ON BACK OF PHOTOGRAPH "CLARA" MRS CROSS & CHILD HUSBAND A..... OLIVER.OVAL PHOTOGRAPH OF LADY WITH A YOUNG BOY LEANING ON HER LEFT SHOULDER. SHE IS WEARING A HIGH NECKED DARK CAPE. THE BOY A WHITE SUIT.THE COMPLIMENTS OF THE SEASON . IN GOLD WRITING.local history, photography, photographs, early citizens

Coloured photo of a middle aged lady with silver hair playing a piano. She is wearing glasses and a two tone blue and white stripe dress.photo, individual, female, peter ellis collection, lady playing a piano

The little girl from Bulla Primary School was attending a school camp at Beechworth and one of the activities the students enjoyed was a visit to a local trout farm where they learned about the importance of breeding trout to maintain healthy rivers.School camps gave the students the opportunities to study the environments at close-hand.A non-digital coloured print of a girl holding a red torch in one hand while trying to catch something in the pond that she is crouched beside.trout, school camps, beechworth

A handwritten account of the Poulter family tree from 1656. Includes descendants of Samuel Poulter and Susan Haylock.A record of the Poulter family tree. The Poulter family were pioneers in the Greensborough district.Photocopy of 22 handwritten pages. Note attached: "Handwritten by Nellie Poulter. Don't know where she got info from. Someone has done a bit of research!"poulter, greensborough

Aboriginal soldiers formed a special all volunteer platoon at No 9 Camp Wangaratta in Victoria from late 1940 until February 1941. No 9 Camp was set up at the Wangaratta Showgrounds to allow the formation of the 2/24th Australian Infantry Battalion prior to leaving for Egypt. Major Joseph Albert Wright a WW1 Light Horse veteran was in charge of this platoon the only Aboriginal squad in the Australian Military Forces at that time. The soldiers from Lake Tyers enlisted at Caulfield between June and July 1940 include Harold Cornelius HAYES VX 48217 DOB 2/4/1916 Enlisted 25/7/40 Discharged 22/3/1941 Edward FOSTER VX48218 DOB 25/5/1921 Enlisted 25/7/1940 Discharged 22/3/1941 Noel Ernest HOOD VX48194 DOB 3/1/1919 Enlisted 25/7/1940 Discharged 22/3/1941 Edward Leslie MULLETT VX48199 DOB 30/6/1910 Enlisted 25/7/1940 Discharged 22/3/1941 Image relates to a "special platoon" based at No 9 Camp Wangaratta as being the Australian Army's first all Aboriginal Unit formed in 1940. The soldiers were all volunteers mainly from Lake Tyers in Victoria.Black and white photograph of aboriginal soldier holding rifle and young girlAttached to rear - Little girl asking Guard if she can go into Showgrounds Wangaratta end of 1940 - J A Wright 1940 Wangno 9 camp wangaratta, aboriginal platoon

