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Bendigo Historical Society Inc.Document - TRIO DI BOLZANO, CITY HALL, BENDIGO, 25 October, 1963
Trio Di Bolzano, City Hall, Bendigo, Friday, 25th October, 1963, 8.15pm. Giannino Carpi: violin, Sante Amadori: cello, Nunzio Montanari: piano. The Music Advancement Society of Bendigo presents the Fifth Concert 1963 series By arrangement with Musica Viva of Australia. President L R Harvey, Hon. Secs. Madge Edgar, Elsie Flanagan, E Bright. Programme One Shilling. Advertisements: Edgar's Toy Shop & Authorised Newsagency, Hargreaves Street. Allan's Music Store, Allan's Walk. Hesse Bros. Electrical Sales Pty Ltd., Lyttleton Terrace. Copies a, b, & c are of the same program.Boltons Print., Bendigoprogram, music, music advancement society bendigo, trio di bolzano, city hall, bendigo, 25th october, 1963. giannino carpi: violin, sante amadori: cello, nunzio montanari: piano. the music advancement society of bendigo fifth concert 1963 musica viva of australia. president l r harvey, hon. secs. madge edgar, elsie flanagan, e bright. advertisements: edgar's toy shop & authorised newsagency. allan's music store. hesse bros. electrical sales pty ltd. -
Bendigo Historical Society Inc.Document - RUTH FARREN-PRICE, CITY HALL, BENDIGO, 18 Sep, 1962
Ruth Farren-Price, City Hall, Bendigo. The Music Advancement Society of Bendigo presents the Fourth Concert 1962 series. Piano Recital Ruth Farren-Price, City Hall, Bendigo. Tuesday, 18th September, 1962, 8.15 p.m. President L R Harvey, Joint Hon. Secs. Madge Edgar, Elsie Flanagan. Programme One Shilling. Advertisements: Allan's, music store. Alma Val, suits, frocks, sportswear, knitwear, coats', etc., Killian's walk, Bendigo. Edgar's Toy Shop, Authorised Newsagency. Light card, cream, blue wave print pattern with the words Hammermill Safety printed on it.Boltons Print., Bendigoprogram, music, music advancement society bendigo, ruth farren-price, city hall. music advancement society of bendigo presents the fourth concert 1962 series. piano recital ruth farren-price, 18th september, 1962. president l r harvey, joint hon. secs. madge edgar, elsie flanagan. advertisements: allan's. alma val, killian's. edgar's toy shop, authorised newsagency. hammermill safety -
Bendigo Historical Society Inc.Souvenir - A SOUVENIR OF THE GLAMOUR GIRLS REVUE THEN AND NOW, 1944
Object, A Souvenir of ''The Glamour Girls'' Revue ''Then and Now'' 1944, To Ted from Mr. & Mrs. C.Clark on the front cover which is and including the rear cover , of Red and Black tied with an Orange ribbon.There are 17 pages inside . First page Includes; Bendigo presents The Glamour Girls in Their Hit Revue Then and Now a Pot pouri of Dances and Fun Produced and Created by the Team Spirit of: Peggy Hinsley, Elaine O'Shea, Joan Albert, Gladys Jordan, Amba Harrington, Moira Knowles, Doris Clow, Betty Angel, Cath McQueenie, Thelma Cochrane, Mona Roberts. Under direction of C.Clark. Included are photos of The Glamour Girls.program, theatre, concert -
Bendigo Historical Society Inc.Document - ASTRA STRING ORCHESTRA, CITY HALL, BENDIGO, 4 April, 1967
Astra String Orchestra, City Hall, Bendigo, Tuesday, 4th April 1967. The Music Advancement Society of Bendigo Presents the First Concert 1967 series. Conductor: John Glickman. Leader: Jean Lehmann. Soloists: Sybil Copeland - Violin, Margot Prior - Oboe. Photo of John Glickman. President: E Beilharz. Joint Hon. Secs. Madge Edgar, Emily Bright. Programme Ten Cents. Variations on a Theme of Tchaikowsky Arensky The Russian Composer, Anton Arensky was a pupil of Rimsky - Korsakov at St. Petersburg, . . . Advertising Hesse Bros. Electrical Sales Pty. Ltd. Edgar's Authorised Newsagency. Allan's Music.Bolton Bros. Print., Bendigoprogram, music, music advancement society bendigo, astra string orchestra, city hall, bendigo, 4th april 1967. music advancement society of bendigo first concert 1967 series. conductor: john glickman. leader: jean lehmann. soloists: sybil copeland - violin, margot prior - oboe. photo of john glickman. president: e beilharz. joint hon. secs. madge edgar, emily bright. programme ten cents. variationstheme tchaikowsky arensky russian composer, anton arensky a pupil of rimsky - korsakov at st. petersburg, . . . advertising: hesse bros. electrical sales pty. ltd. edgar's authorised newsagency. allan's music. -
