These 18 photographs were taken at an Army Survey Regiment Open Day at Fortuna Villa, Bendigo on the 24th of February 1990. This occasion was one of several events held to commemorate the 75th anniversary of the formation of the Royal Australian Survey Corps. Although historical tours of Fortuna occurred on a regular basis, this was the first technical open day since 1972. The Royal Australian Survey Corps recognised that an Open Day was the best way for the local community in Bendigo to gain an insight into the unit’s important role as Defence’s map production agency, its technical equipment, and its economic importance to Bendigo. It also gave them an opportunity to tour through historic Fortuna Villa. This occasion is covered in more detail in page 143 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. Refer to items 6434.27P and 6435.35P for more photos of the Open Day taken inside Fortuna, the garden areas and Map Production areas of Air Survey and Cartographic Squadron. Photo prints of some of these photos were scanned and catalogued in items 6247.30P and 6291.6P.These 18 photographs were taken at an Army Survey Regiment Open Day held at Fortuna, Bendigo on the 24th of February 1990. The 35mm colour and black & white negatives photographs were scanned at 96 dpi and are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, 1990. Print Troop – WO2 Rob Bogumil with visitors. .2) - Photo, colour, 1990. Print Troop – L to R: SPR Ross Anza, LCPL Janet Murray with visitors. .3) - Photo, black & white, 1990. Print Troop – L to R: LCPL Janet Murray, MAJ Bob Coote, SPR Gary Lord with visitors. .4) - Photo, black & white, 1990. Photo Troop – L to R: WO2 Keith Fenton RE UK Exchange, SGT Steve Burke with visitors. .5) - Photo, colour, 1990. Photo Troop – SGT Steve Burke with visitors. .6) - Photo, colour, 1990. Photo Troop – L to R: unidentified, SGT Steve Burke with visitors. .7) - Photo, colour, 1990. Print Troop – L to R: CPL Peter Breukel, WO2 Keith Fenton RE. UK Exchange with visitors. .8) - Photo, black & white, 1990. Photo Troop - WO2 Keith Fenton RE. UK Exchange. .9) - Photo, black & white, 1990. Print Troop - civilian visitors. .10) - black & white, Print Troop, 1990. - L to R: civilian visitors, SSGT Ian Nichols, CPL John ‘Flash’ Anderson. .11) - Photo, black & white, 1990. Print Troop - L to R: SSGT Ian Nichols, CPL Dale Hudson, Planeta printing press, with civilian visitors. .12) - Photo, colour, 1990. Print Troop - L to R: SSGT Ian Nichols, CAPT Roger Hancock with civilian visitors. .13) - Photo, colour, 1990. Print Troop - LT Marty Lyons with civilian visitors. .14) - Photo, black & white, 1990. Print Troop - L to R: LT Marty Lyons, unidentified with civilian visitors. .15) - Photo, black & white, 1990. Orthophoto Mapping Section - L to R: SSGT Peter Imeson, SGT Bob Garritty with civilian visitors. .16) - Photo, colour, 1990. Optronics raster scanner - WO2 Adrian ‘Charlie’ Creedy with civilian visitors. .17) - Photo, colour 1990. Outside Photo Troop office - L to R: SSGT Rhys De Laine, WO2 Rob Bogumil. .18) - Photo, black & white, 1990. Photo Troop - civilian visitors..1P to .18P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn

This is a set of 15 photographs of personnel posted to Lithographic Squadron at the Army Survey Regiment, Fortuna Villa, Bendigo Victoria, on the 1st of October 1990. These informal and formal group photos were taken on the day of a CO’s Parade. It is not known why sunglasses were worn at the Squadron parade outside the Litho huts. Photos of the other three Squadrons, the Officers, and Warrant Officers/Sergeants from this set of negatives are catalogued in item 6440.11P. This is a set of 15 photographs of personnel posted to Lithographic Squadron at the Army Survey Regiment, Fortuna Villa, Bendigo Victoria, on the 1st of October 1990. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) &.2) - Photo, black & white, 1990. OC MAJ Bob Coote. .3) - Photo, black & white, 1990. Front rank L to R: SPR Ken Labouchardiere, SPR Doug Whiteside, SPR Mark McCullogh. Centre rank L to R: SPR Andrew Woodman. Rear rank L to R: CPL Geoff Webb, CPL Daryl South. .4) - Photo, black & white, 1990. Front rank L to R: SSGT Russ Mollenhauer, SGT Kim Reynolds, SGT Brian Paul, unidentified, SPR Ken Labouchardiere, SPR Doug Whiteside, Centre rank L to R: SPR Graeme Spong, SPR Andrew Woodman. Rear rank L to R: SGT Steve Burke, CPL Geoff Webb. .5) - Photo, black & white, 1990. WO1 Trevor Osborne. .6) - Photo, black & white, 1990. LCPL Damien Cole. .7) - Photo, black & white, 1990. L to R: WO2 Rhys De Laine, WO2 Steve Egan, WO2 Keith Fenton RE UK Exchange, WO2 Rob Bogumil, WO1 Bill Jones. .8) - Photo, black & white, 1990. L to R: SPR Shane ‘Smily’ Campbell, SPR Andrew Woodman, CPL Daryl South. .9) - Photo, black & white, 1990. LT Greg Tolcher. .10) - Photo, black & white, 1990. SGT Steve Burke. .11) - Photo, black & white, 1990. Lithographic Squadron: Back row L to R: SPR Ross Anza, SGT Brian Fauth, unidentified, SPR Andrew Arman, SGT Gary Kerr, SPR Doug Whiteside, SSGT Russ Mollenhauer, CPL Peter Swandale, CPL Roy Hicks, SPR Shane ‘Smily’ Campbell, SPR Graeme Spong. Jones. 3rd row L to R: SSGT Garry Drummond, SGT Kim Reynolds, unidentified, SGT Brian Paul, CPL Gavin Mclean, SPR Mark McCullogh, CPL Le-Anne (Smallshaw) Shirley, CPL Geoff Webb, SPR Gary Lord, SSGT Di Chalmers, CPL Peter Dillon, LCPL Damien Cole, SGT Steve Burke. 2nd row L to R: SSGT Peter Imeson, SPR Gary Sievers, unidentified, CPL Daryl South, SPR Greg Howell, SPR Janet Murray, SPR Michelle Withers, SPR Ken Labouchardiere, SPR John Bragg, SPR Andrew Morrison-Evans, CPL John ‘Flash’ Anderson, CPL Trevor King. Front row L to R: WO2 Steve Egan, WO1 Trevor Osborne, LT Greg Tolcher, WO2 Rob Bogumil (standing), OC MAJ Bob Coote, LT Marty Lyons, WO2 Rhys De Laine, WO2 Keith Fenton RE UK Exchange, WO2 Jeff Willey. .12) & .13) - Photo, black & white, 1990. Lithographic Squadron: Back row L to R: SPR Ross Anza, SGT Brian Fauth, unidentified, SPR Andrew Arman, SGT Gary Kerr, SPR Doug Whiteside, SSGT Russ Mollenhauer, CPL Peter Swandale, CPL Roy Hicks, SPR Shane ‘Smily’ Campbell, SPR Graeme Spong. Jones. 3rd row L to R: SSGT Garry Drummond, SGT Kim Reynolds, unidentified, SGT Brian Paul, CPL Gavin Mclean, SPR Mark McCullogh, CPL Le-Anne (Smallshaw) Shirley, CPL Geoff Webb, SPR Gary Lord, SSGT Di Chalmers, CPL Peter Dillon, LCPL Damien Cole, SGT Steve Burke. 2nd row L to R: SSGT Peter Imeson, SPR Gary Sievers, unidentified, CPL Daryl South, SPR Greg Howell, SPR Janet Murray, SPR Michelle Withers, SPR Ken Labouchardiere, SPR John Bragg, SPR Andrew Morrison-Evans, CPL John ‘Flash’ Anderson, CPL Trevor King. Front row L to R: WO2 Steve Egan, WO1 Trevor Osborne, LT Greg Tolcher, WO2 Rob Bogumil, OC MAJ Bob Coote, LT Marty Lyons, WO1 Bill Jones, WO2 Rhys De Laine, WO2 Keith Fenton RE UK Exchange, WO2 Jeff Willey. .14) - Photo, black & white, 1990. L to R: WO2 Rob Bogumil, unidentified, OC MAJ Bob Coote, CPL Daryl South, unidentified (x3), CPL Roy Hicks, SSGT Di Chalmers, WO2 Jeff Willey, WO2 Keith Fenton RE UK Exchange, SPR Ken Labouchardiere, WO2 Rhys De Laine. .15) - Photo, black & white, 1990. L to R: SPR Greg Howell, SPR Gary Sievers, unidentified, SPR Ross Anza, unidentified (x4), SSGT Russ Mollenhauer, SPR Doug Whiteside, SGT Brian Paul, unidentified (x7), WO2 Jeff Willey, unidentified, WO2 Keith Fenton RE UK Exchange, WO2 Rhys De Laine, SPR Shane ‘Smily’ Campbell..1P to .15P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn

This is a set of four photographs featuring WO1 Darby Munro being farewelled by CAPT Gary Kenney and members of Lithographic Squadron at Fortuna, Bendigo in circa 1978. WO1 Munro served in the Australian Army from 1956 to 1986. This was probably his last day at Fortuna before the next posting in his career.This is a set of four photographs featuring WO1 Darby Munro being farewelled by members of Lithographic Squadron at Fortuna, Bendigo in circa 1978. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1978. Back row L to R: unidentified, SPR Mick ‘Buddha’ Ellis, SPR John Bateman, SPR Martin Van De Maele, SPR Peter Imeson, unidentified, CPL Warren ‘Waldo’ Shirley. Front row L to R: LT Struan Robertson, CAPT Terry Edwards, WO1 Darby Munro, WO2 Ken Slater, PTE Di Chalmers. .2) to .4) - Photo, black & white, c1978. L to R: CAPT Gary Kenney, WO1 Darby Munro.No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn

This set of 30 black and white photographs were taken at the Army Survey Regiment’s parade rehearsal held at the Queen Elizabeth Oval, Bendigo on the 27th of June 1985. The rehearsal was for the Freedom of Entry parade held 1-2 weeks later in 1985. The exact date for the Freedom of Entry parade is not known. The Freedom of Entry to the City of Bendigo was an honour first conferred by the Bendigo City Council to the Army Survey Regiment in 1970. The Freedom of Entry parade in 1985 was the fourth time the unit exercised its right of freedom of entry. The Regiment also exercised its Freedom of Entry with anniversary parades in 1977, 1980 and 1995. Refer to items 6020.8P, 6021.25P, 6248P, 6266, 6409.2 and 6430.39P for more Army Survey Regiment Freedom of Entry photographs, documents and certificates. See item 6471.2P for photos of Lithographic Squadron taken on the same day of this parade rehearsal.This set of 30 black and white photographs of the Army Survey Regiment (Army Svy Regt) were taken on the 27th of June 1985 at a rehearsal for the Freedom of Entry parade to the City of Bendigo, held 1-2 weeks later in 1985. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1985. Army Svy Regt .2) - Photo, black & white, 1985. Army Svy Regt right dress drill. .3) - Photo, black & white, 1985. Officers ready to take posts. .4) - Photo, black & white, 1985. Army Svy Regt present arms. SPR Mick Arnott in foreground. .5) - Photo, black & white, 1985. Army Svy Regt presents arms. .6) - Photo, black & white, 1985. Army Svy Regt presents arms. CAPT Neil Taylor in right foreground. .7) - Photo, black & white, 1985. In readiness for arrival of guests of honour. CO LTCOL Jorge Gruszka and CPL Nick Van Dalen in left foreground. .8) - Photo, black & white, 1985. Arrival of guests of honour. CO LTCOL Jorge Gruszka leads the salute. CPL Nick Van Dalen opening the car door. .9) - Photo, black & white, 1985. CO LTCOL Jorge Gruszka formally welcomes the guests of honour, the “Lord Mayor”, acted by SGT John Zuringer. .10) - Photo, black & white, 1985. CO LTCOL Jorge Gruszka escorts “Lord Mayor” (SGT John Zuringer) from the dais to inspect the Army Svy Regt’s squadrons. .11) - Photo, black & white, 1985. Inspection of the Army Svy Regt’s squadrons. .12) - Photo, black & white, 1985. Inspection of the Army Svy Regt’s squadrons. WO1 Dave Thomson on the far right with sword. .13) - Photo, black & white, 1985. Inspection of squadrons. L to R: CAPT Neil Taylor in foreground. 2LT Kathy Ryan, CO LTCOL Jorge Gruszka, WO1 Brian Mead, Lord Mayor” (SGT John Zuringer). Front rank: 2nd right CPL TJ Wicker, SSGT Doug Gay, Centre rank: 2nd right SPR Tracy (Parker) Ash, CPL Mark Lander. .14) - Photo, black & white, 1985. Inspection of squadrons Centre rank: L to R: SPR Robin Marshall, CPL Mark Lander, remainder unidentified. CO LTCOL Jorge Gruszka, WO1 Brian Mead, Lord Mayor” (SGT John Zuringer). Rear rank: 4th right SSGT Greg Buckingham, 3rd right SSGT Ian ‘Rock’ Thistleton, 2nd right SPR Annette Godden, 1st right SSGT Graham Ragless. .15) - Photo, black & white, 1985. L to R: “Lord Mayor” (SGT John Zuringer) and WO1 Brian Mead march past the Army Band. .16) - Photo, black & white, 1985. Army Svy Regt marches past the dias. ‘Eyes right’ salute given by CO LTCOL Jorge Gruszka. .17) - Photo, black & white, 1985. Unidentified squadron marches past the dias. ‘Eyes right’ salute given by MAJ Daryl Hockings CSM. .18) - Photo, black & white, 1985. Unidentified squadron marches past the dias. ‘Eyes right’ salute given by MAJ Rob John. .19) - Photo, black & white, 1985. Lithographic squadron marches past the dias. ‘Eyes right’ salute given by MAJ Peter Raue. .20) - Photo, black & white, 1985. Unidentified squadron marches past the dias. ‘Eyes right’ salute given by by MAJ Terry Edwards. .21) - Photo, black & white, 1985. Army Svy Regt right dress drill. .22) - Photo, black & white, 1985. At attention. Front rank: L to R: SSGT Doug Gay, CPL TJ Wicker, remainder unidentified. Centre rank: L to R: SPR Robin Marshall, remainder unidentified. Rear rank: 4th right SSGT Greg Buckingham, 3rd right SSGT Ian ‘Rock’ Thistleton, 2nd right SPR Annette Godden, 1st right SSGT Graham Ragless, far right super-numery WO1 Doug Arman. .23) - Photo, black & white, 1985. At attention. Centre rank: L to R: SPR Robin Marshall, remainder unidentified. Rear rank: SSGT Graham Ragless. Super-numery rank 2nd right - WO1 Doug Arman, far right - WO2 Pat Lumsden. .24) - Photo, black & white, 1985. Army Svy Regt Advance and Review Order. .25) - Photo, black & white, 1985. Army Svy Regt presents arms. .26) - Photo, black & white, 1985. CO LTCOL Jorge Gruszka leads the Army Svy Regt’s march past the dias. .27) - Photo, black & white, 1985. Army Svy Regt marches past the dias. ‘Eyes right’ salute given by CO LTCOL Jorge Gruszka. .28) - Photo, black & white, 1985. Unidentified squadron marches past the dias. ‘Eyes right’ salute given by MAJ Rob John. .29) - Photo, black & white, 1985. Lithographic squadron marches past the dias. ‘Eyes right’ salute given by MAJ Peter Raue. .30) - Photo, black & white, 1985. Army Svy Regt completes its march past the dias. No personnel are identified. Date and occasion annotated on film negative sleeve.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This is a set of 29 photographs of the presentation of the Defence Force Service Medal to personnel in recognition of 15 years of efficient remunerated service, or the Clasp for 5 years of additional service, at the Army Survey Regiment, Bendigo on Corps Day, 1st of July 1976. In photos .1P to .20P, MAJGEN John Williamson AO, OBE GOC FF COMD is featured presenting the Defence Force Service Medal On a separate occasion in photos .19P to .23P, BRIG Brigadier Jim Shelton DSO, MC, MID COMD is featured presenting the Defence Force Service Medal. Photos .6P and.19P to .23P are also catalogued in item 6037.9P.This is a set of 29 photographs of the presentation of the Defence Force Service Medal, at the Army Survey Regiment, Bendigo on Corps Day, 1st of July 1976. The black & white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) to 2) - Photo, black & white, 1976. L to R: SSGT Gordon Haswell, Defence Force Service Medal presented to CO LTCOL Bob Skitch by MAJGEN John Williamson AO, OBE. .3) - Photo, black & white, 1976. L to R: RSM WO1 Aub Harvey, SSGT Gordon Haswell marches off after the presentation of the Defence Force Service Medal by MAJGEN John Williamson AO, OBE. .4) - Photo, black & white, 1976. L to R: SSGT Gordon Haswell, Defence Force Service Medal presented to MAJ Noel Sproles by MAJGEN John Williamson AO, OBE. On right: RSM WO1 Aub Harvey, ADJT CAPT Dennis Puniard. .5) - Photo, black & white, 1976. L to R: SSGT Gordon Haswell, Defence Force Service Medal presented to WO1 Tony Ellis by MAJGEN John Williamson AO, OBE. On right: RSM WO1 Aub Harvey, ADJT CAPT Dennis Puniard. .6) - Photo, black & white, 1976. L to R: SSGT Gordon Haswell, Defence