This photograph is an image of the Loch Vennacher, taken while she is docked. The photograph is very similar to another in our collection taken by Fred. Kruger, a renowned Victorian photographer, between 1875-1905 and possibly in the Port of Melbourne. Loch Vennachar made many journeys from Britain to Australia and was well-known in Australian ports. On one of its homeward-bound journeys from Australia, the ship sank in the River Thames. Its cargo included 850 tonnes of preserved canned rabbits from Warrnambool's Western Meat Preserving Company. The ship was raised and continued trading for another four years. On 14th June 1905, Loch Vennachar departed Glasgow for Adelaide and Melbourne. The last known sighting of it was on 6th September 1875 when overtaken by the SS Yongala; the captains exchanged the “all well” signals. After that, the ship disappeared with loss of all 27 lives, according to a list that was received by Fremantle through the English mail. The list indicated that there were no passengers on that voyage. Sadly, other Loch Line ships med with similar disasters. The list of lost crew on the Loch Vennachar included Thomas. W. Pearce, apprentice, Southampton. His father was Tom Pearce, one of the two survivors of the Loch Ard, wrecked in 1878. Also, Thomas’ grandfather, James Pearce, was the captain of SS Gothenburg at the time of her wrecking in 1875. Consequently, the wrecking of the Loch Vennachar and the Loc Sloy near the southwest point of Kangaroo Island, a lighthouse was erected, officially opening in June 1907. The northern headland of West Bay was named Vennachar Point in memory of the ship in 1908. The wreck was discovered in 1976 by divers from the Society for Underwater Historical Research, over seventy years after being lost off Kangaroo Island.The Loch Vennachar performed a significant role in Australia’s colonial trade, taking goods between Great Britain and Australia. These goods included locally preserved tinned rabbits processed at a factory in Warrnambool for overseas trade.Black and white photograph of Loch Vennachar (aka Loch Vennacher) at a wharf. There are photo mounts in each corner. The vessel was was built in 1875 and wrecked on Kangaroo Island with the loss of all hands; she was last seen September 6th 1905 flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, loch vennachar, loch vennacher, loch line ship, glasgow shipping co, 1875 clipper ship, loch vennachar image., kangaroo island shipwreck, 1905 shipwreck, photograph loch vennachar, fred kruger photographer, canned rabbits, preserved rabbits, western meat preserving company

This is a reference written by Mabel Klech, Instructress in Dressmaking at Bendigo School of Mines and Industries. It is written for Miss Ivy Jack, certifying that she attended the dressmaking, cutting and designing classes and freely recommending her services to anyone requiring them.Significant in relation to the history and past students of Bendigo School of Mines & Industries and to the type of courses being offered by the school in 1942. Significance has been assessed in-house.White paper photocopy of reference from Mabel Klech, Instructress in dressmaking at the School of Mines and Industries, Bendigo to Miss Ivy Jack, dated 14th October, 1942.On white A4 paper: "School of Mines / Bendigo / Oct. 14th 42. / To whom it may concern, / I have pleasure in / certifying that Miss Ivy Jack has / attended the dressmaking, cutting / and designing classes at this / school during the past two years. / She is pains-taking and / attentive, and to anyone requiring / her services I can freely recommend her. / Yours faithfully / Mabel Klech / (Instructress in dressmaking)"bendigo school of mines and industries, jack, ivy, klech, mabel, dressmaking, reference, 1942, cutting, designing, jack, shirley ivy

Small portrait of a lady standing beside a chair with her left hand resting on the back of the chair. She is wearing a long, high neck dress with a brooch at the neckline. The skirt of her dress is very wide at the hemline. She also has a belt with a buckle at the waistline. Photographer's name and address printed on the back. Also a Coat of Arms with a kangaroo and an emu with their backs to the shield in the centre.F. H. Dufty & I. V. Caroline, New Carte de Visite Studios, Piper St., Kyneton, Vic. Aust.photograph, portrait, female, portrait of a lady, new carte de visite studios, f h dufty, i v caroline

Small portrait of a lady and two children. The lady is wearing a long, high neck dress. She has a wide sash at her neck. She has a baby on her knee and a girl is standing on her right side. The girl is wearing a below knee dress with a pattern around the lower skirt. On the back is: Photographed by Bent, late Batchelder, Centre of Pall Mall, Sandhurst.Bent, Pall Mall, Sandhurstphotograph, portrait, lady & children, portrait of lady and two children, bent

Black & white photo of a young woman wearing a high neck white dress, mortar board and gown. Each sleeve of the gown has 3 white stripes. She has her left hand resting on a small table and in her right hand she is holding a book with 'Longfellow' printed on the front. Photo is mounted on off white cardboard with a decorated, embossed frame.Bartlett Bros. Bendigophotograph, portrait, female, foster & wilson collection, photograph, bartlett bros.