Kiewa Valley Historical SocietyTin Biscuit/Tea, Early to mid 1900s
This biscuit/tea caddy was probably targeting the "theatre going" family or those who liked looking at the colourful shakespearian scenes. This item however demonstrates that the rural (Kiewa Valley) appreciation of classic English plays was, in this time period (early 1900's), just as strong as in the larger towns and cities. This item also presents the period in which the "olde" Elizabethian phrases and words were taught in regional high schools. Although this speech pattern and phraseology was of a specific time period and going out of fashion when Australia was first settled it was an inherited form of communication(higher social/economical level). In the context of the rural Australia "scene" and in this time frame of the elite "boarding school" generation this item was a visual reinforcement of the education level and position of the family who owned this tin.This item is highly significant because it not only presents the social aspects of early life in the Kiewa Valley but also the variety of educational levels and economical variations of the rural population within the Kiewa Valley. The egalitarian perception of the inhabitants of the Kiewa Valley was still at the infancy of early Australian social interactions. This biscuit /tea container was however a leveling of the socio-economic playing field of the time.This biscuit or tea tin, has besides having an outer lid (hinged), it also has an internal lid(with a circular finger grip). Although the shape is rectangular it has a slight concave bulge at each side of the centre of each of its main frame. It is made of pressed light steel and has a raised floor. The corners are bevelled and the outer lid has a bevelled slope ridge in parallel to the extremities of the main tin frame. There are painted scenes from the following Shakespearian plays on each side of the tin; "As you like it", "Hamlet" and on each of the bevelled corners are the portraits of Shakespeare(in the middle), the caricature mask faces of "the theatre" above and on the bottom section the "Director's chair"food storage, kitchen table container, domestic educational storage, shakespeare illustrations -
Eltham District Historical Society IncPhotograph, Local History display of material from the Eltham Society, England at Eltham Library, September 1998, 1998
from EDHS Newsletter No. 122, September 1998 - There is a new display in our local history cabinet in the Eltham Library. This time we have used our growing collection of material on Eltham, England. It includes the painting by Lionel Backhurst presented to us on behalf of Eltham Society by Clifford Crate. The booklet on the Eltham town sign that Clifford also brought is in loose leaf format so we have been able to include the whole of that which really presents an excellent summary of the important historic buildings of Eltham. Also on display is another painting by Lionel which was presented to Russell and Marion Yeoman. (Much of this material was presented to the Society during a visit by Margaret Taylor and Clifford Crate of the Eltham Society during Christmas/New Year 1997/98.)Roll of 35mm colour negative film, 7 stripsKodak Gold 200-6activities, art, clifford crate, displays, eltham library, eltham society (london), lionel backhurst, local history, margaret taylor -
Federation University Historical CollectionPhotograph, University of Ballarat Coat of Arms, 1999
