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City of Ballarat
Public Artwork, Joseph Benedict Chifley (Prime Ministers' Walk) by Ken Palmer, 1946
Joseph Benedict 'Ben' Chifley, Australia’s 16th Prime Minister. A railway engine driver in his home town of Bathurst, New South Wales. The Prime Ministers Avenue is a collection of bronze bust portraits of the Prime Ministers of Australia, located at the Ballarat Botanical Gardens in Ballarat, Victoria. The Prime Ministers' portraits are commissioned after the incumbent term of each Prime Minister by the City of Ballarat. The City of Ballarat has taken responsibility for commissioning the busts after funds set aside by politician Richard Armstrong Crouch were exhausted in 2014. Crouch originally donate money to pay for six busts, the first of which was unveiled in 1940. The collection of prime ministers' busts are unique in Australia, representing the only sculptural portrait collection of all past Australian Prime Ministers. The different styles used reflect the unique artistic practices of the selected artists; textures, sizes and features and proportions are used by the artists to interpret the characteristics of each of the subjects.The artwork is of historic and aesthetic significance to the people of BallaratBronze bust cast on granite plinthJoseph Benedict Chifley Prime Minister 1945-49prime minister, joseph benedict 'ben' chifley, ben' chifley, bathurst -
City of Ballarat
Artwork, other - Public Artwork, Wallace Anderson, John Christian Watson (Prime Ministers' Walk) by Wallace Anderson, c1940
John Christian 'Chris' Watson, Australia's 3rd Prime Minister and the first Labor Prime Minister, held office for only four months in 1904. The Prime Ministers Avenue is a collection of bronze bust portraits of the Prime Ministers of Australia, located at the Ballarat Botanical Gardens in Ballarat, Victoria. The Prime Ministers' portraits are commissioned after the incumbent term of each Prime Minister by the City of Ballarat. The City of Ballarat has taken responsibility for commissioning the busts after funds set aside by politician Richard Armstrong Crouch were exhausted in 2014. Crouch originally donate money to pay for six busts, the first of which was unveiled in 1940. The collection of prime ministers' busts are unique in Australia, representing the only sculptural portrait collection of all past Australian Prime Ministers. The different styles used reflect the unique artistic practices of the selected artists; textures, sizes and features and proportions are used by the artists to interpret the characteristics of each of the subjects.The artwork is of historic and aesthetic significance to the people of BallaratBronze bust cast on granite plinthJohn Christian Watson Prime Minister 1904prime minister, australian pm -
City of Ballarat
Artwork, other - Public Artwork, Wallace Anderson, Andrew Fisher (Prime Ministers' Walk) by Wallace Anderson, 1959
Andrew Fisher served three terms as Prime Minister to Australia, 1908-09, 1910-13, 1914-15. The Prime Ministers Avenue is a collection of bronze bust portraits of the Prime Ministers of Australia, located at the Ballarat Botanical Gardens in Ballarat, Victoria. The Prime Ministers' portraits are commissioned after the incumbent term of each Prime Minister by the City of Ballarat. The City of Ballarat has taken responsibility for commissioning the busts after funds set aside by politician Richard Armstrong Crouch were exhausted in 2014. Crouch originally donate money to pay for six busts, the first of which was unveiled in 1940. The collection of prime ministers' busts are unique in Australia, representing the only sculptural portrait collection of all past Australian Prime Ministers. The different styles used reflect the unique artistic practices of the selected artists; textures, sizes and features and proportions are used by the artists to interpret the characteristics of each of the subjects. The artwork is of historic and aesthetic significance to the people of BallaratBronze bust cast on granite and concrete plinth.Andrew Fisher Prime Minister 1908-09 1910-13 1914-15 prime minister, australian pm -
City of Ballarat
Artwork, other - Public Artwork, Tony Abbott Prime Ministers Walk, 2017