This photograph is a visual record of Mrs Tatham who was President of the Melbourne District Nursing Society (MDNS) from 1915 until 1923. Mrs. Tatham, with her happy disposition, tact and organizational skills, served the Melbourne District Nursing Society (MDNS) as a very active member for 25 years. At 38 years of age she was elected to the Committee of the MDNS in 1909, and in 1912 was elected as Honorary Secretary until being elected as President in 1915; a role she held until 1923. During this time she undertook roles on fund raising committees, as well as, in 1919, leading the committee in appealing to the public for funds to purchase motor cars for the use of the Society's Nurses so more cases could be visited during the Influenza Epidemic. In 1923 she resigned as President but agreed to take up the role as Vice-president and was the 'Head Almoner' in the Society's newly formed 'Committee of Almoners' who assisted discharged clients from the After-Care to receive assistance from other organizations if required; the name changed to 'Ward Visitors' when the newly formed 'Institute of Almoners' was formed with now trained Almoners. She remained as Vice-President until 1926 when she was appointed as Secretary of the Society and After-Care Home. She remained in this role until her death, aged 63 years, following a tragic car accident in October 1934. Mrs. Tatham was known as "a gentlewoman in the truest sense" and was held in high esteem by her friends and colleagues. Following her death a Ward in the After-Care Hospital was named the 'Constance Maud Tatham' Ward in her memory.Black and white head and shoulder photograph of Mrs. F. (Constance Maud) Tatham. She has a round visage and a small amount of dark curled hair is seen under a dark turned-up brimmed hat with large tails of a flat bow. She is wearing floral frock with buttons down the front; a dark and light coloured scarf is around her neck. melbourne district nursing society, after- care hospital, mdns president, rdns, royal district nursing service, mrs f. (constance maud) tatham

The photograph was taken during Linton's centenary celebrations in 1939.Small black and white photograph which shows two women standing in a garden. The woman on the left side has long plaits, is dressed in light coloured clothing and is carrying a bag. The woman on the right is also wearing light coloured clothing but she has short, curly hair. She is holding a book under her right arm (on left side in photograph).grace bennett, grace wishart, mrs neil wishart, amelia (millie) bennett, amelia (millie) allen