The University of Ballarat was granted a Coat of Arms from the College of Arms in London. The grant has five parts: the Shield, the Crest, the Supporters, the Motto and the Badge. The origin of the University Arms is based on the history of the University and its antecedents. The earlier institutions include the School of Mines and Industries, the Ballarat Teachers' College and its successor, the State College of Victoria at Ballarat. Significance A Coat of Arms signifies the heraldic achievements of an individual or community. The University of Ballarat's Coat of Arms symbolises the golden past of the City of Ballarat and the former institutions, the School of Mines and Industries Ballarat Ltd and the Ballarat Teachers' College, which came together to form the University. At the same time, the motto 'dare to be different', presents a challenge to everyone in both the University and the region to strive for new ways of achieving.A Coat of Arms signifies the heraldic achievements of an individual or community. The University of Ballarat's Coat of Arms symbolises the golden past of the City of Ballarat and the former institutions, the School of Mines and Industries Ballarat Ltd and the Ballarat Teachers' College, which came together to form the University. At the same time, the motto 'dare to be different', presents a challenge to everyone in both the University and the region to strive for new ways of achieving.An image of the University of Ballarat Heraldic Device as depicted on the front cover of the University of Ballarat 1999 Annual report, and the transparent representation from the inside of the same report. university of ballarat, coat of arms, heraldry, heraldic device, tree of knowledge -
Federation University Historical CollectionBanner, University of Ballarat Coat of Arms
The University of Ballarat was granted a Coat of Arms from the College of Arms in London. The grant has five parts: the Shield, the Crest, the Supporters, the Motto and the Badge. The origin of the University Arms us based on the history of the University and its antecedents. The earlier institutions include the School of Mines and Industries, the Ballarat Teachers' College and its successor, the State College of Victoria at Ballarat. A Coat of Arms signifies the heraldic achievements of an individual or community. The University of Ballarat's Coat of Arms symbolises the golden past of the City of Ballarat and the former institutions, the School of Mines and Industries Ballarat Ltd and the Ballarat Teachers' College, which came together to form the University. At the same time, the motto 'dare to be different', presents a challenge to everyone in both the University and the region to strive for new ways of achieving.Pullup Banner of the University of Ballarat Coat of Arms on white background - in grey carry caseuniversity of ballarat, university of ballarat coat of arms, pullup banner, marketing, logo, coat of arms -
Surrey Hills Historical Society CollectionBook, A history of Camberwell, 1980
In 1964 Camberwell City Council commissioned Professor Geoffrey Blainey to first write this history. Since that time, many changes have taken place and therefore the Council asked Professor Blainey to bring the book up to date. Bibliography, includes index. The author presents a century of pioneering development and endeavours. He has traced the coming of the wood-cutters and the farmers, the transition from rectangular paddocks to a grid of roads and streets, the growth from shire to borough, town and city, the filling up of thirteen squares miles into residential suburbia - in successive waves of invasion, along new transport routes - including the Outer Circle Railway. Substantial chapters cover the War Years and the progress of Camberwell since the 1960s have also been included in this edition. 134p; ill;camberwell, victoria, market gardens, tolls, railways, mayors, boroondara road board, borondara shire, councillors, (mr) (prof) geoffrey blainey -
