Showing 1610 items
matching macdonald-stewart
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Bendigo Historical Society Inc.
Photograph - FEMALE PORTRAIT: C 1890, 1890
sepia photograph of young lady - possibly recently engaged, she has a large ring on second finger, left hand. Frilly, high necked blouse. Photo mounted on cream board. Imprinted into lower margin of board ' Paris panel/Stewart and Co., 284 - 286 Bourke Streeet, Melbourne.Stewart and Co. 284 - 286 Bourke Street, Melbourne.person, individual, portrait female -
Stratford and District Historical Society
Photograph, Framed
STEWART enlisted 12 June 1915, aged 22 years. He served at Alexandria and in France, before being killed in action in Belgium, 4 Oct 1917. The Society also holds: 00140 - personal effects for Charles Christie STEWART, returned to family. 00749 - tree plaque for C.C.STEWARTFramed photograph, head and shoulders, of Charles Christie STEWART, dressed in the uniform of a corporal in the Australian army in WWI. It is in an oak frame, with steam-pressed detail, under glass.world war 1914-1918 -
Bendigo Historical Society Inc.
Photograph - FEMALE PORTRAIT: ACADEMIC, 1906
Sepia studio photo. Woman wearing academic regalia, pincenez, ring on 4th. L.H. finger. Figure holds sheet music in both hands. Cane table at figure's right. Studio view in background. Printed in script 'Stewart and Co. Printed in capitals '284 - 286 Bourke Street, Melbourne'at bottom left. Writtyen back"Mr and Mrs Dowsey. With fond love from Auntie May. 19.11.06Stewart and Co., Bourke Street, melbourneperson, individual, female - academic -
Kew Historical Society Inc
Work on paper, "South Wing" - Xavier College, 1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Pen and wash drawing, set in an external card mount, depicting the south wing of Xavier College, Kew by Joy Stewart.Inscription: "South Wing" - Xavier College." Signed lower right: "JStewart 78".joy stewart, xavier college - kew (vic), schools - kew (vic) -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader et al, Shocking slaughters, 15/08/2018
Several kangaroo joeys were mutilated in a shocking act of animal cruelty in Greenhills, Greensborough.News article 1 page, black text.animal cruelty, greensborough, browns nature reserve greensborough, kangaroos -
Federation University Historical Collection
Book, University of Ballarat, Australasian Association for Engineering Education Proceeding of the 9th Annual Convention & Conference, 1997
The following staffmembers of the University of Ballarat were referees for the publication: Prof. Paul Kelly, Prof. Richard Lea, Joy Nunn, Assoc. Prof. Roy Schrieke417 page book on the theme 'Putting Students Back Into Engineering'. The Conference was held at the University of Ballarat on 14-17 December 1997university of ballarat, engineering, joy nunn, paul kelly, richard lea, roy schrieke -
Lara RSL Sub Branch
Photograph, Gallipoli Map Anzac Battlefield 1915
This map shows where the first battalions landed at Gallipoli (April 25) Position of ANZAC battalions when the Turks attacked across the whole front and lost 10,000 dead and wounded (19 May) ANZAC evacuation (20th Dec 1915)Detailed map showing historical sights and battlefields with an information listGallipoli Map Anzac battlefield 1915,Rectangular in shape glass covered picture frame with a wooden boarder.Gallipoli 1915 Anzac Battlefieldphotograph., gallipoli., 1915, anzac, world war one, ww1, battlefield -
Federation University Historical Collection
Book, Balfour Stewart, Lessons in Elementary Physics, 1880
Blue cloth covered book of 383.non-fictionphysics -
Emerald Museum & Nobelius Heritage Park
Mounted Photograph, Stewart & Co, 1919
Monochrome photograph of Walter Hemmy brother of Emily Ogilvy (nee Stoddard) mounted on cardboard with gold edging1919 Walter Hemmy Jean Franks Uncle -
Kew Historical Society Inc
Book, Houghton Mifflin Australia, Images of Melbourne : a sketchbook, 1989
Ferntree Gully, Vic. : Houghton Mifflin Australia, 1989 63 p. : ill. ; 21 cm. non-fictiondrawing -- australian, melbourne (vic.) in art, melbourne (vic.) -- description and travel -
Robin Boyd Foundation
Book, Franz Philipp and June Stewart, In Honour of Daryl Lindsay, 1964
Hardcover w/ Dust Jacketwalsh st library -
Robin Boyd Foundation
Book, Christopher Idone, Glorious Food, 1982
Hardcover w/ Dust JacketNews Clipping about Stephanie Alexander's restaurant closing. Birthday Card to Trish from Kirstie, 1997. 3 x menus from Paul Bocuse (one with signature) dated January 1989walsh st library -
Robin Boyd Foundation
Book, Franz Philipp & June Stewart, In Honour of Daryl Lindsay, 1964
Hardcover w/ Dust Jacketwalsh st library -
Kew Historical Society Inc
Photograph - Façade of ‘Southesk', Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).A colour photograph of the façade of ‘Southesk’ taken at an oblique angle. Formerly known as ‘Ordsall’, the house was built for John Halfey in 1882 on the corner of Cotham Road and Charles Street. The Italianate mansion was built in the Renaissance villa style on a bluestone plinth. Two balustrades surrounded the parapet of the roof and ran between the groups of pillars on either side of the entrance porch. The verandah was tiled and wide and Corinthian columns supported its roof. When the house passed into the hands of the City of Kew in 1948, the Council used it for a kindergarten, an elderly citizen centre and as a home for the Leo Baeck Centre. The house was demolished in 1970.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Ceiling fresco, Ballroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.Notwithstanding its grand Italianate façade, the most important aspect of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom depicts ‘Night, represented by a female figure in a diaphanous garment, skirted with flowers, wafted before the approaching dawn into space illuminated by the moonlight, and peopled by the fairies, is a striking picture. Flying with her are an attendant Cupid bearing an artificial light, and a tired little votary of Bacchus with a reversed wine-pitcher and goblet’.