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Kew Historical Society Inc
Photograph, J F C Farquhar, Bird's Eye View Looking North, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This panoramic view was probably taken from the roof of Xavier College. It invites the viewer to look down on the buildings and streets of Kew, and across to the distant horizon. Mansions and solid bourgeois villas dominate the view of Charles and Wellington Streets. The imposing spires of the Presbyterian and Methodist Churches, built in one of the highest areas of Kew, can be seen in the distance. In the foreground, the photographer includes three significant mansions: Molina, Roxeth and Elsinore. Molina, in the foreground, and the group of weatherboard buildings in its yard was used at this stage for the privately operated ‘Kew High School’ (founded 1872). Roxeth, the home of Herbert Henty can be identified by its distinctive four-sided tower. All three buildings are now part of Trinity Grammar. Other built structures observable in the photograph include Wilton (now the Kew RSL), designed by Guyon Purchas for Dr William Walsh in 1886, and the only known image of the Prospect Hill Hotel prior to the renovation of 1935. Bird's Eye View Looking Northkew illustrated, kew where we live, photographic books, henry kellett -
Kew Historical Society Inc
Photograph, J F C Farquhar, Wellington Street From High Street, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Very few of the natural or built features in this panoramic photograph of Wellington Street remain. The open land between High Street South and Denmark Street, then known as O’Shannessy’s Paddock, was to become a residential subdivision at the beginning of the 20th Century. On the far side of Denmark Street, bordered by a picket fence, is the Kew Railway Station (demolished 1957). Further east, the large building with the flagpole is the Kew Recreation Hall (demolished 1960), which was the centre of civic life for almost a century. The building was used for dances, civic functions and exhibitions. A bowling green, tennis courts, and a cricket ground surrounded the Hall. The dominant building in the photograph is Xavier College, founded in 1872 by the Society of Jesus. The first classes for pupils were held in 1878. It is presumed that Farquhar used its roof for two of his bird’s eye views.Wellington Street from High Streetkew illustrated, kew where we live, photographic books, henry kellett -
Kew Historical Society Inc
Photograph, J F C Farquhar, Studley Park Road, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In this view of Studley Park Road, looking northeast to the Junction, the photographer invites the viewer to participate in a point-of-view that emphasises the elevated, tranquil vantage point of the hill in contrast to the bustling commercial area in the distance. The view emphasises the exclusiveness of Studley Park, with its high fences behind which a number of significant Kew mansions were concealed. Contemporary advertisements for the sale of mansions in Studley Park Road often included fulsome descriptions of their elaborate formal gardens, as well as paddocks for grazing, stabling and dairies. None can be seen here. The use of high, protective wooden pickets to surround the newly planted avenue of elms on the south side of the road appears to be typical of the period. Similar examples can be seen in early photographs of Wellington and Princess Streets.The horse and carriage, selected as a central focus of the view, reinforces the residential, exclusive nature of this part of Kew in the early 1890s. Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett -
Kew Historical Society Inc
Photograph, J F C Farquhar, A View in Studley Park Road, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This is the earliest known photograph of the exterior of Byram (later Tara Hall). It shows the original red brick fence, its asymmetrical gate and gateposts, with a large terra cotta gargoyle surmounting the higher of the two. The architect, Edward Kilburn designed Byram in the Arts & Crafts style for the industrialist George Ramsden. Construction began in 1888 and was reputed to have lasted three years. The mansion had frontages to Studley Park Road and Stevenson Street, including gardens laid out with great taste, including pleasure grounds, tennis lawn, fruit and flower garden, and paddock. The size of many of the trees in the garden indicate that many survived from the garden of Clifton Villa, the previous single-storeyed house built on the site by the Stevenson brothers. Byram had views to Melbourne and Port Phillip Bay. The house was demolished in 1960, despite opposition from the National Trust (Victoria), and its gardens subdivided into residential allotments.A View in Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett, byram, tara hall, goathlands -
