From the Margaret Scarlett CollectionGreen & pink floral cotton mattress with five wool buttons on front & back.toys, doll's furniture

- Reticella lace edging on rectangular handkerchief - Probably c 19th century Italian originExample of European 19th century handkerchief- Cream net rectangular handkerchief with applied lace edging - Floral motif throughoutNilitaly, reticella lace

Colour photograph. Polynesian women in hall. Floral garland headress. Grass skirts.entertainment, music, singers

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Long mauve dress of a heavy crepe like fabric incorporating floral embroidery.grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1960s, fashion design

Cream silk scarf with embroidered heart and floral decoration, and decorative fringe with tasselsNo visible markingscostume, female, scarf, cream, embroidery, silk, clothes

Part of a complete dining suite from the home of Mrs. Nell Sebire, 2nd wife of Thomas Sebire. Seat reupholstered 1992.Brown wooden high backed chair with cloth seat cover of floral design.chairs, dining suites, furniture

Part of a complete dining suite from the home of Mrs. Nell Sebire, 2nd wife of Thomas Sebire. Seat reupholstered 1992.Brown wooden high backed chair with cloth seat cover of floral design.chairs, dining suites, furniture

Part of a complete dining suite from the home of Mrs. Nell Sebire, 2nd wife of Thomas Sebire. Seat reupholstered 1992.Brown wooden high backed chair with cloth seat cover of floral design.chairs, dining suites, furniture

Part of a complete dining suite from the home of Mrs. Nell Sebire, 2nd wife of Thomas Sebire. Seat reupholstered 1992.Brown wooden high backed chair with cloth seat cover of floral design.chairs, dining suites, furniture

Part of a complete dining suite from the home of Mrs. Nell Sebire, 2nd wife of Thomas Sebire. Seat reupholstered 1992.Brown wooden high backed chair with cloth seat cover of floral design.chairs, dining suites, furniture

Part of a complete dining suite from the home of Mrs. Nell Sebire, 2nd wife of Thomas Sebire. Seat reupholstered 1992.Brown wooden high backed chair with cloth seat cover of floral design.chairs, dining suites, furniture

Green ceramic vase with floral/leaf design. Has peacock feathers inside it."New Leaf R. No. 368610" on the basevases

Greta Sebire. Fired.White ceramic vase with floral design - in gold and yellow. With two handles on side.'383' inscribed on basevases

Johnson Brothers was a British tableware manufacturer and exporter that was noted for its early introduction of "semi-porcelain" tableware. In 2003, the manufacturing of Johnson Brothers products in Britain ceased and was transferred to China. Owned by Wandin J. Sebire Keywords White ceramic vase with green floral design. Has scalloped edge and base."Vienna" Johnson Bros. Englandvases

White, linen table runner with hand embroidery with floral patterns in various styles.table linen, table ware, table runners, embroidery

China soup tureen with lid and matching plate. White with ornate floral designtureens

White linen heart shaped doily, with crocheted edge and floral design in centre. doilies, tableware

Property of Late Miss E.M. SebireMarcasite brooch with 2 bird design, and a pair of marcasite earrings with a floral designBrooch: "Leca No.514"brooches, earrings

Wooden glove box with floral design made and carved by Mr. F. Striezel. glove boxes, gloves, boxes

Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. IPair of miniature royal blue Chinese Cloisonne vases with pink floral design.vases

Purchased by Mr. & Mrs. H. N. Lord in 1970.Small Chinese Cloisonne egg in multicoloured floral design on black wooded stand.eggs, decorated eggs

Limoges porcelain is hard-paste porcelain produced by factories in and around the city of Limoges, France beginning in the late 18th century. Limoges had strong antecedents in the production of decorative objects. The city was the most famous European centre of vitreous enamel production in the 12th century. These shoes were bought by Mr. & Mrs. H. N. Lord in Paris in 1966.Pair of miniature porcelain Dutch shoes. White with floral design and gold trim.china, ornaments, clogs, footwear

Owned by Mrs. Almeda BellRound cream lace covered lamp shade with floral design. Ribbon trimming.lampshades, lighting equipment

Rectangular rubber mould containing five designs: 4 octagonal designs depicting the head of a man and one floral decorative design. The corresponding relief is split and contains the matching floral design and two of the four octagonal designs. Nonematcham skipper, mould, relief, rubber, decorative design, male, head

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8129.1 - Yellow woollen tie printed with an Australian floral design inspired by the work of artist Margaret Preston. Half of the tie is unprinted and cream in colour. On the reverse of the tie is a label with the manufacturers name. 8129.2 - Yellow woollen tie printed with an Australian floral design inspired by the work of artist Margaret Preston. Half of the tie is unprinted and cream in colour. On the reverse of the tie is a label with the manufacturers name. 8129.3 - Sample fabric showing the printing layer of tie, uncut.8129.1 - Tag on reverse - WOVEN & MANUFACTURED IN AUSTRALIA BY "Tee - Dee" EXCLUSIVELY FOR THE AUSTRALIAN WOOL CORPORATION 8129.2 - Tag on reverse - WOVEN & MANUFACTURED IN AUSTRALIA BY "Tee - Dee" EXCLUSIVELY FOR THE AUSTRALIAN WOOL CORPORATION 8129.3 - Stapled Label - "PURE WOOL PRINTED TIE"1992 barcelona olympics, sport, athletes, fashion, design, uniform

Wallpaper fragment with brown and white textures background. A floral border has been attached to one edge. The border is a floral design, possibly hand painted, with black, pink, green, yellow and white flowers. The fragment is backed with newspaper.Newspaper print of back of fragment.buildings, painting/decorating, wallpaper, wall, floral design, flowers, hand painted, newspaper, interior, decorations.