Areas covered on this map “Corbie, Villers Brettoneux, Hangard, Blangy and Tronville Wood, River Somme”. Item re William Alexander No 502 AIF. Refer Cat No 3746.3 for his service details.Trench map, France, Edition 3B, trenches corrected to 7.7.1918, German trenches in red, British in blue, scale 1:20,000.map, france, trench

One name in the photo “A Owens” does not appear on the actual Beehive Honour Roll. Refer Cat No. 4978P for the Beehive Bendigo Honour roll.Photograph - Photocopy on paper all print in black showing seven men in suits."Volunteers for the War from R.O. Henderson's Beehive Stores Bendigo" Back Row - R-L. Messrs P. Buddle, H. Cadwallader, C. Wood, F. Marriott. Front Row: R. Jenkins, J.A. Williams, A. Owens.beehive staff, r.o. henderson

Six walking canes shaped from natural timber. 7543a Light coloured wood with top carved in shape of a snake head. 7543b Light brown wood with T shape carved top. 7543c Dark brown branch with bark intact. Natural branch at 30 degrees cropped at top. 7543d Thin dark brown bamboo like straight walking stick. Ornate carved knob at top. 7543e Light brown straight walking stick of three pieces of wood spliced together. Curved top spliced in place. Lacquered and polished. Metal band attached below hand grip (1.5 cm wide.) 7543f Rough natural branch with natural handle at 30 degrees angle.walking sticks, wooden objects, natural wood

Built as a toy, either by a well resourced home workshop or by a toy maker. Have been well used or loved with missing wheels and damaged roof. Possibly dates from the early 1900s. St Kilda was a popular destination for Melbourne cable trams. Demonstrates a toy cable tram set.Cable tram set made from wood and pressed metal. Grip car or dummy has remnants of paint (green and gold) on the sides, holes for wheels on the two wood blocks on the underside. Has an eye hook at one end and a hole for another at the other end. Seat made from timber with a steel wire or rod to represent a grip lever. Metal secured to wood base with nails. Has four metal Staunchions on either side. Trailer similar construction with sides stamped or cut from sheet steel with holes at either end for a eye or hook and wheels. Roof on both items has been pressed and assembled. The trailer has painted on one side "St Kilda" and the remnants of a similar word on the other side.cable trams, toys, trams, st kilda

This timber fragment is from the shipwreck of the SCHOMBERG (1855). The bow of the ship broke off after an unsuccessful salvage attempt to tow her off the Peterborough reef. At the wreck-site the submerged hull points north towards the beach but the front section is missing. Parts of the bow have been carried away by the eastward bearing ocean currents and have come ashore on the western coast of New Zealand’s South Island. Don Charlwood writes in Wrecks & Reputations (1977) that in 1871 “a piece of wreckage over 20 feet long and 12 feet wide was brought out” by land from its remote location at Tauperika Creek. In 1875 “an even larger section was brought out by sea”. It was suggested at the time that these relics of a large wooden sailing ship were from the wreck of the SCHOMBERG some 20 years earlier on the Victorian coast. “To corroborate the theory”, Charlwood continues, “a piece was sent to Halls of Aberdeen [the ship’s builders in Scotland]. They identified it as having come from the ship they had launched with such pride in 1852.” Charlwood, whose great-grandparents were passengers on the SCHOMBERG’s fateful maiden voyage, acquired some samples of the wreckage timber recovered in New Zealand, and brought them back with him to Australia. In 1976 “comparison was made of timbers from the New Zealand find and timber from the remains of the hull at Peterborough. They proved to be from the same ship.” The extraordinary journey of these pieces of wood from the once mighty clipper ship SCHOMBERG came to an end in 1984, when they were given to Flagstaff Hill by the author, and reunited with other shipwreck timbers and copper bolts from the vessel that are on display at the Maritime Village. The shipwreck of the SCHOMBERG is of State significance - Victorian Heritage Register S612A piece of wood broken from the timbers of the shipwrecked SCHOMBERG (1855, Peterborough) and retrieved from the southwest coast of New Zealand’s South Island. The artefact is a light grey colour with plain long grain and bears a reddish stain on parts. Part of a drilled hole is red stained with traces of corroded metal still evident. The piece appears to have split off from other fragments that are in the Flagstaff Hill collection (6257, 6258) and it is in fragile condition.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwreck timber, don charlwood, ‘wrecks & reputations’