Force Service Medal presented to WO1 Marj Knight by MAJGEN John Williamson AO, OBE, On right: RSM WO1 Aub Harvey. .7) - Photo, black & white, 1976. L to R: SSGT Gordon Haswell, Defence Force Service Medal presented to WO1 Fred Panknin by MAJGEN John Williamson AO, OBE, On right: RSM WO1 Aub Harvey. .8) - Photo, black & white, 1976. L to R: SSGT Gordon Haswell, Defence Force Service Medal presented to WO2 Alan Bunn by MAJGEN John Williamson AO, OBE. On right: RSM WO1 Aub Harvey, ADJT CAPT Dennis Puniard. .9) - Photo, black & white, 1976. L to R: CO LTCOL Bob Skitch, SSGT Gordon Haswell, Defence Force Service Medal presented to WO2 Max Neil by MAJGEN John Williamson AO, OBE. .10) - Photo, black & white, 1976. L to R: CO LTCOL Bob Skitch, SSGT Gordon Haswell, Defence Force Service Medal presented to WO2 Tibby Szentirmay by MAJGEN John Williamson AO, OBE. On right: RSM WO1 Aub Harvey. .11) - Photo, black & white, 1976. L to R: WO1 Tony Ellis, MAJ Noel Sproles, CO LTCOL Bob Skitch, SSGT Gordon Haswell, RSM WO1 Aub Harvey, ADJT CAPT Dennis Puniard, MAJGEN John Williamson AO, OBE. .12) - Photo, black & white, 1976. L to R: WO2 Tibby Szentirmay, WO2 Max Neil, WO2 Alan Bunn, WO1 Fred Panknin, WO1 Marj Knight, WO1 Tony Ellis, MAJ Noel Sproles, CO LTCOL Bob Skitch, SSGT Gordon Haswell, ADJT CAPT Dennis Puniard, RSM WO1 Aub Harvey. .13) - Photo, black & white, 1976. L to R: WO2 Tibby Szentirmay, WO2 Max Neil, WO2 Alan Bunn, WO1 Fred Panknin, WO1 Marj Knight, WO1 Tony Ellis, MAJ Noel Sproles, CO LTCOL Bob Skitch, MAJGEN John Williamson AO, OBE, SSGT Gordon Haswell, RSM WO1 Aub Harvey, ADJT CAPT Dennis Puniard. .14) - Photo, black & white, 1976. L to R: WO2 Tibby Szentirmay, WO2 Max Neil, WO2 Alan Bunn, WO1 Fred Panknin, WO1 Marj Knight, WO1 Tony Ellis, MAJ Noel Sproles, CO LTCOL Bob Skitch, SSGT Gordon Haswell, MAJGEN John Williamson AO, OBE, RSM WO1 Aub Harvey, ADJT CAPT Dennis Puniard. .15) & .16) - Photo, black & white, 1976. L to R: WO2 Tibby Szentirmay, WO2 Max Neil, WO2 Alan Bunn, WO1 Fred Panknin, WO1 Marj Knight, WO1 Tony Ellis, MAJ Noel Sproles, CO LTCOL Bob Skitch, SSGT Gordon Haswell, CAPT Dennis Puniard. .17) - Photo, black & white, 1976. L to R: WO2 Tibby Szentirmay, WO2 Max Neil, WO2 Alan Bunn, WO1 Fred Panknin, WO1 Marj Knight, WO1 Tony Ellis, MAJ Noel Sproles, CO LTCOL Bob Skitch, SSGT Gordon Haswell. .18) - Photo, black & white, 1976. L to R: WO2 Tibby Szentirmay, WO2 Max Neil, WO2 Alan Bunn, WO1 Fred Panknin, WO1 Marj Knight, WO1 Tony Ellis, MAJ Noel Sproles, CO LTCOL Bob Skitch, SSGT Gordon Haswell, RSM WO1 Aub Harvey, MAJGEN John Williamson AO, OBE, ADJT CAPT Dennis Puniard. .19) & .20) - Photo, black & white, c1976. Defence Force Service Medal presented to WO1 Don Taylor by BRIG Jim Shelton DSO, MC, MID. On right: ADJT CAPT Dennis Puniard. .21) to .23) - Photo, black & white, c1976. Defence Force Service Medal presented to SGT Syd Davis by Brigadier Jim Shelton DSO, MC, MID. .24) - Photo, black & white, 1976. Post Defence Force Service Medal presentations. CAPT Gary Kenney in centre of photo. .25) - Photo, black & white, 1976. Post Defence Force Service Medal presentations. L to R: WO1 Tony Ellis in foreground, identified with guests in background LT Rob John, SSGT Dave Miles, WO1 Doug Malligan, WO1 Bill Boyd, WO2 Max Neil, WO1 Darby Munro, MAJ Peter Eddy, WO1 Marj Knight. .26) - Photo, black & white, 1976. Post Defence Force Service Medal presentations. L to R: WO1 Sam Chambers, MAJGEN John Williamson AO, OBE with guests. .27) - Photo, black & white, 1976. Post Defence Force Service Medal presentations. Bendigo. L to R: WO1 Sam Chambers, Legislative Council Member for Bendigo Mr. Bruce Reid meets MAJGEN John Williamson AO, OBE with guests. CO LTCOL Bob Skitch in background. .28) - Photo, black & white, 1976. Post Defence Force Service Medal presentations. Bendigo. L to R: unidentified, WO1 Sam Chambers, unidentified (x3), Min Chambers (switchboard operater), unidentified, LT Rene van den Tol, CO LTCOL Bob Skitch, MAJGEN John Williamson AO, OBE with guests. .29) - Photo, black & white, 1976. Post Defence Force Service Medal presentations. Bendigo. L to R: LT Rene van den Tol, CO LTCOL Bob Skitch, MAJGEN John Williamson AO, OBE with guests..1P to .29P – No personnel are identified. Date and occasion annotated on film negative sleeve.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This is a set of six photographs of Lithographic Squadron personnel with Defence Cooperation Program (DCP) students at the Army Survey Regiment, Fortuna Villa, Bendigo Victoria, 1985. These informal and formal group photos were taken on the day of a CO’s Parade. Litho Squadron provided printing and photographic reproduction to the two DCP students. RA Svy also provided technical training to DCP students in map production skills such as, cartography and photogrammetry at the Army Survey Regiment and the School of Military Survey, Bonegilla. The Australian Defence Force over several years sponsored international students from counties such as Indonesia, Malaysia, Papua New Guinea, Philippines, Solomon Islands and Vanuatu. It is not known which South Pacific country these DCP students came from.This is a set of six photographs of Lithographic Squadron personnel with Defence Cooperation Program (DCP) students at the Army Survey Regiment, Fortuna Villa, Bendigo Victoria, 1985. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) Photo, black & white, 1985. L to R: Warren ‘Waldo’ Shirley, Per Andersen, Trevor Osborne, Roy Hicks, Lance Strudwick, Steve Burke, Dale Hudson, Paul Baker, Ralph Chant, Peter Breukel, John ‘Flash’ Anderson, Chad Hardwick, Peter Imeson, DCP student John or Henry, unidentified, Greg Rowe, John South, unidentified, Mick ‘Buddha’ Ellis, John ‘Junior’ Whaling, Terry King, Daryl South, DCP student John or Henry, Bronwyn Jones, John Bateman, Kerron South, unidentified officer, Peter Dillon, Kim Reynolds, Rob Jones, unidentified, Jeff Lynch, Garry Hudson, Mark ‘Dogs’ Doherty, Jim Ash, Gavin Neilson, Jeff Willey, unidentified, Graham Johnston, Steve Egan, Peter Barrett, George Austen, Dave Miles. .2) - Photo, black & white, 1985. L to R: Warren ‘Waldo’ Shirley, Per Andersen, Trevor Osborne, Roy Hicks, Lance Strudwick, Steve Burke, Dale Hudson, Paul Baker, Ralph Chant, Peter Breukel, John ‘Flash’ Anderson, Chad Hardwick, Peter Imeson, DCP student John or Henry, unidentified, Greg Rowe, John South, unidentified, Mick ‘Buddha’ Ellis, John ‘Junior’ Whaling, Terry King, Daryl South, DCP student John or Henry, John Bateman, Kerron South, unidentified officer, Peter Dillon, Kim Reynolds, Rob Jones, unidentified, Jeff Lynch, Garry Hudson, Mark ‘Dogs’ Doherty, Jim Ash, Gavin Neilson, Jeff Willey, unidentified, Graham Johnston, Steve Egan, Peter Barrett, Dave Miles, George Austen. .3) - Photo, black & white, 1985. Photo Troop L to R: Steve Burke, Garry Hudson, Warren ‘Waldo’ Shirley, Ralph Chant, Gavin Neilson, DCP student John or Henry, Paul Baker, Trevor Osborne, Peter Imeson, Mick ‘Buddha’ Ellis, unidentified, John ‘Junior’ Whaling, DCP student John or Henry, Chad Hardwick, Terry King, Dave Miles, Graham Johnston, Kerron South, Bronwyn Jones, Rob Jones, unidentified. .4) - Photo, black & white, 1985. L to R: WO1 Jeff Lynch, DCP student John or Henry, CAPT John South, unidentified officer, DCP student John or Henry, WO2 Dave Miles. .5) & .6) - Photo, black & white, 1985. Print Troop L to R: Per Andersen, Daryl South, Lance Strudwick, Peter Dillon, DCP student John or Henry, Jeff Willey, John Bateman, Roy Hicks, Paul Davis, Dale Hudson, Kim Reynolds, Greg Rowe, Jim Ash, DCP student John or Henry, Mark ‘Dogs’ Doherty, Peter Breukel, Peter Barrett, unidentified, unidentified officer, Steve Egan, George Austen.No personnel are identified. Date and DCP students noted on film negative sleeve.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn, litho

