Henry George Roberts was born in Lambeth, Middlesex, The United Kingdom on 17 June 1885. The son of Elizabeth and Corporal Thomas Roberts of 2/3rd Regiment of Foot, The Buffs. Thomas Robert died in 1893 and on 28 September 1894 Henry was admitted to the Royal Military School as an apprentice. He remained there until 7 July 1900 when he enlisted at Aldershot, in the 2nd Dragoon Guards as a boy soldier. The 1901 and 1911 Censuses record him as being a musician with the 2nd Dragoon Guard, (The Queen’s Bays). Roberts married Lily Winterbourne Quinton in early 1912, a son Frederic was born on 1 February 1913. By August 1914 Roberts has travelled to Australia where he was employed as a musician and residing at “Quamby” Royal Park, Melbourne. His wife and child remaining at Mellison Road, Lower Tooting, London. On 8 September 1914 he enlisted in the Australian Imperial Force in Melbourne, allotted Regimental Number 42, the Rank of Trooper and allocated to A Squadron, 8th Australian Light Horse Regiment. His enlistment papers raise a mystery. He stated that he and six years’ service with the Territorial Hampshire Carabiniers but made no mention of his eleven years’ service with the Regular 2nd Dragoon Guards. There is no clear answer as to why this misinformation was provided. Roberts was promoted to Sergeant on 28 October 1914. His occupation and prior experience resulting in Roberts’ appointment to the leadership of the regimental band. After training in Australia, he embarked on the Star of the Sea at Port Melbourne on 25 February 1915 arriving in Egypt on 14 March. On 16 May 1915 he proceeded to Gallipoli where he was killed in action on 7 August 1915 during the attack on the Nek. He has no known grave and is commemorated at the Lone Pine Memorial for the missing. For his service in The Great War, he was awarded the 1914-1915 Star, British War, and Victory, Medals. Circular metal medallion with image of Britannia standing with a lion issued to NOK of No 42 Sergeant Henry Roberts 8th Australian Light Horse Regiment who was killed in action at the Nek 7 August 1915. The plaque about 120 mm in diameter, was cast in bronze, and came to be known as the "Dead Man’s Penny", because of the similarity in appearance to the much smaller penny coin. 1,355,000 plaques were issued, which used a total of 450 tons of bronze,Henry Roberts and continued to be issued into the 1930s to commemorate people who died as a consequence of the war.Henry Robertswwi, world war one, gallipoli, nek, 8th, light horse, roberts

Alexander Henry White, born 9 May 1882 was educated at Greenville College Ballarat. He enlisted in the Victorian Mounted rifles in 1899 and continued to serve in the Light Horse followinh Federation. Following the outbreak of World War One he applied for a commission in the AIF 19 November 1914 and was appointed as Commanding Officer 8th Light Horse regiment. He was 32 yers of age, married with one child. He sailed with the regiment to Egypt in December 1914, and in May 1915 landed at Gallipoli. Lieutenant Colonel received a shrapnel wound to the scalp 27June, was treated at the Casualty Clearing Station, and returned to duty 4 July. In the Charge at the Nek, 7 August, White chose to lead the first wave of the 8th Light Horse. He was killed in action and his body never identified. His name is recorded on Lone Pine Memorial, Gallipoli Peninsula. He was posthumously mentioned in dispatches for his leadership in commanding the 8th Light Horse. Framed case containing portrait of Lieutenant Colonel Alexander Henry White, together with his medals (replica) and colour patches of 8th Light Horse.On plaque under portrait 'Lt Col Alexander White / Commanding Officer 8 Light Horse Regiment' and under medals 'Lt. Col. Alexander White borne 9 May 1882 / K.I.A. 7 August 1915 at the NEK Gallipoli'gallipoli, white, wwi, 8lh, ballarat

Original documernts.Merchant Navy certificates of discharge ranging from August 1925 to May 1941Seaman Henry A Webb indicating rank AB to Bosun. Vessels Tarcoola and Narrabeen.

Black and white postcard of horse tram No 5 outside the Alexander Ronald's Vine Hotel, Macarthur St Ballarat. Tram has a advertisement for the Vine Hotel. See image 3792i for a print. Printed by the Ballarat and District Genealogical Society May 2019 for the National Trust Heritage Week with the assistance of Robert and Stubbs of the Canberra Hotel and the BTM. Card notes that Henry George Smith was the groom. 2 copies collected. Photo from the Max Harris Collection held by the Ballaarat Mechanic's institute. Has details of the sponsors on the rear of the card. trams, tramways, vine hotel, canberra hotel, horse trams