Kew Historical Society Inc
Photograph, J F C Farquhar, Railway Bridge Over the Yarra, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Completed in November 1890, the railway viaduct (now the Chandler Highway Bridge) linked Kew and Fairfield. The viaduct is significant as the most substantial extant engineering remnant of the Outer Circle Railway Line. Opened in March 1891, the viaduct crossed the Yarra River in a single span, atop three supporting brick pillars. Following the closure of the railway line in 1927, and the construction of the Chandler Highway in 1930, the bridge was used for vehicular traffic. In 1891 when this panoramic photograph was taken, the grounds of what was then the Kew Lunatic Asylum extended down to the River and eastward beyond the viaduct. The landscape surrounding the Asylum was planted with traditional exotic trees such as Oaks, Pines and Cedars, and landmark trees from northern Australia such as the Hoop Pine. Remnant indigenous trees such as the River Red Gum, Yellow Box and Lightwood were scattered around the site, including beside the Yarra River.Railway Bridge Over the Yarrakew illustrated, kew where we live, photographic books, henry kellett, railway viaduct - - kew (vic) -
Kew Historical Society Inc
Photograph, J F C Farquhar, Kew Asylum & Grounds, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.When the Kew Lunatic Asylum was opened in 1871, its extensive 340 acres of grounds were intended for farming, agriculture and recreation for the inmates. The point-of-view chosen by Farquhar for this panoramic photograph focuses on the ordered open fields, haystacks and remnant trees that extended from the foreground to the rear of the Asylum. The inmates are the absent players in this pastoral idyll. In 1891, The Argus reported on the Annual Asylum Picnic: “Wednesday saw the Kew picnic, the yearly festival of the mad folks and their keepers. Once a year the public subscribes for cakes and ale for all these mad folks, and their keepers, from superintendent to lowest wardsman, turn out, and use their best endeavours to make one day in the year sanely merry.” Regardless of such merriment, the Asylum’s development and ongoing status were frequently a source of disquiet to the residents of Kew, who regularly petitioned the State Government for its removal. Despite these views, the Asylum was to remain a functioning institution from 1871 to 1988. Kew Asylum & Groundskew illustrated, kew where we live, photographic books, henry kellett, kew lunatic asylum -
Kew Historical Society Inc
Photograph, J F C Farquhar, Ratting on the Yarra, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In Farquhar’s close-up portrait of the rat catcher and his dog, the photographer excludes any extraneous data that otherwise might have provided a spatial or motivational context. The contemporary or the present day viewer is required to construct a narrative to explore or understand what is occurring. The title of the picture might incline a viewer to believe that what they see is an exercise in vermin control, and that the rat concerned might be an introduced black or brown rodent. A more likely scenario is that the rat catcher is focussed on catching ‘rakali’, a native water-rat once widely trapped for its fur. The trapping of rakali for use in the manufacture of fashionable clothing accelerated as introduced furs such as musquash became more expensive. It was not until 1938 that rakali were granted protected status.Ratting on the Yarrakew illustrated, kew where we live, photographic books, henry kellett, yarra river -
Kew Historical Society Inc
