After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 827 High Street, East Kew by Margaret Picken.827 HIGH ST., E.KEW / MARGARET PICKEN © 2002 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 827 high street - kew east (vic).

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.84 KINKORA RD, HAW Marg Picken ©2002 FLETCHERS REAL ESTATEartist - margaret picken 1950-

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A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 8 Trevor Crt., Nunawading This property is listed as having sold for $285,000 in 2001 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a semi detached brick house on a sub-divided lot, with a driveway on right leading straight to a connected garage, and sweeping to the left up to the garage for the front property.8 Trevor Crt., Nunawading Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

This photograph was taken during one of a series of workshops that were hosted by the Wooragee Landcare Group in the year 2004. In line with the main goals and missions of the Wooragee Landcare Group, these workshops aimed to promote biodiversity and land protection in the local area. Many of these workshops focused on either the protection of the endangered tiger quoll (spotted-tailed quoll) or the handling of fox infestations. Though the specific date of this photograph is unknown, it can be confirmed that it was taken outside of Wooragee Hall. Featured in the photograph, from left to right is: an unknown person, Jerry Alexander, Tony Prowse and Mary Prowse. The presence of wildlife ecologist Jerry Alexander suggests that this workshop focused on the tiger quoll, with possible exploration of its potential habitats (suggestive due to the outdoor location). The Tiger Quoll is the largest of the quoll species. Largely resembling a cross between a possum and a cat, the quoll is distinctive due to the white spots that are often found all over its brown fur.This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group to educate members of the public on the tiger quoll in the early 2000s in an attempt to better understand and protect the species. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders.Landscape coloured photograph printed on gloss paper. Reverse: WAN NAO1EONAON2. NNN- 1 1981 /

This photograph was taken during one of a series of workshops that were hosted by the Wooragee Landcare Group in the year 2004. In line with the main goals and missions of the Wooragee Landcare Group, these workshops aimed to promote biodiversity and land protection in the local area. Many of these workshops focused on either the protection of the endangered tiger quoll (spotted-tailed quoll) or the handling of fox infestations. Though the specific date of this photograph is unknown, it can be confirmed that it was taken outside of Wooragee Hall. Pictured from left to right is: Andrew Murray, Jerry Alexander, Tony Prowse. In the photograph, Andrew Murray appears to be demonstrating a specific technique using two tube-shaped devices. Murray's status as one of Victoria's leading authorities in quolls suggests that this particular workshop was centred around tiger quolls (spotted-tailed quolls). The Tiger Quoll is the largest of the quoll species. Largely resembling a cross between a possum and a cat, the quoll is distinctive due to the white spots that are often found all over its brown fur.This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group to educate members of the public on the tiger quoll in the early 2000s in an attempt to better understand and protect the species. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders.Landscape coloured photograph printed on gloss paper.Reverse: WAN NAO1EONAON2. NNN+ 1 1981 /

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 254 Springfield Rd., Nunawading This property is listed as having sold for $220,000 in 2001 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a sloping roof. On the left is a driveway leading to an connected garage. In the foreground isa horizontal timber fence, which is enclosing a front garden on right.245 Springfield Rd., Nunawading Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

Gippsland Heritage Journal is a journal, produced about every nine - twelve months, for those interested in regional, local and family history in Gippsland, Victoria, Australia. It is compiled by Meredith Fletcher, Debbie Squires and Linda Barraclough and includes a diverse range of articles, both academic and non-academic. This issue has been edited by Meredith Fletcher.This item is a useful reference for the history of Gippsland.A 64 pp magazine, plastic covered, titled Gippsland Heritage Journal. The front cover is orange with a b/w photograph of Mr Stringy at Dead Horse Flat on the Omeo Road c 1937. The magazine contains photographs, articles on the history of Gippsland.On back - library barcode and price sticker - $13.20. On the front cover is a call no. 996.65 GIP journal-gippsland-heritage-journal history-gippsland mr-stringy-omeo

Gippsland Heritage Journal is a journal, produced about every nine - twelve months, for those interested in regional, local and family history in Gippsland, Victoria, Australia. It is compiled by Meredith Fletcher, Debbie Squires and Linda Barraclough and includes a diverse range of articles, both academic and non-academic. This edition has been edited by Meredith Fletcher.This item is a useful reference tool on the history of Gippsland.A 64 pp magazine, titled Gippsland Heritage Journal. The front cover is maroon with a b/w print of Mitchell's coach at the Ensay stables. The magazine contains b/w photographs, articles on the history of Gippsland.stamped on inside back cover : "Orbost Secondary College Library"book-gippsland-heritage-journal gippsland-history

This dressmaker's model has been made by a New York firm (1971 model) and comes from the Fletcher Jones Factory in Warrnambool. It would have been used for making and displaying ladies' clothing made at the factory. David Fletcher Jones (1895-1977) served in World War One and in the 1920s set up as a travelling hawker selling drapery in Western Victoria. In 1924 he opened a men's wear shop in Warrnambool and manufactured in sute. In 1946 a Fletcher Jones shop opened in melbourne and in 1948 a factory was established in Warrnambool with a new company, Fletcher Jones and Staff begun in 1951. The company initially specialized in men's trousers but later expanded into both men's and women's clothing. It became an Australia-wide company known throughout the country until it ceased in 2011 and the Warrnambool factory buildings were sold.This dressmaker's model is of considerable interest as a memento of the Fletcher Jones and Staff Company, founded in Warrnambool, employing many local people for a great number of years and known throughout Australia for its quality products and pioneering business model as a founder and staff co-operative.This is a dressmaker's model with the body section (bust and torso) having a fabric cover over a wooden core. The top section is bronze-coloured with a silver rim. Beneath the body section is a wire frame and a metal base on castors. The castors are rusty and the fabric is broken in places. Collapsible model 1971 22 WOLF FORM Registered perfect model forms N Y 140 5th Avefletcher jones and staff, fletcher jones factory warrnambool, warrnambool history