736 pages, illustrated.

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour landscape.art, artwork, landscape, watercolour, available, neville bunning, trees

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Unframed watercolour on paper, attached to masonite. Signed lower left "Neville M. Bunning"art, artwork, neville bunning, framing required

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two framed collographs depicting abstracted landscapes.art, artwork, printmaking, collograph, alumni, school of business collection, landscape

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Frame collograph of an abstract landscape.art, artwork, landscape, paddoc, available

Photographs pasted on board with descriptions. (1) Kauri Pine (Agathis robusta)." (2) "Cork Oak (Quercus suber)." kauri pine, cork oak, trees, history

Note by T.H. Kneen 10 June 1992, "Ray Harding established a range of citrus varieties on a range of stocks - a very interesting block of citrus - grown under stock(?)."Black and white photograph. Student driving a tractor in the Citrus Block in the Orchard.student, tractor, orchard, ray harding, citrus trees, grafting stock, citrus block

(1) Eucalyptus cladocalyx, Sugar Gum (2) Cedrus deodara, Himalayan Cedareucalyptus, cedars, trees

john garner collection, ballarat botanical gardens, gardens, ballarat, pavilion

Unknown year

A dark green hardcover book with an embossed pattern on the front cover. The spine has Downing's Selected Fruits for the Garden and Market in gold lettering with the publisher John Wiley's emblem at the bottom. There are upwards of 400 illustrations and diagrams of fruits throughout and an Index at the back. Some stains and markings with tanning on he edges of the pages. 679p.non-fictionThis edition of the Fruits and Fruit-trees of America has been prepared to meet the wants and convenience of practical Fruit-growers who wish to cultivate varieties tested and approved as very good or best for general use or most profitable for market. Some new varieties have been included with their culture, propagation and management in the garden and orchard.fruit growing, agriculture

non-fictionThis publication documents the proceedings of a conference held by the Australian Farm Management Societyat Wodonga CIvic Centre on September 11, 1980. It focussed on economic and technical aspects of commercial plantations, agro-forestry and shelter belts on farms. Topics include the Victorian Farm Forestry Loan Scheme, a Farmer's experience in growing and processing pines, and local outlets and future prospects for timber in Australia.trees on farms, victorian farm forestry, agroforesty australia

non-fictionThe story of the life, family and achievements of Arthur Henman, born in 1861 in Lidlington, Bedfordshire, England and his wife Elizabeth Ann nee Pollard of Bonegilla, Victoria. For a time on arrival in Australia at the age of 17, Arthur had a contract to supply timber to the New South Wales Railway Department. After marrying in 1888, Arthur and Elizabeth became successful dairy farmers in Glen Innes, northern New South Wales, before deciding to come to the Barmedman district. They took up the property, now well known as "Pine Valley." They had a pioneer's task to face for a thick belt of green timber stretched from the back door of their first home to Temora. Undaunted by the task, but with great determination and courage, they fashioned a first class property out of the wild and waste of those days and made valuable contribution to the fledgling communities until retirement from active farming in 1923 when they moved to Sydney.pioneers australia, pioneers nsw, arthur henman, elizabeth ann pollard, barmedman district nsw

Ill, p.52.non-fictionA history and description of the Royal Botanical Gardens in Melbourneroyal botanical gardens - history, royal botanical gardens - description

Gift of Mack Jost, 1990

Part of the horticultural history of Emerald and the surrounding district.VEMU1717.1 Single sheet, buff coloured, printing in black VEMU1717.2 Small sheet of translucent paper, with the text printed in purple with some red text.a.g. nightingale, emerald

Bruno LETI (1941- ) Born Rome, Italy Arrived Australia 1950 Bruno Leti was nine years old when he came from post World War Two Italy. Known as a painter, printmaker, photographer and publisher of artists’ books, he studied at RMIT, studying Printnaking under Tate Adams, and Melbourne Teachers' College. He has taught art in Italy, Canada, USA, and Melbourne, Australia. Bruno Leti lives and works in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This etching by Bruno Leti was exhibited as part of "Parallel Prints", a limited edition print project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.trees, printmaking, etching, bruno leti, artist, artwork, parallel prints, landscape