Tony Abbott Australia's 28th Prime Minister served from September 2013 to September 2015. The Prime Ministers Avenue is a collection of bronze bust portraits of the Prime Ministers of Australia, located at the Ballarat Botanical Gardens in Ballarat, Victoria. The Prime Ministers' portraits are commissioned after the incumbent term of each Prime Minister by the City of Ballarat. The City of Ballarat has taken responsibility for commissioning the busts after funds set aside by politician Richard Armstrong Crouch were exhausted in 2014. Crouch originally donate money to pay for six busts, the first of which was unveiled in 1940. The collection of prime ministers' busts are unique in Australia, representing the only sculptural portrait collection of all past Australian Prime Ministers. The different styles used reflect the unique artistic practices of the selected artists; textures, sizes and features and proportions are used by the artists to interpret the characteristics of each of the subjects.The artwork is of historic and aesthetic significance to the people of BallaratThe bronze bust is approx. 45cm in height and plinth is approx. 1.2m in height.Tony Abbott Prime Minister 2013-15prime minister, australian pm -
City of Ballarat
Artwork, other - Public Artwork, Wallace Anderson, James Henry Scullin (Prime Ministers' Walk) by Wallace Anderson, c1940
James Henry Scullin served as Prime Minister 21 October 1929 - 1932, Labour Government. The Prime Ministers Avenue is a collection of bronze bust portraits of the Prime Ministers of Australia, located at the Ballarat Botanical Gardens in Ballarat, Victoria. The Prime Ministers' portraits are commissioned after the incumbent term of each Prime Minister by the City of Ballarat. The City of Ballarat has taken responsibility for commissioning the busts after funds set aside by politician Richard Armstrong Crouch were exhausted in 2014. Crouch originally donate money to pay for six busts, the first of which was unveiled in 1940. The collection of prime ministers' busts are unique in Australia, representing the only sculptural portrait collection of all past Australian Prime Ministers. The different styles used reflect the unique artistic practices of the selected artists; textures, sizes and features and proportions are used by the artists to interpret the characteristics of each of the subjects.The artwork is of historic and aesthetic significance to the people of Ballarat Bronze bust cast on granite plinthJames Henry Scullin Born Trawalla Prime Minister 1929-32prime minister, james henry scullin, labour government -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Charles E. Gordon Frazer, Sir Thomas Bent, 1892
When Thomas Bent, politician and land speculator, was appointed Speaker of the Victorian Legislative Assembly in 1892, a number of local Brighton constituents and supporters raised money to present him with an oil portrait. Bent had been a member for Brighton for 21 years, and the painting was seen as a way of showing their appreciation of his services to the Brighton constituency, as well as congratulating him to his new position as Speaker. In June 1892, British/Australian landscape and portrait artist Charles E. Gordon-Frazer was given the commission to paint the portrait. Thomas Bent is depicted as standing in his Speaker's robe on the dais beneath the canopy in the Legislative Assembly Chamber in the act of addressing the House. He wears the traditional Speaker’s dress of a black silk and gold laced robe over a three-piece black suit, lace jabot and cuffs, buckled shoes and a ceremonial long wig. The top of the gold parliamentary mace sits on the right of the work near the frame's edge.sir thomas bent, thomas bent, speaker, mayor, premier, brighton, moorabbin, land speculator, local government, councillor, official, member of lower house, portrait, parliament, ceremonial robes, legislative assembly, jabot, wig, mace -
Hume City Civic Collection
Photograph, 1939 - 1945
... portraits ...The photograph has been copied from an older snapshot.A black and white photograph of the bust of C. H. Gilligan in a RAAF uniform. He is standing in front of a garden fence.raaf, uniforms, portraits, clothing and dress, gilligan, c. h., royal australian air force, george evans collection -
Hume City Civic Collection
Photograph, c 1916
... portraits ...Mounted sepia coloured photograph of a male soldier, M. B. Gilchrist.Printed on front: The Swiss Studios - Melbourne Typed on white paper and stuck on front: M. B. Gilchrist Handwritten on back: M. B. Gilchristthe swiss studios, photographers, gilchrist, m. b., soldiers, armed forces, portraits, george evans collection -
Hume City Civic Collection
Photograph, c 1916
... portraits ...Mounted b/w photograph of soldier Charles Flintoff, standing at ease with both hands behind his back.Printed on front: Melba and Co. Melbourne Handwritten on back: Charles Flintoffmelba and company, photographers, flintoff, charles, soldiers, armed forces, portraits, george evans collection -
Hume City Civic Collection
Photograph, c 1916
... portraits ...A mounted sepia coloured photograph of soldier Bob Gregor standing at ease in front of English flag.Printed on front: Under Vice Regal Patronage, The Ainar Studio, 571 Burwood Road, Auburn, Vic. Typewritten on white paper: Bob Gregor Handwritten on back: Bob Gregorthe ainar studio, photographers, gregor, bob, soldiers, armed forces, portraits, george evans collection -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, C.2008/2009