Photograph, J F C Farquhar, Dight's Falls, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour mill, one of the earliest industrial sites in Melbourne. The falls were later to be named after the owner of this mill. In 1888, William Guilfoyle, Director of the Melbourne Botanical Gardens had called for fresh water to be piped from above the weir to the Botanical Gardens, using a pumping station on the Kew side of the Falls, a holding reservoir in Walmer Street and a series of pipes from there to the Gardens. This system was opened in May 1891. Farquhar’s photograph of the man-made weir obscures the industrial activity on both sides of the Falls and focusses solely on the river and the surrounding natural vegetation. The photograph probably predates the disastrous flooding of the Yarra River in July 1891, the greatest to have occurred in the Colony since the foundation of Melbourne.Dight's Fallskew illustrated, kew where we live, photographic books, henry kellett, yarra river -
Kew Historical Society Inc
Photograph, J F C Farquhar, The Yarra in Hyde Park, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Hyde Park is now a small recreation reserve bordered by Willsmere and Kilby Roads and White Avenue. In 1982, Hyde Park was cut off from the Yarra River by the construction of the Eastern Freeway. The building of the latter was to transform the natural landscape, including the Yarra, as well as Hyde Park. The construction of the Freeway makes it difficult to view the scene with the photographer’s eye. Today’s Hyde Park is located on land purchased in 1847 by John Cowell, and in 1851 Catherine Cowell, yet the scene selected by the photographer may well have been located on farmland owned by the Wills family. Farquhar’s point-of-view emphasises both the pastoral and recreational elements of the scene: the grazing cows, three boys, and in the distance two figures, seated on the bank with a parasol. By 1891, an environmental consequence of human activity, including farming, was deforestation, leading to the erosion of the south bank of the Yarra. In contrast, the land on the Alphington side of the river in 1891 included remnant bushland.The Yarra in Hyde Parkkew illustrated, kew where we live, photographic books, henry kellett, yarra river -
Kew Historical Society Inc
Book, Henry de Castres Kellett BT, Kew Where We Live : Kew Illustrated, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.A unique Illustrated book, comprising a series of twelve plates of panoramic and landscape photographs of Kew, commissioned from the Melbourne (and Kew) photographer JFC Farquhar, by the Kew stationer Henry Kellett. The book was published in 1891, so it is presumed that the photographs provided by Farquhar were taken in 1891 or in the previous year. Photographs from the cloth bound book were offered by Kellett for sale separately; hence a number are in public collections. The book is in very poor condition, the leaves having separated from the spine. The cover is suffering from red rot while the mounts of each book plate are dirty and frequently suffering from foxing. The actual silver albumen plates variably suffer from foxing and iridescence caused by the deterioration resulting from the photographic process. Each part of the book can be viewed in this record in sequential format.KEW WHERE WE LIVE / KEW ILLUSTRATED / THE ACCOMPANYING ILLUSTRATIONS ARE PHOTOGRAPHIC VIEWS OF KEW AND ITS SURROUNDINGS, EXECUTED BY THE "ARGENTIC BROMIDE PROCESS", WHICH ENSURES ABSOLUTE PERMANENCY OF THE PHOTOGRAPH. IN A FEW YEARS HENCE WHEN MOST OF THE OLD LANDMARKS WILL HAVE DISAPPEARED THESE VIEWS WILL BE A VALUABLE MEMENTO OF KEW AS IT WAS IN 1891. ANY OF THESE ILLUSTRATIONS GAN BE OBTAINED FROM MR. H. KELLETT, HIGH STREET, KEW, IN SINGLE COPIES, IN THE SAME SIZE AS THOSE HEREIN AT 2s PER COPY. THEY MAY ALSO BE OBTAINED IN THE FOLLOWING SIZES FOR FRAMING:- / ACTUAL SIZE OF PHOTOGRAPH 15 INCHES X 12 INCHES @ 8. 6d EACH / 22 INCHES X 16 INCHES @ 15s EACH / PRIVATE RESIDENCES AND ESTATES / SPECIAL ARRANGEMENTS CAN BE MADE FOR TAKING VIEWS OF PRIVATE RESIDENCES - INTERIOR AND EXTERIOR - AND FOR GROUPS, &C., IN ANY SIZE UP TO 40 INCHES BY 30 INCHES BY THE "ARGENTIC BROMIDE" PROCESS UPON APPLICATION TO / MR H. KELLETT / HIGH STREET, KEW.kew illustrated, kew where we live, photographic books, henry kellett, jfc farquhar - photographer -
Tatura Irrigation & Wartime Camps Museum
Book, Victorian Year Book 1918-1919, 1920
Hard cover, black.history of victoria -
Tatura Irrigation & Wartime Camps Museum
Photograph, Arthur J. Underwood, Kyabram, Waiting for the Queen 1954, 1954 original
Original photograph of official party waiting for her Majesty, Queen Elizabeth 11, Tatura Railway Station 1954.Black and white photograph of officials waiting for the Queen, 1954.on back: Underwood, Photographer -
Tatura Irrigation & Wartime Camps Museum
