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National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd Collectiontextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, winding machinery, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph, Federal Mill 1918: weft winding department
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd CollectionFEDERAL MILL - 1918/ WEFT WINDING DEPT FILM No13textile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, winding, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph, Federal Mill 1918: weft winding department
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd Collectiontextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, winding, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph, [Federal Mill: dyeing and finishing c1918-1920s]
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd CollectionF Murgatroyd Federal Mill/ Dyeing and Finishing/ c1918-1920stextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill, dyeing, finishing, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd CollectionSHUTTLES (TOP OF PHOTO) FEDERAL MILL - c.1918/1920textile machinery textile mills weaving mills textile mills, collins bros mill pty ltd tweedside woollen mills yarra falls mill federal woollen mills ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills -
National Wool Museum
Photograph
James Murgatroyd was a weavwer in England, Victoria and New South Wales. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd Collectiontextile machinery textile mills weaving mills textile mills - staff textile mills, collins bros mill pty ltd tweedside woollen mills yarra falls mill federal woollen mills ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
Kew Historical Society Inc
Clothing, Paisley Shawl, 20th Century
Imitation Kashmiri shawls were produced in large numbers in Europe in the second half of the 19th and also in the 20th centuries. The first mechanised production of such shawls was made possible by the invention of the Jacquard loom in France in the 1820s. Machine woven paisley shawl, based on traditional hand-woven Kashmiri designs. paisley shawl, shawls -
National Wool Museum
Photograph - Carding Room, 1918-1920
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.Black and white photograph of workers in a carding room, probably at Federal Woollen Mill.F Murgatroydtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, carding, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
Fred Murgatroyd worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University. The photograph is of Joseph Williams who lived all his life in the Geelong area.Murgatroyd Photograph CollectionF Murgatroydtextile machinery textile mills weaving mills textile mills, collins bros mill pty ltd tweedside woollen mills yarra falls mill, murgatroyd, mr fred murgatroyd, mr james williams, mr joseph - federal woollen mills ltd, textile machinery, textile mills, weaving mills -
Vision Australia
Photograph - Image, RVIB mat and brush shop, 1964
F2 - Coir matting loom is expertly handled by this blind operator. F5 - Machine cold binding of a millet broom. F7 - Final trimming of a special mat. F9 - Checking and packaging of brush ware is easy to this tradesman.4 B/W photographs of workers in the mat and brush shopsF2 - Mat Shop 1 1964 F5 - BFactory 3 F7 - Pic N123, 6846# F9 - Brush Factory 5 6846# 1964royal victorian institute for the blind, employment -
National Wool Museum
Photograph, Generators - Federal Mill c.1920
James Murgatroyd worked in textile mills in England, Geelong, Melbourne and New South Wales. His son Fred, as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd CollectionGENERATORS FEDERAL MIILL- c 1920 FILM No10textile machinery textile mills weaving mills textile mills - staff textile mills, collins bros mill pty ltd tweedside woollen mills yarra falls mill, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Textile - Greek Rug Carpet Sample, National Wool Museum, 1990s
This rug sample was woven at the National Wool Museum on the 1910 gripper type Axminster Jacquard carpet loom. The rug is made from 80% wool and 20% nylon, the internationally preferred blend for high quality, long lasting carpets.Orange, cream, green, red and black patterned carpet with jute backing.back: [handwritten] 2/57axminster loom, carpet, sample, rug, wool, national wool museum, brinton's -
National Wool Museum
Rug
Rug was made on National Wool Museum Brinton Axminster Gripper Loom by Brintons Carpets Geelong Staff prior to the visit of Queen Elizabeth. On the afternoon of 28/4/1988 Queen Elizabeth was presented with a similiar rug but latex backed and labelled.weaving, axminster -
National Wool Museum
Photograph, [Federal Mill: Mending dept c1918-1920]
James Murgatroyd worked in textile mills in England, Geelong, Meloburne and Sydney. His son Fred, as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University. "Federal Mill: Mending dept c1918-1920"The Murgatroyd Collectiontextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, mending, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
Whitehorse Historical Society Inc.