Hymettus Cottage & Garden BallaratFunctional object - door, Cottage external door Hymettus cottage
This simple rear cottage door at Hymettus built 1900-1901 has been the back door since the early 1900s. Photos in the family collection however, reveal that it was originally the return front verandah door to the dining-room and the transition seems to have occurred about 1910 when a new door was installed for the front verandah to complement the art-nouveau lead light transom and surrounds to the main front entrance. A similar simple glass and two panel cottage door closes off the passage from main passageway to the kitchen and service end of the home so that the home presents as more simple in the service area fittings with more decorative features to the more important front rooms of the home reflecting the progression of style as the family had more money to spend on the home. -
Melbourne Tram MuseumAlbum, Melbourne & Metropolitan Tramways Board (MMTB), "Types of Electric Cars", c1927
The album "Types of Electric Cars" presents images and details of the MMTB four-wheel or single truck trams Type A to Type X1. Bogie trams are not given. Tram 468 entered service in 1927. Page 1 - MMTB 14, with details of Types A, B, G, H, and K Page 2 - MMTB 83 - Type J Page 3 - MMTB 187 - Type M Page 4 - MMTB 47 - Type F Page 5 - MMTB 197 - Type Q, Q1 and R Page 6 - MMTB 171 - Type S and S1 Page 7 - MMTB 179 - Type T Page 8 - MMTB 208 - Type U Page 9 - MMTB 218, Type X Page 10 - MMTB 468 Type X1Demonstrates an album presenting the MMTB Single truck or four wheel trams and their details.Album brown card embossed covers, bound with string with 12 heavy brown card sheets, 10 of which have photos mounted on to them with details in white ink underneath.mmtb, tramcars, a class, b class, g class, h class, k class, j class, m class, f class, q class, r class, s class, t class, u class, x class, x1 class, tram 14, tram 83, tram 187, tram 47, tram 197, tram 171, tram 179, tram 208, tram 218, tram 468 -
Victorian Aboriginal Corporation for LanguagesBook, William B McGregor, Encountering Aboriginal languages : studies in the history of Australian linguistics, 2008
"This edited volume represents the first book-length study of the history of research on Australian Aboriginal languages, and collects together 18 original papers on a wide variety of topics, spanning the period from first settlement to the present day. The introduction sets the scene for the book by presenting an overview of the history of histories of research on the languages of Australia , and identifying some of the major issues in Aboriginal linguistic historiography as well as directions for future investigations. Part 1 presents three detailed investigations of the history of work on particular languages and regions.The eight papers of Part 2 study and re-evaluate the contributions of particular individuals, most of who are somewhat marginal or have been marginalised in Aboriginal linguistics. Part 3 consists of six studies specific linguistic topics: sign language research, language revival, pidgins and creoles, fieldwork, Fr. Schmidt's work on personal pronouns, and the discovery that Australia was a multilingual continent. Overall, the volume presents two major challenges to Australianist orthodoxy. First, the papers challenge the typically anachronistic approaches to the history of Aboriginal linguistics, and reveal the need to examine previous research in the context of their times - and the advantages of doing so to contemporary understanding and language documentation. Second, the widespread presumption that the period 1910-1960 represented the 'dark ages' of Aboriginal linguistics, characterised by virtually no linguistic work, is refuted by a number of studies in the present volume."B&w photographs, maps -
Bendigo Historical Society Inc.Document - BENDIGO TOWN HALL, THE MUSIC ADVANCEMENT SOCIETY OF BENDIGO, 1952