Postcard and envelope, Private A J Walker, Master Bruce Walker
Sent to Master Bruce Walker by his Uncle, Pte. AJ WalkerOrange card with a rising sun, Japanese writing in black. Japanese Army issue. With envelope addressed to Master Bruce Walkerpostcard, japanese army, walker aj, walker b, tatura, ww2 -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, J. Ravensdale, Mayoral Robe
Full length black mayoral ceremonial robe with centre front opening. Dark brown ermine fur edging on centre front opening and cuffs. Decorative piping edging and white satin lining in sleeves. Gathered/puckered detail at back. mayoral robe, robe, ceremonial wear, mayor, bayside, brighton, sandringham, j. ravensdale, mayoral regalia -
Clunes Museum
Map, PHOTO LITHOGRAPHED AT DEPT OF LANDS & SURVEY, MELBOURNE BY J NOONE. SURVEYED BY EDWARD C COMPTON 6TH SEPTEMBER 1872
MAP OF ALLOTMENTS IN CLUNESlocal history, documents, map, township, clunes -
Castlemaine Art Museum
Painting, J. Taylor, Talbot's Half-way House Muckleford, c. 1864
Gift of the Talbot Family, 1962 -
Benalla Art Gallery
Painting, J. A. TURNER, Rest, Not dated
Born: Bradford, Yorkshire, England 1850; Arrived: Victoria, Australia c.1874; Died: Melbourne, Victoria, Australia 1908VictorianGift of Mr S.T.Staughton, 1978Rural landscape with animals at waters edge, trees, packed wagon and figures around a fire. Gold plated gesso on timber frame.Recto: Not signed, not dated, not titledpainting, landscape, figure, animals, wagon, horses, water, reflection, wheels, colonial -
Koorie Heritage Trust
Book, Beeson, Margaret J, Some Aboriginal Women Pathfinders : their difficulties and their achievements, 1980
From intro. : ' These we write about are only a few of the many who have battled against prejudice and discrimination, against apathy of Christian people, and against disregard by governments; and who have, by courage and determination made an honourable place for themselves in the community.'80 p. : ill. ; 19 cm.From intro. : ' These we write about are only a few of the many who have battled against prejudice and discrimination, against apathy of Christian people, and against disregard by governments; and who have, by courage and determination made an honourable place for themselves in the community.'australian aboriginal women. biographies | women, aboriginal australian -- biography. -
Koorie Heritage Trust
Book, Barrett, Charles et al, Australian Aboriginal Art, 1929
Issued in connection with the Exhibition of Australian Aboriginal Art, National Museum, Melbourne.39 p.; plates; ill.; 21 cm.Issued in connection with the Exhibition of Australian Aboriginal Art, National Museum, Melbourne.national museum of victoria-exhibitions-aboriginal art., artifacts, aboriginal, australia., victorian aboriginal art. -
Koorie Heritage Trust
Book, Black, Lindsay, Aboriginal Art Galleries of Western New South Wales : part 3, 1943
Art in various forms was a general practice of the Aboriginals all over Australia. This is shown in many ways, such as the carved trees (dendroglyphs) of central New South Wales ... The most general form was the rock paintings and engravings (petroglyphs) found in many parts of the continent. In this book it is proposed to deal with rock paintings and petroglyphs of Western New South Wales.76 p. : ill., 2 maps; references; 22 cm.Art in various forms was a general practice of the Aboriginals all over Australia. This is shown in many ways, such as the carved trees (dendroglyphs) of central New South Wales ... The most general form was the rock paintings and engravings (petroglyphs) found in many parts of the continent. In this book it is proposed to deal with rock paintings and petroglyphs of Western New South Wales.aboriginal art -- visual arts - general -- rock engraving -- rock painting. -
Koorie Heritage Trust
Book, Brooke, Brian (Brian J.) et al, A story of Horsham : a municipal century, 1982
Copy signed by both authors.278 p. : ill., facsims., plan, ports. ; 21 x 29 cm. Copy signed by both authors.1. horsham (vic.) -- history. i. finch, alan, 1934-, 2. aboriginal inhabitants. p.2-4, 3."mulga fred" -
Koorie Heritage Trust
Book, Abbott, J. H. M, Out of the past
The contents of this book originally appeared in The Bulletin (Sydney), and the author is indebted to the editor and proprietors of that journal for permission to re-publish them in their present form.pp. 72; 20 cm.The contents of this book originally appeared in The Bulletin (Sydney), and the author is indebted to the editor and proprietors of that journal for permission to re-publish them in their present form.australia-history, myall creek massacre, "the bulletin" -