Clothing - Dress, Coat, c1960
Worn by donor at son's wedding.|Jacquard, a complex and intricate weaving process on a power loom invented bt Joseph Jacquard in 1801. It refers to fabrics or textiles woven by this process of punch cards, using damask, twill, silk or plain weave,wool. The design being woven into the material.1960 Apple green dress and matching coat. There is a silver thread through the weave of the material (Jacquard Design - see History). Dress also trimmed with silver braid. Stand up collar. Back zip and self covered buttons.|Matching coat has round neck - two sets of three self covered buttons and loops.costume, female -
Vision Australia
Administrative record - Text, New beginnings '95: Association for the Blind annual report 1994/95, 1995
Articles in annual report include: board of directors 1994-95, surging into the next century, president's report, a year of achievement, Tilly Aston, the looming need, preparing for the second century of service, centenary appeal, blind members report, volunteers, services, treasurer's report, supporters, office holders. 31 printed pages with illustrationsassociation for the blind, corporation records -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Haberdashery, napkins damask, early 20thC
Damask is a reversible figured fabric of silk, wool, linen, cotton, or synthetic fibres, with a pattern formed by weaving. Damasks are woven with one warp yarn and one weft yarn, usually with the pattern in warp-faced satin weave and the ground in weft-faced or sateen weave. Damasks derive their name from the city of Damascus - in Middle Ages it was a large city active both in trading, as part of the silk road, and manufacture. By the fourteenth century damasks were being woven on draw looms in Italy. Modern damasks are woven on computerized Jacquard looms. Damask weaves appear most commonly in table linens and furnishing fabrics, but also in clothing. The Damask weave is used extensively throughout the fashion industry due to its versatility and high quality finish.6 white damask, dinner napkins with varied patterensbrighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, early settlers -
National Wool Museum
Rug
Mr Mears father Horace Mear bought the rug c1933. He was ex British Navy and had migrated to Australia in 1920. Horace worked as a loom tuner at Valley Woollen Mill Geelong in the early 1920's then worked at Federal Woollen Mills as the Manager of the Weaving Room until his death in 1952.RETSOL RUG D E MEARwoollen mills - history, returned soldiers and sailors mill valley worsted mill federal woollen mills ltd, retsol rugs, weaving -
National Wool Museum
Card, Design
A Brintons carpet design card printed the same month that the Fellmongers Road factory closed down. Acquired on the closure of the factory.W7201.1 W7201.2 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.D6679 Brintons PTY - Boardroom QUALITY: Sp Ax - 12bu LOOM WIDTH: 200cm STRAIGHT LENGTH REPEAT: 467 ROWS CARD WIDTH AND MATCH: 276 ENDS STRAIGHT MATCH Design ID: D6679 Design Size: 3ft 3.43in by 3ft 2.92in Ends*Rows: 276*467 Quality: 7*12 per inch Match: 233 row dropbrintons australia pty ltd brintons pty ltd (geelong) brintons ltd (uk), carpet -
National Wool Museum
Loom, Tapestry
The loom belonged to Ms Lilian Joyce Mann. Ms Mann owned a shop in Jacob Street which sold handmade soft toys and handwoven items. She was a founding and life member of the Geelong Handweavers and Spinners Guild. She died on the 17th July 2007 in her 92nd year. (See Reg. no. 7219 for full history.)W7226 Photocopied design for tapestry, inscribed 'Doris Lessing: back down to earth with a bang.'weaving, geelong handweavers and spinners guild inc., tapestry, weaving looms, mann, ms lilian joyce -
National Wool Museum
Loom, Tapestry
