The Australian Sign Language Interpreters' Association (ASLIA) is a non-profit body and is the national peak organisation representing the needs and interests of Auslan/English interpreters and Deaf (Relay) Interpreters in Australia. The Association is comprised of a national Executive Committee, a Representative Council and branches in most states/territories.White binder with newsletters, 30cmHx21cmW, Volume 2 Issue 1 (3 copies) Volume 2 Issue 2 ( 3 copies) Volume 2 Issue 4 (2 copies)aslia victoria, aslia national, across the board

Antique white oval, linen doily with 3 cm. crocheted border. The centre linen piece has 3 embroidered orange tulips, green leaves and a brown embroidered vase.doilies, table linen

Medals issued to John Frederick Donald McDONALD V513538. Enlisted 26.8.1943 age 35 years, Discharged from the Army on 5.2.1946 with the rank of Cpl.Medals, set of (3) court mounted re J.F.D.McDonald. 1. Defence Medal. 2. British War Medal 1939-45. 3. Australian Service Medal 1939-45.“V513538 J.F.D.McDonald”award, medal set

Coloured photo in black wooden frame with brown matt board depicting 3 U.S. Army self-propelled artillery & 3 soldiers in the foreground in a sand bagged defensive position.54GP 3F35 , A-16 (on artillery piece). My Vietnam collection @Fred Bowden; Fire Support Base Coral, May 1968.fire support base - coral

Alfred Edward Boland initially enlisted as V59811 then transferred to the AIF as VX120107 on 28.11.42. At discharge from the Army on 15.2.46 he was a Lieutenant in 41/2 Aust Inf Batt.Medals, court mounted, set of (3) re A.E Boland. 1. Defence Medal. 2. War Medal 1939-45. 3. Australian Service Medal 1939 - 45."VX120107 A.E Boland"medals, military, history

John Killen No 1323 enlisted in the AIF on 19.7.1915 in 10th reinforcements 4th Light Horse Regiment age 21years 6 months. Embarked for Egypt 9.9.1915, hospitalised 4.1.1916 with Mumps, embarked for France 25.3.1916, transferred to 1st Anzac Cyclist Battalion 12.5.1916, hospitalised 24.1.1917 with Bronchitis, promoted to Corporal 27.7.9118, discharged from the AIF 27.8.1919. Refer 2825.3.Medals, court mounted, set of (3) re J Killeen. 1. 1914-15 Star. 2. War Medal 1914-1918 3. Victory Medal 1914 - 1919“1323 Cpl J.Killeen 4 L.H.R A.I.F”medals, military, history, passchendaele barracks trust

1. Blue cardboard, black print. 2. Yellow cardboard, black print. 3. Orange cardboard, black print. 4. Lemon cardboard, black print. 5. Grey cardboard, blue print.15th Transport Squadron, Royal Australian Corps of Transport Ball. 1. When - 18 Sept 82 - Where - Mollison Street Depot, Bendigo. 2. When - 7 Dec 85 - Where - Mollison Street Depot, Bendigo. 3. When - 21 Feb 87 - Where - Mollison Street Depot, Bendigo. 4. When - 5 Dec 87 - Where - Mollison Street Depot, Bendigo. 5. When - 26 Nov 88 - Where - Mollison Street Depot, Bendigo.ball tickets, 15th transport, passchendaele barracks trust

