Showing 3421 items
matching 1685-1958
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Geelong Cycling Club
Print, Careys Picture Framing Gallery, Circa 1950
Russell Mockridge b1928 d1958 was described 'as the greatest cyclist of all time'. He died during a race in collision with a bus that also claimed the lives of two fellow riders and a spectator. Mockridge started in 1946 by winning his first race of 40km with the Geelong Amateur Cycling Club. His wins soon earned him the nickname of the Geelong Flyer. He represented Australia at the London Olympic Games in 1948 and the Helsinki Games in 1952. He also represented Australia in the 1950 British Empire Games in Auckland where he took gold in the 1000 sprint and the 1000m time trial and silver in the 4000m pursuit. In Paris 1952 he won the Amateur Grand Prix and the following day the Open Grand Prix, beating world professional champion Reg Harris. Later that year he won Manchester Wheelers Club Muratti Cup again beating Reg Harris. He turned professional a year later and teamed with Sid Patterson and Roger Arnold to win the Paris 6 day race in 1955. Mockridge was one of 60 of 150 entrants to finish the 1955 Tour de France. He won 12 consecutive Australian championships. Mockridge was married and had a daughter, Melinda (1955)Russell Mockridge was described 'as the greatest cyclist of all time'. He achieved international notoriety as a cyclist from the mid 1940s until his death in 1958, representing Australia in the Olympic games, the Commonwealth Games, The Tour de France and other international high profile cycling events.Framed print of Russell Mockridge in cycling attire. Head and shoulders depiction. Mockeridge is wearing a leather cycling helmut and white cycling shirt typical of cycling gear of that era. The frame is wooden with gold mount and has a wire hanger on the reverse side.geelong cycling club; geelong amateur cycling club; geelong west cycling club; geelong flyer; russell mockridge; olympic games; tour de france; -
Williamstown High School
School cadets 1950s
Copy of black and white photograph mounted on board. Accompanied by a caption.Caption reads: Cadets off to camp. On back of photograph: Cadets on camp 1957-8? From High Tide.williamstown high school, cadets, 1957, 1958, 1950s -
Williamstown High School
Lyrics exercise book 1958
Exercise book with lined pages. 13 pages contain lyrics of popular songs from the 1950's.See PDF's above. On front cover: Iris Webb, IIIA, W'nstown High.williamstown high school, iris webb, 1958, student work, lyrics -
Wangaratta RSL Sub Branch
Framed poster, HMAS Sydney in Korean waters 1951-1952
Reproduction print of HMAS Sydney in Korean waters launching Hawker Sea Fury fighters. Sydney was a Majestic-class light aircraft carrier operated by the Royal Australian Navy (RAN). She was built for the Royal Navy but was not completed before the end of World War II. The carrier was sold to Australia in 1947, completed and commissioned into the RAN in 1948. From late 1951 to early 1952, she operated off the coast of Korea during the Korean War, making her the first carrier in the RAN, to see wartime service. The Donor, Errol DREHER served with the RAN on board HMAS Sydney during the Korean War.HMAS Sydney was the first of three conventional aircraft carriers to serve in the RAN, and operated as the navy's flagship during the early part of her career. Retasked as a training vessel following the 1955 arrival of her modernised sister ship, HMAS Melbourne, Sydney remained in service until 1958, when she was placed in reserve as surplus to requirements. The need for a sealift capability saw the ship modified for service as a fast troop transport, and recommissioned in 1962. In 1965, she sailed on the first voyage to Vũng Tàu, transporting soldiers and equipment to serve in the Vietnam War. 25 voyages to Vietnam were made between 1965 and 1972, earning the ship the nickname "Vung Tau Ferry". Sydney was decommissioned in 1973, and was not replaced. Brown timber frame containing blue poster with image of ship and plane at seaHMAS Sydney in Korean waters 1951-1952 Painting by Roy Honisett, courtesy Australian War Memorial Royal Australian Navy 75th Anniversaryhmas sydney, korea, royal australian navy -
Ballarat Base Hospital Trained Nurses League
Class Jan 1958_Phyllis Waddingham - 29 photos
Digital Photos1958, january, waddingham, nurses, choir, graduation, nurses, home, finals -
Ballarat Base Hospital Trained Nurses League
Joan Richardson (nee Righetti) - Commenced Training Oct 1954 - Best Practical Nurse, 3rd year & Silvey Memorial Prize, 4th year
Photocopy1957, 1958, richardson, righetti, graduation, silvey, plummer, tutor -
Ballarat Base Hospital Trained Nurses League
1958 Graduation Day Choir
Photo1958, graduation, day, choir -
Ballarat Base Hospital Trained Nurses League
1958 Finals Dinner - July & Oct 1955 PTS