The loom belonged to Ms Lilian Joyce Mann. Ms Mann owned a shop in Jacob Street which sold handmade soft toys and handwoven items. She was a founding and life member of the Geelong Handweavers and Spinners Guild. She died on the 17th July 2007 in her 92nd year. (See Reg. no. 7219 for full history.)W7227weaving, geelong handweavers and spinners guild inc., weaving looms, tapestry, mann, ms lilian joyce -
Churchill Island Heritage Farm
Textile - Hall Runner, 'Manor House', c. July 2013
This rug was woven at the Geelong Wool Museum in an elephant print pattern developed in the 1920s. Part of a working exhibit, it was created on a Jacquard loom manufactured in Kidderminster, UK in 1910s, and assembled in Australia. From the pamphlet: This rug was designed by Brinton's Carpets, a company that produced carpets in Geelong until 2008. The design was produced exclusively for the National Wool Museum, and came from an earlier design housed in Brinton's UK Persian Rug Archive and was recoloured for the Australian market. This Rug was produced on a 1910-built Axminster Jacquard Carpet Loom, donated to the Museum by Brintons. It forms the centrepiece of the National Wool Museum, where visitors daily experience this extraordinary machine in operation. Using Jacquard technology which is over 200 years old, individual coloured yarns of 80% wool and 20% nylon blend are used to produce high quality and long lasting durability.'Manor House' Hall runner. Elephant print pattern.amess house, churchill island, geelong wool museum, hall runner, joseph jacquard -
Flagstaff Hill Maritime Museum and Village
Textile - Tablecloth, unknown
Tapestry is a form of weaving and is most commonly made on a loom, but traditionally, from 11th to the 19th centuries, made by hand. When used as a table cover, items such as this one were often covered and protected by a lighter weight, easily washable tablecloth. This tapestry tablecloth has a soft velvet feel. It has seen many days and has been lovingly repaired in several places with dark patches on the underside. This tapestry tablecloth represents heavy duty table coverings used to protect furniture and as a form of decoration. It is an example of what was used in the Colonial and Early Settler days in Australia.Tablecloth or table cover, rectangular tapestry in burgundy and red tones. A burgundy is around all sides with a floral inner border, framing a decorative oval centrepiece of floral design on a red background. the short sides are reinforced with tape on the underside. The cloth has been carefully repaired on the underside. There are pin marks on the tape in one corner.flagstaff hill, warrnambool, shipwreck coast, flagstaff hill maritime museum and village, maritime museum, tablecloth, tapestry, table cover, table linen, manchester, vintage, arts and crafts -
National Wool Museum
Photograph, Q-VEE Machine, 29/06/1937
Photographs were most likely used for promotional purposes. The Q-VEE machine is a scouring machine. When fabric is removed from the loom it is often stiff, rough or uneven. Scouring removes the oils and dirt picked up from manufacture, leaving the fabric soft and fluffy. The photographed machine was made by J. Stone & Co, a British marine and railway engineering company based in Deptford in south east London.Four black and white, blue tinged photos of a Scouring Machine from different angles. Black writing on the rear, typed with a typewriter and stamped with the company stamp.8051.1 - rear - "Q-VEE" Machine. Tomlinsons (Roshdale) Limited. SOHO Works Rochdale. 29.6.37 849 8051.2 - rear - "Q-VEE" Machine. Tomlinsons (Roshdale) Limited. SOHO Works Rochdale. 29.6.37 856 8051.3 - rear - "Q-VEE" Machine. Tomlinsons (Roshdale) Limited. SOHO Works Rochdale. 29.6.37 851 8051.4 - front on machine - FIY Chain Gear J.Stone & Co Ltd London rear - P.I.V. Dial Control Tomlinsons (Roshdale) Limited. SOHO Works Rochdale. 29.6.37 853textile machinery, wool manufacture, wool, scouring -
Whitehorse Historical Society Inc.
Photograph, Roger de Stoop and Belgian workers, C 1950
Roger de Stoop came to Australia during the Second World War when the de Stoop spinning & weaving factory in Belgium was closed during the German occupation. He had previously met Dick Best, an Australian who wanted to establish a textile factory in Australia and in 1950 they built a factory at Blackburn North importing the weaving looms and many of their skilled workers from Belgium. Housing for the workers was built near the factory.Black and white photograph of Belgian family groups in front of one of the houses erected for the de Stoop workers. Roger de Stoop is in the centre of the photograph in a dark suit and tie.de stoop, roger. de stoop aust pty ltd. de stoop and best textile factory. weaving mills. belgians in australia -
National Wool Museum
Clothing - Dress, 1979
This dress was created by Jean Inglis for a competition of garments hosted by the Geelong Handweavers and Spinners Guild at a ski weekend in 1979. It was entered in the ‘evening wear’ category of hand spun and knitted garments. The Warp was commercially brought 2/24 wool. The Weft was hand spun black Corriedale wool. This wool was brought at a sale in Geelong and was hand dyed and spun by Jean. The patter is a ‘Ripple’ variation of a ‘Crackle’ weave completed on Jean’s own Dobby Loom (pictured). Long black dress stretching from the feet, reaching up to a hood at the neckline and down to the hands in the sleeve. The dress is black with a glossy silver pattern in the form of a band around the hood, hands and feet of the garment. In these bands is a wavy pattern of silver and black lines. There are multiple thick and thin lines of both the silver and black colours mirroring each other as the pattern stretches around the garment. wool, weaving, hand spun, corriedale -
National Wool Museum
Textile - Manor House Rug Carpet Sample, National Wool Museum, 1990s
The Manor House Rug was designed by Brinton's Carpets in 1990 exclusively for the National Wool Museum. The design is based on an earlier design from Brinton's UK Persian Rug Archive Library. This Manor House Rug sample was woven at the National Wool Museum on the 1910 gripper type Axminster Jacquard carpet loom. The rug is made from 80% wool and 20% nylon, the internationally preferred blend for high quality, long lasting carpets.Red, green, blue, black, cream floral patterned carpet sample with jute backing.axminster loom, carpet, sample, rug, wool, national wool museum, brintons -
National Wool Museum
Spinning Wheel, 18th century or early 19th century
The spinning wheel was owned by Amy Penfold (donor Jan Dawson's mother) who presumably purchased the spinning wheel in the 1930s at an antiques auction. Amy lent the spinning wheel to her friends who spun (as Amy could not spin herself) In Yass, New South Wales during the early years of the Second World War. Amy's friends would spin lightly scoured semi greasy wool worked into yarn and knitted into particularly warm and water-resistant socks for sailors on minesweepers serving during the Second World War. Jan received the wheel in the early 1960s after her mother past away at which time the wheel was no longer operable. When Jan came to live in Melbourne, she sought the assistance of Spinners and Handweavers who assisted her in creating a new bobbin and restored the broken pieces of the wheel back into working order which we find it in today. With the loom are three bobbins. One bobbin is attached to the loom while of the two loose bobbins; one is a reproduction and one is an original. From these two the differences in construction can be observed. Large 12 spokes pinning wheel finished in dark tinted varnish on wood. Ornate upright posts.Additional two bobbins. One original and slightly damaged other is a reproduction and in excellent condition. -
National Wool Museum
Photograph
This photograph shows the interior of the Valley Worsted Mill in 1923. The mill was first established at this time, and the photo shows the interior after tooling up but prior to the mill actually commencing operation. This photo is one of 31 in total and shows rows of weaving looms. The donor worked at the Valley Mill for many years. This mill still exists in Swanston Street, Geelong and is now being used by Melba Industries (an Austrim-Nylex company) to produce Jumbuck Nylon wool packs.Interior of Valley Worsted Mill, c.1923.valley worsted mill, weaving looms, weaving machinery -
Whitehorse Historical Society Inc.
Photograph, Roger de Stoop
Roger de Stoop was born in Flanders, Belgium in 1912 and died in Australia on 18th April 1999. The de Stoop textile factory was closed due to German occupation and when Roger de Stoop received an offer from Australian Dick Best to begin a a partnership in similar venture in Australia, he agreed, bringing looms and skilled workers with him. The company was the first to produce Belgian damask ticking in Australia. The firm was sold to the British firm, Smith and Nephew in 1960.One coloured and one black and white head shot of Roger de Stoop wearing a suit and tie.de stoop, roger. de stoop and best textile factory. belgians in australia