Japanese Model 1899 Cavalry SwordJapanese Model 1899 Cavalry Sword This Japanese Model 1899 Cavalry Sword has a interesting hilt in that the grip is of wood with a metal backstrap. The wood is probably is very hard, and has been nicely checkered. The checkering continues right through on to the metal backstrap, giving a very interesting effect. The pommel is smooth and round, with a spanner type flush mounted nut which most likely acts to retain the tang. There is also a screw and spanner that is retaining the grip. The pommel is smooth and round, with a spanner type flush mounted nut which most likely acts to retain the tang. This Japanese Model 1899 Cavalry Sword has a interesting hilt in that the grip is of wood with a metal backstrap. The wood is probably is very hard, and has been nicely checkered. The pommel is smooth and round, with a spanner type flush mounted nut which most likely acts to retain the tang. The scabbard is a heavy duty steel example which exactly matches the steel used to construct the hilt. The scabbard is perfectly straight throughout, with a single carrying band and ring.A number is stamped near the hilt on the shoulder of the blade " 96982"japanese model 1899 cavalry sword, metal scabbard

The Mahogany Ship is today regarded as a legend and refers to an ancient wreck that is purported to lie beneath the sand beside Armstrong Bay, several kilometres west of Warrnambool, Its location is currently unknown. For well over a century the mystery of this ship has fascinated Australians because the existence of such a vessel could throw a different light on the earliest phases of exploration of eastern Australia by Europeans. The story is that in January 1836 a party of whalers from Port Fairy travelled to the mouth of the Hopkins River in search of seals. Their boat overturned and one man was drowned. The three survivors were walking the 30 kilometres back to Port Fairy along the coast when, about halfway along, they discovered the wrecked ship in the dunes. It is said that Captain John Mills, who was in charge of the whaling station at Port Fairy promptly visited the wreck with several of his men, including Hugh Donnelly. Donnelly who was the originator of that version of events is now regarded as unreliable. Local history researcher Joan Fawcett believes Donnelly could not have visited the wreck in 1836 because he did not arrive in Victoria until 1841. The "mahogany" description can be traced to a letter from Port Fairy builder, architect and surveyor John Mason and published in the Melbourne Argus in 1876. He said he had seen the hull in 1846 and it "had the appearance of either cedar or mahogany." In 1884 Argus journalist `The Vagabond' wrote that the hull was built of "Spanish mahogany" and six years later Mason wrote another letter saying it might not have been mahogany but red gum or ironbark from New South Wales. He was too late with this new description as the wrecks mahogany tag was here to stay all through the hull was not visible as it had disappeared beneath the shifting sands by 1880. A more reliable account was later presented by the former editor of the Warrnambool Examiner, historian Richard Osburne, who wrote about the wreck in his book History of Warrnambool (published 1887). In it the author remembers to have noticed a wreck in the hummocks between Belfast and Warrnambool, in 1847 or 1848; he stated it was much nearer Warrnambool than Belfast, now known as Port Fairy, going on to state “in fact, it was only two or three miles from the former place, to the west of the big hummock which was supposed to fill Warrnambool Bay with drift sand washed by the Merri River before the cutting was made.” Osburne followed up with a letter to the Port Fairy Gazette on June 25, 1876, during a period of heightened interest in the wreck, although he was unsure of the provenance of the ship he went on to state in his letter. “The old wreck was, in fact, miles away from the Port Fairy beach, and only about four miles from Warrnambool. In the years 1847 and 1848. I have often seen the wreck and I regret to say I do not believe she was a foreign ship at all.”The ship model is significant for its association with the Warrnambool story of what is now referred to as the Mahogany Ship, an ancient shipwreck. The model is significant as it is an interpretation of a Portuguese caravel and possibly associated with the early history and exploration of Southern Australia. The model is a fine example of a hand crafted ship made from plans, not from a kit. Some of the materials used for the model are significant to the Gembrook community in that the timber used is a portion from a 30-meter pine tree that fell onto and destroyed the 120-year-old Gembrook church building. The model is also a dedication to Edward Kermond, who grew up in Warrnambool and claimed to have seen the shipwreck in the dunes when he was a lad in the late 19th century. (See note section of this document for further information on the creator and donation of the subject item).Ship model, an interpretation of a mahogany Portuguese carvel vessel in a glass display case with wood frame and a description plaque. Model is made from dark stained wood. The three masted vessel is fully rigged, with a Portuguese-like flag on mast. Plaque is rectangular, free standing on a pedestal. The model was handmade by Joe Hilder (Senior) in 1999 from flooring obtained from the Gembrook Uniting Church in Victoria. Inscriptions, hand written, under base of case and on plaque.Under base, black felt tip pen “Ship & Case made From / Flooring from Gembrook uniting Church, Flattened in 1999 / By Large Pine Tree.” On plaque, white paint "This interpretation of the Fabled Mahogany Ship was made by Joe Hilder, Gembrook Vic. is displayed in the memory of the late Edward Kermond (Ted) 1887-1973, a Warrnambool son who claimed to have seen the original ship as a child." flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ship model, mahogany ship, mahogany ship story, portuguese caravel, joe hilder, edward kermond, ted kermond, gembrook uniting church, gembrook storm 1999, port fairy whalers, belfast whalers