Koorie Heritage Trust
Book, Blake, Barry J, Australian Aboriginal Languages : a general introduction, 1991
Non-technical introduction covering phonology, grammar, vocabulary, sociolinguistics, language relationships pidgin and Aboriginal English, loan words in English, wordlists in Tiwi, Malak-Malak, Alyawarre, Walmajarri, Nyungar, Pitjantjatjara, Wemba-Wemba, Dharawal, Bidyara, Pitta-Pitta, Kalkatungu and Mayi-Yabi. In 1788 Australia had more than 200 such languages -- as different from each other as English is from French. Today, more than 100 are extinct and many of the rest are under threat.Professor Blake describes the sounds, spelling and location of the different languages, and dispels many popular myths.viii, 138 p. : ill., map. ; 21 cm.Non-technical introduction covering phonology, grammar, vocabulary, sociolinguistics, language relationships pidgin and Aboriginal English, loan words in English, wordlists in Tiwi, Malak-Malak, Alyawarre, Walmajarri, Nyungar, Pitjantjatjara, Wemba-Wemba, Dharawal, Bidyara, Pitta-Pitta, Kalkatungu and Mayi-Yabi. In 1788 Australia had more than 200 such languages -- as different from each other as English is from French. Today, more than 100 are extinct and many of the rest are under threat.Professor Blake describes the sounds, spelling and location of the different languages, and dispels many popular myths.australian languages. | aboriginal australians -- languages. | language - linguistics - phonology and phonetics | language - kriol | language - sociolinguistics - secret and special languages | language - vocabulary - human classification | language - vocabulary - word lists -
Koorie Heritage Trust
Book, Blake, Barry J, Wathawurrung and the Colac language of southern Victoria, 1998
The papers in this volume represent an activity that is becoming increasingly common: putting together scattered sources, mainly from the nineteenth century, on various Australian languages, particularly languages of south-eastern Australia. These languages are no longer spoken in anything like their full, original form and in many communities only a few words are remembered.v-x; 177P.; maps; tables; 25 cm.The papers in this volume represent an activity that is becoming increasingly common: putting together scattered sources, mainly from the nineteenth century, on various Australian languages, particularly languages of south-eastern Australia. These languages are no longer spoken in anything like their full, original form and in many communities only a few words are remembered. aboriginal australians -- victoria -- geelong region -- languages. | aboriginal australians -- victoria -- ballarat region -- languages. | aboriginal australians -- victoria -- colac region -- languages. | aboriginal australians -- victoria -- languages. | wathawurrung dialect. | gulidjan language. | -
Koorie Heritage Trust
Document - Printed Sheets, Canberra : A. J. Law, Commonwealth Government Printer, Mabo : The High Court Decision on Native Title : Discussion Paper June 1993, 1993
Federal government's discussion paper which outlines background to High Court's decision on native title, consultation process, unresolved key issues; includes legal framework in relation to High Court's decision, Racial Discrimination Act, valid future grants, constitutional powers relevant to possible Commonwealth legislation, identification of native title, possible tribunal system, land management issues, economic development and national compensation fund, relationship between High Court's decision and reconciliation; Appendix lists framework of principles for consultation.[29] leaves ; 30 cm.Federal government's discussion paper which outlines background to High Court's decision on native title, consultation process, unresolved key issues; includes legal framework in relation to High Court's decision, Racial Discrimination Act, valid future grants, constitutional powers relevant to possible Commonwealth legislation, identification of native title, possible tribunal system, land management issues, economic development and national compensation fund, relationship between High Court's decision and reconciliation; Appendix lists framework of principles for consultation.native title - cases - high court | law - land - commonwealth | environment - land management | law - constitutional law | native title - compensation | native title - cases - mabo | race relations - racism - stereotyping | race relations - racial discrimination - anti discrimination - legislation. -
