street , Next Gen Post Office and Collins Street E. Faint barely legible written caption on reverse. Miss M Loundes.Vandyck Studiosphotograph, person, female

Hand knitted, lacey patterned baby's dress, with short, raglan sleeves, and round neck.Skirt has a lacey, fan shaped pattern of six rows (repeated), and gives a scalloped effect at the hemline. Yoke is knitted in stocking stitch, and has a 1 cm nylon ribbon passing through eyelets just above the change to the pattern. Four 1 cm diameter plastic pearl buttons fasten the back yoke.Matches jacket 11400.659.costume, children's, hand knitted baby's dress

Demonstrates Museum Operations.Set of five 35mm Kodachrome cardboard mount - colour slides by Frank Londey of operations at the BTPS depot and in Wendouree Parade April 1985 (date on the slide) Perhaps during a organised tour. .1 - W3 661 on No. 6 road .2 - trams 33 and 18 on the depot fan .3 - 27 and 40 at St Aidans Drive .4 - 27 and 661 at Gardens Loop .5 - 661 in Wendouree Parade at the Ferry stop tramways, trams, btps, btm, depot, wendouree parade, st aidans drive, tram 661, tram 33, tram 18, tram 27, tram 40

Newspaper Clipping with photo and text about the Ballarat Tramway Museum becoming an Accredited Museum. In Friday May 22, 1998 Courier Newspaper. Page 5. Has photo of Darren Hutchesson and Simon Jenkins leaning out of tram 27 on depot fan. Text from a BTM press release. Mentions Richard Gilbert and Lorraine Elliot MLA. 842.1 - 2nd copy added 25 June 1999. In better condition.842 - "Courier 22/5/1998, p5" in pencil on side of Clipping. 842.1 - In blue ink in top left hand corner, "Friday 22/5/98"trams, tramways, btm, accreditation, museum

Printed full colour postcard titled "The Victorian Goldfields" / "Ballarat / restored trams at Lake Wendouree". Features BTM tramcars 661, 28 (being repainted), 671 on the depot fan and No. 45, Gold tram in Wendouree Parade during winter. Photo taken c2001, No. 28 returned to service Oct. 2002. On rear is places for correspondence, stamp, barcode, address. Has the name of the publisher "Givenworks" and name of photographer "Mal Austin". trams, tramways, btm, wendouree parade, depot, tram 661

Large print illustration of L105, showing Destination of Carnegie on the Glenhuntly depot fan, c Oct 1969. Photo caption notes that it was photographed on the Sunday prior to being withdrawn. Print published by Windsor Publications as their No. 9 of a series. Trams has advertisements for Marshall Batteries, Gauloises cigarettes, Guardian Assurance and Courage Beer. Printed on heavy cardboard with a gloss sheet. See Destination City, 4th Edition, page 18.trams, tramways, melbourne, glenhuntly, windsor publications

Pages 42 of The Courier, Ballarat, Monday Sept 30, 2011 featuring photographs of people attending the BTM Family Fun day, titled "who's in it today? " / "Tramway". Has a photographs of Roger Salen standing in front of No. 27 on the depot fan, as MC of the event , Neil Lardner, Alan Bradley and Christopher Mitchell. Photos by Jeremy Bannister of The Courier. See Reg item 50?? for prints of these photos from The Courier's web site.btm, family fun day

Set of 3 Digital Images of the testing of the opening of the depot extensions on 19/9/1981. .1 - general view with 40 and 38 on the depot fan and that rock. Has the banner in position. .2 - ditto .3 - with Richard Gilbert speaking on the trolley. See Reg Item 2801 for the banner and the 1981- 1982 BTPS Annual Report for further details. From digital images from Warren Doubleday, pending transfer of the originals.trams, tramways, opening, depot extensions, btps, launch, banner, tram 38, tram 40

A small rectangular blue textured hardcover book of postcard style fold-out Views of Loch Lomond in Scotland. It has a decorative brass clip on the right short side to close it. Inside are the faded labelled pale blue and purple prints which have fan fold illustrations, as well as a 16 page Descriptive Letterpress explaining the contents and information about each view. Pp.16. with pp.3 -14 missing. non-fictionA small book of fan folded postcard style Views of Loch Lomond with an explanatory 16 page addition at the back for each view. These books were given as souvenirs of travels.photographic postcards, cards, postcards