A white document titled "Bendigo Teachers' College Graduation Ceremony 1967" and below this is a list of the college staff. They are Mr. J. M. Hill (Principal), Mr. K. G. Scarrott, Mr. F. M. Courtis, Mr. T. J. McCabe, Mr. B. Rollins, Mr. R. F. Colbourne, Mr. B. A. Clemson, Mr. L. A. Hall, Mr. B. T. Geary, Mr. J. J. R. McLeod, Mr. K. C. Coles, Mr. P. M. Divola, Mr. J. Brasier, Mr. J. J. Layther, Mr. A. D. Maltby, Mr. R. J. Harris, Mr. R. N. Bruce, Mr. R. N. Teasdale, Mr. R. Collis, Mr. F. G. East, Mrs. H. J. Chatfield, Mrs. N. Fawdry, Miss S. M. Waring, Mrs. H. Knox, Mrs. F. M. Petri, Mrs. M. M. Kerr, Mrs. E. I. Perry, Mrs. M. M. Clemson, Mrs. M. P. Hibberd, Miss J. C. Burnett, and Dr. S. Morphy (Medical Staff). Administrative Staff - Mr. W. D. Kolle, Miss B. H. Cowling, Mrs. J. E. Parkin and Mrs. D. M. Philpott. On the inside cover is the "Significance of the Ceremony" and "Order of the Ceremony". A Welcome to Visitors was given by Mr. B. A. Clemson and the College Charge was read by the Principal. The Graduation Book was presented to Mr. W. F. R. Budge by Mrs. H. Chatfield the Dean of Women Students. Mr. K. G. Scarrott presented the T. P. T. C. students to Dr. W. C. Radford and Mrs. N. F. Fawdry presented the T. I. T. C. students to Dr. W. C. Radford. Congratulations were offered by The Mayor of Bendigo Cr. W. Cambridge, the President of Strathfieldsaye Shire Cr. M. O'Halloran and Mr. E. J. Allison, Head Master of Golden Square State School. Dr. W. C. Radford gave the Occasional Address.The following page contains the names of the students of 1965 - 1967 who received their Trained Infant Teacher's Certificate. - Margaret Mary Therese Atchison, Sandra Margaret Therese Atkinson, Jennifer Margaret Barker, Marilyn Joan Durbridge, Sandra Faye Ermel, Jeanette Craig Ferguson, Janice Mary Fee, Annette Gargiulo, Jennifer Mary Hawkins, Jocelyn Ann Heslop, Julie Marion Hopper, Susan Mary Howard, Donnette Ann Hufer, Dorothy Joan King, Leonie Anne Mackay, Mary Bernadette McCurry, Diane Margaret Louise McPherson, Jennifer Evelyn Mansfield, Maureen Moait, Jennier Joy Mouser, Marie Jeannette O'Brien, Ann Lorraine Pawley, Pamela Jeanette Phillips, Wendy Roma Rainey, Lynette Jean Robinson, Nola Mary Sawers, Margaret Ellen Sheridan, Rosalie Heather Smith, Marianne Catherine Stockx, Margery Lois Storey, Joyce Eidirien Waidabu, Barbara Joan Webb, Marion Joyce Wright and Margaret Joan Young. This page also contains the names of the students who graduated with their Trained Primary Teacher's Certificate 1966 - 1967. - Merylyn Dale Abbot, Janet Ann Angus, Robert Maxwell Anset, Jocelyn Gray Astbury, Catherine Mary Backstrop, Anne Margaret Becker, Graeme Kenneth Blake, Mary Margaret Bourke, Ruth Yvonne Bradbury, Mary Elizabeth Carstensen, William Stephen Carthew, Glenda Marjory Childs, Rae Mary Chittock, Elizabeth Lorraine Colville, Robyn Elizabeth Connelly, Michael Thomas Corboy, Richard George Cowan, Carmel Margaret Delaney, Margaret Ruth Dettman, Bryan John Dillon, Suzann Margaret Fahey, John Stuart Fleming, Maxwell George Fletcher, Valma Mary Foreman, Joan Elsie Gillespie, Beverley Joan Ham, Leonard Jack Heathcote, John Edward Higgs, Pauline Susan Hobby, Rhonda Carolyn Hunter, Heather May Kennedy, Gillian Anne Knight, Anne Elizabeth Layton, Judith Irene Learmonth, Jean Annette Leversha, Judith Katherine Longhurst, Jeannie Elizabeth Anne McKerrow, Charles Bryan Mathieson, Judith Lorraine Mills, Patsie Murphy, John William Norman, Jocelyn Anne Nunn, Helen Margaret O'Donoghue, Andrea Palmer, Carolyn Joy Palmer, Arthur Henry Parker, Sandra Jean Peace, Anne Marie Pianta, Margaret Joan Plant, Lawrence John Plowman, Graeme Kenneth Proud, Nancy Elizabeth Raven, Colleen Margaret Reid, Glenda Ann Rogerson, Vivienne Lorraine Roscoe, Peter Thomas Ryan, Bruce Robert Scriven, Margaret Lorraine Seddon, Ann Shemshedin, Heather Joy Shields, Margaret Susan Snow, Lee-ann Robyn Spittal, Graeme George Stanyer, Marie Stevenson, Jennifer May Teague, Kenneth William Thomas, Kerry Joy Tobias, Patrick James Tobin, Jennifer Anne Todd, Helen June Trevaskis, Faye Lynette Turner, Rosemary Gaye Ward, Peter Edward White, Barbara Lindsay Wotherspoon, Fairlie Grace Young, and Katherine Rosalee Zerbst The back cover has the "Principal's Charge to the Graduands" and "The College Anthem". The Conductress being Mrs. F.M. Petrie and the Pianist Miss M. Shaw.bendigo, education, bendigo teachers' college graduatio, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, students, tertiary education, graduation, graduation ceremony, graduands, bendigo teachers' college staff, bendigo teachers' college students, graduands, graduates, book

