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Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY NIGHTIE, Early 1940's
Cream coloured flannelette baby nightie with long sleeves. Yolk at front and back. Edges of sleeves and neckline edged with nylon lace. Back opening with two buttons. Row of three pintucks above hemline.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, cotton flannelette baby nightie -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: WINDCHEATER. KANGAROO FLAT TECHNICAL SCHOOL, Late 1970s
Cotton and polyester burgundy fleece fabric with yellow/gold school logo on left chest. Raglan sleeves with ribbed cuffs. Ribbed band at lower edge and neckline. V shaped panel at neck line centre front – 9 cm deep. No side seams in body of garment. Tubular knit fabric.Tag Exacto The Authentic Windcheater Size 22 Chest 110 cm 44costume, male, school wear -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: PRESSING ROOM
Black and white photograph of a section of the interior of the Handschin and Ronus factory in Switzerland ( the parent company of Hanro). It depicts about a dozen women working in the pressing room, they are using industrial steam irons and there are assorted bins in front of the workbenches. Some of the bins are empty and some are full of freshly pressed garments ready for collection.organization, business, hanro, clothing manufacture, iro9ning, pressing, handschin and ronus, hanro -
Port Melbourne Historical & Preservation Society
Photograph - Garments and Sacs de Joie, WWI donations, Swallow & Ariell Busy Bee, 1914 - 1920
One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .09 - 2nd donation of gift garments and "Sacs de Joie" from Swallow & Ariell's "Busy Bee". The Victorian Racing Club donated £50 towards purchasing materials built environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross, victorian racing club -
Bendigo Historical Society Inc.
Domestic object - Lingerie Garment Bag
Donor believes items were completed by her great aunts - Lydia, Rosa and Olivia Pollard when the sisters were young girls. They were completed in Country Durham England. The items have been passed down through the family.Handmade brown embroidered lingerie/garment bag with gold and green embroidered border with four insect type patterns surrounding a decorative central pattern. The fold over front is lined with a light fabric with a pattern of flowers and butterflies predominately in gold, blue and green tones reflecting the patterns of the embroidered front cover.late victorian needlework, handmade embroidery, lingerie bag, garment bags -
Bendigo Military Museum
Booklet - FACSIMILE BOOKLETS
.1) Garments described in the book are for “Sick and wounded soldiers”. Index covers, socks, scarfs, cap, cardigans, gloves, mittens, pullovers etc..1) Australian Red Cross Society Victorian Division Knitting Book. 23 pages, soft cover with black print, white pages, stapled together. .2) Patrons Service Woolies, on duty with the services. Soft cover, 35 pages, black print on front, illustrated B & W photographs of knitwear, held by a clip. .3) Facsimile copy of pages 25 - 29 of .2) stapled at top left corner.knitting, woolies, garments -
Orbost & District Historical Society
lace collar and dress front, late 19th -early 20th century
During the late 19th -early 20th century detachable collars were a way of embellishing a garment. White lace was popular for collars and cuffs.This item is an example of a handcrafted item and reflects the needlework skills of women in the part of the 20th century.A white cotton lace collar and dress front. V neck opening.dress-accesories cotton-lace -
Stawell Historical Society Inc
Photograph, Conservation Workshop Stawell Historical Society 1998, 1999
7035-1 Joy & Bill Attrill explaining how our coat hangers were made. Each one made to fit garment.Series of 5 Colour Photographs of conservation workshop at Court House.Wendy Melbourne - President Allan Kingston - Vice President -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 258
This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons / KNITTING BOOK / No. 258 / "JANINE" / See page 11 / 7dhandicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 228
This book was produced by Patons and Baldwins and contains patterns of knitted garments for men. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons / KNITTING BOOK / No. 228 / "GORDON" / See page 11 / 6d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 276
This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons Knitting Book No. 276 / 'GLOUCESTER' - See page 12 / P&B WOOLS / 1'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 203
This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons / KNITTING BOOK / no. 203 / "THAMAR" / See page 4 / 6d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 434
