Black and white photograph of unidentfied men hauling in nets at the stern of the boat. plus 2 other photos taken at the same time fishing industry, boats and boating, waterways

Eight page knitting pattern book featuring black and white text and colour images. The colour cover features an image of cartoon characters Sylvester and Tweety.front: [printed] 1093 / Patons / PRICE CODE K / SYLVESTER TM / and / Tweety TM / 4 Knitting / patterns / for children and adults / BY GARY KENNEDY (INTARSIA UK) / TM & c Warner Bros. Inc. 1991. All Rights Reserved.fashion, design, knitwear, home made, wool, pattern book, patons

Thunderegg Agates are formed within rhyolite volcanic ash layers. They are rough spherical shapes, varying in size from less than an inch to over a metre long. Thundereggs usually contain centres of chalcedony which may have been fractured followed by deposition of agate, jasper or opal, either uniquely or in combination. A unique characteristic that these specimens have is the fact that they often look like ordinary rocks on the outside, but slicing them in half and polishing them may reveal intricate patterns and colours. These particular specimens are examples of thunderegg agates. Agate is a variety of chalcedony, a cryptocrystalline form of quartz. The agate component contributes to the intriguing internal patterns of the specimens. The specific locality of these specimens is unknown but they can be found in flows of rhyolite lava. They are formed in gas pockets in the lava, which act as moulds. These specimens can be found globally, with specific locations in Germany being particularly abundant. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.Two small solid specimens with pale, sandy-coloured exteriors and fractured internal patterns. burke museum, beechworth, geological, geological specimen, thundereggs, thundereggs agate, agate, rhyolite, rhyolite lava, volcanic ash, chalcedony, cryptocrystalline

The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. It may have been used to edge curtains, a table runner or a mantlepiece. The Christmas Bells pattern suggests usage as a Christmas decoration.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects around the home such as curtains and mantlepieces.Length of handmade crochet lace. Mercerised white crochet thread has been used to crochet a repeat pattern consisting of four rows: a decorative top row, a second row composed of diamond shapes, a repeat of the decorative top row and finally a row of Christmas bells to complete the pattern.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim

Handknitted woollen baby shawl - knitted from pattern Princess Elizabeth used for Prince Charles (c 1948)- Woollen handknitted baby shawl - Used by 4 children - Pattern from ladies Home Journal, designed for Princess Elizabeth for Prince Charles (c 1948) Possibly knitted on bicycle spokesNilbaby, shawl, ladies home journal pattern, handknitted, woollen

McCalls Ladies Dressmaking Pattern No. 4295 Ladies short sleeved, belted dress Swing back coat - long sleeves- collarMcCalls Pattern No. 4295 size 12 Bust 32 Ladies short sleeved dress with belted waist Ladies swing backed coat, long sleeves, collar 18 pieceshome dressmaking

The Asiatic Pheasant pattern on the plate is a transfer design and was the most popular design of the 18th & 19th centuries and is still being produced today. The design was produced as high-quality, decorative dinnerware by the potters in the Staffordshire area of England, from the late 1830s, but no one is sure exactly of the original designer's name. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and to the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as recovered from the wreck of the Loch ArdGorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the recovery from the wreck of the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of the Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up and recovered from the Loch ArdGorge wreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we are able to interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Serving dish or meat dish; oval with scalloped edges. White Chine plate with a blue flora transfer design called "Asiatic Pheasant". Recovered from the wreck of the Loch Ard. Printed "W & S" (pattern is) "Asiatic Pheasants"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, serving dish, asiatic pheasant, meat dish, meat plate, serving plate, crockery, domestic item, dining

This pattern bayonet, which affixed to a .303 Lee Enfield rifle was standard issue to Australian forces in World War 1 ( 1914 - 1918 ), World War 2 ( 1939 - 1945 ) and the Korean War ( 1950 - 1953 ).Part of a collection of edged weapons relevant to Victorian Colonial and Australian Military forces.British pattern 1907 bayonet, with wood hand grips blade 430mm long, with leather scabbard with steel fittings and leather bayonet frog.ON handle " A- 93061 " On blade " 1 - 1922 Lithgow "wwi, wwii, korea, world war one, world war two, lee enfield