A cream document titled "Bendigo Teachers' College Graduation Ceremony 1960". The front page also contains a list of the staff working at the college. They are Mr. S. H. Walters (Principal), Miss J. C. Burnett, Mrs. N. F. Fawdry, Mrs. F. M. Petri, Miss R. E. Manlein, Mrs. D. J. Andrew, Mrs. B. F. Hughes, Miss K. Alexander, Miss C. M. Oughton Jones, Miss B. H. Cowling, Mrs. A. J. Coleman, Mr. F. M. Courtis, Mr. D. A. Newbury, Mr. F. X. Martin, Mr. C. L. Barker, Mr. T. J. McCabe, Mr. F. G. East, Mr. P. F. Fitzpatrick, Mr. M. Pratt, Mr. W. J. F. Bernoth, Mr. R. L. Strauch, Mr. M. A. James, Mr. R. E. Wittman, Mr. C. F. Houston, Mr. J. R. R. McLeod, Mr. G. G. Woodfield and Mr. K. C. Coles. The inside cover contains the "Significance of the Ceremony" and "Order of the Ceremony". Mr. F. M. Courtis welcomed the visitors whilst the Principal read the College Charge. The 'Graduation Book' was presented to Mr. A. L. Harris Inspector of Schools by Miss J. C. Burnett.The final roll call for 1960 was read by Mr. C. L. Barker. Congratulations were offered by The Mayor of Bendigo Cr. R. H. Wilson,J. P., Cr. T. A. Drechsler President of Strathfieldsaye Shire and Mr. G. Salathiel, Head Teacher of Gravel Hill State School. Finally the Occasional Address was presented by Mr. F. H. Brooks Assistant Director of Education. The following page contains a list of "Students of 1958-1960 Trained Infant Teacher's Certificate" - Marjorie May Allen, Janice Helen Ashman, Grada Ali Bos, Joan Margaret Busfield, Barbara Joan Cameron, Shirley Margaret Cribbes, Marcia Ann Davison, Margaret Mary Frances Dick, Lorraine Jean MacIntosh Goddard, Beverley Lorraine Goudie, Jennifer Joy Hamilton, Maureen Margaret Hunt, Shirley Joyce Innocent, Monica McKenna, Eileen Bernadette Mulvahil, Nola Ellen Parker, Jeanette Mary Pearson, Maureen Anne Pentland, Elaine Denise Pochon, Marian Judith Rechter, Marilyn Joy Rose, Catherine Shiels, Margaret Evelyn Stevenson, Rosemary Sutherland, Patricia Helen Tassicker, Eileen Monica Tuohey, Robin Elizabeth Walters, Patricia Ann Wenn and Ethel Dawn Whitelock. The back page contains a list of "Students of 1959-1960 Trained Primary Teacher's Certificate". - Kathleen Anne Algie, Ian Armstrong, Lorna Constance Barbour, Ronald Lindsay Bell, Michael Laurence Brown, Ross Ernest Brown, Graeme Lambden Budd, Duncan Leslie Thomas Cameron, Peter Morgan Clutterbuck, Joan Christine Connor, Allen William Cornelius, Glenys Elaine Cussins, Jean Elizabeth Davis, Denis William DeCann, Robert Alain Denham, Janet Carmel Doyle, Patricia May Edwards, Walter Kenneth Espagne, Fay Iris Evans, Brenda Gertrude Farrell, Malcolm George Ferguson, Elizabeth Joyce Fitzgerald, Kevin Joseph Foley, Barbara Violet Forrester, Lawrence Joseph Ginnivan, Peter Murray Graham, Thelma Elaine Grist, Dorothy Robyn Haines, William Jon Hall, Patricia Jeanette Hancock, Robert John Harris, William Ian Hart, Lorraine Moira Holmes, Lynette Ann Ireland, Morris Raymond Jackman, Christine Jackson, Margaret Nancy Jackson, Nanette Elizabeth Johnson, Trevor John Kellam, Robert Bruce Kemp, Ross Eliot Koochew, Henry Francis Lean, Janet Bobbie Leabeter, Rosemary Elizabeth Lowe, Graeme Stanley Lucas, Joy Patricia Maxwell, Terence Michael Mulvihill, George Alan Murdoch, Kevin Michael Murphy, Ann-Marie McCallum, Helen June Nixon, Kerry Joy O'Brien, William John O'Connell, Christine Lynette Olsen, William Stanley Page, Janice Anne Preston, John Stuart Reed, William Francis Reeves, Gary Desmond Robbins, Peter John Schlitz, Donald John McIntosh Shadforth, Gavin James Smith, John Archibald Spark, Illar Streimann, Janice Margaret Taylor, Ian Leonard Thornton, Rosemary Fay Wait, Russell Gilbert Walker, James John Wallis, Clare Mary Ward, David Ross Wiedermann, and Stephen Wilkinson.bendigo, education, bendigo teachers' college graduatio, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, students, graduation, tertiary education, graduation ceremony, history, book, bendigo teachers' college staff, graduands, graduates, bendigo teachers' college students, teacher training