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. The colourwork dogs from this design are a very popular motif, and were available in both wool and Orlon in multiple styles from at least 1961-1972, including a cardigan and a pullover, selling 4346 of these in winter 1961. This example most likely dates from 1962-1966. An Illustration depicting this style is catalogued under NWM-09026. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Orlon was developed by DuPont in the 1940s and became the first commercially successful acrylic fibre in the 1950s and 1960s. The development of Orlon coincided with an increase in availability of washing machines in everyday Australian homes. The great appeal of Orlon was that while wool garments still had to be hand-washed, Orlon’s shrink-resistant nature made it machine washable and dryable. This was a very appealing prospect, especially for the seemingly unending task of cleaning active children’s clothing. Machine washable wool would not be available until the development of the ‘Superwash’ treatment by the Australian Wool Board and CSIRO in 1970. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Red children’s machine-knit jumper with white dog motif and green grass colourwork, closes with three red plastic buttons at left shoulder .2 and .3 are sample tags with manufacturing information, including sizes and colours available .4 is a swing tag with manufacturer care instructions.1) [label stitched at back neck] KATHRYN REGD. / 100% ORLON / 24 .2) STYLE: 44/OP – ORLON PULLOVER – ANIMAL MOTIF / SIZE: 18” 20” 22” 24”/ PRICE: 18/6 21/3 25/- 27/6 / COLOR: 18” PALE BLUE. LEMON. WHITE. / 20” – 24” SKY BLUE. LEMON. WHITE. REDCOAT. BOTANY BLUE. SULTRY GREEN. NUTTY BROWN. OATMEAL .3) STYLE: 44/PW – WOOL PULLOVER – ANIMAL MOTIF / SIZE: 18” 20” 22” 24”/ PRICE: 18/6 21/3 25/- 27/6 / COLOR: 18” PALE BLUE. LEMON. / 20” – 24” SKY BLUE. LEMON. REDCOAT. BOTANY BLUE. / SULTRY GREEN. NUTTY BROWN. NED KELLY GREEN. / .4) Obverse: [handwritten] 5/10 (unintelligible) Kathryn / ORLON KNITWEAR / Style : 44/OP / DESIGNED & MANUFACTURED BY / Robert Blake / MELBOURNE Reverse: STANDARD MEASUREMENTS / FIT EXACTLY / LAUNDER PERFECTLY / HOT WATER WILL DAMAGE / THIS GARMENT / WASHING INSTRUCTIONS / 1. Use lukewarm water and mild soap. / 2. Squeeze water out by hand – DO / NOT WRING. / 3. DO NOT ROLL. Hang on / Clothes hanger to dry. / To keep brushed garments like / new, brush frequently with / Nylon brush. / IRONING [m (handwritten)] ORLON garments require little / or no ironing if drip-dried. If / ironing is necessary, it may be done damp or dry, using / a warm iron. / DO NOT USE / STEAM IRON /knitwear, clothing, children's knitwear, children's clothing, manufacturing, fashion textile production, machine knitting, clothing set, dog motif, animal motif, colourwork

The cards relate to Cyril John Johnson VX36298 died as a POW. Refer 3144 for his service history..1) Imperial Japanese Army POW card to Next of Kin. Plain cardboard. Address side has From/Sender Park-Camp at Moulmein, Burma. .2) Imperial Japanese Army POW card to Next of Kin. Plain cardboard. Address side has From/Sender Park-Camp at Moulmein, Burma. .3) Imperial Japanese Army POW card to Next of Kin. Plain cardboard. States he is interned in POW Camp Moulmein, Burma. .1) - .3) Red stamped Japanese characters & stamped passed by censor. .1) Handwritten address side: To Mrs J Johnson Laanecourie Victoria Australia Signed: C J Johnson Handwritten bottom address side: 2nd Card .2) Handwritten address side: To Mrs J Johnson Laanecourie Victoria Australia Signed: Cyril John Johnson POW No 2954 .3) Handwritten address side: To Mrs J Johnson Laanecourie via Maldonpost cards, japanese

From the magazine front cover: "THE WORLD WAR/ TO BE COMPLETED IN ABOUT FIFTY WEEKLY PARTS/ PART 3/ SEVENPENCE/ 1914-1918 A PICTURED HISTORY/ SIR JOHN/ HAMMERTON/ Editor/ REAL/ WARTIME/ PHOTOGRAPHS/ ONLY". Part of the William (Bill) THOMASON Collection. Refer Cat No. 4136P for more items.Three soft cover magazines; Cover - paper, black and off white colour print on red colour background. Front - illustrated - black and white photograph of five soldiers moving away across a hilltop. Back - advertisement. Fastened with metal staples. 92 pages - cut, plain, off white colour paper. Pictorial magazine with related articles. Photographs - black and white and sepia. Part 3. Pages 65 to 92, Part 19. Pages 513 to 540, Part 21. Pages 569 to 569.publictions, magazines, pictorial, ww1

Black, double ended, superslim spannerMADE IN ENGLAND/3/8W7/16/BSF/5/16W3/8BSF/SUPERSLIM/3/8W7/16/BSF/5/16W3/8BSF/port melbourne authority (pma)