Used to cut down trees and to saw the trunks to length. Used to clear the land.Used by the residents of the Kiewa Valley.A. Combination Tasmanian Pattern and Peg Tooth Cross Cut Saw B. Tasmanian Pattern Cross Cut Saw C. Peg Tooth Cross Cut Saw A crosscut saw is a saw designed for cutting wood perpendicular to (across) the wood grain. It cuts when pulled in both directions. The two man crosscut saw has wooden handles that fit into a steel socket at each end. The Tasmanian has a different tooth pattern to the Peg Tooth saw.crosscut saws, two man saws

From the Ballarat Teachers' College LibraryBrown hard covered book of 290 pages. Contents include Father J.E. Tenison Woods, Catholic Education, Charles Lilley, F.J. Glanman, teacher training, Norman Selfe, technical education, J.A. Hartley, W. Catton Grasby, Cyril Jackson. Includes an index. Images include Cyril Jackson, John Andrew Hartley, Magill Public School, Norman Selfe, William Catton Grasby, Roseworthy Agricultural School, Rev. J.E. Tenison Woodsf.j. glanman, teacher training, norman selfe, technical education, j.a. hartley, cyril jackson, roseworthy agricultural school, j.e. tenison, sisters of st joseph, william catton grasby, magill public school, ballarat teachers' college library, education

A wooden racquet with a 13 inch head. Inscription across throat of obverse reads: NARRAGANSETT/THIRTY. Company trademark across throat of reverse: NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/PAWTUCKET, R.I. Brown leather butt cap has company monogram 'NMCO STANDARD' stamped in gold, however, the address featured is that of its former Providence, R.I. factory. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, String, Gut, Plastic, Cloth tapetennis

A wooden racquet. Inscription across throat of obverse reads: NARRAGANSETT/FIFTY. Company trademark across stem of obverse: NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, [R.I.] Inscription along the throat of reverse: DRIVER. Company symbol (an arrangement of triangles and squares) in centre of stem of reverse. Company logo 'NMCO STANDARD' is stamped in gold onto red cloth butt cap. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, String, Gut, Clothtennis

A wooden, open throat racquet. Inscription, starting across base of head of obverse, and down the stem, reads: SEVENTY/NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, R.I. Inscription across base of head on reverse: NARRAGANSETT. Company shield device and monogram feature below on stem. Company logo 'NMCO STANDARD' is stamped in black onto brown cloth and leather butt cap. Materials: Wood, Glue, Lacquer, Ink, Leather, String, Gut, Clothtennis

An Head 'Arthur Ashe Competition 3' tennis racquet, with: wood/aluminium/plastic composite frame with open throat; grooved outer crown; plastic butt cap; and, Spalding synthetic handle grip over hard plastic shaft encasement. Manufacturer's name features along lower shaft, and across butt sticker. Model name features along throat. Materials: Metal, Plastic, Wood, Nylon, Synthetic material, Adhesive tape, Ink, Papertennis

A Spalding wood tennis racquet, featuring concave throat & fine-grooved octagonal wooden handle. Stamp on obverse throat states: 'J.H. DYSON/RACQUET/CLUB/ST.LOUIS'. Stamp on reverse throat is a logo comprised of letters 'RC'. Writing on side of shaft states: 'MAN'F G'D BY A.G. SPALDING & BROS'. Has a leather end wrap and tape reinforcements on shoulders. Materials: Wood, Metal, Lacquer, Glue, Vinyl, Ink, String, Leather, Cloth tapetennis

A Spalding wood tennis racquet, featuring concave throat & fine-grooved octagonal wooden handle. Stamp on obverse throat states: 'J.H. DYSON/RACQUET/CLUB/ST.LOUIS'. Stamp on reverse throat is a logo comprised of letters 'RC'. Writing on side of shaft states: 'MAN'F G'D BY A.G. SPALDING & BROS'. Has a leather end wrap and tape reinforcements on shoulders. Materials: Wood, Metal, Lacquer, Glue, Vinyl, Ink, String, Leather, Cloth tapetennis