A light blue document titled "Bendigo Teachers' College Graduation Ceremony 1956". Also on the front page is a list of the staff working at the college. On the inside cover is the "Significance of the Ceremony" and the "Order of the Ceremony". A welcome to visitors was given by Mr. F. M. Courtis and the Principal gave the college charge. The signing of the 'Graduation Book' was presented to Mr. A. L. Harris Inspector of Schools, by Miss J. C. Burnett. The final call of the roll for 1956 was given by Mr. C. L. Barker. Congratulations were offered by the Mayor Cr. A .S. Craig and Mr. S. J. Tongway Head Teacher of Gravel Hill State School. Finally the Occasional Address was presented by Mr. J. G. Cannon Chief Inspector of Primary Schools. The next page has a list of the "Students of 1955-56". The back page has the "Principal's Charge". Bolton Bros., Printers, Bendigo. The staff members names are Miss J. C. Burnett, Mrs. F. M. Petri, Miss G. L. Davie, Miss N. L. Hutcheson, Miss E. B. Morris, Mrs C. I. Skehan, Miss B. H. Cowling, Mr. F. M. Courtis, Mr. L. J. Pryor (Principal), Mr. C. L. Barker, Mr. M. Brown, Mr. T. J.McCabe, Mr. G. W. D. Boyd, Mr. N. J. Taylor, Mr. L. A. Hall, Mr. R. L. Strauch and Mr. G. S. Poulsen. The graduating students are - Margaret Carolyn Allinson, Robert Eric Allison, Diane Backhouse, Mary Elizabeth Barbour, Patricia Mary Blake, Peter Brian Cook, Edgar Vincent Crampton, Heather Lorraine Dalrymple, Josephine Margaret Delle Vergini, Roy Stanislaus Dickson, Margaret Isobel Diss, Barry Edwards, Margaret Lorraine Edwards, Edith Dawn Ellis, Graeme Leslie Evans, Dorothea Helen Farrell, Maureen Margaret Forrester, Roma June Hamilton, Carmel Catherine Hart, Esma Olive Haw, Margaret Helen Hogben, Beverley Norwood Hutchinson, Ronald Ireland, Edith Dawn Ireson, Joy Amelia Jeffrey, Valerie Margaret Jones, Noel Charles Kilby, Maxene Shirley King, Dorothy Lorraine Lee, Maxwell John Lovelace, Marie Joan Madin, Margaret Mary Mannes, William Daniel Manson, Janice Renyra Martin, Margaret Dawn Merlo, Anne Mills Moodie, Garry Norman Muller, Janice Nancy McKean, Ronald Walter McKendrick, Norma Maud Neal, Trevor Raymond Oakley, Bruce Peake, Marjorie Peile, Elaine Margaret Plant, Helen Rae Rawiller, Lynette Theresa Reid, Philip William Eric Reid, Geoffrey Rolf Richards, Margaret Rodgers, Anne Marie Sanders, Kenneth Maxwell Sargeant, Pamela Marie Saunders, Jessica Evelyn Scoones, Jean Neilson Shadforth, Beverley Mabel Slade, Nancye Elizabeth Smith, Margaret Eleanor Speers, Elizabeth Stewart, Leon Maurice Thompson, Margaret Gwen Till, Maureen Alma Trimble, George Walter Vincent, John Fairbank Phillip Waddington, Joyce May Walker, Austin Edward Walsh, Anne Elizabeth Warman, Raymond Henry Way, Dorothea Lillian Wearne, Aileen Margaret Weeks, Gordon Raymond Williams, Janice Margaret Wood, Doreen Amelia Worsnop and Marie Ethel Wright.bendigo, education, bendigo teachers' college graduatio, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, students, bendigo teachers' college staff, bendigo teachers' college students, tertiary education, teacher training, history, graduation, graduation ceremony, graduates, graduands

