Lydia was a daughter of William Garnsworthy Bennett and his wife Susan (née Williams). George was a a son of John McDonagh and his wife Martha (née Mathews). George and Lydia McDonagh later lived at Gunnedah in NSW. Part of S E Surman collection (album) page 9.Sepia wedding photograph with bride in long gown with train and veil standing with hands together on the right shoulder of a gentleman with moustache, wearing dark suit, white shirt, gloves and buttonhole, seated with hand on each lap."Gunnedah NSW Mr and Mrs Geo McDonagh, nee Lydia Bennett".george mcdonagh, lydia bennett, surman collection, weddings

Grace and Millie were daughters of William Garnsworthy Bennett and Susan Bennett née Williams. Grace Bennett (1875-1960) married Neil Wishart in 1898. Millie Bennett (1872-1948) married William Charles Allen in 1901.Sepia photograph of two young ladies in long, long sleeved waisted summer gowns, one on left of photo standing behind lattice leaning on left arm, one on right seated with hands together on lap."Grace and Mill Miss Grace and Amelia Bennett".grace (louisa grace) bennett, amelia (millie) bennett, surman collection

The origin of this statue is unknown, but it may possibly be German.Carved wooden figurine of a doctor holding a baby. The doctor is male, and is wearing spectacles and full surgical attire, consisting of a green surgical gown and cap, with a white surgical mask. Brown trouser cuffs and black shoes are visible below the gown. The doctor is holding a baby by its ankles in his left hand, and is holding his right hand as if about to pat hit the baby on the bottom. The baby is facing the doctor, head pointing towards the ground. Sticker on base of figurine bears the handwritten initials 'MW'.obstetrics

Worn b y Gloria Woodland as a foundation garment for special evening gown - she found it a very impractical garment taking up to a half an hour each time at the toilet. Only worn once...Flesh coloured elastic & lace body length garment. Lace bra cup - lace panel down front - elastic shoulder strap, silk nylon crutch with eight adjustable hooks and eyes to close under the crutch - also four loops to hold suspenders.Hickory Style 4512 - size 16Bcostume, female underwear

This garment has been hand made and presumably worn by Mrs McKeown (nee Ford)A long white night gown made of fine cotton. It has a small crochet trim around the "V" neck line and also a lace panel inserted around the bodice. The bottom of the skirt has a trim of broderie anglaise. costume-female underwear

B+W Photo on brown board. Male Figure in hat with points at front + back Collar and gown. Inscription: 'Kalma/57 & 59/PallMall/Bendigo' RH corner. Research: William Honeybone, Town Clerk, Bendigoperson, individual, william honeybone

Metal brooch. Shaped as a male and female dancing. He is wearing a black tuxedo with yellow shirt and she is wearing a long yellow and black evening gown. Image has been accented in gold. A fastening pin is on the reverse.bendigo, gold mining, qc binks, brooch, qc binks.

The Rev J. E. James was the minister of the Collins Street Independent Church.Sepia photograph on card mount with a paper protective cover showing nine men, four sitting, dressed formally; three are wearing academic gowns. The group are in front of long curtains. The photograph has a white label on the back.Handwritten names on paper cover: "J.E. James, W. Christiansen, Seaudrett (?) A.S. Devenish, F.A.F. (Forward), L.E. Bradbury, W.J.L. Closs, G. Bell, D.E. Reeves. 1919". Typed on white label: "Congregational College of Victoria Staff and Students 1919"congregational college

Full length, sepia photograph of the marriage of Rev. H. J. Williams and his bride. He is wearing a suit and his clerical collar and she is in a full length lace bridal gown with a veil and train and silver shoes.On the back front in white ink: "237 Collins St Frances Young Melb". On the back hadnwritten in ink: "H J Williams Wedding 1929 Appointment to New Britain"h j williams

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This evening dress is one of a number of items donated by Teresa Mayer.Full length black lace evening dress with a fitted black silk lining. The ‘v’ necked gown has a very full skirt. The lace has an abstract floral pattern. The garment has been dated to the 1930s.women's clothing, australian fashion - 1930s, evening dresses, evening wear

Also another photo taken laterBlack and white photograph taken on the wedding day of Phyllis Beyer to Wallace Munro showing the bride in close fitting headdress and a wedding gown with handkerchief hemline, with her father Thomas Beyer fisherman Lakes Entrance Victoriagenealogy, celebration

Part of S E Surman collection (album) page 3 upper right.Sepia photograph of a man wearing suit, seated with arms on lap and legs crossed, with well dressed young woman in long sleeved full length gown, standing with left arm by side, right arm on man's shoulder.mr and mrs fisher, surman collection

This piece was made in Japan and bears an export mark associated with Arnart Imports (N with a stylised crown). Arnart was an importer and distributor, rather than a manufacturer.Porcelain figurine of a male doctor holding a newborn baby. The doctor has brown hair and a moustache and is in surgical attire, with a white gown and white surgical hat. The cuffs of his blue trousers, and his brown shoes, are visible below the gown, and a blue jacket is visible through the gaps in the back of the gown. The doctor is holding the baby upside down by its legs, with his left hand around its calves, and is holding his right hand as if to tap the baby on the bottom. The figurine is standing on a white base decorated with green and black stripes, and is supported by a rectangular block which sits behind the figure. There is a gold coloured, floral decoration at the front of the base. There is a stamp on the underside of the base of the figurine consisting of the initial 'N' below a stylised crown. The number '3446/2' is handwritten on a sticker on the underside of the base. A second, oval shaped sticker is printed with the text 'Made in Japan'.

Turner Collection.Pink silk kimono style dressing gown with butterfly pattern & feather trim. Matching cap/bonnet. Feathers shedding and trim detached in places. Small moth holes present in kimono. Good - fair condition. Very fragile.nightwear, turner collection

Ilma, Bill and Reg Jennings were Dulcie's brothers and sister. Kitty Sandow afterwards married Reg Jennings.Photograph shows bride wearing satin gown and veil, groom wearing formal suit and carrying white gloves, with their attendants - Ilma and Bill Jennings on left hand side, and Kitty Sandow and Reg Jennings on right hand side.dulcie jennings, dulcie corbett, james corbett, ilma jennings, bill jennings, reg jennings, kitty sandow, kitty jennings

Associate Professor Neville J Davis, was appointed President of ANZCA in 1995 until 1996. Professor Davis was a member of both the last Board of the Faculty and the first Council of the newly formed Australian and New Zealand College of Anaesthetists. Further information about Professor Davis can be found on Lives of the Fellows,http://anzca.online-exhibition.net/fellows/fellows-1992/neville-james-davis/ The artist Ben Joel is a Western Australian artist, well known for his commissioned portraits and contemporary pieces in most media. Joel's artworks are represented in private and public art collections. Oil painting on canvas of Associate Professor Neville J Davis, seated at an angle, wearing the Presidential gown and badge. The backdrop is plain with a mock outline of a window. Mounted in a plain gold frame with a brass plaque affixed to center of frame[plaque] ASSOCIATE PROFESSOR / NEVILLE J DAVIS / PRESIDENT 1995-1996painting, anzca president, davis, neville, joel, ben

This is one of Lakes Entrances oldest buildings, Alexander Murray built KiaOra House on this site in 1899 Sepia toned copy of postcard showing impression of A Murrays cash store on Esplanade, drawing shows buggy and pair of horses in front of store, woman in long gown on footpath, jetty and row boat on shoreline Lakes Entrance VictoriaAlexander Murray Commission Agent Wattle Bark and Hide Merchant Lakes Entrance Cunninghamebusinesses, vehicles, animals, jetties

Wool Awards was a highlight of Agricultural Show at OmeoColour photograph showing wool awards gown winner of show, woolen skirt and top with overlay of Bird of Paradise and Guinea fowl feathers, a beautiful masterpiece. Omeo Victoria. Plus 2 other photos from same eventwool industry, agriculture, events

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This book was produced by Patons and Baldwins and contains knitting patterns for womens dressing gowns, bed jackets and under garments.Patons / KNITTING BOOK / NO. 189 / "JANICE" / See page 10 / "CAMILLA" / See page 12 / 6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This wedding gown was worn by Mary Ann Lawrence at 8.00am on 5 January 1842 at St John's Church, Launceston, when she married Francis Henty. The couple were to catch the tide on their way to Portland two hours later. Francis Henty was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Mary Ann Lawrence's grey silk wedding gown has a v-line waist and a partly smocked bodice. It is lined with muslin throughout. It has hand-tatted cotton lace and handmade piping around the neck and bodice and pleated short sleeves. There was originally trimming on the skirt which was removed at a later date. Orange blossom made of chamois and tiny coiled springs originally decorated the neckline. The outfit was complemented by a bonnet to which a Limerick lace veil was attached. Measurements (mm): Girth - Neck 914, Chest 812.8, Waist 660.4, Cuff 330.2, Hem circumference 3200.4. Vertical - Front neck to hem 1270, Front waist to hem 1016, Back neck to hem 1320.8, Back waist to hem 1041.4, Sleeve length 114.3. Horizontal - Neck to sleeve head 50.8, Chest back 406.4, Underarm to underarm 406.4.mary ann lawrence, francis henty, wedding dresses, fashion -- 1840s, women's clothing

Series of photos taken at the Exhibition of 200 Years of Wedding Fashion in Australia, a collection of wedding gowns from the Fashion Collection of the Kew Historical Society. Exhibition venue - Villa Alba Museum, 44 Walmer Street, Kew, 3101. wedding dresses, kew historical society, villa alba museum, 2025 australian heritage festival

Long gown of Pink Brocade with cap sleeves. Stiff material with a tie around the waist. Long pink with gold embossing brocade. Fitted bodice with cap sleeves. Full skirt with large pleats. Corded pink waistline with a pink bow.ball gown, reid family

Black & White studio Photograph. Young woman in graduation gown. Mortar board on knee. Printed Front. Duryea 158a Rundle Street Adelaide. Reverse. From the Studio of F Duryea, artist in Photography, No 158a Rundle Street Adelaide.F Duryea Adelaidephotograph, person, female

Cream viyella baby gown, smocked at front and at waist. Edged with cream cotton lace at neck and wrists. Decorative feather stitch on bodice, handmade button holes pearl buttons, 'jap' silk bodice lining, french seams throughoutcostume, infants'

Framed colour photograph of HRH Queen Elizabeth. Set in maroon card window mount and gold wood frame. The Queen is standing in a formal pose. She is wearing a white gown with a blue sash. Text panel lower right corner.

Card with illustration, traditionally of a baby girl's head indicated by pink ribbons on her gown, holding a rattle, with greeting. Card with illustration, traditionally of a little boy's head as indicated by blue clothing, with greeting. Card with little child's head, with greeting.Greetings read: "With sincere congratulations and a hearty Welcome to the Little Stranger" "With warm Congratulations and a welcome united with best wishes" "To with kind Congratulations and a hopeful welcome to the New Comer"greetings cards, baby cards, gift cards

Charles Bennett was a son of William Garnsworthy and Susan Bennett. He married Francis Elizabeth (Lizzie) Craze in 1911.Black and white portrait of a gentleman in formal attire seated to left of a young lady standing wearing long sleeved full length wedding gown with train and flowered headdress with long veil, holding bridal bouquet in front with both hands.On reverse of photograph, information probably supplied by Stella Surman: "Mr Charles Bennett / Lizzie Crase".frances elizabeth (lizzie) craze, charles bennett, weddings

Black and white copy of original portrait of a lady standing next to a pot plant and stand. She is wearing a light coloured layered gown with dark fringe and braiding. Her hair is wound up on top of her head like a beehive.mrs eleanor tuckfield, miss eleanor louise linton

exhibition, national gallery of victoria, ngv international, fashion, designer, dress, gown, white, feathered hat