Knitting book produced by the Lincoln Mills, Coburg and containing knitting patterns for women's garments.Knitting book, 16pp. Front cover printed in colour with a photograph of a woman wearing a blue knitted cardigan with a matching blue knitted skirt and blue knitted hair band. Contains photos and patterns for women's knitted garments.Lincoln / BOOK 28 / THREE SHILLINGSknitting, lincoln mills (australia) limited, coburg, patterns, fashion

Eight page knitting pattern book featuring black and white text and colour images. The colour cover features an image of Peanuts cartoon characters Charlie Brown and Lucy van Pelt.front: [printed] 1091 / Patons / PRICE CODE K / PEANUTS R / 4 Knitting / patterns / for children and adults / BY GARY KENNEDY (INTARSIA UK) / PEANUTS Characters: c 1950, 1952 United Features Syndicate, Inc.fashion, design, knitwear, home made, wool, pattern book, patons

Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Genoese 4225weaving, carpet

Eight page knitting pattern book featuring black and white text and colour images. The colour cover features an image of the cartoon character Bugs Bunny.front: [printed] 1008 / Patons / PRICE CODE K / Bugs Bunny TM / with YOSEMITE / SAM TM / 4 Knitting / patterns / for children and adults / BY GARY KENNEDY (INTARSIA UK) / TM & c Warner Bros. Inc. 1991. All Rights Reserved.fashion, design, knitwear, home made, wool, pattern book, patons

Eight page knitting pattern book featuring black and white text and colour images. The colour cover features an image of the cartoon character Daffy Duck.front: [printed] 1089 / Patons / PRICE CODE K / Daffy Duck TM / with ELMER FUDD TM / 4 Knitting / patterns / for children and adults / BY GARY KENNEDY (INTARSIA UK) / TM & c Warner Bros. Inc. 1991. All Rights Reserved.fashion, design, knitwear, home made, wool, pattern book, patons

Black And White Photograph of the Rothsay Bay Stern Ahead. 145 mm X 140 mm Sh 245.1 Ships M - R flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, rothsay bay

506 p. : ill. (illustrations by Albert Sterner). Black cover, title embossed on front in gold, title and author's name in gold on spine.fictionA story of English social and political life.fiction, mrs humphrey ward (mary augusta ward)

None currently availableItem at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset.Candle stick holder, enamel corrugated bowl shaped dish with no handleBlue and white abstract mottle patternflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, candle holder, candle stick holder, lighting, enamelled candle holder

c1900 Decorative silver 'pill boxes' were popular accessories carried in a small purse by women for evening and special occasions . This 'pill box' was used by a lady in the family of Ailsa Hunt in Moorabbin SSmall decorative silver pill boxes were a common accessory for early settler women in Moorabbin Shire c1900A small rectangular white metal pill box with gold lining, a hinged lid and snap lock machined pattern on lid with beading on edgeclothing, pill boxes, silver, pewter, brass, evening bags, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

Prams were very common as few families had cars in the 1940s to transport children. Prams were used so that babies could sleep outdoors and be moved within walking distance.Original vintage cyclops 1940s pram. This pram is typical of the prams used in the Kiewa Valley during the 1940s and into the 1950s when Mt Beauty township was built and included many families with young children.Painted beige cane and steel pram with 4 spoked wheels and rubber tyres supported by steel springs. Cream colour. Lined with vinyl (perhaps). Cane decoration on each side.Decorative cane pattern on each sidewicker, pram, cyclops

Silver chatelaines were a Victorian delight, a clasp at the waistline and an assortment of tools attached were worn by proud Victorian upper class ladiesAn example of a silver gilt chatelaine which was donated to the Embroiderers Guild by Nerylla Taunton who was a significant Australian antique needlework tools authority and author.Silver plated Chatelaine. Waist clip and five chains linked by brass rings holding needlecase, thimble bucket, book pin cushion, note book and scissors sheath Decorative pattern on clasp, chains and toolschatelaine, victorian', nerylla taunton

