The first Methodist church built in Cheltenham was a wooden structure which burnt down in 1893. While the exact cause of the fire was never ascertained, it was believed that a spark from a passing train ignited dried leaves in the eaves. The original church was replaced by a brick building, with the foundation stone laid in 1894. This image shows the replacement building.Black and white photograph of the brick Methodist Church in Cheltenham with a white picket fence and gate at the front.

Coloured slide transparency. Image is of the entrance to a sanctuary. A wooden frame is across the entrance with the words Kaweka Sanctuary across the top of the frame. A donation box is beyond the frame and a white fence flanks either side.. A pathway winds to the background and trees and scrub are also there. Folder stored in Box 751 Row 9Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Black and white photo, 'The Eyrie' turretted and gabled roof line. Picket fence, brick pillars on gatewah with gravel path up on right to pine trees. Overgrown garden, with palm trees. On stick on label ' date unknown pre 1922 when steps were put in palms now well grown. Verandah canopy no longer striped wooden gates gone. House restored in 1998. To original colour scheme and verandahs now striped.buildings, residential, the eyrie

This image is one of a series of photographs taken by Melbourne based photographers Stevenson and McNicoll who visited Bacchus Marsh and its nearby districts between September and November 1883. George Taylor was in business in Bacchus Marsh from 1866. He built these premises in Main Street in 1868 and remained in business until 1888 when Samuel Painter brought the property and operated his own saddlery business. The location was later used for the State Savings Bank of Victoria and the Bank of New South Wales (Westpac). The location of this site in 2024 is 136 Main Street, Bacchus Marsh.Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a single storey timber building with a pitched roof. The front of the gable has an ornamental wooden fretwork design attached.The name 'Taylor' can be clearly seen above the front door. There is one large window. The roof appears to be slate and the building has one chimney. Outhouses can be seen to the left and right of the building. There is a picket fence to one side of the building and a post-and-rail fence to the other.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, saddleries, saddlers

This is a framed photograph of the men's pool at the Warrnambool Salt Water Baths. These Baths were originally built at the end of Gilles Street on the line of the present railway line in 1876 but were rebuilt in 1889 further north in Gilles Street when the railway line was opened. The water was pumped from the sea, initially by a windmill and later by a gas pump. The men's pool was 100 feet by 50 feet and the women's pool was 60 feet by 30 feet with bathing strictly segregated in the 19th century. A building nearby housed marble cubicles with hot spa baths with the water heated on the site and a caretaker's cottage completed the complex. Men's nude bathing was a feature of the early 20th century. Originally built by a local public company the Baths were taken over by the Warrnambool Council. These baths were superseded by the opening in 1961 of an Olympic Pool In Warrnambool. The site and the remaining buildings of the old sea water baths are now heritage-listed and today form part of the headquarters of the Warrnambool and District Historical Society.This photograph is of historical significance as a depiction of the Warrnambool Salt water Baths in the early 20th century. These Baths were the basis for promoting Warrnambool as a health and spa resort town in the late 19th and early 20th centuries.This is a framed black and white photograph of the men's pool at the Warrnambool Salt Water Baths. It depicts men and boys swimming in the circular pool and one male on the diving board. All these men are naked. There are other clothed males and clothed attendants wearing hats and waistcoats. The change rooms are on the right side of the photograph and there is a fence with trees behind. The photograph is mounted on cardboard with a gilt edge and is held in a wooden ridged frame behind glass. warrnambool sea water baths, sea baths, warrnambool pool, gilles street

CEMA Art collectionThe painting depicts a blue stone building with green door. On either side of the door is a window and there is a chimney at either end of the roof. The side of the house closest to the viewer is overgrown with vegetation which extends up to and covers the chimney. To the right of the building is a green fence with a leaf-less tree behind. To the left of the building is a smaller green fence with several green trees behind. The work has a plain wooden frame with a mount and glass.Front: Gardens Cottage Portland 1857 Ruth Denny 1967 (black, handwritten) Back: Sticker: DEANS MU 8291 FOR FRAMING 346 LT. COLLINS ST., MELB. NO. 20438 Yellow sticker: 3033portland, female artist, female, women, botanic gardens, curator's cottage

Two identifications of this building have been made: 1. The copy of the photograph in the LDHS collection was donated from the estate of Mag Gorman, and was identified as the Catholic Church at Berringa, which was moved after the gold mining days to Willowvale, where it burnt down in the bushfires of 1944. 2. The same photograph is on p. 249 of Joan Hunt's book "Springdallah", where it is identified as St Mark's Church of England, Happy Valley. This building was later moved to Skipton (1913) and then again to Carranballac (1924) (see "Centenary History of St Paul's - Linton, p. 25.)Black and white post card photograph of a wooden church, with trees and a post and rail fence around it. Two possible identifications: Catholic Church at Berringa or St Mark's Church of England, Happy ValleyStamped on reverse: "T.W.Nelson, Linton".catholic church berringa, catholic church willowvale, st mark's church of england happy valley

