Showing 2703 items
matching lace.
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Australian Lace Guild - Victorian Branch
Textile - Machine Embroidered net lace, 1880-1920
Machine lace -
Shepparton RSL Sub Branch
Uniform, Jacket, 8th. July 1971
Peace Time (1971) Navy CommodoreBlack Wool. Royal Australian Navy. Commodore Mess Jacket. Gold Lace Rank to both Lower Sleeves. Gold Buttons (8). Gold Thread Australia to both shoulders. Two Fob Pockets to Front. Black cotton lining. Pocket to left hand inside Australia to both shoulders. Inside left of jacket J.N.Crosthwaite. (John Nevil) C.G.C.F. Which is Commonwealth Clothing Factory. R.A.N. Which is. Royal Australian navy. Made in australia. Gold Circular Rosette 4.5cm dia. Width of Gold Laceing. 4.5cm. Two Jacket buttons Link with metal link. Black cotton lining in side. Lable to Collar C.G.C.F.uniform, royal australian navy, commodore -
Bendigo Historical Society Inc.
Clothing - BOX
Two piece white box and cover. On lid of box is a large 'b' with Berlei in the loop of the b with the Berlei emblem. Label on end of lid. Box contains item 11400.225 (Corset)Berlei Girdle 11080/36. Indicator fitting 11AD. Pink back lace Corset Inner Belt.costume, female underwear, corset box -
Whitehorse Historical Society Inc.
Clothing - Bust bodice
Cream cotton bust bodice with Torchon lace on square neckline and sleeves. Blue ribbon threaded through eyelet lace at neck , lace inset on bodice.costume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Camisole
Fine white cotton camisole with lace inserts and cream ribbon in eyelet lace at neck. Drawstring waist and five pearl buttons concealed by lace edging.costume, female underwear -
Mont De Lancey
Christening gown, Mrs. Hannah Hunter, 1898
Made for Mrs. W. Johnson's daughter - Gertrude.Cream silk and lace Christening robe and carrying jacket.Dress gathered at skirt with tucks and lace inserts, and smocking on sleeves. Circular cape with tucks and lace inserts.christening clothing, baby clothing -
Churchill Island Heritage Farm
Two hand written notes, 1880s
The names of the Amess women who owned the lace are: Jane Amess (nee Straughan) – donor Unity’s great grandmother (pet name Janet, but not used as it will confuse with Unity’s mother). Jane was the wife of Samuel Amess, first Samuel Amess to own Churchill Island. Frances Amess (nee Turnbull) – grandmother, married Robert Lisle Straughan Amess, 4th child of Samuel and Jane Janet Jickell (nee Amess) – mother, 2nd of two children of Robert and Francis, married James Jickell Unity Mary Bright (nee Jickell) was the donor, 2nd of two children of Robert and Francis. The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women, see above.Two notes written by Janet Amess: 1. Real Limeric Lace from Ireland. Valuable don't destroy 2. Grandmother about 1850 Third note; Written by my mother Janet Amess.Packaged with 2036 (0036)lace, churchill island, janet amess, lace collection, amess, farm -
Whitehorse Historical Society Inc.
Clothing - Collar lace
White cotton lace collar. Machine embroidered Chemical lace in Duchess/Guipure style.costume accessories, collar accessories -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, 19th Century
Modesty front to be worn as a filler with a low cut blouse or dress.Lace modesty front. Bobbin lace motifs appliqued onto machine made net. -
Kew Historical Society Inc
Clothing - Chemisette, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. A fine cotton chemisette with collar and front opening edged with tape lace and then edging lacelace, women's clothing, bodices, chemisettes -
Bendigo Historical Society Inc.
Clothing - LADIES NIGHTGOWN
White cotton full length long sleeved ladies nightgown. Front yoke of lace panels with diagonal patterns and gathered lace edges. Gathered lace frill around neckline (5cm). Fabric yoke at back with gathered back panel. Set in sleeves with 5cm lace edge at hem. Decorative lace insert above lace edge. Front opening with two white buttons.''A.Chafer'' wriitten in texta on inside back of yoke.costume, female, white ladies nightgown -
Whitehorse Historical Society Inc.
Clothing - Christening Gown
Laundered 30/10/1999Long frock, possibly a christening frock. Lace and pin tucks on bodice, lace on hem with 1/4 inch tucks above lace, puff sleeves on bottom.costume, infants' -
Kew Historical Society Inc
Clothing - Cotton & Lace Petticoat, c. 1901-08
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Long white Indian cotton petticoat with broad panels of lace at the front and at the base. The short sleeves are bordered with the same lace. The most distinctive use of the lace it at the neck.edith mary weir (nee betteridge), 84 princess street - kew, women's clothing, costumes, underwear, petticoats -
Kew Historical Society Inc
Clothing - Lace Jabot, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton jabot of Irish crotchet lace and machine made lace and machine sewn. Inserted lace layer has flat and three dimensional crotchet roses. Lace edging at the bottom has three 3 dimensional roses and shamrocksfashion and textiles collection - kew historical society, lace, women's clothing, australian fashion -
Bendigo Historical Society Inc.