Photo1958, finals, dinner, july, oct, 1955, pts -
Ballarat Base Hospital Trained Nurses League
31st Reunion, 1958
Photo 31st, reunion, 1958 -
Ballarat Base Hospital Trained Nurses League
Ballarat Legacy Endowment Plan, "The Nursing Staff Ballarat Base Hospital" - ?1958
Certificateballarat, legacy, endowment, plan, nursing, staff, ballarat base hospital, 1958 -
Ballarat Base Hospital Trained Nurses League
1958/59, Jean Harris, Lancaster Gate
Photo1958, harris, lancaster gate -
Ballarat Base Hospital Trained Nurses League
1958/03/02, Queen Mother with Councillor Chisholm
Photo1958/03/02, queen, mother, councillor, chisholm -
Ballarat Base Hospital Trained Nurses League
1958?, Matron Langham
Photo, Langham Album1958, matron, langham -
Ballarat Base Hospital Trained Nurses League
1958/03/01, Begonia Festival Dinner, Craigs Hotel
Photo1958, begonia festival dinner, craigs hotel -
Nillumbik Shire Council
Print (lithograph) Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, Mandarin on Kitchen Table, 1983
This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This lithograph comes from a series of still life by Wegner from the early 80's; a subject matter in which he has not returned to. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. Lithographic print - still life in black and white. Details several kitchen/household items: spoon, tea pot, egg holder, cup and saucer, bowl, chop sticks and mandarin.Lower far left: 'A/P'; Low centre: 'Mandarin on Kitchen Table'; Lower far right: 'PW 83'wegner, lithograph, still life, black and white, utensils, table, fruit, print -
Nillumbik Shire Council
Public Art: Wayne ALFRED (b.1958 Alert Bay, British Columbia), Wayne Alfred C/- High Commision of Canada, Commonwealth Games Totem Pole, Location: Eltham Library Foyer, Panther Place, Eltham, 2006
Wayne Alfred is a member of the Namgis Tribe of the Kwakwaka'wakw people. As a master carver he has an extremely high level of carving skill and knowledge about his peoples cultural objects, customs, tribal stories and legends. The Totem Poles of the North Pacific Coast in British Columbia and Alaska are traditionally carved out of red or yellow cedar, which has a spiritual and practical purpose. The wood was known for its durability, its resistance to rotting and the inner bark was utilised in ropemaking, clothing, hats, baskets and so forth. The Kwakitul People consider the cedar tree to be among the most sacred of all things provided by the Creator. They believed the Cedar tree to be the axis of the world and a pathway to the upper world. The wood is shaped using implements such as adzes, axes, chisels, carving knives, and chainsaws. Misinterpreted as Gods and idols to be worshipped, totems usually serve six purposes, such as a house pillar for support, a memorial or mortuary pole to commemorate (and house) the deceased, a potlatch pole (used for important traditional indigenous celebrations), a ridicule pole used to shame and a heraldic or family crest pole. Characters and symbols on these totem poles usually display family crests, history, wealth, social rank, inheritance, and privilege, as well as animalistic imagery derived from native animals and mythological creatures. Their sequence are indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. In this work the 'thunderbird' is symbolic of power, strength and of ancestory. The Commonwealth Games Totem Pole was presented to the people of Nillumbik on behalf of the Canadian Government in recognition of Melbourne as the hosts of the Melbourne Commonwealth Games Team in 2006. Carved in cedar wood, this totem pole incorporates bold cuts and colours (such as red and green) offset by strong black. A relative degree of realism is used to depict the alligator located on the bottom of the pole, a man and a 'thunderbird'/eagle located on the top. With protuding element. No inscriptions. Bold cuts used to outline the characters and symbols as well as decorative and stylised features all over the pole. public art, kwakwaka'wakw, namgis, alfred, north pacific coast, british columbia, canada, totem pole, carved, commonwealth games, melbourne festival, cedar -
Nillumbik Shire Council
Sculpture: Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, The Blanket (from the 'Black Saturday' series), 2009
The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wrapped in a blanket, clutched to his chest and over his head. Surface treatment is textured. Metallic brown colour with base starting to turn a green patina. Sticker underside of sculpture 'WEGNER THE BLANKET AG205642'wegner, bronze, figurine, black saturday, sculpture -
Nillumbik Shire Council
Sculpture: Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, Man in Shock (from the 'Black Saturday' series), 2010
The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wearing a long hooded coat clutching his hands underneath his chin in shock. Surface treatment is textured. Dark metallic brown colour. Hand carved on base, back of figure '2/6 WEGNER 10'wegner, bronze, figurine, black saturday, sculpture -