A light brown document titled "Bendigo Teachers' College Graduation Ceremony 1953". Also on the front cover is a list of the staff at the college. On the inside cover is the Significance of the Graduation Ceremony and the Order of the Ceremony. Mr. F. M. Courtis gave the welcome to visitors and the Principal gave the College Charge to the Graduands. The 'Graduation Book' was presented to Mr. E. C. Krieger Inspector of Schools by Miss J. C. Burnett. Mr. C. L. Barker called the Roll of Graduands for 1953 and Mr. E. B. Pederick Chief Inspector of Primary Schools gave the Occasional Address. The following page has the list of graduands and on the back cover is "The Principal's Charge to the Graduands". Within the book are some loose typewritten sheets with the following headings, - Graduation Ceremony, Occasional Address Delivered to the Graduands, and Graduation Ceremony 1953. Bolton Bros. Pty. Ltd. Bendigo. The staff named are Miss J. C. Burnett, Miss I. M. Daily, Miss D. I. Hollyock, Mrs. F. M. Petri, Miss J. Coad, Mrs. C. I. Skehan, Miss B. H. Cowling, Mr. L. J. Pryor (Principal), Mr. C. L. Barker, Mr. F. G. East, Mr. M. Brown, Mr. A. H. Fry, Mr. F. M. Courtis, Mr. M. Pratt and Mr. R. L. Strauch. The Graduands named are Alexander Douglas Alexander, Elva Joan Alford, Lynette Estelle Athorn, Joyce Elizabeth Baker, Eileen Merle Barbour, Jeffrey John Berryman, Neil Edward Brisbane, Noel Bruce Cerda-Pavia, Margaret Catherine Charlton, Neil Richard Clements, Kathleen Veronica Comer, Meredith Rose Crawford, Barbara Joan Ceceilia Custerson, Joyce May Dann, John William Doble, Loretto Denyse Veronica Donohue, Pamela Mary Druce, Richard Francis Edwards, Marion Ellen Gaw, Eileen Mary Gellion, Diana Mary Girling, Ian Henry Godden, Neville Fyfe Gray, Brian William Harvey, Joan Therese Hickey, Wendy Irene Higgins, Ruth Hopper, Merle Elwyn Marie Jobling, Doreen Mary Jones, Daphne Lorna Klippel, Harold James Lawry, Elizabeth Ellen Lowe, Flora Doreen McCalman, Robert Bernard McCarthy, Phyllis Patricia McIntevy, Norman James McLean, Stuart John Magee, Margaret Fay Mapson, Reginald James Mason, Margaret Evelyn Menzies, Dino Joseph John Munari, Joan Elizabeth Murdoch, Shirley Nash, Valma Nelson, Elizabeth Lillian Newnham, Doreen Beverley Niemann, Margaret Joyce O'Brien, Edward Michael Oliver, Thomas McJannett Orde, Patricia Louise Pearce, Denis Thomas Potter, Barrie Jamieson Price, Colin Leslie Quinlivan, Lawrence Francis Raeburn, John Trevor Ratcliffe, Kevin Stewart Robins, Kathleen Joan Ryan, Therese Ellen Ryan, Norah Margaret Sheahan, Joyce Elaine Sidebottom, Barry George Smith, Elaine Violet Spencely, Francis James Henry Steminger, Nancy Elizabeth Stevens, Desmond Alfred Strauch, Beatrice Dawn Tonkin, William Alan Wales, Neil Wilson, Brian Wise, Max Woollard and Laurence John Wright.bendigo, education, bendigo teachers' college graduatio, la trobe university bendigo collection, collection, bendigo, education, students, teachers, teaching, bendigo teachers' college, bendigo teachers' college students, tertiary education, teacher training, history, book, graduation, graduands, graduation ceremony, bendigo teachers' college staff

Photocopies of five newspaper cuttings from 11/5/1988 to 20/6/1990 mentioning the German Society by Bendigo Advertiser writer Maurie McDonald. Mentioned are German Society plans memorial to its pioneers, German contribution to Bendigo, German dinner an outstanding success, German settlers established vineyards in the district and German Society plans to remember its pioneers. One cutting has a photo of an ornate bookcase which was made for a Miss Pike. It was the work of a German tradesman, Mr C Nagle. Another has a sketch? Of the Brache & Co Weroona Vineyard, Sandhurst. It also mentions a number of early vineyards. These cuttings were held in an extra copy of the drawing of the man with the wine barrels (8803.33).bendigo, clubs, bendigo heritage, german heritage society collection - newspaper cuttings, bendigo advertiser 11/5/1988, 3/5/1989, 6/9/1989, 20/6/1990, maurie mcdonald, daryl pinder, peter hyett, glen schier, josef mika, ian walder, bendigo library, peggy & bill schlotterlein, annita schlotterlein, renate & hans ruemelin, michael ruemelin, max drechsler, vin drechsler, dr david stolz, rosemary schulz, mrs june stolz, ali zvirgzdins, eva mika, johann detleff kahland, eugene sandner, glen schier, lydia & josef aniolkowksi, helen, christa & dieter scharenberg, brache & co, weroona vineyard sandhurst, dr backhaus, bruhn, pohl, mannes' strathfieldsaye vineyard, hercynia vineyard, greiffenhagen, wittschiebe's vineyard, carl august heine, adventure vineyard, scheuffle, streckfuss, henry mayer, frederick kramer, frederick klemm, kahland, miss pike, mr c nagle, johann gottfried tabias christopher ballerstedt, gustavus von tempsky, ken wust, frank cusack, clem schmidt, dorothy strauch, ausrey drechsler, reg schleiger, ian weibegen, ron meurer, bill mannes tim iser, neil mertens

This plan records the Brighton Estate, also known as Dendy's Special Survey. In 1840 Henry Dendy, a farmer in Surrey, England acquired a "Special Survey" from the Commissioners for Land and Emigration which gave him the right to choose land in Port Phillip for the low price of £1 per acre for 5120 acres. Dendy appointed Jonathan Binns Were, as his agent, who later became a partner. Together, Dendy and Were decided on an area 5 miles south from Melbourne, bounded by North Road, East Boundary Road, South Road and to the west by Port Phillip Bay. Their Brighton Estate was first surveyed by T. S. Townsend in May 1841 and was re-surveyed by Robert Hoddle. Dendy and Were were making plans to sell the land and advertised a 30-guinea prize for the best subdivision which was to be divided into a village, marine residences, suburban and cultivation allotments, with the remainder being divided into country sections. The competition was won by H.B. Foot, who planned the village around a reserve and crescents and a 'green belt' forming the town boundary. brighton estate, dendy's special survey, special survey, henry dendy, jonathan binns were, w.b. were, survey, plan, map, brighton, george ward cole, baker's lithographer, hibernian, subdivision, town planning, cartographic material, h.b. foot

