Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Landscape, unknown location, probably far north Queensland, AustraliaMade in Australia / 8 / DEC 66M8northern territory, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Paronella Park, Mena Creek, outside Innisfail, Queensland, AustraliaMade in Australia / 10 / DEC 66 M8queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Motel, likely near Innisfail, Queensland, AustraliaMade in Australia / 1 / DEC 66 M8queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Location unknown, possibly Innisfail, Queensland, AustraliaMade in Australia / 2 / DEC 66 M8queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Location unknown, possibly Innisfail, Queensland, AustraliaMade in Australia / 9 / DEC 66 M8queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. St Monica's Cathedral, Cairns, Queensland, Australia, 1967-8. (Architect: Ian Ferrier.)Made in Australia / 36 / DEC 66 M8queensland, slide

Robert Charlton conducted a blacksmith, wheelwright and farrier business on the corner of Evans and Station Street, Sunbury from 1918 to 1940. The copy was taken from a photograph displayed in Mick Walsh's garage which is now on the above site.A black and white photograph of two sheds. A weatherboard shed with corrugated iron roof is on the LHS and the corrugated iron building is the blacksmith's forge and wheelwright's workshop. Two men are standing in fron of the large doorway. An advertisement for Dr. Morse's Indian Root Pills is written across the roof and 'BLACKSMITH' is painted on the wall.blacksmiths, wheelwrights, coach builders, advertising, charlton, robert w., walsh, mick, petrol station, station street, evans street, sunbury, george evans collection

Note by T.H. Kneen 8 April 1992, "Refer B91.246-249. Unclear as to whether Burnley participated in what appears to be a Department of Agriculture display - perhaps a search of reports in Journal of Agriculture might provide more information."Black and white photograph. Fenced area with model buildings and real plants set out like a farm. People standing behind the fence looking at it.showgrounds, department of agriculture display, model farm

Note by T.H. Kneen 8 April 1992, "Refer B91.246-249. Unclear as to whether Burnley participated in what appears to be a Department of Agriculture display - perhaps a search of reports in Journal of Agriculture might provide more information."Black and white photograph. Fenced area with model buildings and real plants set out like a farm. People standing behind the fence looking at it.showgrounds, department of agriculture display, model farm

Note by T.H. Kneen 8 April 1992, "Refer B91.246-249. Unclear as to whether Burnley participated in what appears to be a Department of Agriculture display-perhaps a search of reports in Journal of Agriculture might provide more information."Black and white photograph. Fenced area with model buildings and real plants set out like a farm. People standing behind the fence looking at it.showgrounds, department of agriculture display, model farm

Note by T.H. Kneen 8 April 1992, "Refer B91.246-249. Unclear as to whether Burnley participated in what appears to be a Department of Agriculture display-perhaps a search of reports in Journal of Agriculture might provide more information."Black and white photograph. Fenced area with model buildings and real plants set out like a farm. People standing behind the fence looking at it.showgrounds, department of agriculture display

THE CANNON WAS ORIGINALLY SITUATED IN VICTORIA PARK - LATER IN SHED AT TOWN HALL AND NOW KEPT IN HENRY BLAND ROOM AT CLUNES HISTORICAL MUSEUM IN FRASER STREET, CURRENTLY (2019) DISPLAYED AT SEAWORKS MUSEUM, WILLIAMSTOWN, VICTORIA, AUSTRALIAPHOTOGRAPH OF CLUNES CANNON ON WOODEN STAND - ABOUT 1938.CLUNES CANNON ON 'ROCKS'local history, photography, photographs, military

Depicts part of the procession at official opening (21/12/88) - horse drawn carriage, horse and rider. National Wool Museum in background. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum

Depicts a sheep shearing demonstration with young boy in foreground held at the official opening ceremony of National Wool Museum on 21/12/1988. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum, photographs

Donated by the widow about 2005. Has borrowed them back at times for display in her retirement village. The RSL paid $ 275 for the framing so for the medals to be returned to the family they would have to reimburse the RSL the framing cost.Medals named to William John McIntosh Able Seaman RAN.Framed group of 9 medals to Royal Australian Navy complete with miniatures and ribbon bars. 1939 - 45, Atlantic, Africa, Pacific Stars, Defence Medal, War Medal, Australian Service Medal 1939 - 45, Greek Medal, Philippine's Liberation Medal.