Queen Victoria was born at Kensington Palace, London, on 24 May 1819. She was the only daughter of Edward, Duke of Kent, the fourth son of George III. Her father died shortly after her birth and she became heir to the throne because the three uncles who were ahead of her in the succession - George IV, Frederick Duke of York, and William IV - had no legitimate children who survived. Warmhearted and lively, Victoria had a gift for drawing and painting; educated by a governess at home, she was a natural diarist and kept a regular journal throughout her life. On William IV's death in 1837, she became Queen at the age of 18. Queen Victoria is associated with Britain's great age of industrial expansion, economic progress and, especially, empire. At her death, it was said, Britain had a worldwide empire on which the sun never set. In the early part of her reign, she was influenced by two men: her first Prime Minister, Lord Melbourne, and then her husband, Prince Albert, whom she married in 1840. Both men taught her much about how to be a ruler in a 'constitutional monarchy, in which the monarch had very few powers but could use much influence. Albert took an active interest in the arts, science, trade and industry; the project for which he is best remembered was the Great Exhibition of 1851, the profits from which helped to establish the South Kensington museums complex in London. Her marriage to Prince Albert produced nine children between 1840 and 1857. Most of her children married into other Royal families in Europe. Edward VII (born 1841), married Alexandra, daughter of Christian IX of Denmark. Alfred, Duke of Edinburgh and of Saxe-Coburg and Gotha (born 1844) married Marie of Russia. Arthur, Duke of Connaught (born 1850) married Louise Margaret of Prussia. Leopold, Duke of Albany (born 1853) married Helen of Waldeck-Pyrmont. Victoria, Princess Royal (born 1840) married Friedrich III, German Emperor. Alice (born 1843) married Ludwig IV, Grand Duke of Hesse and by Rhine. Helena (born 1846) married Christian of Schleswig-Holstein. Louise (born 1848) married John Campbell, 9th Duke of Argyll. Beatrice (born 1857) married Henry of Battenberg. Victoria bought Osborne House (later presented to the nation by Edward VII) on the Isle of Wight as a family home in 1845, and Albert bought Balmoral in 1852. Victoria was deeply attached to her husband and she sank into depression after he died, aged 42, in 1861. She had lost a devoted husband and her principal trusted adviser in affairs of state. For the rest of her reign she wore black. Until the late 1860s she rarely appeared in public; although she never neglected her official Correspondence, and continued to give audiences to her ministers and official visitors, she was reluctant to resume a full public life. She was persuaded to open Parliament in person in 1866 and 1867, but she was widely criticised for living in seclusion and quite a strong republican movement developed. Seven attempts were made on Victoria's life, between 1840 and 1882 - her courageous attitude towards these attacks greatly strengthened her popularity. With time, the private urgings of her family and the flattering attention of Benjamin Disraeli, Prime Minister in 1868 and from 1874 to 1880, the Queen gradually resumed her public duties. In foreign policy, the Queen's influence during the middle years of her reign was generally used to support peace and reconciliation. In 1864, Victoria pressed her ministers not to intervene in the Prussia-Denmark war, and her letter to the German Emperor (whose son had married her daughter) in 1875 helped to avert a second Franco-German war. On the Eastern Question in the 1870s - the issue of Britain's policy towards the declining Turkish Empire in Europe - Victoria (unlike Gladstone) believed that Britain, while pressing for necessary reforms, ought to uphold Turkish hegemony as a bulwark of stability against Russia, and maintain bi-partisanship at a time when Britain could be involved in war. Victoria's popularity grew with the increasing imperial sentiment from the 1870s onwards. After the Indian Mutiny of 1857, the government of India was transferred from the East India Company to the Crown, with the position of Governor-General upgraded to Viceroy, and in 1877 Victoria became Empress of India under the Royal Titles Act passed by Disraeli's government. During Victoria's long reign, direct political power moved away from the sovereign. A series of Acts broadened the social and economic base of the electorate. These acts included the Second Reform Act of 1867; the introduction of the secret ballot in 1872, which made it impossible to pressurise voters by bribery or intimidation; and the Representation of the Peoples Act of 1884 - all householders and lodgers in accommodation worth at least £10 a year, and occupiers of land worth £10 a year, were entitled to vote. Despite this decline in the Sovereign's power, Victoria showed that a monarch who had a high level of prestige and who was prepared to master the details of political life could exert an important influence. This was demonstrated by her mediation between the Commons and the Lords, during the acrimonious passing of the Irish Church Disestablishment Act of 1869 and the 1884 Reform Act. It was during Victoria's reign that the modern idea of the constitutional monarch, whose role was to remain above political parties, began to evolve. But Victoria herself was not always non-partisan and she took the opportunity to give her opinions, sometimes very forcefully, in private. After the Second Reform Act of 1867, and the growth of the two-party (Liberal and Conservative) system, the Queen's room for manoeuvre decreased. Her freedom to choose which individual should occupy the premiership was increasingly restricted. In 1880, she tried, unsuccessfully, to stop William Gladstone - whom she disliked as much as she admired Disraeli and whose policies she distrusted - from becoming Prime Minister. She much preferred the Marquess of Hartington, another statesman from the Liberal party which had just won the general election. She did not get her way. She was a very strong supporter of the Empire, which brought her closer both to Disraeli and to the Marquess of Salisbury, her last Prime Minister. Although conservative in some respects - like many at the time she opposed giving women the vote - on social issues, she tended to favour measures to improve the lot of the poor, such as the Royal Commission on housing. She also supported many charities involved in education, hospitals and other areas. Victoria and her family travelled and were seen on an unprecedented scale, thanks to transport improvements and other technical changes such as the spread of newspapers and the invention of photography. Victoria was the first reigning monarch to use trains - she made her first train journey in 1842. In her later years, she became the symbol of the British Empire. Both the Golden (1887) and the Diamond (1897) Jubilees, held to celebrate the 50th and 60th anniversaries of the Queen's accession, were marked with great displays and public ceremonies. On both occasions, Colonial Conferences attended by the Prime Ministers of the self-governing colonies were held. Despite her advanced age, Victoria continued her duties to the end - including an official visit to Dublin in 1900. The Boer War in South Africa overshadowed the end of her reign. As in the Crimean War nearly half a century earlier, Victoria reviewed her troops and visited hospitals; she remained undaunted by British reverses during the campaign: 'We are not interested in the possibilities of defeat; they do not exist.' Victoria died at Osborne House on the Isle of Wight, on 22 January 1901 after a reign which lasted almost 64 years, then the longest in British history. Her son, Edward VII succeeded her. She was buried at Windsor beside Prince Albert, in the Frogmore Royal Mausoleum, which she had built for their final resting place. Above the Mausoleum door are inscribed Victoria's words: "Farewell best beloved, here, at last, I shall rest with thee, with thee in Christ I shall rise again." Source: https://www.royal.uk/queen-victoria This picture captures Queen Victoria in her later years. It may well have been painted to commemorate her Golden Anniversary in 1887, or her Diamond Anniversary in 1897.Picture, print, reproduction of a drawing or photograph of Queen Victoria. She is wearing a dark-coloured dress, white headdress and a diamond necklace and earrings. On her left shoulder is the Royal Order of Victoria and Albert, awarded to female members of the British Royal Family and female courtiers. There are four grades or classes of this Royal Order as well as the Sovereign's Badge, which is exclusive to her. Also across her left shoulder, is a blue riband representing the Order of the Garter. The picture is in a medium-coloured timber frame with a white string across the width at the rear. The label says it was framed by Hoy Art, Warrnambool. The signature of the Queen is on the picture but is not obvious since the picture has been re-framed."HOY ART / PICTURE FRAMING / 48 Kepler St, Warrnambool 3280 / Phone (055) 62 8022" Signature (hidden by new framing) "Victoria H.R.S."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, picture of queen victoria, queen victoria, the royal order of victoria and albert, the order of the garter, hoy art