Nillumbik Shire Council
Sculpture: Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, The Embrace (from the 'Black Saturday' series), 2011
The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Two men embrace in despair. One man throws his arms around the other man's shoulders. The other man holds the other's back. Surface treatment is textured. Dark metallic brown colour with figures starting to turn a green patina. Note stuck with tape underside of sculpture 'Savage Art Prize Peter Wegner (phone number) The Embrace 2011'wegner, bronze, figurines, black saturday, sculpture -
Nillumbik Shire Council
Sculpture: Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, Disbelief (from the 'Black Saturday' series), 2010
The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary figure sitting on rock/log with elbows resting on knees and hands on head. Face looking down in despair. Surface treatment is textured. Dark metallic brown colour with figure starting to turn a green patina.Sticker underside of sculpture 'No. 205640 (AP)'wegner, figurine, bronze, black saturday, sculpture -
Nillumbik Shire Council
Sculpture: Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, The Wake 1(from the 'Black Saturday' series), 2010
The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Three figures embrace in despair (two men, one woman). One throws his arms around the other two figures who are consoling each other in an emotional embrace. Surface treatment is textured . Metallic brown colour. 'WEGNER THE WAKE 1 AG205643'wegner, figurines, bronze, black saturday, sculpture -
Nillumbik Shire Council
Drawing (charcoal) Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, Portrait Of Danny Moynihan, 1999
This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This drawing has a link to another of Wegner's work in the Collection, the lithograph 'Mandarin on a Kitchen Table'. This portrait is of Danny Moynihan, one time lecturer at Phillip Institute of Technology (now RMIT - Bundoora campus) who taught Wegner printmaking (lithography) when he was a student at the institute in the 80's. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. He is inspired by English artist Leon Kossoffs' drawings where the likeness of the subject is secondary and separate from the credibility of the drawing itself. Black and white charcoal portrait drawing on paper of artist/teacher Danny Moynihan.Hand written (signature) in charcoal - lower right - 'Peter Wegner'wegner, drawing, charcoal, black and white, moynihan, artist, teacher -
Peterborough History Group
Peterborough Foreshore Committee Records
Records about the running of the Foreshore Reserve, including the playground and the development of the Caravan Park.Significant as it includes information about the establishment, maintenance and running of the caravan park, including a list of names of bookings in 1958. Also information about the construction of the river boat ramp and the town playground. Correspondence about a request by the Foreshore Committee to include land to the west of Peterborough but which was subsequently adopted by National Parks. It is interesting to note the names of Committee members and the changes over time. Storage box containing various documents pertaining to the running of the Foreshore Committee including cheque book, copies of correspondence, receipts and financial records.peterborough, great ocean road, camping, curdies river -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - April 1958 PTS School - Group and Individual Photos
The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.4 Photos - 1st if a group photo of 29 nurses in 3 rows with names at the bottom. 2nd photo - 6 various photos Mayfort Hostel Lister House Nurses 3rd 5 photos building LHS self top right and 3 groups of nurses at bottom.4th photo - 6 photos 4 groups of nurses 2 building photosClear back of photosnursing history, nursing information, nursing uniforms -
Unions Ballarat
Lion pride: 1958-2017 AMWU and Holden, AMWU, 2017
A memento book published by the AMWU dedicated to past and present employees at GMH Holden. Copies were presented to members who were made redundant in 2017. The book is a short history of GMH Holden and includes photographs, members' stories and AMWU achievements over this time. Significant to the history of manufacturing (vehicle) in Australia and working conditions of members.Paperback; grey cover with a photograph of unidentified persons with a Holden vehicle; gold and white lettering.Front cover: title. Back cover: AMWU logo. btlc, ballarat trades and labour council, ballarat trades hall, manufacturing - vehicle, amwu, australian manufacturing workers' union, unions, oral history, gmh, holden -
Whitehorse Historical Society Inc.