a/ The Music Advancement Society of Bendigo presents the 'Astra' Chamber Orchestral Society. Conductor: Madame Asta Flack. Soloist: Boris Stupel, Violinist. Town Hall, Bendigo, Saturday, 23 February, 1952, 8pm. Hon. Secs: Madge Edgar, Merle Bockholt. Includes Programme. Orchestra. Piano: Mary Crompton. Advertisements: Frank J Every & Sons, Hargreaves St., Bendigo. Phone 874. Allan's, Allans' Walk Bendigo. Edgars Authorised Newsagency, 293 Hargreaves St., Bendigo. Telephone 238. b/ The Music Advancement Society of Bendigo presents the Second Concert 1952 Series. Cellist: Otto Veit. Pianist: Bernice Lehmann. Town Hall, Bendigo. Sat 5th, April, 1952, 8.15pm. Hon. Sec.: Madge Edgar, Merle Bockholt. Advertisements: Alan C Hampton, Newsagent Bookseller Stationer. 243 Mitchell St., Bendigo. Phone 421. Allan's 'The Home of Music' Bendigo. c/ The Music Advancement Society of Bendigo presents the Third Concert 1952 Series. Flautist: John Amadio. Soprano: Marie Collier. Pianist: Meryl Ross. Town Hall, Bendigo. Saturday, 2nd August, 1952, 8.15pm. Hon. Sec: Madge Edgar, Merle Bockholt. Advertisements: Frank J Every & Sons, Hargreaves Street, Bendigo. Ph: 874. Allan's for the Latest Classical Recordings. Allan's Walk, Bendigo. Edgars' 293 Hargreaves St. Bendigo. Telephone 238. d/ The Music Advancement Society of Bendigo presents the Fourth Concert 1952 Series in association with The Argus, Melbourne. Argus Lieder Prizewinners: Merlyn Todd, Margaret Bourne, Accompanist: Phyllis House. Paul McDermott Quartette. Paul McDermott First Violin. Leon La Gruta Second violin. Paul O'Brien Viola. Otti Veit 'Cello. Town Hall, Bendigo on Saturday, 20th September 1952. 8.15pm. Hon. Sec.: Madge Edgar, Merle Bockholt. Broadcast by 3LO, 9.30 - 10.00pm. Advertisements: A C Hampton, Mitchell Street, Bendigo. Whatever you are needing for writing or reading. Booked, Stationery, Newspapers and Magazines. Allan's, Allans' Walk, Bendigo. Beale Pianos. Moderately priced. Easy terms arranged. Edgars' Booksellers, Stationers, Authorised Newsagents, 293 Hargreaves St. Bendigo. Telephone 238. Insert: National Theatre Movement of Australia, Bendigo Branch. The Three Arts Festival, October 11th - 16th, Halls as advertised. Saturday, 11th Oct.: Victoria Anderson & Viola Morris. Monday, 13th Oct.: The Late Edwina Black. Wednesday, 15th Oct.: Bendigo Orchestra & Shakespeare Society. Thursday, 16th Oct.: Vocal & Instrumental Concert. Ticket costing listed, bookings at Allan's opens for Season's Bookings 1st Oct. and for separate Concerts on 6th October.Bolton Bros. Pty. Ltd., Printers, Bendigoprogram, theatre, music advancement society of bendig, a/ the music advancement society of bendigo presents 'astra' chamber orchestral society. conductor: madame asta flack. soloist: boris stupel, violinist. town hall, bendigo, 23 feb, 1952. hon. secs: madge edgar, merle bockholt. includes programme. orchestra. piano: mary crompton. advertisements: frank j every & sons, hargreaves st., bendigo. phone 874. allan's, allans' walk bendigo. edgars authorised newsagency, 293 hargreaves st., bendigo. ph 238. b/ second concert 1952 series. cellist: otto veit. pianist: bernice lehmann.. 5th, april, 1952. advertisements: alan c hampton, newsagent bookseller stationer. 243 mitchell st., bendigo. ph 421. allan's 'the home of music' bendigo. c/ third concert 1952 series. flautist: john amadio. soprano: marie collier. pianist: meryl ross. 2nd august, 1952, 8.15. hon. sec: madge edgar, merle bockholt. advertisements: frank j every & sons, hargreaves street, bendigo. ph: 874. allan's for the latest classical recordings. allan's walk, bendigo. edgars' 293. bendigo. ph 238. d/ fourth concert 1952 the argus, melbourne. argus lieder prizewinners: merlyn todd, margaret bourne, accompanist: phyllis house. paul mcdermott quartette. paul mcdermott first violin. leon la gruta second violin. paul o'brien viola. otti veit 'cello. town hall, bendigo on saturday, 20th september 1952. broadcast by 3lo, 9.30 - 10.00pm. advertisements: a c hampton, bendigo.. allan's, allans' walk, bendigo. beale pianos. moderately priced. edgars'. bendigo. telephone 238. insert: national theatre movement of australia, bendigo branch. the three arts festival, october 11th - 16th, halls as advertised. 11th oct.: victoria anderson & viola morris. 13th oct.: the late edwina black. wednesday, 15th oct.: bendigo orchestra & shakespeare society. 16th oct.: vocal & instrumental concert -