Photo of Maggie Galbraith.A transparency exists in Slide Box 5Photo shows a woman (Maggie Galbraith) standing in front of a large boulder. She is wearing a black dress and has fern and flowers tucked into her waistband.people, galbraith

Coloured photograph of Belinda Driscoll. 3rd placing in the Triple Jump, State Championships. She is wearing blue shorts and a dark blue monogrammed t shirt.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - belinda driscoll

Pamphlet advertising auction of a house at 2 Leons Court, Blackburn. This is Doris Mattingley's home. She was a long standing secretary of Nunawading & District Historical Society.auctions, mattingley, doris, nunawading and district historical society, leons court, blackburn, no 2.

Yvonne Fitzmaurice has donated the doll's house she made for her daughter between 1976 -78 for permanent display in the Schwerkolt Cottage & Museum Complex.fitzmaurice, yvonne, whitehorse historical society, toys

Black and white photo of Mrs Jessie Watts (aged 21) nee Kirkwood 1904 - 1972. She came to Blackburn in 1929 and ran Watt's Dairy.watts, jessie, kirkwood, watts dairy

Caption to photograph reads, "Spring blossom made a lovely background for Miss Margaret Dale (1934)as she plied a garden fork at the Burnley Horticultural School."burnley horticultural college, margaret dale, female students, blossom trees, students working outside