Clothing - MERLE HOULDEN COLLECTION: BABY'S WHITE COTTON NIGHTGOWN, 1885
Fine white cotton round neckline edged with lace. Three lace panels on centre bodice. Long ties are stitched down at the centre of the gown, with an embroidered cotton lace overlay, defining the bodice and skirt. Narrow pleats between the three lace panels, give fullness to the front bodice. Long sleeves are edged with narrow lace, and slight gathering gives the impression of a cuff. A six cm band of cotton lace edges the hemline. Six cm wide band of lace at hemline.costume, children's, night gown -
Kew Historical Society Inc
Clothing - Camisole, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White muslin camisole with fabric made by machine joined tape lace. Sleeves have three layers tape lace between three pieces of muslin. Edges are of a layer of scalloped tape lace joined to sleeves by a ribbon insert tape lace.fashion and textiles collection - kew historical society, lace, women's clothing, australian fashion, night wear -
Glenelg Shire Council Cultural Collection
Clothing - Ladies Night Bonnet, 1830-1860
Belonged to Marianna Trangmar, b.1820/1821 - later Mrs George Crouch.Ladies night bonnet. Crown made of fine cotton, edged with lace. Ruffles of embroidered cotton and lace. Ties cotton edged with lace. Worn by Marianna Trangmar/Crouch. -
Orbost & District Historical Society
dress, first half 20th century
This dress was a wedding dress. Horseshoes have always been a traditional symbol associated with good luck . . Because the horseshoe is " U " shaped, to retain the the good luck forever, it is essential that the horseshoe is hung by the ribbons which are attached to the shoulders. The horseshoe should not be turned upside down or else all the good luck of the marriage may fall out.This dress reflects the needlework skills of women in the first half of the 20th century.A hand-made white full length lace dress with a lace-covered horseshoe attached to the shoulder. It has lace cap sleeves. The dress is lined with cream coloured silk.costume-female dress-wedding needlecraft hand-made horseshoe -
Stawell Historical Society Inc
Textile - Costume and Accessories, c1900
Open Combinations, Lace Edged. Cotton Material. Torchon Lace Trim Round neck. Armholes. White material. Frill gathered threaded with tape. Lace trim for legs.stawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Pale Blue Camisole with Band of Cream Lace Insertion on Bodice. 4cm Lace with Blue ribbon insertion around top. Lace Edged shoulder Straps. Elastic waist stawell clothing material -
Whitehorse Historical Society Inc.
Clothing - Nightdress
Long white cotton Nightdress with long sleeves. Crochet edging on neck and sleeves with eyelet lace on both. Alternate layers of crochet lace and broderie anglaise lace on bodice.costume, female nightwear -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's ribbon lace, shawl collar, c1950
A collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck and may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Names for specific styles of collars vary with the vagaries of fashion. In the 1930s and 1940s, especially, historical styles were adapted by fashion designers; thus the Victorian bertha collar, a cape-like collar fitted to a low scooping neckline, was adapted in the 1940s but generally attached to a V-neckline. This item is a type of shawl collar for a V-neckline that is extended to form lapels, often used to enhance cardigans, dinner jackets and women's blouses. A lady's, detachable, white, nylon machined ribbon lace shawl collar with lace trim C1950clothing, collars, ornamental collars, moorabbin, cheltenham, bentleigh, lacework, dressmaking, fashion, formal wear, shawl collar -
Clunes Museum
Clothing - LADIES APRON
WHITE LACE EDGED LINEN HALF APRON - LADIES - TIED AT WAIST - LACE TRIMMED POCKETcostumes - female wear, ladies apron -
Whitehorse Historical Society Inc.
Textile - Table Runner
Large white cotton centrepiece with deep white cotton lace edging. Inset with crochet lace.manchester, table linen, handcrafts, needlework -
Whitehorse Historical Society Inc.
Clothing - Nightgown
White cotton Nightdress with broderie anglaise lace bodice. Frill of same lace on armhole edge.costume, children's -
Whitehorse Historical Society Inc.
Clothing - Collar
Cream net collar with two borders of lace and two borders of lace crosswise at points of the collar.costume accessories, collar accessories, female, costume -
Rutherglen Historical Society
Doily, 1925 (Approximate)
Worked by Ivy Melville (Mrs Greg Melville). Used as decorative cover for platesLace doily worked by hairpin by Mrs Ivy Melville. Square in shape with a frilled lace edgemelville family, handcrafts -
Australian Lace Guild - Victorian Branch
Textile - Mixed lace, 19th Century
This cloth belonged to Anna Sptiz (the donor's mother in law) and was part of her trousseau in the late 1800s.Mixed lace cloth with cutwork and insertions of Needlelace and of Filet. There is a border of Cluny style bobbin lace. -
Kew Historical Society Inc
Household Textile, Pillow Sham
Rectangular white damask pillow sham. Crotched lace one end with row of inserted lace household textiles, household linens, pillow shams, crochet -
Whitehorse Historical Society Inc.
Clothing - Bib, C 1990
Handmade by donor with used fabric from donor's wedding dress.- Cream babies bib with lace edging - Satin face, cotton backing - applied lace motifsNilbaby wear, handmade