The Grinton Collection. This 38th Bn Stretcher Bearer is unidentified at this point. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting an informal portrait of a soldier seated on an earth bank. Trees in the background. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "G. Stretcher bearer of the 38th Battalion". framed accessories, camera on the somme, ww1, 38th bn, grinton -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. An unknown 38th Bn soldier at his point. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting an informal portrait of a soldier seated on a chair with a brick wall behind. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "E. 38th Battalion soldiers" .framed accessories, camera on the somme, ww1, 38th bn, grinton -
Lara RSL Sub Branch
Book, HMAS Mk11 The RANS second book, 1943
HMAS Mk11 endeavours to give something of a picture of this world wide fabric of sea power and the threads therein woven by the Royal Australian Navy. These threads are coloured by experience and tradition of the centuries of the Naval history.Personal recounts from NAVY service personnel by way of stories, poems, cartoons, illustrations and portraitsHMAS - Printed 1943 has a paper dust jacket with the white ensign. Inside front and back hardcover is a green background and illustrations of ships and words of places of Navy service. Photographs, illustrations, cartoons, portraits.hmas mk11, naval history -
Bendigo Military Museum
Photograph - PHOTOGRAPH, WW2, 1944
Helen Nall enlisted in the RAAF No 500602 on 1.11.1944 age 23 years. Discharged with the rank of Sister on 21.4.1946 serving in No 6 RAAF Hospital.Black & white portrait of Helen NALL RAAF Member WWII. Lady is wearing a dark uniform jacket, tie, light shirt with RAAF pattern, broad brimmed hat with light shade badges in front.Rear: “1944 Sister Helen Nall No 500602 RAAF Nursing Service. Rank - Flying Officer. Now Helen MAYOR, 7 Bancroft St Bendigo 3550”photographs, raaf, nursing -
Bendigo Military Museum
Memorabilia - PHOTOGRAPH, Preservene Pty Ltd
Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Black / white portrait photo of a boy in school uniform, consisting of a shirt, tie, jacket & monogrammed cap. Photo is in a cream, card mount. Photo & mount are enclosed in a light brown embossed card folder.Printed on the front of the folder: With compliments PRESERVENE PTY LTDcards, photography -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED
Charles Frederick Langdon No 6452 enlisted in the AIF on 26.9.1916 with 18 reinforcements 23rd Batt age 24 years 11 months. Embarked for England 23.11.1916, embark for France 13.8.1917, hospital 1.10.1917 with Synovitis of the Knee, return to unit 6.10.1917, hospital 8.2.1918 with Gastritis and Trench Fever. Returned to Australia 24.8.1918 classed with Gastritis, Trench Fever and Debility, discharged from the AIF 28.2.1919. He enlists again on 16.1.1942 No V145863 in the CMF, serves in various units in AHQ & LHQ, promoted to Cpl 19.3.1943, discharged from the Army 2.2.1944 medically unfit.Framed photograph, timber frame, brown colour with glass, photograph B & W copy of photograph, portrait, beige background, type written label at bottom, rear has information re Sig C.F.Langdon.photography, framing, portraits ww1 -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, Post WW1
Thomas Stanley Wright "MM". Refer 780 for his service details plus his brothers Charles and George KIA, also 781.2P.Thomas Stanley Wright "MM" no. 5242. 6th Batt AIF. Timber frame. mid brown colour. Black and white photograph of a soldier in uniform with cream colour cardboard surround. Full length portrait.Printed in black ink on the back "Pte THOMAS STANELY WRIGHT, MM/6th Battalion, AIF, Regt 5242/enlisted Bendigo 21 years, 7 months old / 8th of February 1916"photographs, framed, wright, mm -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, Wong Photographer, 1969
The photo relates to S/SGT FRANCIS WILLIAM (DINKY) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR. Refer 124.2 for service details also 123.5, 125.4, 366P.Photograph, framed, black & white group portrait of Australian Senior NCO's in shorts & long trousers, slouch & peak caps. Most are wearing campaign ribbons. One Officer, Lt Colonel of Regiment is absent. Named are Senior NCO's of IRAR & CO of the Battalion. IRAR Sergeants Mess, Malaysia 1969.photography-photographs, frame accessories, military history- army -
Glenelg Shire Council Cultural Collection
Medal, Stokes and Martin, Portland Golden Jubilee Medal, 1884