Charles Henry (Harry) McQueen (1910-1994) married Olive May Graham in 1935. He was a butcher by trade (McQueen's Butchers, Castlemaine). He was a pioneer of accordion dance music and was mentored by Billy McGlashan. He played by ear and his preferred instrument was a Mezon Grand Organ in the key of A. He played old time waltzes, bush dances and Scottish reels. He was well known for his double and triple right hand fingering. From 1940-1977 he led "McQueen's Old Time Band" and recorded their music.A biography written by Adrienne Losin about an old time musician and accordian player named Harry McQueen (1910-1994)harry mcqueen, old time dance music, accordian music

"METHODIST CHURCH. In 1881, during the ministry of Rev. W. H. Fitchett, B.A., at Hawthorn, a number of members of the denomination living at Kew considered that the time was opportune for founding a local Church. The Superintendent of the Circuit, the Rev. W. A. Quick of Richmond, met the members and formed them into a society class under the leadership of Mr. A. Brown and a Church was formally instituted at the house of Mr. T. J. Eaton, of Eglinton Street, in December, 1881. Services were regularly held for some time at the same place, and funds for purchasing a block of land were gradually collected, resulting in the present site in Highbury Grove being purchased for £350. Messrs. W. Cleverdon, A. Money, T. E. Serpell, and T. Vasey, of Hawthorn, and Messrs. A. Brown, R. Eyre, and T. J. Eaton of Kew, were appointed trustees. A public meeting was held a the Town Hall, when over £100 was raised. The Rev. John Harcourt, who had just been placed on the supernumerary list, was persuaded to undertake the charge, and commenced services in the Town Hall on 29th April, 1882, which were continued for eighteen months. A Sunday School was started, and altogether the effort progressed so satisfactorily that in October, 1882, the foundation and memorial stones of the present Church were laid by Mr James Huddart. At the tea meeting held in connection with this event nearly £200 was raised and a few months later £250 more was obtained by means of a bazaar. The contract for building Church was let for £1,200. The Sunday School celebrated its first anniversary in June, and the Church was opened on 7th October 1883, the preachers on the occasion being Revs. E. J. Watkin, S. Chapman, and John Harcourt, the collections amounting to £230. Towards raising these sums of money the ladies of the congregation helped very materially. In 1886 the foundation stone of a Sunday school, to cost about £900, was laid by Mrs. H Berry, the building being opened in April 1887. During the same year the Church was enlarged. In 1889 parsonage was erected, and again arrangements had to be made for a further enlargement of the Church, at a cost of nearly £2,000. The foundation stones of the tower were laid by Rev J. Harcourt, and of the transepts by Mrs. Job Smith and Mrs. John Watson. These additions were made during the ministry of Rev. P. R. C. Ussher, the first minister appointed to Kew by conference. He has been succeeded by Revs. Henry Howard, J. de Q. Robin, J. J. Brown, J. G. Wheen, A. E. Albiston, M.A., and F. J. Nance, M.A., who is at present ably filling the pulpit. For the musical portion of the services, the Church has been greatly indebted to the enthusiasm of Mr. C. Gardner, the leader of the choir, and Mr. C. E. Gardner, the organist. The Sunday School has had a number of excellent workers, among whom may be mentioned Messrs. Burchett, Allum, Hillard, Tonkin, Dent, Avery, McDonald, Green, and B. Hoadley, who have acted as Superintendents, and Messrs. Arnall and McCaghern as Secretaries. The present trustees are Messrs. H. Berry, Job Smith, A. Hoadley, F. Vial, C. Powers, H. L. Carnegie, C. H. Green, W. R. Rylah, E. M. Tonkin, S. Gaylard, J. Gregory, J. R. McDonald, T. J. Eaton, F. S. Fitchett, and S. Lamble; Society Stewards, T. J. Eaton and B. Hoadley; Poor Stewards, G. Hinchliffe and G. Fraser; Church Stewards, C. H. Green and G. Hinchliffe; Treasurer, F. S. Fitchett; Secretary, S. Lamble." Source: FGA Barnard, Jubilee History of Kew, Victoria, 1910Commemorative tributes were regularly produced in the 19th and early 20th Century to honour community service. Most were adapted from traditional lithographed models. This example, while created within a formal lithographed border has been transmuted into the equivalent of an illuminated document, hand-painted, and therefore rare. The use of flowers in the design emphasises the sentimental and spiritual aspects of the certificate. The document is a rare unique record of the Kew Methodist Church's history.A hand written testimonial for John Watson Esq from the Trustees of the Kew Methodist Church. The customised colour lithograph includes, at lower left, a turn of the century photograph of the Kew Methodist Church in Highbury Grove. The entire certificate is surrounded by floral art and scroll work. The central text uses neo-gothic lettering.‘Dear Sir … in view of your compulsory retirement on health grounds, from the position of Church Steward, [the Trustees] desire to express their great appreciation of your long service of over 22 years, in that and other offices in the Church. They trust that you will yet be spared many years in fellowship with our Church, and that God’s richest blessing be on you, and your family. We remain, Yours sincerely A. E. Albiston (Minister), S. Lamble (Secretary), F. S. Fitchett (Treasurer), T. J. Eaton (Trustee), C. H. Green and Hubert S. Howell (Church Stewards); March 28th 1907’. john watson esq, kew methodist church, highbury grove, certificates, tesimonials