Koorie Heritage Trust
Article - Paper, Bryant, Jennifer J, The Robinvale Aboriginal and Islander community : transition to independence, 1981
An in-depth study of this community to be used as part of a major thesis on Aboriginal housing in Victoria. Survey of Aboriginal housing in Robinvale and surrounding area; includes history of European settlement and consequent demographic upheaval for Aborigines; contemporary data on employment, incomes and expenditure, seasonal work, education, health and Murray Valley Aboriginal Co-operative; housing survey looks at structures, rents, number and duration of occupancy, maintenance and suitability of design.113 p. : maps ; tables; footnotes; 30 cm. -- (Working paper ; no. 13.)An in-depth study of this community to be used as part of a major thesis on Aboriginal housing in Victoria. Survey of Aboriginal housing in Robinvale and surrounding area; includes history of European settlement and consequent demographic upheaval for Aborigines; contemporary data on employment, incomes and expenditure, seasonal work, education, health and Murray Valley Aboriginal Co-operative; housing survey looks at structures, rents, number and duration of occupancy, maintenance and suitability of design.robinvale-aboriginal community. | housing-aborignal, victoria.| statistics- robinvale-aboriginal community | cooperatives-aboriginal-robinvale | latje latje tribe. i. monash university. dept. of geography. -
Koorie Heritage Trust
Book, Blake, L. J, Captain Dana and the Native Police, 1982
Captain Dana and his work with the establishment of a Native Police force in the Port Phillip colony. Establishment of Corps in Victoria, mid-nineteenth century, with brief biographical notes of Aboriginal recruits and portraits64 p. : ill., ports. ; 22 cm.Captain Dana and his work with the establishment of a Native Police force in the Port Phillip colony. Establishment of Corps in Victoria, mid-nineteenth century, with brief biographical notes of Aboriginal recruits and portraitsdana, henry. | police. australian aboriginal personnel. employment. victoria, 1842-1853. | police -- victoria -- history. | aboriginal australian police. | settlement and contacts - colonisation - 1788-1850. | settlement and contacts - colonisation - 1851- | government policy - initial period and protectionism - 1788-1850. | government policy - initial period and protectionism - 1851-1900. | government policy - state and territory - victoria. | law enforcement - police - native police. | race relations - violent - massacres, murders, poisonings etc. - to 1900. | police -- australia -- victoria -- history. -
Koorie Heritage Trust
Document - Printed Sheets, Beaglehole, J. C, The Endeavour Journal of Joseph Banks 1768-1771 Volume II
Figs.; maps; footnotes; 21 cm.australia-east coast (nsw) fauna and flora., australia-exploration. -
Koorie Heritage Trust
Book, Birckhead, J. comp, Aboriginal Studies : Readings, 1988
A reader by various writers prepared for the Aboriginal Studies at the Charles Sturt University-Murray for external Studies.iii-vi; 208 P.; ill.; figs.; maps; tables; refs.;30 cm.A reader by various writers prepared for the Aboriginal Studies at the Charles Sturt University-Murray for external Studies.aborigines, australia-social life and customs., aboriginal history-writing; anthropologists-attitudes; aboriginality-current attitudes; aboriginal sites-custodioanship; land rights-compensation. -
Koorie Heritage Trust
Book, Brockwell, C. J, Aborigines and the Law : a bibliography, 1979
This bibliography covers Aboriginal customary law, its interaction with the Australian legal system and the latter's relevance to the Aborigines. It has been assembled in three sections: Books and Articles; Statem Federal and Colonial Legislation; and Bibliographies and other aids.iii-vi; pp71; This bibliography covers Aboriginal customary law, its interaction with the Australian legal system and the latter's relevance to the Aborigines. It has been assembled in three sections: Books and Articles; Statem Federal and Colonial Legislation; and Bibliographies and other aids.australia. law. implications for australian aborigines. bibliographies. | aboriginal australians -- legal status, laws, etc. -- bibliography. | law -- australia -- bibliography.