Rectangular red cardboard box with red cardboard sliding insert containing four (4) needles which appear to be of two separate types. White [discoloured] manufacturer's label adhered to front of box with red printed text and manufacturer's logo.Typed in black ink on yellow sticker stuck to side of box: 20 x 3in Handwritten in brown ink on manufacturer's label: [indecipherable] / doz / 20SWGx3"hypodermic, needle, syringe, sterilex, warner & webster, england, melbourne, stainless steel

Third form students from Norwood High School drew up their own agenda and resolutions after attending a Ringwood City Council meeting. Young council officials included Martin Brennan (Junior Mayor), Donald Hare. Peter Silver, Peter Marjason, John Jeavons, Ann Fletcher, Judy Brown, Sue Malcolm, Robert Bryant, Andrew Peters, Ted Jennings, Martin Toone, Jennifer Hall, Jim Badger, Janet Brown, Bill Barton, Lynette Woodhouse, and Robert Dewar.

B/W: 2 rows of team members below stand at Central ParkThe Standards Stawell1904 W. Wilcox, B. Walker, G. Arnott, F. Quinn, F. Brown, E. Dunn, W. Anyon, B. Chadwick, A Miller, G. Hampton, J. Brown, H. Dalziel, G. Bates, ????, T. Ellis, E. Monument, N. Bates, W. Jones, D. Powell, A. martin, H. Miller, Sam ross (Boy).sport, football

Bendigo Advertiser '' The way we were'' from Friday, March 26, 2004. 100 years: Colin Nesbit of Melbourne sent in this early 1940s photo of Inglewood golf members to trace names, as he is compiling a history of the club for its centenary in September. Those he has identified are, back row from left: fourth Dr. L. Darby, sixth Mrs Porter and ninth Stan Porter. Front row from left: Tim Jennings, George Porter, R. Jennings, unknown and Cyril Medlin. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photo depicts a final year woolclassing class from the Gordon Institute in Geelong. They have prepared a display re: woolclassing for the visit of the Prince of Wales to Geelong in 1920. They are on the top floor of the Dennys Lascelles woolstore. The donor's father, Mr Cyril Cameron, can be seen in the photo at sixth from the right. Cyril Cameron (known as 'Cam') came from the family property 'Burnside' near Glenthompson in the Western District. He joined Strachan & Co. as an office boy in Aug. 1914 and then joined the 8th Battalion, 1st AIF in January 1915. He returned to Australia in early 1920 and started work at Strachan's again. He did the wool classing course (one year, evening?) at the Gordon in 1920-21. He became Head Wool Valuer at Strachan's in 1938 and retired in 1970. His office at Strachan's was on the top floor, directly overlooking what is now the entrance to the National Wool Museum (formerly Dennys Lascelles woolstore). He died in 1983. Interestingly, within the photo, can be seen a poster on the wall advertising the RSS or Diggers' Mill. The mill opened in 1922 but had been advertising for investors since the end of the war.Photograph, Gordon Technical College wool classing course, 1920. Wool classing display for the visit of the Prince of Wales at the Dennys Lascelles wool store.GEOFFREY S. WOOD, PHOTO, GEELONG Dennys Lascelles Show Floor 1920 / Visit of Prince of Waleswoolclassing royal visits, gordon technical college - woolclassing department, cameron, mr cyril, dennys lascelles wool store, woolclassing, royal visits

Brown wooden outer frame with gold inner boarder. Glass front, sepia photo mounted on grey background. Brown paper backing on frame. Depicts civilian giving directions to Bushmen mounted on horses, trees are in the background.Bushmans Contingent at Aspendale Park on route Langwarrin to South Africa. 'Stockings' troop horse No 5.photography-photographs, frame accessories

This photo is of the Wedding of Alexander Paterson to Effie Hilda Long. They were married at St Andrews Presbyterian Church Ballarat on the 30th August 1924, by the Rev. Robert Jones. The groom is the son of James and Emma Paterson of Miners Rest, and the bride is the daughter of William and May Long of Ballarat.Their attendants were, groomsman- Albert Robert Mathews, bridesmaid -Ruby Sarah Long, the name of the flowergirl is unknown,Depicting people of the Ballarat Shire area in the 1920'sPhoto is in dark brown wooden frame which has ornate carved decoration, mount is "kharkie" brown with dark sepia around photo. Photo is in sepia and depicts the Marriage of Alexander Paterson & Effie Hilda Long.in 1924.Wedding of Alexander Paterson & Eddie Hilda Long.At the bottom right hand corner is the name "Thornton" Studios Ballarat.paterson alexander, long effie hilda

This dress belonged to Brighton woman Mariam Issa, an author, public speaker and co-founder with Katharina Kons of the nonprofit organisation Resilient Aspiring Women (RAW). Born in Somalia, Mariam and her family arrived in Australia as refugees in 1998. Seeking to bring women together and foster connections, in 2012 Mariam opened her Brighton backyard to the community. The RAW community garden unites women from all cultures through gardening, food and storytelling.Long loose kaftan-style dress, turquoise cotton with black, brown and cream embroidery around neck and shoulders, depicting large brown flowers surrounded by swirling cream border. Round neck and short, loose sleeves.mariam issa, migration, somalia, resilient aspiring women

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the brooch has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Oval gold-toned metal brooch from the Sarah Coventry jewellery range, with a central brown faux stone surrounded by four small faux pearl inlays and four small circular brown faceted glass inlays."©SARAH COV / MADE IN / CANADA" raised maker mark on the back surface.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, brooch, brooches