Black and white copy of original photograph showing a wooden building with iron roof, Hotel with a house to the left and picket fence and tree on the right. There are a group of 9 people standing in front of the building/Hotel. One man, two ladies, three girls and three boys. A wooden bench seat along front of Hotel."O'Meara's Junction Hotel at Springvale (now Pittong) opposite the Kaolin Mine. L-R Maria O'Meara, Lizzie Lowry, Lucy O'Meara, Martha O'Meara, John O'Meara, John O'Meara jnr, James O'Meara, Charlie O'Meara, Mrs John O'Meara. The Children James and Martha O'Meara were still living in the Hotel - by then unlicensed - in 1953, and were murdered there in September of that year."john o'meara senior, maria o'meara (nee o'brien), lucy, john jnr, james, charlie, martha, maria, lizzie lowry, pittong, springvale, hotel

CEMA Art collectionStreet scene with three buildings and a fenced area. The centre focus of the work is two small buildings. The building on the left is yellow with red roof and green door. Standing in front of the house is a female figure with red shirt and white skirt. The building to the right is pale yellow with green roof, red chimney and green door. There is a Norfolk Pine tree behind the middle house. The image is depicted using straight lines in pen for the outline of the buildings and for some of the details.The work has plain wooden frame with a mount and glass.Front: Old Cottages Richmond St.Portland Ruth Denny 1967(black, handwritten) Back: Sticker:DEAN'S MU 8291 FOR FRAMING 346 LT.COLLINS ST., MELB. NO. 20438 Yellow sticker: 3034female artists, female artist, women, portland street scene, portland, richmond street

2/ Also 1x Black and white print of same 8.5x13.5 P01150-2Sepia tone and Tinted photograph of wooden bridge across North Arm, showing a distant view of the town, Cunninghame Arm and sand hummocks, and a view of the North Arm, small wooden bridge connecting to mud island. In foreground gravel road,and post and rail fence and native vegetation. Telegraph poles on either side of North Arm. Photo mounted on heavy card. Lakes Entrance VictoriaCunninghame A Cooperbridges, roads and streets, fences

CEMA Art collectionThe painting depicts a stone building with red roof. The front of the building features a double staircase which leads from both sides of the building to a central door. On either side of the door is a window. The side of the building features four windows, three of which are covered. To the left of the building are various plants with the roof of a building in the background. To the right of the building is a fence and blue wall. The work has a plain wooden frame with a mount and glass.Front: Customs House Portland 1849 Ruth Denny 1967 (black, hand-written) Back: Sticker: DEAN'S MU 8269 FOR FRAMING 346 LT. COLLINS ST., MELB. No 20438 Yellow sticker: 3032portland customs house, female artist, female artists, bluestone, bluestone building

CEMA Art CollectionThe painting depicts a church in an otherwise empty landscape. Within the foreground is a sweeping corner of a dirt road. Along the edge of the road runs a simple fence. Behind the church is a bare yellow and brown hill which reaches into a dark sky. The work has a wooden, white painted frame with grey mount and white trimming and glass.Front: Robert T. Miller 75 (lower right, black signature) Back: ROBERT MILLER " OLD CHURCH PORTLAND" (1966) (lower right, typed) Watercolourportland, church, streetscape, religion

One black and white enlarged copy 19.5 x 25.5Sepia photograph showing New Works cottage Sea Shell on dunes, people on verandah, shed back left of house, rocks and wooden groynes along beach front, fence and track down side of house. Vegetation on dunes. Lakes Entrance Victoriawaterfront, houses, vegetation

Concrete bricks formed pattern mould, made in shed at Kimmell's farm by Clyde Worseldine, WW2 returned service man, in employ of Tambo Shire.Colour photograph of a concrete brick afternoon-tea pavilion built 1946c for Lakes Entrance Cricket Club. Building has a chimney at each end and corrugated iron roof, sited flush of south fence of Recreation Reserve. Also in image small wooden shed which was moved from Post Office residence 1960c when Post Office was extended. Lakes Entrance Victoriasports, cricket, buildings

Photograph of the Methodist Church in Grantley Street, Linton, which has been printed as a postcard. Photograph shows brick church building, wooden bell tower to left, picket fence and wrought iron gates. The words "METHODIST CHURCH, LINTON" printed across lower LH edge.methodist church linton