This set of two group photographs of Lithographic Squadron personnel at the Army Survey Regiment, Fortuna Villa, Bendigo probably taken on the 27th of June 1985. On this day Lithographic Squadron was participating in the Army Survey Regiment’s Freedom of Entry Parade rehearsals at Bendigo’s Queen Elizabeth Oval. See item 6470.30P for photos of the parade rehearsals.This is a set of two group photographs of Lithographic Squadron personnel at the Army Survey Regiment, Fortuna Villa, Bendigo Victoria probably taken on the 27th of June 1985. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) &.2) - Photo, black & white, 1985. Back row L to R: Peter Coombes, John Bateman, Warren ‘Waldo’ Shirley, unidentified, Paul Baker, Steve Burke, Terry Winzar, Terry King, Garren Hill. 4th row L to R: unidentified, Roy Hicks, Le-Anne (Smallshaw) Shirley, Greg Kidman, Gary Drummond, Jim Ash, Graham Hales, Dale Hudson, Bill Jones, Per Andersen, Gavin Neilson. 3rd row L to R: unidentified, Don Williams, Graham Johnston – obscured, Mark ‘Dogs’ Doherty, unidentified, Daryl South, John ‘Flash’ Anderson, unidentified, Lance Strudwick, Chad Hardwick. 2nd row L to R: Peter Barrett, Mick ‘Buddha’ Ellis, Ken Peters, Garry Hudson, Greg Rowe, Kim Reynolds, Peter Dillon, Brian Fauth, Rob Jones, Kerron South, CPL Martin Van De Maele, Steve Egan. Front row L to R: Bronwyn Jones, Dave, Trevor Osborne, unidentified, John South, OC MAJ Peter Raue, Brenton McDonald, Noel ‘Nesty’ Coulthard, George Austen, Gae (Robinson) Amato.No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn, litho

“Fall-Line” was one of a series of magazines published by the Victorian Ski Association. It was produced from 1979 until 1985. It superseded their previous publication, “Ski” magazine and was followed by the “Australian Skiing” magazine. The Victorian Ski Association was formed in 1955.This magazine is significant because it documents developments in the ski industry in Australia.A magazine featuring a coloured image on the cover and containing articles and advertising related to developments in skiing in Australia. This issue included an extensive article discussing the possible of the development of Lakeside Resort on the shores of Rocky Valley Dam as well as an update on recent changes at Falls Creek. FALLS CREEK The ski patrol has been increased from seven to eight, under the leadership of Senior Patroller John McDonald, and two new radios have been purchased. A four wheel drive ambulance has been purchased to replace the old conventional drive model. It will provide free ambulance transport between Falls Creek and Mt. Beauty, and will be driven by trained volunteer personnel. A new 165 vehicle day visitor car park has been completed at Windy Corner, adjacent to the approved toboggan slope. The closest car park to Falls Creek's Nordic Preferred Area, its capacity will be doubled next summer. A planning permit has been issued to Treglor Pty. Ltd. for its proposed hotel/convention centre. Construction is expected to begin after the season. A new Mercedes 800 tractor with Schmidt Snowcutter recently arrived on the mountain and will be used to clear the car parking areas Falls Creek continues to be among Australia's most expensive resorts, with a high season day ticket price of $13.50. Falls Creek's newest commercial lodge, Lakeside Lodge, has opened with accommodation for more than 50 people and luxury facilities including private rooms with full ensuite, sauna, spa pool, and a dining room for guests. It is located at the top of Schuss St. just behind Imaj flats and very close to the village bowl.australian ski magazines, skiing australia, victorian ski association

Empire Day officially began in 1903 and was celebrated on May 24th, Queen Victoria's birthday. Celebrated across the British Empire, it's aim was to instill knowledge of and pride in the Empire. It was last celebrated in Australia in 1958 when the Empire became known as the Commonwealth.Empire Day Stallholder's Permit: 3 x Permits. Green oval shaped with blue cotton string through a hole at the top. The Permit has a British Union Flag in red and blue print. Written *Empire Day underlined in blue ink with 1941 - Stallholder's Permit- No.... Alex T Coubrough Hon. Secretary. Box 625event, social, stallholders permitt., empire day. alex t. coubrough.

Allwood - built in 1894 by Henry Hurst’s relatives, stands near the site of his house, which was demolisherd in the 1940s. Until 1924 Hurstbridge was known as Allwood. The building, one of the district's oldest is situated back from the corner of Arthurs Creek Road and Main Road. Covered under Heritage Overlay, Nillumbik Planning Scheme Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p17 Hurst, who was a surveyor, came to Melbourne in 1852 by default, as on the way to Sydney he contracted typhoid and was off-loaded in Melbourne. Deciding to settle near Melbourne, he selected some land near the present Eltham railway station and was one of the first to grow crops there.2 But disaster struck again, when his shack was looted and burned, while he was carting goods for sale to nearby goldfields. It was then that Hurstbridge’s first settler, Cornelius Haley, asked Hurst to manage his 160 acres (65ha) grazing property and 9000 acres (3443ha) of leased land where the present Hurstbridge stands. Hurst proved equal to the tough conditions and he and his brother, Fred, cut a track with a bullock team from the property to Romsey, where Haley had selected some land. Hurst also put up a bridge across the creek near his house, after which Hurstbridge was named. He ran the property helped by two ticket-of-leave men and others, several of whom were sailors who had abandoned ship in search of gold, and were working there temporarily. In 1866, only 14 years after coming to Australia, Hurst met an early tragic death. One day a bushranger named Burke came to the house and demanded a horse. Hurst thought the bushranger might be an officer in search of runaway sailors3 and anyway, did not like the look of him, so he refused. A tussle followed and apparently Hurst shot first.4 He was shot and died five hours later from loss of blood. Later, troopers found Burke, who was subsequently hanged. The event is recorded in the Old Melbourne Gaol. The government offered the family £500 but the family refused it as ‘blood money’. Hurst’s father, Robert, even signed a petition against the bushranger’s death, claiming one life did not replace another. Hurst’s family continued to live in the district and saw a rise in their fortunes. They bought Haley’s cattle station and built the present Allwood House, using the original home as an orchard packing shed. The present Victorian style timber house had several outbuildings including a blacksmith’s shop. The property passed on to William Gray, an orchardist and nurseryman, who married Hurst’s grandniece, Frances. The business boomed from the early 1900s when it supplied most of the orchards in the area. Gray was Eltham Shire’s President for two terms and was asked to stand for parliament, but his wife’s illness and other family commitments prevented him from doing so. Then several calamities drove the family to bankruptcy. During World War One, Gray lost more than one million pounds on trees shipped overseas, which the Lloyd’s company had refused to insure. Other factors, including the Great Depression, ruined the family’s fortunes. The land was reduced from more than 640 acres (256ha) to 50 acres (20ha) and the older members married and left. After Mr Gray died, the house was leased, until his daughter Sheila Ferguson and her husband Gordon settled there in 1951, after buying it from other family members. However in 1975 the Shire designated the property as a passive recreation reserve. The Ferguson family sold most of the land, leaving the house on 0.6 hectares.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, hurstbridge, henry hurst, allwood house