Leisure object - Dolls House, Yvonne Fitzmaurice, 1974
THE DOLL HOUSE _ Yvonne Fitzmaurice The ten room fully furnished American farmhouse was created from an idea by former Mitcham resident, Yvonne Fitzmaurice and was constructed between 1976 and 1978 as a birthday present for her daughter, Susan. The house is a unique interpretation of early American architecture and inferior design. It is also a representation of one woman's ability to create and complete a details snapshot of a lifestyle long gone and give pleasure to family, friends and now the community. Yvonne has had an interesting and full life, born in New Zealand where was a State Registered Nurse and she specialised in hospital theatre work. Later her curiosity bought her to Australia where she worked at the Sydney hospital and with the Australia Flying Doctors service flying in and out of Wilcannia, western New South Wales. On returning to New Zealand Yvonne acted as part of a Medical cover team for the different armed services. one session in the Nary involved pursuing submarines which she described as being very exciting. In 1958 she travelled by sea through the Suez Canal to England and as a member of British Services served in the post WWII Germany for three year in the QARANC and also worked at The London Clinic with some high-profile specialists. Yvonne was introduced to her husband-to-be at a tennis party and they lived in Cambridge, UK, where their two children, Alastair and Susan, were born. On coming to Australia in 1965 as "£10 poms" (Yvonne's words) she worked in casualty at the Box Hill hospital. Initially the family lived at Blackburn South before moving to Mitcham in 1968. To help establish a new life with her family in Australia, Yvonne worked in many different positions from nursing, machine knitting for a Prahran shop, making Christmas Cards and as a commercial traveller. As a hobby she also sold a number of pastel paintings. Following the publishing of her first family history in 1994, Yvonne became a member and volunteer at the Whitehorse Historical Society where she has contributed in producing local history publication, articles for the Newsletter and has improved access to the files by creating the detailed "green files". Her interests include art, crafts and writing. Yvonne has a great philosophy, 'each day I must achieve something - no matter how small'.Hand-made child's doll's house. Built by Mrs Yvonne Fitzmaurice and finished in 1979. This house was built as a 1:12 scale and is a model of a Californian house called Peppercorn farm. House was built by Yvonne and her family and took a period of three years. A lot of the furniture is handmade and the rest is collected from various shops. "Susan Fitzmaurice" name on front of building. Date on plaque on top of front wall.na5059, na5061, na5063, na5065, na5068, na5071, na5073, na5075, na5077, na5079, na5081, na5083 -
Old Castlemaine Schoolboys Association Inc.
Letter, Invitation to 50th Anniversary Reunion Castlemaine High School, 15 November 2008
castlemaine high school, 1958 -
Williamstown High School
Form 4A 1958
Copy of black and white photograph of Williamstown High School class 4A of 1957.See image above.williamstown high school, 1957, form 4a, mr forecast -
Williamstown High School
Form 1E 1958
Copy of black and white photograph of Williamstown High School Form 1E of 1957.See image above.williamstown high school, 1958, form 1e, class photographs -
Moorabbin Air Museum
Document (Item) - Correspondence relating to Mr.S.K.Russell travel accounts 1953-1958, Ansett correspondence