Bendigo Historical Society Inc.Document - LYDIA CHANCELLOR COLLECTION; ' A SAFETY MATCH' PROGRAMME
A programme with blue and red ink. The front cover has the words, ' The Scotch College Dramatic Society presents ' A Safety Match' a play in four acts by Ian Hay. The Playhouse, Melbourne Thursday, Friday, Saturday 23rd, 24th, and 25th August, 1928 To commence at 8 p.m. The Scotch College War Memorial. The Dramatic Society earnestly hopes that the proceeds of this year's performances will be sufficient to enable the erection of the Memorial to proceed forthwith. Any friend of the school wishing to assist should forward a donation to the Business Manager (Mr. J.A. E. Wilson) at the school. Programme threepence.' Printer Brown, Prior & Co. Pty. Ltd.430 Little Bourke St. Melbourne.program, theatre, scotch college dramatic society, lydia chancellor, collection, program, programme, scotch college dramatic society, 'a safety match, ' -
Bendigo Historical Society Inc.Document - THE SMETANA QUARTET, CITY HALL, BENDIGO, 19 Oct, 1962
a & b The Smetana Quartet, City Hall, Bendigo. The Music Advancement Society of Bendigo presents the Fifth Concert 1962 series. By arrangement with Music Viva Society of Australia. Friday, 19th October, 1962 at 8.15 pm. President L R Harvey. Joint Hon. Secs. Madge Edgar, Elsie Flanagan. Programme One Shilling. Programme. Advertisements: George Logie Smith Lecture _ Art Gallery16th November at 8 pm. Annual Meeting Committee Room City Hall, 28th November 8 pm., All subscribers welcome. Allan's, Celebrity Recordings. Hesse Bros. Electrical Sales Pty Ltd., Television. Edgar's Toy Shop, Authorised Newsagency.Boltons, Print., Bendigoprogram, music, music advancement society bendigo, smetana quartet, city hall, bendigo. music advancement society of bendigo presents the fifth concert 1962 series.music viva society of australia. friday, 19 october, 1962, 8.15 pm. president l r harvey. joint hon. secs. madge edgar, elsie flanagan.. advertisements: george logie smith lecture _ art gallery16 november at 8 pm. annual meeting committee room city hall, 28 november 8 pm., allan's. hesse bros. electrical sales television. edgar's toy shop, newsagency. -
Bendigo Historical Society Inc.Document - SERAFINO TRIO, CITY HALL, BENDIGO, 31 March, 1965
Serafino Trio, City Hall, Bendigo. Wednesday, 31st March 1965, 8.15pm. The Music Advancement Society of Bendigo Presents the First Concert 1965 series. Paul McDermott-Violin, Peers Coetmore-Cello, Mack Jost-Piano. President: J Bright. Joint Hon. Secs. Madge Edgar, Elsie Flanagan. Program One Shilling. Concerts & Lecture - 1965. Lecture Irish Folk Music Margaret Wortley, Art Gallery April 9th. Brian Hansford and Dorothy O'Donahoo, City Hall, June 3rd. Mack Jost, City Hall, 23rd, Prague Quartet, City Hall, October 27th. Advertisements: Allan's, Edgars', Hesse.Boltons Print., Bendigoprogram, music, music advancement society bendigo, serafino trio, city hall, bendigo. march 1965 music advancement society of bendigo first concert 1965 series. paul mcdermott-violin, peers coetmore-cello, mack jost-piano. president: j bright. joint hon. secs. madge edgar, elsie flanagan. concerts & lecture - 1965. lecture irish folk music margaret wortley, art gallery april 9th. brian hansford and dorothy o'donahoo, june 3rd. mack jost, 23rd, prague quartet, october 27th. advertisements: allan's, edgars', hesse. -