Louisa Thomas married Henry Gipps (1837-91)in 1863. They had six sons and two daughters. While Louisa and Henry Gipps were to die in Sussex, two of their sons, Frederick George De Visme Gipps (1867-1953) and Richard Brook Woodthorpe Gipps (c.1872-1946) migrated to Queensland, possibly bringing with them their mother’s sketchbook.The collection of artworks that are included in the sketchbook are often of outstanding aesthetic and artistic significance. In the variety of subject matter and the geographical places represented, it is historically significant as a document recording the postings of Colonel Henry Gipps, 9th Norfolk Regiment, and his wife Louisa to locations in the Mediterranean and West Asia. The large bound sketchbook has a marbled cover with blue binding. The name Louisa Goulburn Thomas and the date 1862 are faintly inscribed in pencil on the front page. However the book contains pen and ink and pencil drawings, watercolours, and photographs, which both predate and postdate 1862. The approximately 75 works are loose-leafed items and [currently] do not form a chronological, geographical or thematic sequence. Creators identified on some drawings and watercolours include Mary Julia Wilder Thomas, JFV Wright, ELG (Edward Louis de Bondell Gipps?), L Nicholson, Bertha Isadore Thomas, and HG (Henry Gipps?). Many of the works are signed and dated, and include rural landscapes and seascapes, archaeological sites, animal studies, and portraits. While most of the works were created in the British Isles, others are scenes of Venice, the Ionian Islands, Cape Town, Hong Kong and Japan. [A number of the ‘oriental’ paintings on silk were probably purchased from local artists.] The art works in the book are at various stages of completion and represent a diverse range of artistic skills. What may be the earliest work in the sketchbook is a drawing of three uniformed soldiers. An annotation on the reverse records that the drawing is of a Group of Soldiers after [Philipp Jakob] de Southerbourg 1830. The birth of Louisa Thomas' oldest son, William Henry Houston Meyrick Gipps (1864-1903) in Corfu perhaps explains why a number of scenes and items in the album are of the Ionian Islands. Louisa is probably the creator of a number of still life and botanical studies in the album. These range from floral studies to a bird’s nest. The painting of objects was to remain a socially ‘approved’ specialty of amateur and professional women artists into the 20th century. The complete contents of the album will be uploaded to accompany this record. Some items may be published separately on Victorian Collections, but will acknowledge their origins in the sketchbook."Louisa Goulburn Thomas / 1862"victorian sketchbooks, manuscripts - kew historical society, 9th norfolk regiment, rosemary (gipps) vaughan smith, vaughan-smith collection

Elizabeth Wilson met James Henry Courtney at the annual Lord Mayor's Ball on 28 August 1890. In 1892, Capt James Courtney moved to 'Courtland' an architect-designed house at 31 Jenkin Street, Northcote. James married Elizabeth at Nth Fitzroy. Several years later they moved to 108 McKean Street, Nth Fitzrory. Capt and Mrs Courtney were guests at the official opening of the Australian Parliament on 9 May 1901, the reception at the Exhibition Building that evening, and the Royal Review at Flemington the following day. Finally they moved to 'Lumeah', a brick villa at 11 Belmont Avenue, Kew.Black silk floor length skirt with black lining and internal tapes. The skirt is distinguished by a gathered hem giving the impression of ruffles. With the donation, there is also an accompanying group of copied photographs of the Courtney family, including one which shows Elizabeth Courtney, the owner of the skirt. The skirt was donated by Frances Courtney, a descendant by marriage of the original owner. women's clothing - 1890s, australian fashion - 1890s, skirts - 1890s, elizabeth courtney (nee wilson), 11 belmont avenue (kew), capt james henry courtney, elizabeth jane courtney (nee wilson), lumeah - 11 belmont avenue - kew (vic)

