Roll of 35mm colour negative film, 10 strips Kodak Gold 100-6 Cross Ref: 00651 (print) and 03182 (negative)gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 strips Kodak Gold 100-6 Cross Ref: 00651 (print) and 03182 (negative)gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 strips Kodak Gold 100-6gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, gordon ford, gwen ford, pitt street, eltham

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, eltham, diamond street, rocknall, john pizzey

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, eltham, diamond street, rocknall, john pizzey

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, eltham, diamond street, rocknall, john pizzey

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, eltham, diamond street, rocknall, john pizzey

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, eltham, diamond street, rocknall, john pizzey

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, eltham, diamond street, rocknall, john pizzey

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, eltham, diamond street, rocknall, john pizzey

Roll of 35mm colour negative film, 10 stripsKodak Gold 100-6gayle blackwood collection, houses, mudbrick, eltham, diamond street, rocknall, john pizzey

Roll of 35mm colour negative film, 10 strips Kodak Gold 100-6 Cross Ref: 00657 (print) and 03182 (negative)gayle blackwood collection, houses, mudbrick, eltham, diamond street, rocknall, john pizzey

Roll of 35mm colour negative film, 10 strips Kodak Gold 100-6 Cross Ref: 00657 (print) and 03182 (negative)gayle blackwood collection, houses, mudbrick, eltham, diamond street, rocknall, john pizzey

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 91 of Photograph Album with four photographs (two portrait and two landscape) of various external views of Ripponlea.Handwritten: SOUTH [under top left photo] / SOUTH [under top right photo] / WEST [under bottom left photo] / 91 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, polychrome bricks, lombardic romanesque style

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 93 of Photograph Album with four photographs (two landscape and two portrait) of Ripponlea - lake and gardens.Handwritten: Neg 239 Dec 1973 LAKE [under top left photo] / Neg 242 Dec 1973 FERN HOUSE [under top right photo] / Neg 243 Dec 1972 FERN HOUSE [under bottom left photo] / Neg 241 Dec 1972 LAKE [under bottom right photo] / 93 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, gardens, ferns, bridges, walking trails

Ballarat born Herbert L. Coburn grew up to be a renowned Ballarat architect, practising from 1905 to 1956. He taught Architecture and Building Construction at the Ballarat School of Mines (SMB) from 1918, resigning in 1948 due to ill health.Copy of a plan by H.L. Coburn. It includes a front, west, east and rear elevation; ground plan, block plan; and layout plan. herbert l. coburn, h.l. coburn, coburn, architecture, herbert coburn, architectural plan

On 01 January 2014 University of Ballarat became Federation University Australia. In 2015 the University of Ballarat signs at the Arts Academy were replaced.A number of colour photographs of the Federation University Arts Academy featuring the 'old' University of Ballarat signs before their removal.arts academy, camp street, signs, university of ballarat, federation university, former ballarat post office, former ballarat state offices, post office gallery, former ballarat court house

Brick Brew Tower associated with the Ballarat Brewing Company. brew tower, brewing, brewery

Four people are working in the ceramics studio located in the Ballarat School of Mines M.B. John Building. The man in the foreground is lecturer Neville French. m.b. john building, m.b. john, neville french, ceramics, visual arts

Colour photograph of a foundation stone "This stone was laid by the Mayor C.C. Shoppee M.L.A. 21st August, 1903"camp street, arts academy, c.c. shoppee, former ballarat court house, foundation stone