T. & C. Clark & Company Limited was based at Shakespeare Foundry in Wolverhampton England and was founded in 1795 by Thomas and Charles Clark. The company grew to be one of the largest iron foundries in Wolverhampton and were pioneering in the manufacture of enamelled cast iron cookware and sanitary wares. The company's product range included thousands of items, both domestic and industrial. T. & C. Clark were pioneers in the use of enamelled cast ironware, after taking out a patent in 1839 guaranteeing their products to be free of lead or arsenic. The company became the largest employer in Wolverhampton employing between 600 to 700 people.The item is significant as it was used as a domestic kitchen item to boil water safely without the concern that the metal may contain lead or arsenic as earlier cooking utensils had.Kettle, cast iron ware, black with some rust. . With lid of questionable origin. Made by "T & C Clark "C" inside 6 pointed star, England RD 665875 3 quarts No 3 First Quality"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This brass cow bell was recovered from the wreck of the sailing ship ‘Loch Ard’ at Mutton Bird Island, near Port Campbell, Victoria, from late 1960s to early 1970s. Cow bells were listed as part of the cargo on board the Loch Ard. This bell is now part of the John Chance collection. Flagstaff Hill Maritime Village’s divers also recovered similar bells from the Loch Ard wreck in 1973. One of them was found in a sandy hole in the centre of the wreck site. All of the recovered cow bells are without their hangers. A bell of this size could have been used by horse or cattle teams. Cow bells were a common Colonial item. They were hung around the necks of grazing domestic cows and goats, bullock and horse teams, even camel teams so that they could be found again. Sheep and cattle drovers used them as a warning for night time disturbances such as wild animals. The maker of the cow bell, James Barwell, was a bell founder established in Birmingham, England, from 1784. In 1842 he acquired Fiddian’s firm of ‘Steam and Water’, keeping its name and stamping it on some of his products. According to his advertisement in the Exhibitors guide for the Church Congress of 1887, he made bells and fittings for churches and schools. He also made bells for cloches and chimes, and made tuned musical handbells. He repaired and reproduced bells, and he had a team of experienced ringers to “inspect towers and report upon the tone and condition of bells and fittings.” In 1903 he became incorporated as a Limited Company, ‘engineers’ and plumbers’ brasswork, and bell founders.’ In 1914 he advertised as ‘Cock and Bell Founders’, specialising in plumbing and engineering fittings, church bells, and “every description of hanging and hand bells.” Some of Barwell’s products were stamped with his maker’s mark (his initials J. B. either side of a cross entwined with a ‘B’ in an oval of oak leaves (for Birmingham)). James Barwell bells were no longer made after 1920. James Barwell was among makers who exported bells to the Australian colony from the 1860s. Early Australian iron animal bells were also made from the 1860s by blacksmiths such as Anthony Morgan from 1861, August Menneke from 1867, and Samuel Jones from 1868. Few brass bells were produced here in those times. This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. Its significance is increased by being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late 1960s to early 1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The cow bell is also significant for being part of Flagstaff Hill’s collection of artefacts from LOCH ARD, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Cow bell; heavy brass, flat top, pyramid shape, rectangular head, shoulders flare out to rectangular mouth. The head has two same-sized tooled holes for adding the hanging yoke. Inscription on top and one side. Encrustations are on the metal in places. The hanger and clapper are missing. Made by James Barwell of Birmingham.Stamped on the head "BARWELL / - - - / - - -- ING" [Perhaps BARWELL - - - BIRMING. Could size be in centre? 3 3/4 IN?] Stamped on side [motif] (undecipherable) flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, loch ard, mutton bird island, glenample, eva carmichael, tom pearce, james barwell, cow bell, horse bell, bell founder, bell smith, vintage bell, birmingham bell foundry, farmer, shepherd, drover, stock bell

The History of the Great European War Vol 3 set 1flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the history of the great european war vol 3 set 1

The History of the Great European War Vol 3 set 2flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the history of the great european war vol 3 set 2, the history of the great european war

The Victoria Government Gazette 1857 2 Vol 14-3flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1857 2 vol 14-3, the victoria government gazette

The Victoria Government Gazette 1913 3 Vol 151 (CLI) warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, the victoria government gazette 1913 3 vol 151 (cli), the victoria government gazette 1913, the victoria government gazette