The store was located in Bridge Street and was part of the Bucks Head Hotel. Shows V.N. Hodkinson & M. Urch Hodkinson (proprietor) was purportedly the only male salesman in Victoria selling direct to women. Shows window displaying millinery.bon marche, store, commerical, bridge street, v.n. hodkinson, m. urch hodkinson, building, persons

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Probably sugar cane field, far north Queensland, AustraliaMade in Australia / 2 / AUG 66M3 / 28 (Handwritten)queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Royal Queensland Show Ground (John Reid Pavilion far right?), Brisbane, Queensland, AustraliaMade in Australia / 11 / AUG 66M1 / 104 (Handwritten)brisbane, slide, robin boyd

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Citrus grove, probably far north Queensland, AustraliaMade in Australia / 24 / AUG 66M3 / 76 (Handwritten)queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. House, far north Queensland, AustraliaMade in Australia / 19 / MAR 66M1 / 8 (Handwritten)queensland, slide

Photo shows tram 26 nearing completion of the conversion to a California Combination car. Seat backs and trolley pole yet to be fitted. On display at the BTPS depot fan with tram 28. Photographed on the day of the Society's 1986 AGM.Yields information about BTPS Operations and work in 1986Colour print of Kodak paper - Ballarat - BTPS Depot - tram 26Has details of the location and dates on rear along with photographers number.ballarat, tramways, tramcars, btps, tram 26

Photograph of SW5 class tram 682 in Transporting Art livery displaying destination "Special" on The Esplanade, St Kilda. Tramcar was originally built as class CW5 in 1935, was converted to W5 in 1956, and converted again to SW5 in 1984.Yields information about Transporting Art and CW5 class. Black and white photograph with nothing on rearsw5 class, tram number 682, transporting art, the esplanade, st kilda, cw5 class, w5 class, converted, livery

The spotted quail thrust is a heavily patterned bird native to Australia. It expresses many calls, including a long, very high-pitched "seeeeeep” and a long sequence of doubled whistles, but the main call in inaudible to humans. Due to their heavy camoflague pattern, they are often very difficult to observe. They are often found on the forest floor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The spotted quail thrush is characterised by yellow and brown tones with black spots on the flanks. The females (10056) have a yellow ochre-coloured throat patch. This particular quail has lost its tail feathers. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 43a. / Spotted Ground Thrush / See Catalogue, page 15. /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, spotted quail thrust, quail

The Mistle Thrush is native to Ireland and Scotland, North Africa and parts of Asia. It is known as a large, aggressive and powerful bird. They have several different calls: the main call, given by both sexes, is a dry chattering 'krrrr', louder when the birds are alarmed or excited. There is also a squeaky 'tuk' contact call. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Mistle Thrush has a pale grey-brown upperpart and a greyish-white chin. The yellow/buff breast and off-white belly are marked with round black spots. The long tail has white tips on the outer feathers, and the underwing coverts are white. The glass eyes are dark brown and the bill is blackish with a yellow base to the lower mandible. The legs and feet are yellow/brown. There is no plumage differences between the male and the female Mistle Thrush. This particular specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 111a. / Mistle Thrush / Catalogue, Page 28. / Other Label: 57. / Turdus viscivorus /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, bird, mistle thrush

The spotted pardalote is the smallest of all Australian birds. It has a tendency to nest in a long horizontal tunnel, often dug into the soil of creek banks, the embankments of railway cuttings, and quarries. Its call is characterised by a very clear and repetitive double "ding". The spotted pardalote is common in woodlands and eucalypt forest areas in Australia. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. One of Australia's smallest native birds, the male spotted pardalotte is covered with small, distinct white spots. Males have a pale eyebrow, a yellow throat and a red rump. Females are similar but have less-distinct markings. 10060 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 14a. / Spotted Diamond Bird / See Catalogue, page 9. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, bird, spotted pardalote

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Superb Lyrebird is primarily grey/brown. It has striking tail feathers that are white, beige and darker brown that vary in size. Aside from the middle of its tail feathers, the parts of the bird which are darker brown include the top of its head, wings and back. The bird has strong legs and a small beak. This specimen stands upon a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Superb Lyrebird is primarily grey/brown. It has striking tail feathers that are white, beige and darker brown that vary in size. Aside from the middle of its tail feathers, the parts of the bird which are darker brown include the top of its head, wings and back. The bird has strong legs and a small beak. This specimen stands upon a wooden platform. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Superb Lyrebird is primarily grey/brown. It has shorter tail feathers than the male, which are dark and light brown, and vary in size. The bird's wings, chest and belly are a lighter grey/brown, and there are hints of yellow-white in the edges of the feathers and through the bird's chest. The bird has strong legs and a small beak. This specimen stands upon a wooden platform.37a. / Lyrebird / See Catalogue, page [illegible] /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

The Great Crested Grebe is a medium to large sized bird located in Australia, New Zealand, Europe, Asia and in parts of Africa. They reside in large bodies of fresh water and are renowned for their elaborate mating dances. When breeding, the Great Crested Grebe has tawny cheek "fans" and black crests; however, in the non-breading seasons the plumage of this bird turns white. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Great Crested Grebe is a medium to large sized bird. It typically has cheek "fans" on the sides of the face and elaborate crest feathers which are shed after breeding, as is the case for this specimen. This bird is in a tall standing position with its neck stretched upwards and facing left. The small dark eyes have been made from glass and a large pointed bill. It has a metal tag tied to its left leg engraved with the numbers "4401". The skin surrounding the toes are flat which assists the bird when swimming.On tag 4401taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, great crested grebe, bird