This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.No. / 434 / Patons / KNITTING / BOOK / No. 434 / PATONS / AZALEA / DOUBLE QUICK / BEEHIVE 3-PLY / BEEHIVE 4-PLY / BEEHIVE CREPE / PATONYLE / CATKIN / P&B / WOOLS / 1'3handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 350
This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons KNITTING BOOK no. 350 / 8 DESIGNS / 1'4d. / P&B / WOOLShandicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 171
This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons Knitting Book / no. 171 / "JENNY" / See page 16 / 7d. / A PATONS & BALDWINS' PUBLICATIONhandicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 222
This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons / KNITTING BOOK / No. 222 / "QUICK STEP" / With or / Without Stripes / See page 9 / 6d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 264
This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons / KNITTING BOOK / No. 264 / "FELICITY" / See page 8 / 7d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 352
This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons KNITTING BOOK no. 352 / P&B / WOOLS / 1'6d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 319
This book was produced by Patons and Baldwins and contains patterns of knitted garments for women. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons KNITTING BOOK no. 319 / "NOLEEN" - See page 8. / P&B / WOOLS / 1'-handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Sun-glo Knitting Book series 53
This knitting pattern book was published by the Alexandria Mills, Sydney during World War II and contains knitting patterns for older womens garments.Sun-glo / Matrons' / KNITTING / BOOK / Series / 53 / PRICE / 7 d.knitting handicrafts - history, alexandria spinning mills pty ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Twin-Prufe Knitting Book series 162
This knitting pattern book was published by F.W. Hughes Industries Ltd (formerly the Alexandria Mills), Sydney and contains knitting patterns for womens garments.PRICE / 1'3 / Twin-Prufe / KNITTING BOOK / Series 162 / AN F.W. HUGHES PRODUCTIONknitting handicrafts - history, f.w. hughes industries ltd, knitting, handicrafts - history -
National Wool Museum
Book, Wool: the fashion fibre
"Wool: the fashion fibre" - Australian Wool Corporation, c.1985. Examines the use of wool for womens garments and includes descriptions of processes and styles.fashion textile production, australian wool corporation, fashion, textile production -
National Wool Museum
Book, Wool: eminently suitable
"Wool: the fashion fibre" - Australian Wool Corporation, c.1985. Examines the use of wool for mens garments and includes descriptions of processes and styles.fashion textile production, australian wool corporation, fashion, textile production -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 168
This book was produced by Patons and Baldwins and contains patterns of knitted garments for men. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Patons Knitting Book / no. 168 / "CAMERON" / See page 15 / 7d. / A PATONS & BALDWINS' PUBLICATIONhandicrafts history, knitting, patons and baldwins (australia) ltd, handicrafts - history -
Warrnambool and District Historical Society Inc.
Clothing, Fletcher Jones Clothing Factory, Men's shorts Fletcher Jones, Late 20th century
These shorts come from the Fletcher Jones clothing factory in Warrnambool. They have never been worn. David Fletcher Jones (1895-1977) served in World War One and in the 1920s set up as a travelling hawker selling drapery in the Western District of Victoria. In 1924 he leased three shops in Liebig Street Warrnambool and in 1928 he moved his business to the corner of Koroit and Liebig Streets. He manufactured men’s clothing on site with the business known as the Men’s Shop. In 1931 he moved into a newly-erected two-storeyed building on the site. In 1946 he opened a store in Melbourne and in 1948 he established a clothing factory in Warrnambool with a new company set up in 1951 – Fletcher Jones and Staff. This company became known Australia-wide with its production, firstly of men’s trousers and later both men’s and women’s clothing. By 2011 the factory was closed and the company dissolved. These shorts are of interest as an example of an item made at the Fletcher Jones factory in Warrnambool. The Fletcher Jones Clothing Company, known throughout Australia, was one of the most important industries in Warrnambool in the 20th century. These men’s shorts are made of polyester and viscose and are light brown in colour. They have an elasticised waist band with five buttons and a corded lining, three pockets and a nylon zip front opening with a metal fastener. The shorts have two labels stitched into the inside of the garment and one paper label attached to the shorts by a nylon clip. ‘Fletcher Jones Australia’fletcher jones factory, history of warrnambool -