Hand knitted by Valda Arrowsmith for herself in the 1970s and worn for many years. Knitted to the original pattern (see Supplementary file) with a wide turn back cuff and altered by Betty Tickell to a turn under narrow cuff in 1980s.Pale green (eau de nil) mohair jumper knitted in lattice pattern. It has long sleeves and a round neck. Wool is brushed Carissa.costume, female, handcrafts, knitting

DCPU is a five colour camouflage pattern developed by the Australian Defence Force and tested during Auscamthe late 1970s. DCPU has been replaced in the Australian Army by Australian Multicam Camouflage Uniform (AMCU) Long Trousers with two large thigh pockets, zip fly. Material is Disruptive Pattern Camouflage Uniform (DCPU) nicknamed Auscam or Jelly Bean Camo. auscam cammo, uniform, australian armed forces

This pattern bayonet which affixed to a .303 Lee Enfield rifle was standard issue to Australian forces in World War 1 (1914-1918), World War 2 (1939-1945) and the Korean War (1950-1953). Leather bayonet frog might indicate WWI light horse issue.Part of a collection of edged weapons relevant to Victorian Colonial and Australian Military forces.British pattern 1907 bayonet, blade 430 mm long with wood hand grip and leather scabbard and leather frog.Blade " 7. 17 Wilkinson" Frog " Dexxil Don 1917"military, bayonet, world war one, world war two, korea, light horse

Red covered pattern book of needlework designs from Briggs of Manchester. Over 130 pages with inserts and advertising specific products in the Briggs range.non-fictionneedlework, tatting, embroidery, transfers, art nouveau

Standard pattern bayonet for Short, Magazine Lee Enfield Rifle Mk III from 1907 until 1915 . Pattern 1907 Sword bayonet Mk1 with hooked quillon, wooden grips and steel grip screws/nuts. LITHGOW and 7 '19 markings are spurious - hooked quillons were removed from bayonet production in 1915 (Lithgow) and 1913 (England). Crown stamp (King Edward VII Cypher) E R (Edwardus Rex) 1907 7 '19 LITHGOW

This crochet chart was designed by the twentieth century crochet pattern designer, Mary Card, for the Victorian Centenary in 1934. It was published in the Australian Home Beautiful magazine on November 1934. The chart was published in four sections, with instructions for working it as a complete piece. Mary Card lived in Olinda and published books of her patterns and individual patterns in Australia, American and English magazines from 1909 until the 1930s.Giant paper crochet chart of Mary Cards Victorian Centenary cloth design, featuring Australian animals, ships, buildings and horseman. Chart has FLORENCE / MCNABB 1944 written in pen ar thje bottom. Over the orignial pattern which was printed with VICTORIAN / CENTENARY 1934. Chart is in 4 pieces, each attached to Cardboard. Written on with ink: 12-4-44 On back : No 1, No 2 , No 3, No 4 mary card, centenaries, crochet patterns

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes.The dress was owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeved black cotton dress the fabric of which includes a pattern of small beige and cream polka dots. The ends of the sleeves and the base of the dress include ruffled trims of the same fabric. Label: TULLOnorma tullo, australian fashion - 1960s, women's clothing, day wear, mcintyre collection

Pink and blue patterned sample of fabric, with rough cut edges. Fabric is doubled over and stitched together. A cream paper tag is attached with black printed text and hand written blue text.front: [tag] “GLENMILL” \ TWEED \ Pattern No. 4289 \ Piece No. 3602 \ Width 54 \ Length 52 5/8 \ Strings 2 \ 52 3/8 back: [tag] 80% WOOL / 20 % RAYON / 0 5 2 5/8

Purchased from OP Shop, Vermont, Victoria by member Historical Society: a collection of One Woman's Patterns, Sept 1947 - April 1951Knitted lace doyley & cotton (ecru) on five steel Fairy Knitting Needles. Included: six patterns, three transfer sheets. Contained in Walker's Shortbread biscuit tin. A total of 18 items make up the set.handcrafts, knitting