Medal issued to commemorate the 50th anniversary of Edward Henty's arrival in Portland, Victoria. Edward Henty was born in England in 1809 and migrated to Australia, as did his parents and brothers, in 1829. On 19 November 1834 he sailed from Launceston in the Hentys' own schooner, the Thistle, with stock and a small party. His brother Francis followed the next month with a small flock of merino sheep, the first in Victoria. The Henty brothers began whaling at Portland Bay and took their flocks and herds inland to the rich area on the Wannon River. In the 1840s they were eventually granted pre-emptive rights over most of their lands. Henty was known as a capable and energetic man and regarded as the chief actor in the early history of Portland Bay. He and his wife Anne Marie Gallie moved to Muntham, a 60,000-acre property that became widely known for its merino sheep and Durham cattle. It was also known for its extravagant hospitality - to which Henty's social ambition and vanity contributed considerably. This extravagance and Henty's obstinacy eventually led to the degradation of the flocks. Henty lived in Portland and in his Melbourne mansion, Offington, while he served as a member of the Victoria Legislative Assembly. He died on 14 August 1878Portland Jubilee Medal, 1884. White metal, circular, holed at top as issued. One side features portrait of Edward Henty and text 'HENTY JUBILEE / PORTLAND / 19 NOV 1884' on the other side. -
Mission to Seafarers Victoria
Photograph, 1900-1910
The man is possibly a ship master or captain and the photo of the couple depicts also his wife. Studio photographic portrait of two people: female standing dressed in black? formal attire, arm leaning on seated male also formally dressed in 3 piece suit with watch chain and bowler hat.skipper, captain, ship master -
Glen Eira Historical Society
Album - Album page, Ripponlea, 192 Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Maureen Harrison, Mrs R.B.Anderson and Mrs T.C. Jarrett at Theo Jarrett's Farewell, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Maureen Harrison/ Mrs R.B.Anderson/ & Mrs T.C. Jarrett/ at Theo Jarrett's Farewell (blue pen, centre)port of portland archives, theo jarrett, retirement -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small portrait of a lady seated on a chair with her left elbow on the chair back and her hand up to her face. She has frills on her dress and a long feathery tie at her neck.N. White, Photographer Mitchell Street Sandhurstphotograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small, oval head and shoulder portrait of a lady. She is wearing a dark, high neck dress with a frill collar. She is also wearing a small hat. Card has a blue border. Nothing on the back.photograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small head and shoulder portrait of a man with a long beard. He is wearing a jacket. Photographer's name printed in gold on the front. Also a gold border. Photographer's name and address printed on the back with a Coat of Arms.Johnstone, O'Shannessy & Co., 3 Bourke St. East, Melbournephotograph, portrait, male, portrait of a man, johnstone o'shannessy & co. -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small portrait of a man sitting on a stone fence. He is wearing a three piece suit with a watch chain. He is also wearing a bow tie and is holding a round crown hat with a thick material hatband.Paterson Brothers. 8 Bourke Street, East Melbourne.photograph, portrait, male, portrait of a man -
Bendigo Historical Society Inc.
Photograph - UNKNOWN FAMILY COLLECTION: PHOTOGRAPH, Circa. 1900
Photograph - black and white. Portrait of a young woman, standing outside. Wearing a dark coloured dress, black gloves, hair tied up tightly. She has very dark eyes, quite noticeable.John Lay, Eaglehawk.person, individual, female portrait, photograph. portrait female. unknown collection. -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: MALE PHOTO, Nineteenth Century
Black & White portrait studio photo. Male aged approx thirty. Captioned in writing reverse Tom Glass. Printed on Front. Bartlett Bros, Sandhurst. Turned up collar with small bow tie.Bartlett Bros, Sandhurstphotograph, person, male -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: MALE PHOTO, Early Twentieth century
Male aged early twenties portrait. Suit coat, vest, turned down collar with neck tie. Hand written caption 'Mr Barry Harrison ?' on reverse. Foster Pall Mall printed on front.Foster Pall Mall Sandhurst.photograph, person, male -
Bendigo Historical Society Inc.
Souvenir - GEN SIR REDVERS H BULLER PLATE, 1899
White china plate with fluted and gilded edges decorated with flowers, crossed flags and a portrait of a military officer with medals in centre. Titled General Sir Redvers H Buller VC GCB KCMG PCPatented England Grindley & Co Oct 31st 99 USAdomestic equipment, table setting, plate