This tiny picturesque building near the corner of John Street has served the community since 1878. At that time it served as an agency of the Heidelberg branch of the Commonwelath Bank of Australia. It has a small space inside measuring about 3.6 metres by 4.5 metres. It was built by George Stebbing who was also responsible for other heritage buildings nearby in Eltham. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p93 The tiny picturesque building on Main Road, Eltham, near the corner of John Street, has served the community since 1878. At that time the building, which inside measures only about 3.6m by 4.5m served as an agency of the Heidelberg branch of the Commercial Bank of Australia. The yellow and orange Victorian brick structure was built by Mr George Stebbing.1 Mr Stebbing, who also built the Anglican and former Methodist churches and the Shillinglaw Cottage, had come from England and lived in Pitt Street. The bank is a fine example of a once common but now rare building style – the single room bank. It compares with another in the municipality, also a former Commercial Bank of Australia branch, the timber Little Bank Building in Hurstbridge, built around the early 1900s.2 The Eltham bank, which was said to store gold from the Eltham - Research mining areas, has had exciting moments. A bullet hole still visible in a cedar bench testifies to the drama in 1949 when a youth held up the bank. After the 19-year-old opened an account as John Henderson, he walked to the door and then turned pointing a pistol. But it was shots fired by the clerk, Lindsay Spear, that saved the day, frightening the youth, who drove off empty-handed in a grey sports car. He was later apprehended and given a two-year sentence. Soon afterwards the agency was upgraded to a branch. However by 1954 the bank no longer needed the branch and the adjoining Methodist Church bought the building. It proved useful for the Church’s young people who furnished it and used it for their meetings. A youth club developed, led by young adult member, Ross Gangell. The building was also used as a Sunday School, which with junior membership numbered 27.3 Around 1960, Mrs Alma Bell, of the Methodist Church Women’s Guild, suggested using the building as an opportunity shop to raise funds for a chaplain at the Eltham High School. The women later asked the nearby St Margaret’s Anglican Church to help them in the shop. In 1960 the Eltham Combined Churches Opportunity Shop was established and staffed by Methodist and Anglican parishioners, notably Methodist Mrs Gwen Miller. The shop originally opened on Child Endowment Days to help the needy, but later for years, it opened twice a week. In 1962 it donated clothing and shoes to the Eltham Bushfire Appeal. By 1963 the chaplaincy scheme ceased. So the £450 raised was then donated to the Council for Christian Education and to the participating churches. Funds were also donated to local charities including the Eltham and Research Fire Brigades, the Austin Hospital Auxiliary, the Benevolent Society, the Red Cross and the Diamond Valley Hospital.4 In 2008 the Opportunity Shop volunteers continue to work together to help the local community. Although crammed with second-hand goods, the simple, almost stark interior, is still evident and is relieved only by a front rectangular window and an unused fireplace. Outside, the chimney, the corrugated iron peaked roof, and the surrounding varied plants, add to the charm of this sound building which continues to serve the community well.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, cba bank

Art Gallery with mural painted by Clifton Pugh (1924-1990) at his Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p153 It’s not surprising that artist Clifton Pugh was drawn to Cottles Bridge to establish his artists’ colony Dunmoochin. Undisturbed by the clamour of modern life at Barreenong Road, Pugh was surrounded by the Australian bush he loved, and where his ashes were later scattered. The 200 acres (81ha) of bushland, broken by glimpses of rolling hills, has more than 50 species of orchids and Pugh shared his property with native animals including kangaroos, emus, phascogales, wombats, and diverse bird life. Pugh encouraged these creatures to join him in the bush by creating, with Monash University, a holding station where the animals were raised. Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian doorframe archway with leadlight of intricate design procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. Now in place of Pugh’s house, are two double-storey mud-brick artists’ studios topped with corrugated roofs curved like birds’ wings, with accommodation for seven. The original studios, gallery and other buildings remain.3 Pugh grew up on his parents’ hobby farm at Briar Hill and attended the Briar Hill Primary School, then Eltham High School and later Ivanhoe Grammar. At 15 he became a copy boy for the Radio Times newspaper, then worked as a junior in a drafting office. Pugh was to have three wives and two sons. After serving in World War Two in New Guinea and Japan, Pugh studied under artist Sir William Dargie, at the National Gallery School in Melbourne.4 Another of his teachers was Justus Jörgensen, founder of Montsalvat the Eltham Artists’ Colony. Pugh lived on the dole for a while and paid for his first six acres (2.4ha) at Barreenong Road by working as an egg packer for the Belot family. Pugh accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in the 200 acre property. They, too, purchased their land from the Belot family by working with their chickens. Around 1951 Pugh felt he had ‘Done moochin’ around’ and so the name of his property was born. Pugh bought some used timber from architect Alistair Knox to build his house on the crest of a hill. Inspired by local goldminers’ huts it was a one-room wattle-and-daub structure with a dirt floor. It was so small that the only room he could find for his telephone was on the fork of a tree nearby.5 Over the years the mud-brick house grew to 120 squares in the style now synonymous with Eltham. It had thick adobe walls (sun-dried bricks) made from local clay, high ceilings and stone floors with the entire structure made of second-hand materials – most found at wreckers’ yards. Pugh’s first major show in Melbourne in 1957, established him as a distinctive new painter, breaking away from the European tradition ‘yet not closely allied to any particular school of Australian painting’.6 Pugh became internationally known and was awarded the Order of Australia. He won the Archibald Prize for portraiture three times, although he preferred painting the bush and native animals. In 1990 not long before he died, Pugh was named the Australian War Memorial’s official artist at the 75th anniversary of the landing at Gallipoli. Today one of Pugh’s legacies is the Dunmoochin Foundation, which gives seven individual artists or couples and environmental researchers the chance to work in beautiful and peaceful surroundings, usually for a year. By November 2007, more than 80 people had taken part, and the first disabled artist had been chosen to reside in a new studio with disabled access.1 In 1989, not long before Pugh died in 1990 of a heart attack at age 65, he established the Foundation with La Trobe University and the Victorian Conservation Trust now the Trust for Nature. Pugh’s gift to the Australian people – of around 14 hectares of bushland and buildings and about 550 art works – is run by a voluntary board of directors, headed by one of his sons, Shane Pugh. La Trobe University in Victoria stores and curates the art collection and organises its exhibition around Australia.2 The Foundation aims to protect and foster the natural environment and to provide residences, studios and community art facilities at a minimal cost for artists and environmental researchers. They reside at the non-profit organisation for a year at minimal cost. The buildings, some decorated with murals painted by Pugh and including a gallery, were constructed by Pugh, family and friends, with recycled as well as new materials and mud-bricks. The Foundation is inspired by the tradition begun by the Dunmoochin Artists’ Cooperative which formed in the late 1950s as one of the first artistic communes in Australia. Members bought the land collaboratively and built the seven dwellings so that none could overlook another. But, in the late 1960s, the land was split into private land holdings, which ended the cooperative. Dunmoochin attracted visits from the famous artists of the day including guitarists John Williams and Segovia; singer and comedian Rolf Harris; comedian Barry Humphries; and artists Charles Blackman, Arthur Boyd and Mirka Mora. A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. But two of the original artists remained into the new millennium as did relative newcomer Heja Chong who built on Pugh’s property (now owned by the Dunmoochin Foundation). In 1984 Chong brought the 1000-year-old Japanese Bizan pottery method to Dunmoochin. She helped build (with potters from all over Australia) the distinctive Bizan-style kiln, which fires pottery from eight to 14 days in pine timber, to produce the Bizan unglazed and simple subdued style. The kiln, which is rare in Australia, is very large with adjoining interconnected ovens of different sizes, providing different temperatures and firing conditions. Frank Werther, who befriended Pugh as a fellow student at the National Gallery Art School in Melbourne, built his house off Barreenong Road in 1954. Werther is a painter of the abstract and colourist style and taught art for about 30 years. Like so many in the post-war years in Eltham Shire, as it was called then, Werther built his home in stages using mud-brick and second-hand materials. The L-shaped house is single-storey but two-storey in parts with a corrugated-iron pitched roof. The waterhole used by the Werthers for their water supply is thought to be a former goldmining shaft.4 Alma Shanahan at Barreenong Road was the first to join Pugh around 1953. They also met at the National Gallery Art School and Shanahan at first visited each weekend to work, mainly making mud-bricks. She shared Pugh’s love for the bush, but when their love affair ended, she designed and built her own house a few hundred yards (metres) away. The mud-brick and timber residence, made in stages with local materials, is rectangular, single-storey with a corrugated-iron roof. As a potter, Shanahan did not originally qualify as an official Cooperative member.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road

Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p155 It’s not surprising that artist Clifton Pugh was drawn to Cottles Bridge to establish his artists’ colony Dunmoochin. Undisturbed by the clamour of modern life at Barreenong Road, Pugh was surrounded by the Australian bush he loved, and where his ashes were later scattered. The 200 acres (81ha) of bushland, broken by glimpses of rolling hills, has more than 50 species of orchids and Pugh shared his property with native animals including kangaroos, emus, phascogales, wombats, and diverse bird life. Pugh encouraged these creatures to join him in the bush by creating, with Monash University, a holding station where the animals were raised. Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian doorframe archway with leadlight of intricate design procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. Now in place of Pugh’s house, are two double-storey mud-brick artists’ studios topped with corrugated roofs curved like birds’ wings, with accommodation for seven. The original studios, gallery and other buildings remain.3 Pugh grew up on his parents’ hobby farm at Briar Hill and attended the Briar Hill Primary School, then Eltham High School and later Ivanhoe Grammar. At 15 he became a copy boy for the Radio Times newspaper, then worked as a junior in a drafting office. Pugh was to have three wives and two sons. After serving in World War Two in New Guinea and Japan, Pugh studied under artist Sir William Dargie, at the National Gallery School in Melbourne.4 Another of his teachers was Justus Jörgensen, founder of Montsalvat the Eltham Artists’ Colony. Pugh lived on the dole for a while and paid for his first six acres (2.4ha) at Barreenong Road by working as an egg packer for the Belot family. Pugh accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in the 200 acre property. They, too, purchased their land from the Belot family by working with their chickens. Around 1951 Pugh felt he had ‘Done moochin’ around’ and so the name of his property was born. Pugh bought some used timber from architect Alistair Knox to build his house on the crest of a hill. Inspired by local goldminers’ huts it was a one-room wattle-and-daub structure with a dirt floor. It was so small that the only room he could find for his telephone was on the fork of a tree nearby.5 Over the years the mud-brick house grew to 120 squares in the style now synonymous with Eltham. It had thick adobe walls (sun-dried bricks) made from local clay, high ceilings and stone floors with the entire structure made of second-hand materials – most found at wreckers’ yards. Pugh’s first major show in Melbourne in 1957, established him as a distinctive new painter, breaking away from the European tradition ‘yet not closely allied to any particular school of Australian painting’.6 Pugh became internationally known and was awarded the Order of Australia. He won the Archibald Prize for portraiture three times, although he preferred painting the bush and native animals. In 1990 not long before he died, Pugh was named the Australian War Memorial’s official artist at the 75th anniversary of the landing at Gallipoli. Today one of Pugh’s legacies is the Dunmoochin Foundation, which gives seven individual artists or couples and environmental researchers the chance to work in beautiful and peaceful surroundings, usually for a year. By November 2007, more than 80 people had taken part, and the first disabled artist had been chosen to reside in a new studio with disabled access.1 In 1989, not long before Pugh died in 1990 of a heart attack at age 65, he established the Foundation with La Trobe University and the Victorian Conservation Trust now the Trust for Nature. Pugh’s gift to the Australian people – of around 14 hectares of bushland and buildings and about 550 art works – is run by a voluntary board of directors, headed by one of his sons, Shane Pugh. La Trobe University in Victoria stores and curates the art collection and organises its exhibition around Australia.2 The Foundation aims to protect and foster the natural environment and to provide residences, studios and community art facilities at a minimal cost for artists and environmental researchers. They reside at the non-profit organisation for a year at minimal cost. The buildings, some decorated with murals painted by Pugh and including a gallery, were constructed by Pugh, family and friends, with recycled as well as new materials and mud-bricks. The Foundation is inspired by the tradition begun by the Dunmoochin Artists’ Cooperative which formed in the late 1950s as one of the first artistic communes in Australia. Members bought the land collaboratively and built the seven dwellings so that none could overlook another. But, in the late 1960s, the land was split into private land holdings, which ended the cooperative. Dunmoochin attracted visits from the famous artists of the day including guitarists John Williams and Segovia; singer and comedian Rolf Harris; comedian Barry Humphries; and artists Charles Blackman, Arthur Boyd and Mirka Mora. A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. But two of the original artists remained into the new millennium as did relative newcomer Heja Chong who built on Pugh’s property (now owned by the Dunmoochin Foundation). In 1984 Chong brought the 1000-year-old Japanese Bizan pottery method to Dunmoochin. She helped build (with potters from all over Australia) the distinctive Bizan-style kiln, which fires pottery from eight to 14 days in pine timber, to produce the Bizan unglazed and simple subdued style. The kiln, which is rare in Australia, is very large with adjoining interconnected ovens of different sizes, providing different temperatures and firing conditions. Frank Werther, who befriended Pugh as a fellow student at the National Gallery Art School in Melbourne, built his house off Barreenong Road in 1954. Werther is a painter of the abstract and colourist style and taught art for about 30 years. Like so many in the post-war years in Eltham Shire, as it was called then, Werther built his home in stages using mud-brick and second-hand materials. The L-shaped house is single-storey but two-storey in parts with a corrugated-iron pitched roof. The waterhole used by the Werthers for their water supply is thought to be a former goldmining shaft.4 Alma Shanahan at Barreenong Road was the first to join Pugh around 1953. They also met at the National Gallery Art School and Shanahan at first visited each weekend to work, mainly making mud-bricks. She shared Pugh’s love for the bush, but when their love affair ended, she designed and built her own house a few hundred yards (metres) away. The mud-brick and timber residence, made in stages with local materials, is rectangular, single-storey with a corrugated-iron roof. As a potter, Shanahan did not originally qualify as an official Cooperative member.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road

Six year old Judith Furphy was the first person known to have been buried at Kangaroo Ground Cemetery in May 1851. The cemetery is situated on an ancient river bed with exposed Nillumbik sands. The rest of the district is formed from black volcanic soil which was hard to dig. According to local historian Mick Woiwod (deceased) the site may have been a burial ground for the local Wurundjeri people as the exposed softer sands were always their prefered camping sites. The Hon. Ewen Hugh Cameron who lived at Pigeon Bank and was the Member for Evelyn for 40 years (1874-1914) was buried here in 1915. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p39 The Wurundjeri people might have buried their dead on the site of the Kangaroo Ground Cemetery, according to local historian Mick Woiwod. Kangaroo Ground was a premier hunting ground, but camping on the black volcanic soil would have been uncomfortable. Unlike most of Kangaroo Ground, its cemetery, on an ancient river bed, comprises a rare exposure of Nillumbik sands – always the preferred campsite for Aboriginal people. The cemetery area is the only place where the soil was soft enough to dig a grave easily.1 Six-year-old Judith Furphy was the first person known to have been laid to rest at the Kangaroo Ground Cemetery. She died on May 17, 1851, from a chill caught by resting on wet grass. Local Andrew Ross wrote ‘..no public burying place existed nearer than Melbourne. The case being considered urgent, a general meeting of the settlers took place on the evening of the 17th……. The result was the selection of unoccupied crown land …….which was subsequently granted by Government for a public cemetery.’2 Judith was buried the next day on May 18. Her grave was marked by the trustees with a plaque, which unfortunately states nine years old, when she was probably only six. Judith came from an illustrious family. Her brother, Joseph, was the author of Such is Life and other works. Another brother, John, developed and manufactured the famous Furphy water cart, which distributed water to World War One soldiers along with the latest rumours. Hence the name Furphy entered the Australian idiom, as synonymous with ‘rumour’. Judith’s father Samuel helped build the first Kangaroo Ground church school. Inside, near the entrance of the cemetery, on Yarra Glen Road, stand a rotunda and a water tank. Occasional benches invite mourners to pause and remember. The gate with wrought iron and brick supports, bears the inscription ‘Erected by Sir Ewen and Lady Cameron in memory of their daughter, Flora Margaret’. These are only two of the famous people connected with this cemetery. The Hon. Ewen Hugh Cameron JP and MLA from 1874 to1914, who lived at Pigeon Bank, Warrandyte Road, was buried here in 1915. Unrelated, but with the same name, was Sir Ewen Cameron who had been Minister for Health and was laid to rest there in 1964. Sir Herbert Gepp, a leading industrialist and the former owner of Garden Hill, at Yarra Glen Road, was buried there in 1954.3 Many of the more imposing tombstones belong to the earlier graves. Unfortunately bushfires have cracked several. But this adds to the melancholy attractiveness of the cemetery, graced by some beautiful eucalypts, cypress and pines. Early pioneering families represented at the cemetery include Armstrong, Barr, Bell, Harkness, Jardine, Johnston, Rogerson, Stevenson, Thomson and Walters. Armstrong and Bell were among the first families to come to the district and Stevenson owned the district’s first sheep station. It took in much of present day Christmas Hills, which was the name he gave his sheep station. Harkness was the first to suggest a Kangaroo Ground school be built, and one of the first to suggest establishing the Eltham District Road Board. Many of these families leased pastoral land before the mid-century and bought land when it came on sale in 1849. In the cemetery’s early days sections were devoted to the major Christian denominations (mainly the Protestant) and one section was set aside for ‘other’ or ‘non-believers’. However in modern times burial plots have not been placed in areas according to religious beliefs.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, kangaroo ground, eltham-yarra glen road, agnes bell cameron, agnes cameron (nee bell), cameron family, edward aubrey haughton, eugene cameron, evelyn florence cameron, ewen hugh cameron, gravestones, jane armstrong, jane bell, jessie agnes haughton (nee cameron), jessie cameron, john donald cameron, kangaroo ground cemetery, neville cameron, simon armstrong, vera cameron, william bell armstrong, wurundjeri