Black and white photo, image: large stone industrial building, brick chimney, stacks of wood. Man standing on top floor operating winch. Horse and wagon beneath, loaded with bags of ( could be wheat ? ) On LH side of image, picket fence surrounds large amount of cut wood - cut to equal length. Slab and bark roof hut on road adjoining large building , various smaller buildings to back of hut. Batchelder carriage in centre of image. Batchelderindustrial stone building, batchelder

This kettle would have been used on top of a wood stove to boil water to make tea and other beverages and to use for other household purposes. It would have been a common household item in Australian homes from the beginning of European settlement up about the mid 20th century when wood stoves, although still in use in many country areas, were largely superseded by gas or electric stoves in most households. The kettle was made of durable material as it usually remained on the top of the stove for most of the day so that hot water was readily available. This kettle is retained as an example of an essential household item used in the past. It will be useful for display.This is a circular-shaped black iron kettle with a handle and a spout. The lid is circular. The kettle is rusting inside. vintage household items, history of warrnambool

This bucket was made from vertical planks of wood with bands of metal around it for strength. Buckets such as this were made by coopers, who had expertise in making wooden barrels. Wood or animal skin was used to make buckets in colonial times when other materials were unavailable. Buckets had many uses in domestic and agricultural life including carrying, measuring and storing. Cooper tradesmen used carpentry and blacksmithing skills to make a wide range of wooden containers and other objects. They sometimes used water or steam to bend and mould the timber.The bucket is an example of a product made from wood and iron by an experienced Cooper. In early colonial timeswhen ready-made products were scarce so the trades of coopers, blacksmiths, metal smiths, carpenters, builders and others were necessary for domestic, commercial and industrial establishment.Wooden coopered bucket; three metal bands around vertical wooden planks that form the body of the bucket. Two lugs extend higher than the planks and have a rope joined between them.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, bucket, wooden bucket, container, domestic bucket, cooper, cooper trade, coopered bucket

Black and white photograph of the rear of the former Supreme Court. Built in 1868 as part of the Ballarat Gaol complex, it became part of the Ballarat School of Mines in 1947 and used for Electrical Engineering. It has now been transformed into a performing arts centre. New building shown is Amenities Building and was officially opened in 1981. Radiating beams used for the top window are made from Oregon wood. Thought to be the last building using this wood for this purpose. Drive up to the building comes off Grant Street. All this is part of Federation University - Grant Street Campus.Black and white photograph of the rear of the former Courthouse. Built in 1868, it became part of the Ballarat School of Mines in 1947. New building shown is the Amenities Building. All part of Federation University - Grant Street Campus.ballarat supreme court, ballarat gaol, ballarat school of mines, electrical engineering, performing arts centre, amenities building, oregon cedar, grant street, grant street, federation university

In furnishing Holmbush, Legacy needed to be granted a wartime permit to purchase a refrigerator. On getting the permit the firm of New System Telephones Pty Ltd inspected the property and revised the recommended model. Of note is that the shelves were to be made of wood as wire was not obtainable due to the war. The cabinet was custom made in wood. Legacy was offered a significant reduction in cost as New System Telephones Pty Ltd ElecctrICE offers a 12 1/2 c.ft.refrigerator delivered and installed for not more than sixty pounds, where the list price would normally be £137. See also 00496.Despite it being war time, Legacy was evidently held in sufficient regard to be sold items which may have been in short supply at a very reduced price. The letter head itself is of interest as an example of the current telephone numbers and a designated telegram address.Letter outlining the provision of a refrigerator for the Legacy hostel. White quarto letter head, green and navy printing, black type, two punched filing holesSigned in black ink by M. Butler, Managerresidences, holmbush, holmbush administration

Colour slide of three legatees and a map in a forest. The caption identifies Ken Brumbrell and Graham Fogarty. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of a view of Legatees during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'The deamon drivers out from Picola / Ken Bumbrell / Graham Fogarty' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, legatees

These bellows are from the Lynn property at Jarrahmond and were used in the blacksmith's shop. It was common for rural properties to have , of necessity, their own blacksmithing facilities.These bellows are from the Lynn property at Jarrahmond and were used in the blacksmith's shop. It was common for rural properties to have , of necessity, their own blacksmithing facilities. The Lynn family settled in Orbost circa 1890 and is well known in the Orbost area.Wood and leather bellows with metal studs. The frame and handle were constructed by Graham Fall c.2009 and are not original. The handle is attached by a chain. This was probably used on the Lynn property at Jarrahmond in the blacksmith's shop.blacksmith bellows tools