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.A unique Illustrated book, comprising a series of twelve plates of panoramic and landscape photographs of Kew, commissioned from the Melbourne (and Kew) photographer JFC Farquhar, by the Kew stationer Henry Kellett. The book was published in 1891, so it is presumed that the photographs provided by Farquhar were taken in 1891 or in the previous year. Photographs from the cloth bound book were offered by Kellett for sale separately; hence a number are in public collections. The book is in very poor condition, the leaves having separated from the spine. The cover is suffering from red rot while the mounts of each book plate are dirty and frequently suffering from foxing. The actual silver albumen plates variably suffer from foxing and iridescence caused by the deterioration resulting from the photographic process. Each part of the book can be viewed in this record in sequential format.KEW WHERE WE LIVE / KEW ILLUSTRATED / THE ACCOMPANYING ILLUSTRATIONS ARE PHOTOGRAPHIC VIEWS OF KEW AND ITS SURROUNDINGS, EXECUTED BY THE "ARGENTIC BROMIDE PROCESS", WHICH ENSURES ABSOLUTE PERMANENCY OF THE PHOTOGRAPH. IN A FEW YEARS HENCE WHEN MOST OF THE OLD LANDMARKS WILL HAVE DISAPPEARED THESE VIEWS WILL BE A VALUABLE MEMENTO OF KEW AS IT WAS IN 1891. ANY OF THESE ILLUSTRATIONS GAN BE OBTAINED FROM MR. H. KELLETT, HIGH STREET, KEW, IN SINGLE COPIES, IN THE SAME SIZE AS THOSE HEREIN AT 2s PER COPY. THEY MAY ALSO BE OBTAINED IN THE FOLLOWING SIZES FOR FRAMING:- / ACTUAL SIZE OF PHOTOGRAPH 15 INCHES X 12 INCHES @ 8. 6d EACH / 22 INCHES X 16 INCHES @ 15s EACH / PRIVATE RESIDENCES AND ESTATES / SPECIAL ARRANGEMENTS CAN BE MADE FOR TAKING VIEWS OF PRIVATE RESIDENCES - INTERIOR AND EXTERIOR - AND FOR GROUPS, &C., IN ANY SIZE UP TO 40 INCHES BY 30 INCHES BY THE "ARGENTIC BROMIDE" PROCESS UPON APPLICATION TO / MR H. KELLETT / HIGH STREET, KEW.kew illustrated, kew where we live, photographic books, henry kellett, jfc farquhar - photographer

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 7 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph was taken during a flood year, perhaps 1923, when the Yarra encroached on the grounds of the Abbotsford Convent. In the distance, the Johnston Street Bridge separates the viewer from the industrialised landscape of Fairfield. In developing the photo, Henry Christian employed a circular frame to artistically focus the view. He empkloyed this technique for what he may have viewed as his best photographs. "Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, fairfield, kew, johnston street bridge, studley park

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 17 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph, dating from c.1926, forms part of a group of photos preceding images of [Black] Spur, so the photographs may have been taken as part of that bushwalking trip. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This photo shows rolling hills interspersed with remnant eucalypts. There appears to be smoke in the distance.Illegible ink inscription on pagehenry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, bushwalking -- victoria

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 17 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph, dating from c.1926, forms part of a group of photos preceding images of [Black] Spur, so the photographs may have been taken as part of that bushwalking trip. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This photo is a country road with a wooden bridge on which a man is sitting. Illegible ink inscription on pagehenry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, bushwalking -- victoria

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 17 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph, dating from c.1926, forms part of a group of photos preceding images of [Black] Spur, so the photographs may have been taken as part of that bushwalking trip. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This deliberately picturesque photo is a country road stretching into the distance framed by trees.Illegible ink inscription on pagehenry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, bushwalking -- victoria

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 17 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph, dating from c.1926, forms part of a group of photos preceding images of [Black] Spur, so the photographs may have been taken as part of that bushwalking trip. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This camera shot invites the viewer to access the landscape through the point-of-view of the man standing with his back to the camera at the edge of the road. The man holds leaves in his left hand [to deter insects], and has a knapsack on his back. The landscape in the distance includes both cleared land for farming and remnant vegetation. The oval framing device was used when Henry Christian developed the photo.Illegible ink inscription on pagehenry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, bushwalking -- victoria

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 17 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph, dating from c.1926, forms part of a group of photos preceding images of [Black] Spur, so the photographs may have been taken as part of that bushwalking trip. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This snapshot is a muddy track leading into the dense bush. The oval framing device was created by Henry Christian when developing the photo. Illegible ink inscription on pagehenry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, bushwalking -- victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph, mounted on Board. printed in ink on support l.c.: JUNCTION OF THE RIVER WATT AND CONTENTMENT CREEK. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 1. / JUNCTION OF THE RIVER WATT AND CONTENTMENT CREEK. / This scene is situated about two miles to the westward of Fernshawe, a small but extremely romantic township. / The river, at this juncture, is crossed by a fallen tree, as may be seen in the illustration. The track which is seen on / the opposite side of the river leads to the summit of Mt. Munda (3,500 feet high), 4 miles distant, from which place / visitors can see the Australian Alps, in all their mighty grandeur, stretching for hundreds of miles on either side, / and, as far as the eye can reach, impressing a beholder with the appropriateness of their title, being that of the Great Dividing Range. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire, views of victoria - general series, landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography, Australian National UniversityAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on board. [Note: This is the first of two copies of this photograph in the collection]printed in ink on support l.c.: VIEW OF THE TOWNSHIP OF FERNSHAWE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 14. / VIEW OF THE TOWNSHIP OF FERNSHAWE. / Fernshawe may be considered the most romantic town in the Colony of Victoria. It is situated at the foot of / the Black Spur, and is surrounded by a great many high hills, such as Mounts Riddell, Juliet, Munday, and others, / which form the crossing range into Gipps Land. It has, no doubt, derived its name from the fact that it is the / greatest Fern-growing district in the Colony. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, fernshawe