Three letters pinned together. The first is a handwritten letter to Mr Granger from Marie Crawford (Maranta) dated 5/5/32. She mentions that at the present time second mortgages are worthless for her experiences in investments first are of little value. Signed Marie Crawford (Maranta). The second letter is to the Secretary of Hanro from Marie Maranta advising that she has changed her name, by marriage to Mrs M Crawford and she authorises the Secretary to make the necessary alteration in the Register of Members. Dated 5//532. The third letter is dated the 9/5/1932 to Mrs M Crawford acknowledging her letter and notification of change of name. The Secretary also mentions the matter of alteration of 8% Preference Shares to Second Mortgage Debentures. He also offers her further information when she is next in Bendigo.hanro, clothing, share register, hanro collection - letters - mr granger and marie crawford (maranta)

"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available

This photograph is taken in the Sterilizing room in the Royal District Nursing Service (RDNS) Footscray Centre. Sister Short is closing the door of the Autoclave to sterilize equipment and dressings which will then be used by a RDNS Sister when she is visiting a patient in the community. Sterilizing of equipment and dressings were carried out at each RDNS Centre. Royal District Nursing Service (RDNS) supplied sterilized equipment, such as ready set up catheter trays and dressing trays, as well as dressing packs for their trained staff (Sisters) to take to the home when attending to specific patient care. When the Sisters returned to the Centre they washed and set up the trays again ready for re-sterilization. Each RDNS Centre had an Autoclave room and equipment and dressings were sterilized each day.Black and white photograph showing Royal District Nursing Service (RDNS), Sister Margaret Short, who has short dark hair, and is wearing a white gown over her uniform, with the grey peaks seen. She is using the Autoclave in the Sterilizing room. The tall rectangular metal sterilizer stands in the centre of the photograph. There are several small dials and a larger square dial on its upper left, with a long encased thermometer in the centre and a large round dial to its right. Below this is the partly open large metal door of the sterilizing section. A thick horizontal metal piece runs from the left side of the sterilizer, across, and attached at the centre, of the door. Sister Short has her left hand on the turning bar attached to the centre section, and her right hand is on the locking section as she closes the door. Below the door are two switches and several small dials. To the left of the sterilizer is a cabinet, and to the right of Sister Short, eight small wrapped dressing packs are on a shelf. At the rear of the photograph the wall goes halfway up, with windows above.Photographer's Stamp. Quote No. GX 12 Handwritten informationroyal district nursing service, rdns, footscray centre, sterilizing, sister margaret short

Tin issued in celebration of the coronation of Queen Elizabeth II in 1953. Made by the Pascall confectionery company, the tin is now used to house cotton threads for mending. Of interest is the thread used to mend nylon stockings. Pascalls confectionery tin, with design in red blue and gold on pale yellow, containing collection of coloured mending threadEIIR Coronation 1953 Long may she reign. Pascall, Cadbury Fry Hudson Ltd. Portrait of Elizabeth II with Lion and Unicorn rampantconfectionery tins, mending kits, queen elizabeth ii

Coloured slide transparency. Image is of a female dressed in costume. She is wearing a short dress of shiny material over a white long sleeved blouse, a conical hat and white knee high boots. She is posed standing with one arm straight and the other bent upwards. On the lower white border of the slide the words Fancy Dress Party Narina Lindrea have been handwritten.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

A small black and white photograph of Auntie Shapland. A relative of Elma Winslade Wells. She is standing next to chair her hands resting on a cushion, she is wearing a patterned dress with white collar and a white cap. On the back in pen Auntie Shapland (your father's first cousin) and the logo of T. C. Turner, 10 Barnsbury Park and 17 Upper Street, Islington, London.person, individual, auntie shapland

Studio photograph of a young child standing on the plush seat of a cane chair and leaning against a cane table. She is wearing a long white smocked frock and has black shoes and white socks. She is also wearing a white frilly bonnet. On the back is written: Inez Mary Ellis age 15 months, Born 1901 Northcote, Father Jno? William, Mother Annie Wrightperson, individual, child portrait, inez mary ellis, northcote, annie wright, jno william