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Ceiling fresco, Ballroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict two of the Seasons. Signor Rizzi was a renowned painter of flowers. He is credited with painting these parts of the murals. Examples of his floral paintings can still be seen at Villa Alba in Walmer Street.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Ceiling fresco, Ballroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict ‘Africa’. The article records that: ‘Notwithstanding the large size of the drawings they are often marked by delicate touches, and a minuteness of detail in evident sympathy with nature. The figures have grace, life and animation and the skillful shading of the colours used — chiefly amber, gold, light blue, green, light fawn and brown – is in harmony with the quiet tone of the general furnishing of the rooms.’david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Ceiling fresco, Ballroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict one of the ‘boldly drawn four great geographical divisions of the Earth’. The crowned woman, believed to represent Europe, stands aloft in a chariot drawn by cherubs holding garlands of flowers.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Ceiling fresco, Drawingroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the drawingroom was described by the reporter as ‘done in the quaint old 14th century style’. This section depicts ‘out-door sports. The fishing-lines of the jester and the almoner have become entangled, and a large wolf-dog seems disposed to arbitrate in the difficulty, while a party of young men and maidens are angling, feeding swans, or training hawks for a future day’s sport.’david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Ceiling fresco, Drawingroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the drawingroom was described by the reporter as ‘done in the quaint old 14th century style … The second panel represents a hawking party. The ladies hold aloft the natural perches for their falcons. The men, seated in picturesque variety of attitude, hold their cross-bows, and a boy is relieving a heron from an arrow which has pierced its bosom.’david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Tatura Irrigation & Wartime Camps Museum
Booklet, K Gregory, B Pearson, W Stewart et al, From Protectorate to Smaller Town, 1985
2nd book. L3518. Incorporating 125 years of education and achievement Murchison Primary School 1860-1985. Booklet for "Back to Murchison" 18-20 October 1985.Yellow soft cover booklet. Green test and 2 pictures on front. Top on of river scene. Lower scene of street buildings. Aerial scene of town on back cover. 79 pages -
Koorie Heritage Trust
Document - Printed Sheets, Bennett, Catherine et al, Report on Aboriginal Skeletal Remains from Tarwin Meadows, South Gippsland - site number 80201/043, 1986
30 P.; appendices; maps; figs.; tables; plates; 32 cm.skeletal remains-aboriginal-tarwin meadows-south gippsland, anthropology-aboriginal-south gippsland., victorian archaeological survey-aboriginal skeletal remains -
Swan Hill Regional Art Gallery
Print, MacFARLANE, Stewart, The Hoddle Bridge approach, 1985
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Stawell Historical Society Inc
Book, Stewart Bradley, Stawell Miner's Association Sports 1873 - 1908, 2000?
stawell sports athletics -
Gippsland Art Gallery
Print, MacFarlane, Stewart, Blind Date, 1992
Artworks Gallery Collection. Donated by Norman & Petah Creighton, 2018Coloured linocut print on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, MacFarlane, Stewart, The Believer, 1991
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Coloured linocut print on papergippsland, artwork, permanent collection -
Uniting Church Archives - Synod of Victoria
Photograph, Stewart & Co, C. 1908
G. S. Brett (unknown - 1934) was ordained in 1894, having attended college at Oberlin, Ohio (USA) and was a congregational minister in Brighton, 1900 - 1911.Matte black and white, head and shoulders studio portrait of Rev. G. S. Brett on buff card.Handwritten on back: "Rev G. S.Brett Brighton Cong."g s brett, congregational minister, congregational church brighton victoria -
Kew Historical Society Inc
Photograph - Former Congregational Church, Walpole Street, Stewart West, 1977
The site of the former Kew Congregational Church was the earliest 'built' place of religion in Kew. An earlier building by Charles Vickers was replaced by a new brick church designed by Albert Purchas. Following the creation of the Uniting Church, the church at 30 Walpole Street was declared redundant and demolished to make way for the Bodalla Nursing Home (itself later demolished).Colour print positive of the former Congregational Church in Walpole Street, Kew. A side on view of the red brick and concrete renders building showing the small steeple and the front entrance."Oldest church in Kew. Taken Oct 1977. Formerly Congregational church"churches -- kew (vic), congregational churches, walpole street -- kew (vic), albert purchas -
Kew Historical Society Inc
Photograph - Former Congregational Church, Walpole Street, Stewart West, 1977
The site of the former Kew Congregational Church was the earliest 'built' place of religion in Kew. An earlier building by Charles Vickers was replaced by a new brick church designed by Albert Purchas. Following the creation of the Uniting Church, the church at 30 Walpole Street was declared redundant and demolished to make way for the Bodalla Nursing Home (itself later demolished).Colour print positive of the former Congregational Church in Walpole Street, Kew. The front of the polychrome brick building showing the small steeple and the front entrance."Oldest church in Kew. Victoria. Taken Oct '77. Formerly Congregational Church"churches -- kew (vic), congregational churches, walpole street -- kew (vic), albert purchas -
Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Letter, N E Stewart, Inquiries about Joining Members, 6/12/1952
thomas reilly, mr billett