This particular Musk Duck is a female specimen. This is ascertained through the lack of a large bulbous lobe of skin hanging under the bill. This particular duck has a much smaller lobe on the underside of its bill which is only visible when close. The name Musk Duck comes from the strong musk odour produced from a gland on the rump of the bird. These ducks are found only in Australia, in south-western and south-eastern mainland and in Tasmania. They prefer to reside in locations which have deep water and plenty of aquatic vegetation. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A large duck with a sooty-brown plumage and paler brown colouring on the stomach and areas of the neck. This bird stands with its head turned to look over its right shoulder. The eyes are made of brown coloured glass. The legs on the Musk Duck are positioned towards the far back of the stocky body and the feet are webbed. This enables the duck to swim but provides a clumsy gait. The bill of this Musk Duck is dark grey and the tail feathers are positioned in a fan-shape.Paper tag reading "9a Musk Duck. See Catalogue, page, 39."taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, duck, musk duck, aquatic, biziura lobata

Colour photograph of the almost completed horse tram, missing off side gates and advertising boards. Handrails and lettering and stairway decoration completed. Photographed on the BTM depot fan, on the occasion of the 21st anniversary of the closure of the Ballarat tramway system - 19/9/1992 with Frank Puls standing between the tramcars. Tram 661 in the background. Print on Kodak paper. Used in a Trolley Wire publication?? 799.1 - similar photograph - added 25/1/2008On rear is a label "Photo page 5, Same Size"horse tram no. 1, tramcars, btps, reconstruction, tram 1, 661

A set of seven Plastic mount (black base, white cover) of tram No. 38 in service for the BTM Photo by Travis Jeffrey, c1992. .1 - 23 - Gardens Loop, destination of Mt. Pleasant .2 - 24 - ditto .3 - 28 - Carlton St .4 - 11 - tram running out, about to cross Wendouree Parade showing Special .5 - btm124 - at Carlton St .6 - btm125 - Gardens Loop .7 - btm135 - on the depot fan.tramways, trams, wendouree parade, btm, gardens loop, tram 38

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 5/4/1958. Has slide No. "11" stamped in red in top corner and date stamped on slide. Photo of scrubber tram on depot fan, with No. 21 with a "Australian Electric Traction Association Special Car" auxiliary board. For high resolution scan see btm2840h.tif"Ballarat Depot" "-5 APR 1958"tramways, trams, wendouree parade, depot, ballarat depot, scrubber tram, aeta, scrubber, tram 21

Clothing. Fine white linen fabric. A .8 cm 'tuck' edged at top and bottom with a spoke-stitched border, marks the waistline. Below the waistline is a peplum, split at the centre front with 8 cm deep peaks. These peaks are repeated at the centre back. The peplum tapers to 7 cm deep at side seams. The camisole is trimmed at the top edge with a 4 cm deep band of cotton lace. The top edge of the linen fabric has a double row (off set) of cotton embroidered 'spots' 2 mm in diameter, and three rows of drawn thread work - one cm in width, 3.5 cm wide lace form the shoulder straps. The back opening fastens with six tiny 7cm pearl buttons, and hand-stitched button holes. The lower button fastens with a loop at the waistline 1880-90's. A 'fan' of pintucks, arched from 4 cm long at the ends, to 6 cm long at the centre, fans the midriff at the centre front, above the waistline - 28 tucks in total.costume, female, camisole.

A set of seven 2 1/4" square photographs mounted onto a sheet of manila cardboard - contact prints of each negative. Numbered from left to right, top to bottom are: 477.1 - Decorated tram at Batman Ave 7/5/1955 477.2 -M&MTB W2 434 at Camberwell depot entry 7/5/1955 477.3 - M&MTB SW2 426 at Camberwell depot entry 7/5/1955 477.4 - M&MTB 727 at Camberwell depot entry 7/5/1955 477.5 - M&MTB Q190 on Camberwell depot fan 7/5/1955 477.6 - M&MTB Y613 on Camberwell depot fan 7/5/1955 477.7 - Caulfield Race day, line up of trams looking towards Crystal Palace Theatre from the railway underpass, 3/9/1955. Image btm477i is of the card itself and individual images higher res scans made 12/12/2020. trams, tramways, melbourne, camberwell depot, prahran centenary, caulfield races , tram 434, 426, 727, 190, 613

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive