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Montsalvat
Plaster Mould, Untitled
Round plaster Mould depicting a kneeling mother and child.Nonematcham skipper, mould, jewellery, mother and child -
Montsalvat
Plaster Mould, Untitled
Horseshoe shaped plaster mould depicting multiple nude figures.Nonematcham skipper, mould, jewellery, nude -
Montsalvat
Rubber Mould, Untitled
Round rubber mould depicting two figure groups standing upon orbs.Nonematcham skipper, mould, jewellery, nude -
Montsalvat
Rubber Mould, Untitled
Square rubber mould of an oval design depicting a standing nude figure.Nonematcham skipper, mould, jewellery, nude -
Montsalvat
Rubber Mould, Untitled
Round rubber mould depicting the face of a woman.Inscribed "P.58" on reversematcham skipper, mould, jewellery, female -
Montsalvat
Rubber Mould, Untitled (Centaur)
Rubber mould of a circular design depicting a centaur with bow and arrow.Nonematcham skipper, mould, jewellery, centaur -
Montsalvat
Resin Mould, Untitled
Square resin mould of a circular design depicting two nude figures around an oval object.Nonematcham skipper, mould, jewellery, nude -
Montsalvat
Photograph, Pendant Necklace
Black and white photograph of a pendant necklace by Matcham Skipper depicting a female nude. Nonematcham skipper, photograph, jewellery, necklace -
Mont De Lancey
Accessory - Brooch
A large ornate brass brooch with a highly decorated swirled surround, a glass cover which has displayed underneath it locks of hair on a white background. There is a pin on the back to attach it to clothing. It is stored in a cardboard brown and cream patterned box with cotton wool.Locks of hair are seen under the glass cover both front and back.jewellery, personal adornment, sentimental jewellery, brooches -
Warrnambool and District Historical Society Inc.
Accessory - Locket, Late 19th century
Nothing is known about the ownership of this locket which has been in the collection for many years. In the 19th and early 20th centuries it was a common practice to own a locket as a piece of jewellery. It was also common to include in a locket either a photograph or an image of a loved one or a piece of hair, especially the hair of a child who had died.This locket has no known local significance but is retained as a fine example of a locket from many years ago.This is a round gold locket, heavily patterned on both sides. Inside is a piece of light brown hair covered with plain glass. There is some slight damage on the outside near the opening catch. The clip to attach the locket to a chain is missing.warrnambool history, antique lockets -
The Beechworth Burke Museum
Geological specimen - Precious Opal
In Australia, precious opal is found in Cretaceous age sandstones and mudstones. These sedimentary rocks were deeply weathered and this weathering released silica into the groundwater.Australia is the only part of the world where opalised animal and plant fossils have been found. Opal artefacts several thousands of years old have been discovered in East Africa. As early as 250 BC the Romans prized opals, thought to have come from mines in Eastern Europe, the ancient world's main source of opals. There are many aboriginal dreamtime stories that feature opal. Australian opals discovered during the late 1800's found little favour with European markets but their commercial value increased in the 1900's and in 1932 Australia took over as the major producer of opals in the world and remains the largest producer to this day. Opal is found around the world (Brazil, Mexico, Honduras and the western US) however Australia produces 95% of the world's precious opal and it is our official national gemstone. Opal was first mined commercially at Listowel Downs in Queensland in 1875 and later at White Cliffs in NSW. Today, Coober Pedy (SA) is the main producer of white opal, though in recent years this field has expanded and all types of opals are found. Other centres in SA include Andamooka and Mintabe. Lightning Ridge (NSW) is renowned for black opal and formerly White Cliffs was a large producer of high quality opal. Boulder opals (opals in concretionary ironstone) are mined in Queensland from numerous localities in a zone extending from the Eulo and Cunnamulla district in the south and northwest for a distance of over 700 km to Kynuna in the north. The towns of Quilpie, Yowah and Winton are the main opal mining and wholesale centres. Opals are considered gemstones and have been used in jewellery for thousands of years.Throughout much of history, opals were actually believed to be good luck. The Romans thought that opals were one of the luckiest gemstones and a symbol of hope. In the Middle Ages, opals were believed to be bestowed with all the positive properties of coloured gemstones due to its rainbow-like play of colour. Finally, there is a superstition that you should not wear an opal unless it is your birthstone otherwise misfortune will befall you. This, of course, is far-fetched, but the notion could have been promoted in the late 19th and early 20th Centuries by diamond traders who were trying to increase sales of diamonds and deter people from buying opals. Possibly related to this is the thought that you should set opal jewellery with diamonds as their powers of good fortune will override any negativity held by the opal. The great majority of opal does not show play of colour and is called common opal or potch however this is not the case with a precious opal. Opal is a precious gemstone, like rubies, emeralds or diamonds. Opal is rare, and it is expensive to prospect and mine for.Silica is one of the most common minerals on the planet, but precious opal is very rare – far more rare than diamonds. Precious opal is rare because the natural processes that create it rarely occur.Most (at least 95%) of the opal found by miners is common opal without gem colour. In Australia we call it potch. It can be white, grey, black or amber coloured. Even when a miner finds gem-coloured opal, most of it can’t be cut into gemstones because it’s too thin, or sandy. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.It is not known where this opal originated, except that it is probably from Victoria, as it has been recorded from many localities in the State. Common Opal is formed from silica-rich water circulating through rocks near the Earth’s surface. It consists of minute spheres of silica arranged in different ways. In common opal, the spheres are of different sizes and randomly arranged, unlike in precious opal where the spheres are of similar size and uniformly arranged in three dimensions. These differences account for common opal generally being translucent to opaque and without the play of colours, or opalescence, displayed by precious opal. Common opal is found in many localities and different geological environments throughout Australia and the world. Precious opal requires special conditions to form and is much less common. Australia produces most to the world’s precious opal. burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, precious opal, opal, brazil, mexico, honduras, queensland, coober pedy, gemstones, jewellery, play-of-colour, light blue -
Sir Reginald Ansett Transport Museum
Booklet - Lookbook, Teamstyle
This booklet is a lookbook of male and female flight attendants uniforms designed by David Weiss for the period 1984-1986. It shows the different options and combinations of accessories, tops and bottoms presented on mannequin and also photographed on models. It also explains the presentation standards expected from the in flight staff in regards to grooming, jewellery, make-up, hairdo.This lookbook contains the vision of designer Peter Weiss for this collection. Landscape format catalogue with light blue background and colour pictures of uniforms for male and female flight attendants. It contains david weiss, 1984-1986, uniform, flight attendant, stewardess, steward, hostess, clothing, accessory, hat, ansett, lookbook, ansett australia -
Whitehorse Historical Society Inc.
Accessory - Medallion, c1890
Jet Cameo. c1890. Jet jewellery originated from the English town of Whitby where it was mined. There were many Jet workrooms and thousands of jet pieces were worn by ladies copying Queen Victoria who made the Jet fashionable bt wearing it during her long years of mourning for her husband Albert.Square medallion with rope like edge and a female head embossed on it.costume accessories, female -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Jewellery, 2 lady's hat pins mauve, c1900
A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part. The hatpin was invented to hold veils in place, and was handmade. Birmingham, England was the centre of production when demand eventually outgrew the number that could be supplied by hand-making and they also began to be imported from France. In 1832, an American machine was invented to manufacture the pins, and they became much more affordable. During the 1880s, bonnets gave way to hats, some of which were very large and the popularity of hatpins soared. In the Victorian era, when appearance was everything, it just wouldn't do for a fashionable lady's hat to blow off in the wind. They remained a standard women's' accessory through the 1910s and were produced in a vast range of materials and types. Hat pin holder boxes were also produced. One of the most well-known makers of hatpins is silversmith Charles Horner, of Halifax, whose turn of the century jewellery company became a leader in the market by creating a series of mass-produced pins that were still of exceptional quality. As a result, thousands of Horner's pins are still on the market and on display in museums worldwide. Women of the 1920’s used hat pins as decoration on their Cloche hats that fitted snugly to their heads. The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires.2 lady's long steel hat pins with sequents in a flower design on mauve material bonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery -
Anglesea and District Historical Society
Mourning jewellery, Estimated 1850
Three pieces of Black Jet Mourning Jewellery - one small and one larger bracelet and one brooch. 1. Small bracelet narrower and overlapping at back, with ornately carved thistle centrefront in same black jet material. 2. Larger bracelet with gap at centre back, same ornate thistle on front as on smaller piece. 3. Carved black jet brooch, oval in shape depicting spray of flowers with metal clasp on back.bangle, brooch, black jet, lignite, mourning jewellery -
Orbost & District Historical Society
magnifying glass, c. 19th century
A pocket magnifying glass was a versatile scientific tool. It was ideal for situations in which the specimen was too small to be observed under a magnifying glass and access to a larger microscope would have been impossible.It could be taken on field expeditions and used to examine botanical, zoological and mineralogical specimens. This small magnifying glass could be used for examining specimens of plants or rocks or jewellery.Simple,pocket microscopes had a significant impact on the the general public’s appreciation of both science and the natural world by making the microscopic world accessible and exciting.A small brass pocket magnifying glass with resting arm. The cardboard box is blue / black in colour.magnifying-glass scientific-instrument -
Bendigo Historical Society Inc.
Card - Jeweller's Sample Card
Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Jeweller's sample card with six sample of Cameo brooches. Design numbers printed below each design.On the back of the card "From F. PRESCOTT. Artistic Jeweller, BENDIGOcameo brooches, jeweller's designs -
Bendigo Historical Society Inc.
Card - Jeweller's Sample Card
Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Jeweller's sample card with sixty two images of badges made by Prescott & Dawe.On the back of the card "From F. PRESCOTT. Artistic Jeweller, BENDIGOjeweller's designs, badge designs -
Bendigo Historical Society Inc.
Card - Jeweller's Sample Card
Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Jeweller's sample card with fourteen images of chain patterns. Each pattern is numbered with options for 9 ct. or 15 ct.jeweller's designs, chain patterns -
Bendigo Historical Society Inc.
Accessory - Spectacle case
Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Burgundy leather look spectacle case. The case has a flip lid section at the top that opens to gain access to the case. The lid is held in place under a leather loop. In gold lettering on the front of the case "F Napoli Prescott Bendigo".spectacles, spectacles case, f napoli prescott -
Bendigo Historical Society Inc.
Accessory - Spectacle case
Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Brown leather look spectacle case. The case has a flip lid section at the top that opens to gain access to the case. The lid is held in place under a leather loop. In gold lettering on the front of the case "F Napoli Prescott Bendigo".spectacles, spectacles case, f napoli prescott -
The Beechworth Burke Museum
Geological specimen - Fluorite (purple)
Fluorite comes in a variety of natural colours and crystal formations and glows under ultraviolet light (the word 'fluorescence' comes from the same etymological source). In its pure form, calcium fluoride, it is a colourless combination of the elements calcium and fluorine, but gains its colour from trace elements that infiltrate or replace calcium within its crystal structure during its formation. Although fluorite crystals polish well and can achieve a high level of lustre, the mineral is very soft (4 on MOHS hardness scale) so it is unsuitable for use in rings and must be handled and stored carefully if used in other forms of jewellery. Most crystals of the mineral are too coarse for decorative purposes but have been mined under the name fluorspar for a variety of commercial and industrial purposes. These include the production of hydrofluoric acid, smelting metal alloys, producing glazes and ceramic finishes and use in medical and dental products. An existing label for this specimen indicates that its origin or collection-point was 'probably USA.' Fluorspar, the form of fluorite used commercially and industrially, was mined in significant quantities in the counties of Hardin and Pope in South-Eastern Illinois throughout the Nineteenth and Twentieth Centuries. Fluorite was made Illinois' state mineral in recognition of its contribution to the state's identity and economy. The specimens are significant as examples of surveying activity undertaken to assess and direct the development of the mineral resource industries, as well as the movement to expand human knowledge of earth sciences such as mineralogy and geology in the nineteenth century.The specimen is a piece of purple shaded fluorite (also known as fluorspar), the mineral form of calcium fluoride. The unpolished specimen presents a dark purple interior with a substantial dark grey crust representing the matrix from which the specimen was obtained. Existing label: Flourite / (purple) / probably / USA / BB /burke museum, beechworth, geological, geological specimen, fluorite, flourite, calcium fluoride, hydrofluoric acid, jewellery, indigo shire, north-east victoria, mining, illinois, usa, united states, fluorine, gemstones, purple stones -
Bendigo Historical Society Inc.
Award - GERMAN HERITAGE SOCIETY COLLECTION: CIGAR HOLDER, SMOKING PIPE
Framed item. Inside cigar holder and smoking pipe. Written inside : Gentleman's Cigar Holder in case, gentleman's smoking pipe in case. Both items are from the estate of Miss Marie Boldt of Bendigo and were presented to the Society by estate executor, J. Jess in March 1993. Manufactured in ' Ivorex' a product of Bakelite this material was popular in the 1920's for these items as well as toiletries, jewellery, some 'stringed' instruments and their cases plus mouth pieces for ' wind' instruments.personal effects, smoking accessories, marie boldt -
Clunes Museum
Accessory - BROOCH, 1880 CIRCA
BROOCH BELONGED TO MRS. MATTHEWS OF FRASER STREET, CLUNES(GRANDMOTHER OF MRS. LENA WATTLEWORTH). MRS. MATTHEWS LOST THREE BABIES, INCLUDING TWINS. HAIR IN LOCKET BELIEVED TO BE THEIRS.BROOCH, OVAL, GOLD PLATED AND BLACK ENAMEL, CONTAINING PLAITED HAIRIN MEMORY OF IMPRINTED INTO THE METAL SURROUNDlocal history, costume accessories, jewellery, weickhardt, wattleworth -
Bendigo Historical Society Inc.
Flyer - Prescott & Dawe jewelers
Prescott & Dawe, manufacturing jewellers and silversmiths, cnr Mitchell & Hargreaves Streets, Bendigo. Bi-fold business flyer for rings, watches, clocks and silverware and crystalware. Printed on pale-yellow paper with blue printing.jewellers business flyer, jewellery, crystal, clocks, prescott & dawe -
Montsalvat
Pendant Necklace, Untitled (Two Lovers)
Rounded square silver pendant necklace with Byzantine chain depicting kneeling loversmatcham skipper, pendant, necklace, silver, jewellery -
Montsalvat
Pendant Necklace
Round silver pendant necklace with cable chain depicting a stallion and riderTwo pin holes at 12 and 6matcham skipper, pendant, necklace, silver, jewellery -
Montsalvat
Pendant Necklace, Untitled (Madonna)
Silver pendant with stem and ring depicting a woman. The pendant is held by a wheat chain with S and oval clasp.Sticker with 39. Two pin holes at 12 and 6.matcham skipper, pendant, necklace, silver, jewellery -
Montsalvat
Pendant Necklace, Untitled
Silver round pendant depicting a bearded male with peaked hat and sculpture, with attached stem and barrel ring. The pendant is held by a cable chain and decorative S hook with curlycues.Intersecting MS mark; sticker with 37; two pin holes at 1 and 7.matcham skipper, pendant, necklace, silver, jewellery -
Montsalvat
Pendant Necklace, Adam and Eve
Silver rounded square pendant depicting a male and female to the right and left of a central fruit tree. The pendant has an attached barrel ring and cable chain with decorative S clasp with curlycues. Intersecting MS mark; two pin holes at 12 and 6. matcham skipper, pendant, necklace, silver, jewellery