Bendigo Historical Society Inc.Document - MUSICAL VIVA SOCIETY OF AUSTRALIA, CITY HALL, BENDIGO, 18 Ocotber, 1967
4341. Musical Viva Society of Australia, City Hall, Bendigo. The Music Advancement Society of Bendigo Presents the FOURTH CONCERT 1967 series by arrangement with Musical Viva Society of Australia. The Vegh String Quartet: Sandor Vegh - violin, Sandor Zoldy - violin, Georges Janzer - viola, Paul Szabo - cello. Wednesday, 18th, October, 8-15pm. Photo of quartet on cover. President: E Beilharz. Joint Hon. Secs. Madge Edgar, Emily Bright. Programme Ten Cents. Annual Meeting, Friday 24th November, Committee Room, City Hall. All Subscribers are invited to attend. Advetisements: Hesse Bros, Edgars, Allan's Music.entertainment, theatre, music advancement society of bendig, musical viva society of australia, city hall, bendigo. the music advancement society of bendigo fourth concert 1967 series musical viva society of australia. vegh string quartet: sandor vegh - violin, sandor zoldy - violin, georges janzer - viola, paul szabo - cello. wednesday, 18th, october, 8-15pm. photo of quartet on cover. president: e beilharz. joint hon. secs. madge edgar, emily bright. annual meeting, 24th november, committee room, city hall. advetisements: hesse bros, edgars, allan's music. -
Bendigo Historical Society Inc.Document - MUSIC PROGRAMS X 4
The Music Advancement Society of Bendigo presents: 1) 'Czech Wind Quartet', City Hall Bendigo on Wednesday, 8th July 1959, 8.15 pm. 2) 'The Amadeus Quartet', City Hall, Bendigo on Saturday 14th June 1958, 8.15 pm. 3) 'The Melbourne Latvian Mixed Choir and Latvian National Dancers', Town Hall, Bendigo, Saturday 21st November 1953, 8 p. m. 4) 'Recital by the Musica Viva, Town Hall, Bendigo, Wed, 10th Oct 1951, 8.15 pm. Programmes 1/-, 6d. Bolton Bros Pty Ltd, Printers, Bendigo. Czeck Wind Quartet autographed in blue pen on front.event, entertainment, music, music programs x 4, the music advancement society of bendigo, czech wind quartet, the amadeus quartet, the melbourne latvian mixed choir, latvian national dancers, recital by the musica viva, bolton bros pty ltd -
Bendigo Historical Society Inc.Document - MUSIC PROGRAMMES X 4
The Music Advancement Society of Bendigo presents: 1) 'Three Arts Festival Concert' - The Victorian String Orchestra, Town Hall, Bendigo Sat 3rd October 1953. 2) 'Second Concert 1953 Series - Piano Recital by Raymond Lambert, Town Hall, Bendigo, Wednesday 14th June 1953. 3) 'Third Concert 1953 Series - 'Carolin Trio', vocalist: Charles Skase, Baritone, Town Hall, Bendigo, Wed 22nd July 1953. 8.15 p. m. 4) 'Recital by the Music Viva in the High School, Bendigo, Thurs, 19th July 1951 8.15 pm. Programmes 1/-. 6d. Bolton Bros Pty Ltd Printers Bendigo.event, entertainment, music, music programmes x 4, the music advancement society of bendigo, raymond lambert, charles skase, high school bendigo, bolton bros pty ltd -
Ararat Gallery TAMAPrint, Nanette Bourke, The Growth of Tourism, 1988
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMANanette Bourke, Opening up the Land, 1995
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMANanette Bourke, Return of the Grasstrees, 2007
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, No, I don't want to live to 100, Thank you, 1992
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Watch Over All Living Things, 1996
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Starleaf Grevillea, 2008
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Blue Devils, 1992
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Casuarina Grove, 2003
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Grasstrees, a different perspective, 1992
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Burnt Wattle's Tracery, 2008
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Smooth Fruited Grevillea, 1996
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.