The building was designed by Charles Maplestone of Heidelberg, son-in-law to Anthony Beale of St Helena. Maplestone was a prominent architect who came out to Australia with his family in 1852. The foundation stone was laid by Mrs Isabella Maplestone on 11th November 1867. The bricklayers for the church were George Stebbing, H Limmer, H Spicer and a Mr Timm while Thomas Day was the stonemason. Another three years were to pass before sufficient money could be raised for its completion. It was opened by Bishop Perry on 1st November, 1870. The church bell which hung under a tree for 50 years until it was incorporated in the parish hall was brought out from England and presented by Charles Orme. In 1916, the estate of George Martin Pizzey left sufficient money to build the red brick hall, which still stands today (2023) though in January 1969 the hall and bell tower were badly damaged by bushfire. Coincidentally the former home of benefactor, George Pizzey was destroyed in the same fire. Of particular significance are the interior and exterior of the church, the Sunday school and hall with emphasis on pre-World War I fabric (excluding the 1990s additions) and the three coloured glass windows currently suspended in the 1990s entry foyer. In 2011 further alterations were made to the front of the Church. The church is historically significant because it was the oldest public building in the former Diamond Valley Shire, is amongst the oldest buildings in the Shire of Nillumbik and is associated with the early settlement of the Diamond Creek district. The church is historically, socially and spiritually significant because it has been a place of worship for over 150 years and continues to be, an important meeting place in the Shire. The church is aesthetically significant for the three stained glass windows executed by the noted stained glass manufacturers, Ferguson & Urie, as well as the supporting coloured glass windows in the church. The Sunday school & parish hall is architecturally significant because the hall is a well executed and preserved example of the work of noted church architects, North & Williams. It is historically significant because it is connected with local parishioner and Melbourne industrialist, George Pizzey, who bequeathed funds for its construction. Covered under Heritage Overlay, Nillumbik Planning Scheme. National Estate Ntionl Trust of Australia (Victoria) Local significance Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p85 St John’s Anglican Church stands like a beacon on the hill on Main Street, Diamond Creek. Today the church has a large congregation, but its early years were marked by a small congregation struggling to find enough money to survive. It was gold in Diamond Creek that resulted in the building of this National Trust registered property.1 This church is far removed from William Wilson’s humble barn (later the Bowling Green) where the first Anglican church services were conducted – probably the first in the district.2 In the mid 19th century services were infrequent as the Rev Francis Hales, travelling on horseback, also conducted services elsewhere, including at Heidelberg, Coburg, Kinglake, Arthurs Creek, St Andrews and Kangaroo Ground. In 1860 Diamond Creek came under the jurisdiction of the Eltham Parish. Until the mid 1860s the Diamond Creek settlement included only about 20 families who were struggling farmers. But this changed when gold was found in 1862. Then the township grew to 200 families, including miners, civil administration workers and shopkeepers. The resulting growth of Church of England adherents prompted them to petition the Government in 1866 for land to build a church. The area chosen, on which the original building still stands, was at the centre of the proposed township. Today church leaders believe that this conspicuous location is one of the reasons for its exceptional growth. Prominent architect Charles Maplestone designed the building as he did the Presbyterian Church at Kangaroo Ground. St John’s, which is still intact, was built in the Gothic Revival style with the traditional rectangular plan of a central nave and sanctuary at the end. It is typical of small churches built in Victoria at that time, with polychromatic hand-made bricks, a porch, diagonal buttresses and a slate roof.3 The church was officially opened by Lord Bishop Perry on November 1, 1870. But during the next 40 years, due to the varying fortunes of gold mining, the church struggled to remain viable. In 1909 it separated from the Eltham Parish to form a parish with Greensborough. Life became more difficult with the privations of World War One. Then disaster struck in 1915 when fire destroyed the Diamond Creek Gold Mine, wiping out the major livelihood of most parishioners. However the church’s morale was lifted in 1916, when it received a bequest to build the red brick hall, from late parishioner and prominent leather manufacturer, George Pizzey. As prosperity grew, in 1924 the congregation separated from Greensborough, but they rejoined in the 1930s Depression. In the 1950s the wider population soared, impacting on St John’s, and it became a separate parish, becoming responsible for six churches at St Andrews, Hazel Glen, Hurstbridge, St Helena and Yarrambat. As parishioner numbers outgrew the building, extensions were added in 1989 and then in 1993, blending in well with the original building. Church members have made a huge contribution to the local community. John Ryan was a Heidelberg Shire Councillor for 25 years from 1931, Mayor in 1939 and headed several local sporting and other organisations. His son Jock became a clergyman and a local historian heading the Nillumbik Historical Society. Another parishioner, Dr Ted Cordner, came to Diamond Creek in 1920. One of his sons Donald, who was a local doctor, won the Brownlow Medal, was President of the Melbourne Cricket Club and President of the Melbourne Grammar School Council. Roy ‘Monty’ Vale was a state Liberal MP and was related to May Vale, a member of the Heidelberg School of Artists.4 In the early 21st century St John’s Anglican Church is one of the fastest growing congregations in Melbourne. References: St Johns Anglican Church complex, Sunday School and Parish Hall 61 Main Street DIAMOND CREEK, NILLUMBIK SHIRE. (2023, June 7). Retrieved from https://vhd.heritagecouncil.vic.gov.au/places/64023 Diamond Creek, VIC. – St John’s Anglican (2023, June 7). Retrieved from https://www.churchhistories.net.au/church-catalog/diamond-creek-vic-st-johns-anglican This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, st john's anglican church, diamond creek

The Rob Roy Hill Climb originated in 1935 on the property of former Heidelberg Mayor, William Clinton, where he reared the Rob Roy breed of miniature ponies. He established Pleasure Grounds on part of the property attracting groups of Sunday visitors from Melbourne's inner suburbs. Visitors enjoyed a picnic area, pony rides, a dance hall and a tap room. Young men would ride their BSA or Harley Davidson motorcycles to the property which led to regular club-organised hillclimb meetings between 1930 and 1936. In 1935 Clinton offered the use of his property to the Light Car Club of Australia for their hillclimbs. The track was sealed that same year and the hillclimb at Clintons Road was one of only three specially designed bitumen surface hillclimbs in the world, the others being Shelsey Walsh and Prescott Hillclimbs in the UK. The first Light Car Club of Australia hillclimb was held at Rob Roy in February 1937. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p133 About six times a year the unlikely sound of car engines emerges from deep in the heart of Christmas Hills.* Usually a quiet retreat, the Hills are home to one of the world’s oldest purpose-built motor sport venues - the Rob Roy Hillclimb. When sealed in 1939, the hillclimb at Clintons Road was one of only three specially designed bitumen surface hillclimbs in the world, the others being Shelsley Walsh and Prescott Hillclimbs in the UK.1 The Rob Roy Hillclimb originated in 1935 on the property of former Heidelberg mayor, William Clinton, where he reared the Rob Roy breed of miniature ponies. Rob Roy was the Scottish folk hero and outlaw. On part of his property Clinton established Pleasure Grounds, attracting Sunday parties from Melbourne’s inner suburbs. Visitors enjoyed a picnic area, pony rides, a dance hall and a tap room.2 Young men riding on their BSA or Harley Davidson bikes led to club-organised regular hillclimb meetings, between 1930 and 1936. In 1935 Clinton offered his property to the Light Car Club of Australia for their hillclimbs. In February 1937, the first Light Car Club of Australia hillclimb meeting was held at Rob Roy. Jack Day achieved the fastest time that day for the 760 yard (695m) track at 36 seconds in a Ford V8 engined Bugatti Special. At first the climb was just a dusty gravel track, but in 1939 it was up-graded and bituminised. Today the 695 metre track begins on a slight incline, proceeds through a sharp right turn, which formerly passed a rusty iron shed, now remembered by the name Tin Shed Corner. The track continues down a slight incline to a level stretch along the top of an embankment holding back a half-acre (0.2ha) dam, then up to a one-in-three gradient. The track then winds uphill through several left turns to the finish line. In 1939 Frank Kleinig reduced the record to 29.72 seconds in an MG Hudson. Throughout World War Two the Rob Roy Hillclimbs were suspended, but were resumed in 1947. The hillclimbs consistently attracted crowds averaging 500 to 600 people, peaking at 2000, until the hillclimb was destroyed by the 1962 bushfires. The meetings included nine Australian Hillclimb Championships, with the first in 1938 won by Peter Whitehead in his ERA. Eight of the Outright and Class record holders were Australian Grand Prix winners including Jack Brabham, who became a triple F1 World Champion. The Light Car Club of Australia held 61 meetings at Rob Roy. Events usually included Touring, Gran Turismo, Production, Sports, Racing and Vintage cars and in the latter years Go-carts. These meets suddenly stopped after the 1962 bushfire destroyed the access bridge on the property leading to the track area, although fortunately Clinton saved his home. The club then established the Lakeland Hillclimb venue close to Lilydale.3 From 1979 to 1987 the MG Car Club ran hill climbs at the Templestowe Hillclimb until the land was to be sub-divided. In 1991 the MGCC approached the Shire of Nillumbik about using the derelict Rob Roy venue. In 1992, after much lobbying, the club signed a ten-year lease from Melbourne Water, which has been renewed. The original track was faithfully reconstructed. Access roads were improved and guard rails were installed on the causeway. Permanent structures were rebuilt and tonnes of rubbish removed. This was made possible by an immense amount of voluntary work by MGCC members and financial support from the newly formed Friends of Rob Roy. In February 1993 the first Return to Rob Roy Historic Meeting was run with a huge spectator attendance of around 1000 enthusiasts. In September 2007, the Nillumbik Shire Council gave the hillclimb heritage protection. This acknowledged the property’s significant contribution to early Australian motor sport with its social connection to William Clinton and the local community.4 *Christmas Hills was named after emancipated convict and shepherd David Christmas, lost in these hills.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, rob roy hill climb, clintons road, light car club of australia, william clinton

