This work depicts the coast at Black Rock. Figures in early 20th century outfits are dotted on the oxide rocky outcrops in the foreground and beyond the water the hazy Red Bluff cliff dominates the coast.Impressionismoil on canvasbeach, coast, figures, jessie traill, red bluff, bayside, black rock, bathers, port phillip bay, bay, water

oil on linenpainting, buildings, mother, baby, plants, apartments, rob mchaffie, high rise, parquetry, neighbourhood, foliage

oil on boardabstract, painting, robert jacks, garden, geometric

oil on boardabstract, painting, robert jacks, garden, geometric

oil on boardabstract, painting, robert jacks, geometric

Jeremy Kibel, Point 2000, oil on board, 40 x 50 cm. Bayside City Council Art and Heritage Collection. Donated through the Australian Government’s Cultural Gifts Program by Lion Capital Pty Ltd, 2013oil on boardpainting, abstract, point, jeremy kibel

Winner of the Bayside Acquisitive Art Prize 2019. oil on linendani mckenzie, camp, figures, painting, bayside acquisitive art prize, tent

oil on canvasboardrickett's point, landscape, tree, vegetation, port phillip bay, bay, banksia, fence, beaumaris, bayside, gregory alexander, painting

With a career spanning over 30 years as a painter, Stieg Persson is a well known figure within the Australian and international art world. Persson’s work is celebrated for his distinct (yet eclectic) style, which consists of elements associated with abstraction, figuration and decorative art, as well as the artist’s deeply intellectual interrogation of Australian culture and society. In this work titled, Duck and quail eggs, Italian herbs, Persson reflects on contemporary parallels in changes of taste and the desire for decadence as a political and social drive. Inspired by Brighton’s iconic Church and Bay Streets, the artist addresses the social currency of luxury and high-end cuisine by depicting rococo style blackboards which offer the latest in fine dining, alcohol, exercise classes, skin treatments and lavish linens. Persson is presenting a subtle critique of the contemporary obsession with food; as contemporary society places greater significance on the connoisseurship of eating, it does so in lieu of engagement with culture as it is traditionally conceived (music, theatre, literature and art).oil on linenstieg persson, brighton, signage, graffiti, food, chalkboard, bayside, painting

oil on boardbeaumaris, bayside, coast, landscape, miles evergood, painting, rickett's point, bay, water, shrub, trees

oil on boardmargaret baskerville, painting, landscape, winter, rain, clouds, sheep, grazing, hills, farm, trees

Local scene - historical.Oil on Canvas

Local SceneOil on paper.

Oil on Board

Local SceneOil on board

Local scene - historicalLocal scene - historicaloil on board

Oil on Board

Emerging local artist/local sceneOil on canvas

Oil on canvas

James worked as a tutor in art with Sunshine community arts program.Oil on canvas

Notable Historical BuildingOil on Linen

Oil on canvas

Oil on canvas

Oil on canvas

Oil on canvas

Oil on canvas