Badges worn on uniform to identify wearer as Australian. refer 5687 for details on NX94268, Roy H. Taylor.1 & 2. Shoulder badges (one with a pin and one without pin), in shape of Rising Sun over a Crown and Inscription. Metallic and brown in colour. 3.Brown metallic Rising Sun hat badge with pin on back.All have inscription "Australian Commonwealth Military Forces".rising sun badges, ww2, uniform

Portland Town CouncilFramed, coloured head and shoulders photograph of W.J. Williamson, wearing brown 3-piece suit, blue and white striped shirt with white collar and blue and brown check tie. Framed in decorative frame, brass-coloured.Front: Bottom left: Mendelssohn, written in blue. Bottom centre: Hon. W.J. Williamson, LLB MLC Mayor 1912, 1913, 1914, 1919, 1920, 1921, 1922. Back: Top right: yellow sticker numbered 3109.local government, mayor, w j williamson, portland

Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, and nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together and neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.A pair of handmade, adult brown leather work boots, with brown leather laces, decorative stitching, metal eyelets and are stitched with waxed thread. The soles are covered with hob nails in a decorative pattern. They have metal caps on the heels. bootlaces, boots, footwear, clothing

Edward Harold Hildebrandt VX25591 2nd AIF. Refer 546.2 for service history also 1026, 1029.2P..1) Record of Service Book, AAB 83, brown in colour re VX25591 Pte. E.H Hildebrandt. .2) Demobilisation Procedure Book AAB 87 No 240347, brown in colour re VX25591 Pte. E.H Hildebrandt.books, military-army-records, discharge records

Dark brown leather pouch with a metal star on th front flap, surrounded by brown stitching. Has a button clasp with same stitching at the side. On the left side is two small pockets and on the right is one small pocket.Nilleather pouch, pouch, leather, japanese pouch, japanese army, wwii, world war 2

A cream coloured heavy cardboard cover with a brown edging down the left hand side. The booklet has three punch holes down the left hand side which has a brown shoelace holdng the booklet together. royal australian air force, ground radio equipment, servicing log book, raaf log books

Group of Salvation Army Songsters 1966, photograph taken pre-Perth & Adelaide trip. In October 1966 the group travelled to Perth and Adelaide many miles were covered by the Songsters in the course of their mission of bring blessing and enjoyment per medium of music. Since 1960 when a visit was made to Hawthorn and Melbourne Spring Festival, over 5,500 miles have been travelled by this group. After the Perth trip a further 4,000 miles covered. Personnel of the Stawell Citadel Songster Brigade. Songster leader: L.G. Brown. Men: left to right - J. White, G. Watson, C. Jocob. C. Bailey (Capt.), A. Perry, D. Reeve, P. Tyler (Absent), L. Brown (S.L.). Women: 2nd row - Mrs. J. White, Mrs. D. Reeve, Miss B. Reeve, Miss D. Tyler, Miss H. Bastick, Mrs. L. Brown, Mrs. Capt. Bailey, Miss M. Reeve (Absent). Mrs. D. Symes (Absent). Women: Front row - Mrs. A. Perry, Miss A. Brown, Mrs. G. Watson, Miss B. Crute, Mrs. A. Folkes, Miss E. Crute, Mrs. A. Collins, Mrs. T. Collins. Black and white photograph of a group of people, male & females in uniform. They are standing on steps in front of a tree with a building in background.Songsters 1966. Ern McLean Studios Horsham (from notes in folder)stawell religion

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Superb Lyrebird is primarily grey/brown. It has striking tail feathers that are white, beige and darker brown that vary in size. Aside from the middle of its tail feathers, the parts of the bird which are darker brown include the top of its head, wings and back. The bird has strong legs and a small beak. This specimen stands upon a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Superb Lyrebird is primarily grey/brown. It has striking tail feathers that are white, beige and darker brown that vary in size. Aside from the middle of its tail feathers, the parts of the bird which are darker brown include the top of its head, wings and back. The bird has strong legs and a small beak. This specimen stands upon a wooden platform. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Superb Lyrebird is primarily grey/brown. It has shorter tail feathers than the male, which are dark and light brown, and vary in size. The bird's wings, chest and belly are a lighter grey/brown, and there are hints of yellow-white in the edges of the feathers and through the bird's chest. The bird has strong legs and a small beak. This specimen stands upon a wooden platform.37a. / Lyrebird / See Catalogue, page [illegible] /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

As children were admitted to Victorian Deaf and Dumb Institution, The Victorian School for Deaf Children and Deaf Children Australia, their details were recorded and they were given a registration number. Information included Medical Information.The Registers document where children came from, their family details and medical information, all relating to the time they were admitted and reflect the society of the time.Brown leather bound book with heavy brown leather on top and bottom edges of cover, brown leather with decorative stitch in three parts over spine. Contains specially printed pages with handwritten entries, 2 pages per child. Contains register of pupils of the Victorian Deaf and Dumb Institution from 1861 to 1889. Admission numbers (?) from 1 to 286Front cover: "VICTORIAN/DEAF & DUMB INSTITUTION/REGISTRY OF INMATES/1862" in gold lettering with decoration on red leather. Spine: "REGISTRY/1862"deaf children australia, deaf education, student register, register of pupils, registry of inmates

Junior running team members (Paul Grenfell, Mark Brown, Mark Nolan, unknown, unknown). Photo taken at Ely St fire station in the meeting room in front the concertina doors in 1986black and white photograph of Junior running team, 1986.junior running team, paul grenfell, mark brown, mark nolan, ely street, 1986