September 3rd is the day chosen to honour all those seafarers who sailed, and died, in commercial vessels in times of war in memory of September 3rd, 1939 when the transatlantic passenger liner, Athenia, was torpedoed and sank just hours after World War II was declared.Framed artwork printed on textileWritten in ink on verso: "Rachel / SOLD Y"merchant navy day, lest we forget, ww2, ww1

A black and white photograph of an unknown group of people at The Marysville Chalet.A black and white photograph of an unknown group of people at The Marysville Chalet.Front - Aunty Flosie Nichols (nee Bennet.)/ (Mum's aunt-sister was Minnie Sully)/ Mum (Irene Day nee Sully) Dot/ Aunty Thelma (Sully mums sister in law, married/ Matthew Sully/ Barb.marysville, victoria, australia, the marysville chalet, guest house, poontawan, steavenson hotel, albert harrison, margaret harrison, elise ackerman, ralph ackerman, john van ranglerooy, joe keithard, kathy keithard, louisa goding, accommodation, photograph

A black and white photograph of the staff and guests staying at The Marysville Chalet taken on Christmas Day 1953.A black and white photograph of the staff and guests staying at The Marysville Chalet taken on Christmas Day 1953.marysville, victoria, australia, the marysville chalet, guest house, poontawan, steavenson hotel, albert harrison, margaret harrison, elise ackerman, ralph ackerman, john van ranglerooy, joe keithard, kathy keithard, louisa goding, accommodation, photograph

A copy of a black and white photograph of an unknown group of people at The Marysville Chalet.A copy of a black and white photograph of an unknown group of people at The Marysville Chalet.Front - Aunty Flosie Nichols (nee Bennet.)/ (Mum's aunt-sister was Minnie Sully)/ Mum (Irene Day nee Sully) Dot/ Aunty Thelma (Sully mums sister in law, married/ Matthew Sully/ Barb.marysville, victoria, australia, the marysville chalet, guest house, poontawan, steavenson hotel, albert harrison, margaret harrison, elise ackerman, ralph ackerman, john van ranglerooy, joe keithard, kathy keithard, louisa goding, accommodation, photograph

A digital copy of a black and white photograph of Arthur and Grace Dickinson on their wedding day in 1923. Arthur built Marysville House in the late 1920s and they ran it as a guest house. Marysville House was the only guest house in Marysville to have survived the 2009 Black Saturday bushfires. It is now the private residence of Peter and Linda Dickinson.A digital copy of a black and white photograph of Arthur and Grace Dickinson on their wedding day in 1923. Arthur built Marysville House in the late 1920s and they ran it as a guest house.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, photograph

A digital copy of a black and white photograph of a group of people staying at Marysville House taken on Christmas Day in 1958. Marysville House was build in the late 1920s by Arthur Dickinson.A digital copy of a black and white photograph of a group of people staying at Marysville House taken on Christmas Day in 1958. Marysville House was build in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, photograph

A digital copy of a black and white photograph of a group of people staying at Marysville House taken on Christmas Day in 1958. Marysville House was build in the late 1920s by Arthur Dickinson.A digital copy of a black and white photograph of a group of people staying at Marysville House taken on Christmas Day in 1958. Marysville House was build in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, photograph

Dudley House brick building is one of the earliest and most intact 1850s buildings remaining in Bendigo CBD. Like all government buildings of this era, its exterior is fairly modest, unlike the opulent styles of later decades. It was originally built as a residence for the district surveyor, who designed the Bendigo street layout that we still use to this day. Strip of Photo Negatives of Dudley House in View Street Bendigo, Victoria Australia. 3 Images date unknown, but car parked out of front of property is from the 1960s. Looks like a wooden fence is enclosing the property can we date image from this?bendigo, buildings, dudley house

The design of the uniform with its silver, diamond shaped buttons with the Scottish thistle symbol on them, indicate that the uniform was made for a Scottish Pipe Band member. There may be a connection with the local Warrnambool and District Pipes and Drums Inc, which began as the Warrnambool Pip Band in 1906, formed with the purpose of popularising Scottish music. Those with uniforms wore the Gordon tartan. In 1946 the uniforms were changed, with the Cameron or Errcht tartan chosen for the uniform. The Band now wears the Anderson tartan. The maker, David Lack Pty Ltd, advertised as a uniform specialist. In 1941 the business was located at 35-37 Little Latrobe Street, Melbourne. In the same year the firm won a contract with the Commonwealth Government Department of Supply, providing blue trousers for the Department of Air. In 1946 a branch of the firm operated in Myrtleford, Victoria. The Elizabeth Street, Melbourne, branch provided new uniforms in 1948 for the Leeton District Band. In the 1950s and 1960s David Lack manufactured blazers for the Olympic Teams as well as for bowls teams and schools. The Broken Hills Cameron Pipe Band' was gifted with uniforms that were also made by David Lack. It was a "... a Cameron of Lochlel red kilt and plaid, with black doublets and cross belts, and silver trimmings.” [Barrier Miner, Broken Hiss, 15-03-1954].The pipe band uniform jacket's design is associated with traditional Scottish pipe bands that originated in the United Kingdom and continue to this day in Australia and even locally in Warrnambool since 1908. The maker, David Lack Pty Ltd, is renowned as the maker of good quality uniforms who has supplied many government contracts for clothing and uniforms since the early 1940s. Uniform tunic; red jacket; Scottish Pipe Band Doublet with silver braid and silver diamond-shaped button closure and decoration. The buttons have the Scottish thistle symbol on them. There are seven buttons on the tunic front, three on each skirt flap, three on each contrasting black cuff and one on each black epaulette. The tunic has a two-inch stand-up collar. The whole item is fully lined with black nylon/silk blend fabric, the shoulders are padded, and there are pockets under the front skirts. There is an inscription on the maker's sewn-in label. Made by David Lack Pty Ltd, a uniform specialist in Melbourne.Label "David Lack Pty Ltd, uniform specialist Melbourne. "flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, uniform, tunic, dublet, jacket, scottish pipe band, pipe band, david lack pty ltd, david lack melbourne, uniform specialists, david lack, diamond buttons, silver buttons, scottish thistle buttons, scottish piper's buttons, thistle, scottland symbol, pipe band uniform, bag pipes

The Australian Tramway Employees Association commissioned in 1915, a banner for use in marches or events. It was painted in 1916 by George Grant with its first public appearance at the Eight-Hour Day Diamond Jubilee on 10 April 1916, celebrating the 60th anniversary of the introduction of an eight-hour working day in Victoria. The reference gives a detailed history of the banner, it significance and the background to its painting. It is now held in the collection of Museums Victoria. The ATEA was the forerunner to the Australian Tramway and Motor Omnibus Employees' Association, now part of the Rail Tram and Bus Union. Image provided by Museum's Victoria to the donor - Peter Jewell. The image demonstrates the artists work and the use of symbols in the roles of a union.Framed Image - old gold coloured metal frame, Artglass, with red colour card surround with bevelled gold card inlay containing a high resolution image of the Australian Tramway Employees Association banner. Fitted with a metal hanging wire and a white surround, tape and the framers lable.tramways, unions, atea, atmoea, rtbu, banners, george grant, eight hour day

Donated by CPL Bramley who was in charge of our Catafalque Party ANZAC Day 2006Blue CottonSewn Tag ADI P/L 1990, 8440-66.062.073, Defence Australia 5047.clothing

Donated by CPL Bramley who was in charge of our Catafalque Party ANZAC Day 2006.Black Leather, Brass Metal Clip, Black Leather Strap.Hermes Leather goods, Cowhide, Made in Australia. bramley, raaf, handbag.

From the second world war to the present day.australia. army - lists of vessels, warships - australia

A digital copy of a hand written letter requesting the availability of accommodation at Marysville House for five young ladies for 10 days from Christmas Day in 1934. Marysville House was built in the late 1920s by Arthur Dickinson.A digital copy of a hand written letter requesting the availability of accommodation at Marysville House for five young ladies for 10 days from Christmas Day in 1934. Marysville House was built in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, letter, r. bowen, g rapki, chicago hairdressing salon