The blacksmith leg vise is also called the "solid box vise" and is one of the most important tools in the blacksmith's shop. It firmly holds hot iron while it is hammered, chiseled, or twisted. These are the only vises that are designed to take this kind of use day in and day out. A small 30-pound blacksmith's vise can survive pounding that would wreck a much heavier cast iron bench model. Three things make a blacksmith's vice special. One is that they are forgings, not cast iron or ductile iron. The second is the leg that provides support to the floor or from a sunken post. The last is the hinge, while not a perfect way to construct a vice the pin joint is durable and can take a considerable beating. If sheared it is easy to replace. These things all combine into a tool that can take decades of heavy use and abuse. Most in use is one to two hundred years old.Some of these vises were made by specialists such as Atwood of Stourbridge England, Steel City and Columbian in the U.S. and others were made in anvil manufacturing plants such as "Mousehole Forge" and "Peter Wright" in England and "Fisher-Norris" and others in North America. The design of these vises right down to the last chamfer seems to have been perfected in the 1600s and remained more or less the same until the 20th century. The bodies are forged wrought iron or mild steel and they have hard steel surfaces welded into the jaws. The jaws have little or very shallow serrations which are generally worn off.Around the turn of the 20th Century during the hey-day of the blacksmith shop in North America, these tools were considered so standard a commodity that they were sold without reference to the manufacturer. Very few were even marked with the maker's name. Size is best defined by weight as there is some variation in jaw size from manufacturer to manufacturer. They were sold by the pound and are still best judged by the pound.A vintage tool used in a Blacksmiths shop during the early 19th century to the beginning of the 20th century. Regarded as a significant into social history of the time.Leg Vice attached with screws to bench via a block of wood. Has large metal pole which practically reaches the floor. Also has a metal device to either tighten or slacken vice.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

At the top is a scroll containing the Roll of Honour title with flags around. The 37 names listed below are hand written in red & blue ink. The frame is dark brown ornate wood with gold edging.“Bendigo Loco Roll of Honour 1914 - 1917”military history - records, trades - carpentery / sign writing, honor roll

This was not a promotional poster, it was printed for a bit of humour. Bought home from Vietnam by Geoff Murray, refer 638P for his service history.Poster. Vietnam. Poster printed during the Vietnam ear, colour showing a jet a top, Vietnam centre and a cartoon showing a soldeir on the move with explosions around him. The frame is wood, stained brown."Fly Far Far Eastern Airline - this vacation visit beautiful Vietnam"documents - posters / travel, frames, vietnam

There are other items donated by MRS CROSBIE. This item possibly relates to item Cat No 28.2Native comb, wood, curved shape with top & nine tines rest of length. Engraved on outside at top by hand 'Milne Bay, Moresby, Wau, Bulola, Salamoa, New Guinea 1942-3'.ethnographic material - dress ornament, military history - souvenirs, comb, new guinea

This timber mill was moved from Halls Gap to Mt William soon after the rush began. Those pictured (from left to right) are: E Evans, J Smith, D Patterson, Mr Chandler (the owner), J Delley, G Folkes and J Chamings.The photo shows seven men grouped around a large saw, which is driven by a traction engine. There arethree large logs and wood scraps in the foreground and a pile of sawdust can be seen behind the saw.timber industries, logging, sawmilling

This wooden shield was used in hand to hand fighting between Jaara people and other tribes and with European settlers. It was made for personal use by one warrior and would have been passed on to his next nearest male kin. If it did not fit them, it would have been placed with the body of the warrior.This shied was gifted to Uncle Brien Nelson when he was working in Portland. This wooden fighting shield is undecorated and fashioned for use in either the left or right hand. It is elongated finishing in points at the top and bottom. It is carved from a single piece of wood and has a handle carved into the back. The shield has some minor striations on the front which may have been produced during fighting

This wooden spear has the tip and spear shaft fashioned from one piece of wood. Sinew and resin are used to reinforce the neck of the spear. The tip is flattened and barbed. The barb is bound to the tip with sinew.

Used at the Ballarat School of Mines Petrology classes. Probably a second generation petrological microscope used at SMB. Earlier reference ; to " Petrological Microscope" is made in SMB 1908 - 9 calendar page 35. Reference to "Mineral Microscopy" found in calendar for 1896, page 47. Petrographic Microscope with two-lens objective turret in a timber case. The microscope black enameled frame with brass components. Housed in a polished wood case. Three additional polarizing filters in accessory drawer. "E. Leitz Wetzlar No. 139041 Made for Kilpatrick & Co Melbourne" A removable label inside storage case door, dated "I.II.1912" and stating the obtainable magnification ratios.ballarat school of mines, geology, petrography, microscope, scientific objects, scientific instruments