Printed paper booklet and three (3) paper poppy leavesFront cover has printed Title information and brief description of the event. Sixteen pages contain a Royal photograph and detailed description of organisation and programme of activities and instructions. Six original signatures of decorated servicemen appear on the front cover with five identified as follows: James Rogers VC (Boer War) James Newland VC (World War One) Robert Grieve VC (World War One) Roden Cutler VC (World War Two) Frederick Savage DSM (World War Two)

Feature article in Home Beautiful magazine (c.1940) on the original Sweeney's Cottage at Culla Hill built by Thomas Sweeney, one of the district's pioneer settlersRoll of 35mm black and white negative film, 3 stripsKodak Safety 5062culla hill, eltham, home beautiful magazine, houses, sweeney's cottage, sweeneys lane, thomas sweeney

Feature article in Home Beautiful magazine (c.1940) on the original Sweeney's Cottage at Culla Hill built by Thomas Sweeney, one of the district's pioneer settlersRoll of 35mm black and white negative film, 3 stripsKodak Safety 5062culla hill, eltham, home beautiful magazine, houses, sweeney's cottage, sweeneys lane, thomas sweeney

Feature article in Home Beautiful magazine (c.1940) on the original Sweeney's Cottage at Culla Hill built by Thomas Sweeney, one of the district's pioneer settlersRoll of 35mm black and white negative film, 3 stripsKodak Safety 5062culla hill, eltham, home beautiful magazine, houses, sweeney's cottage, sweeneys lane, thomas sweeney

Feature article in Home Beautiful magazine (c.1940) on the original Sweeney's Cottage at Culla Hill built by Thomas Sweeney, one of the district's pioneer settlersRoll of 35mm black and white negative film, 3 stripsKodak Safety 5062culla hill, eltham, home beautiful magazine, houses, sweeney's cottage, sweeneys lane, thomas sweeney

Feature article in Home Beautiful magazine (c.1940) on the original Sweeney's Cottage at Culla Hill built by Thomas Sweeney, one of the district's pioneer settlersRoll of 35mm black and white negative film, 3 stripsKodak Safety 5062culla hill, eltham, home beautiful magazine, houses, sweeney's cottage, sweeneys lane, thomas sweeney

Feature article in Home Beautiful magazine (c.1940) on the original Sweeney's Cottage at Culla Hill built by Thomas Sweeney, one of the district's pioneer settlersRoll of 35mm black and white negative film, 3 stripsKodak Safety 5062culla hill, eltham, home beautiful magazine, houses, sweeney's cottage, sweeneys lane, thomas sweeney

Feature article in Home Beautiful magazine (c.1940) on the original Sweeney's Cottage at Culla Hill built by Thomas Sweeney, one of the district's pioneer settlersRoll of 35mm black and white negative film, 3 stripsKodak Safety 5062culla hill, eltham, home beautiful magazine, houses, sweeney's cottage, sweeneys lane, thomas sweeney

Feature article in Home Beautiful magazine (c.1940) on the original Sweeney's Cottage at Culla Hill built by Thomas Sweeney, one of the district's pioneer settlersRoll of 35mm black and white negative film, 3 stripsKodak Safety 5062culla hill, eltham, home beautiful magazine, houses, sweeney's cottage, sweeneys lane, thomas sweeney

Exploded mortar tail fin used as a candle stick during Korean warAlloy metal tail fin from a 3 inch motar

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Due to recent pronouncements concerning Mining Engineering Education and the possibilities of other institutions wishing to introduce it, Brian Coles and Peter McCarthy submitted a draft outline of a proposal for a PGI Graduate Diploma in Mining Engineering to Derek Woolley.The outline of this was passed on to allow other to consider and comment on. It outlines the rationale, course structure, course content - core and options, student demand and resource implications. ".... view is that this course should be pursued in order that the momentum of mining engineering at Ballarat C.A.E be kept going". PGI - Post Graduate Institute.Four A4 pages - 3 typed, 1 with newspaper articleThe Weekend Australian May 7-8 1983 RMIT advertisementviosh, victorian institute of occupational safety and health, ballarat college of advanced education, derek woolley, director, brian coles, peter mccarthy, pgi, graduate diploma in mining engineering, post graduate institute, mining engineering education, proposal

3 spools of wool two off white and one brown.spools, wool, off white spools, brown spool, off white wool, brown wool