Federation University Historical Collection
Photograph - Black and White, Frank and Sarah Wright, Late 1920's
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in AustraliaBlack and white photograph of a man and a woman seated on a wicker couch on the verandah of a brick house. The man wearing a suit, has his arm around the woman who is dressed in a wrap around garment. The man is Frank Wright and the woman is his mother, Sarah Wright. The place is 214 Armstrong Street North in Ballarat.frank wright, sarah wright, ballarat, cornet, wicker couch, frank wright, sarah wright, ballarat, cornet, wicker couch -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY PANTS, 1940s
Cream coloured hand knitted woollen baby pants. Cream cotton ribbon tie at waist. Crocheted edge on legs. Stocking stitch on lower part with three pattern rows on top half back and front. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby pants -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting, Oil, Centaur, 1945
Harry Gorry bid for & purchased on internet auction site. The seller's mother was putting these & other items up for auction. Her father, the seller's grandfather was Dr. Bruno Koenig, a German surgeon detained by Allied forces while fleeing New Guinea in 1941. He was detained & sent to be interned in Camp 3, Tatura. There he met the painter Cesare Vagarini & they became friends, thus 4 years later upon the end of the war Vagarini gave the surgeon the two paintings in thanks & in memory of their friendship. Dr Koening then passed the paintings down to his daughter, where they remained in the family for 60 years. The seller's mother decided it was time to sell & was happy that the paintings went to a good home, as the family was until now unaware of the connection between Vagarini and the Tatura Museum. Harry Gorry just happened to notice a familiar name in an auction that he came across by accident & purchased them for our benefit. (Most information copied from Tatura Bulletin article, April 2014).Oil painting, depicting mythological scene. Female figure (unclothed), holding a red cloth/ garment trailing behind her. Centaur / faun? walking beside her. Outdoor scene. Trees, mountains & cloudy blue sky visible in background. Sandy coloured soil. Painted on reverse of old "Choice Tea" box.(On back): 1945 Tatura; ... remember ..... and us, Cesare and Maria Vagarini; On back, on sticker: Va(r)garini, Tatura Internment Camp, 1945 "Choice Tea" stencilled on back, part of original box material.tatura, camp 3, cesare vagarini, camp 3 artwork, victorian internment camps, doctor bruno koenig -
National Wool Museum
Textile - Quilt, By Wagga Design, 2017
‘By Wagga Design’ is the winner of the Art Quilt Australia 2019 Expressions: Wool Quilt Prize. Barbara Mellor, of St Helens in Tasmania, made this quilt after researching the history of waggas and was fascinated by this early form of recycling. ‘By Wagga Design’ is her contemporary take on the traditional wagga that was born out of hard times and limited resources. Barbara wrote the poem below while thinking of the workers who used waggas while travelling: Black night campfire night sheep in the shadows dreams on the track a comforting wagga stitched with love for a homesick heart. The wagga was made in 2017 and was first submitted into the Bay of Fires Art Prize. In 2018 the wagga was submitted into the Break O’Day Stitchers Quilting and Embroidery Exhibition, where it won the Hanger’s Prize. Barbara sourced the fabrics used from a variety of places. Some are from her personal collection while others were given to her. She purchased a woollen three-piece suit from a local op shop and decided to incorporate it into the design, making some unique and distinctive shapes. Another distinctive feature of the quilt is the patch labelled ‘Parkside’. Barbara noted that it was cut from a blanket she purchased from a garage sale from a property that had once been a caravan park titled ‘Parkside’ in the 1960s. The filling of the wagga contains the rest of the Parkside blanket.Quilt made from various woollen garments and bedding in cool tone colours. Patches mostly cut into square and rectangle shapes. Three patches made from a second-hand woollen suit, showcasing the arm with cuff buttons, pocket flap on a hip pocket containing a pocket square and front of vest with buttons. wagga, art quilt australia, expressions: wool quilt prize -
National Wool Museum
Knitting Needle
Vera Neale (1901 - 1990) used needles made from bicycle spokes and piano wire to achieve the fine knitted stitches for her garments.Pair of knitting needles made from bicycle spokes, used by Vera Neale.knitting handicrafts, neale, mrs vera, knitting, handicrafts