Showing 9451 items
matching 4th/19th
-
Kew Historical Society Inc
Clothing - Manila de Manton, 1900-1930
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Large black silk fringed shawl (aka piano shawl) that incorporates large areas of pink embroidery. table cloths, table covers, manton de manilas - piano shawls -
Kew Historical Society Inc
Clothing - Black Silk Embroidered & Fringed Shawl, c.1910
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity.Fitted black silk cape or shawl, joined at the neck, and incorporating embroidery of the same colour. The item includes extensive, double-row fringing. On examination of the piece, it would appear that it was constructed from a Manila de Manton (piano shawl). It has been provisionally dated to either the late-Victorian or Edwardian periods.fashion and textiles collection - kew historical society, shawls -
Kew Historical Society Inc
Decorative object - George V Jubilee 1910-1935
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity.White crocheted doily that commemorates the twenty-fifth jubilee year of the reign of George V (1910-35)1910 - 1935 / GEORGE V / JUBILEEdoilies - patriotic, commemorative souvenirs, ephemera, george v -
Kew Historical Society Inc
Textile - Fragment of Net and Tulle Fabric, 1880s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Length of heavily embroidered tulle with a border detail on three edges and one cut side. The pattern is of flowers and leaves. Machine chain stitch onto net. The floral centres are hand madelace, embroidery, tulle -
Kew Historical Society Inc
Clothing - Lace Bodice, 1930s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream crocheted bodice with pearl buttons. A net band has been attached at the waistline to facilitate the garment being tucked in. There are some machine made elements hand tacked on but the garment is mainly hand made. Most of the garment is diamond mesh with picot. The yoke is crotchet mesh with applied daisy motifs. Large daffodils and daisy motifs are applied to the main body of the garmentlace, women's clothing -
Kew Historical Society Inc
Clothing - Lace Jabot, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Net jabot with 3 machine made filet inserts. Edged with machine made tape lacelace, women's clothing, jabots -
Kew Historical Society Inc
Clothing - Lace Jabot, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Coffee coloured smaller and larger frills to wear at the neck. Chemical lace daisies sith the net cut away with a punch. The machine was set precisely to repeat the design with lock stitch and then satin stitch around the edgeslace, women's clothing, jabots -
Kew Historical Society Inc
Clothing - Linen Waist Band and Lace Drops, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Curved white cotton band with pin tucked rectangular inset front and back. It curves downward to enable the two bobbin lace panels to hang downwards. Has four crotched buttons. The stiches used are plait stitch, cloth stitch, and mesh stitch.lace, women's clothing -
Kew Historical Society Inc
Clothing - Lace and Net Sleeve Cuffs, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cotton voile sleeves edged with broderie anglais. In poor condition, may have been removed from another garment. Probably hand worked, it is an example of cut worklace, women's clothing, sleeve cuffs, engageantes -
Kew Historical Society Inc
Clothing - Lace Collar, 1950s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. White lace gathered onto tape which can then be sewn onto a garmentlace, women's clothing, collars -
Kew Historical Society Inc
Clothing - Lace Bow, 1920s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream net bow edged with lace, gathered at the centrelace, women's clothing -
Kew Historical Society Inc
Clothing - Lace Collar, 1910s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Lace collar attached to the neckline of a garment. It is narrow over the back , widens at the shoulders and tapers down in a triangular shape to a point on either side at the front. lace, women's clothing, collars -
Kew Historical Society Inc
Clothing - Lace Collar, 1880s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream lace collarlace, women's clothing, collars -
Kew Historical Society Inc
Clothing - Silk and Lace Scarf, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Rectangular silk panel edged with lace at either end.lace, women's clothing -
Kew Historical Society Inc
Clothing - Chemisette, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. A fine cotton chemisette with collar and front opening edged with tape lace and then edging lacelace, women's clothing, bodices, chemisettes -
Kew Historical Society Inc
Clothing - Lace Collar, 1870s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream collar. Panels of locked stitch lace onto netting are alternated with cut work. The neck edge is bound with fabric to attach the collar to a garment lace, women's clothing, collars -
Kew Historical Society Inc
Clothing - Sleeve Cuff
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. One of a pair of muslin cuffs as worn by maids. Hand sewn.women's clothing, sleeve cuffs -
Kew Historical Society Inc
Clothing - Lace Collar, 1910s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream organdie collar. Machine embroidered with flowers and leaves at the edge of the collar. Trifoils embroidered at the neck edge of the collar. The collar is divided into three panels by two embroidered lines which open into a diamond shape at the outer edgewomen's clothing, lace, collars -
Kew Historical Society Inc
Clothing - Black Cocktail Dress, 1963
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This dress was made by Mrs Dorothea Fush, the mother of the donor, and won an award for dress making at the Royal Melbourne Show. The award certificate is kept with the dress.Ballerina length black sheer evening dress with shoe string straps. women's clothing, australian fashion - 1960s, cocktail dresses, thea sartori -
Wodonga & District Historical Society Inc
Functional object - Hand drill mounted on wooden stand, Early to mid 20th Century
This style of geared drill was commonly referred to as an egg-beater drill and was first patented in 1838. During the late 19th century these drills became more common due to the development of mass production. Users also began to mount the drill onto a frame. This allowed greater control over the drill and removed the need to be holding it in both hands. This gave the operater greater control over the item to be drilled. The drill could be easily removed when required. This item is an example of a domestic woodworking tool commonly used before the widespread use of power tools. The construction of the basic wooden frame also demonstrates the ingenuity of early pioneers and tradesmen in adapting tools to suit their own needs.A metal hand drill which has been mounted on to an improvised wooden stand. hand tools, mass production, egg beater drills -
Melbourne Legacy
Programme, Junior Legacy Club presents their Annual Demonstration 1945, 1945
Programme of a Legacy Demonstration at the Melbourne Town Hall on 19th October 1945. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1980s, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of a Junior Legacy annual demonstration.Printed programme for 1945, photocopy of a A4 page folded in 3. annual demonstration, junior legatee -
Melbourne Legacy
Document - Document, newsletter, Weekly Bulletin 1929, 1929
An early example of Melbourne Legacy Club newsletter (No. 123 19th March 1929), covering the activities of Melbourne Legacy Club. Information includes speakers for the weekly Tuesday meetings (with the exception of the first Tuesday of the month when there was no speaker), personal news of Legatees, activities of boys and girls clubs, job placement for Junior Legatees, news from other clubs, and a roster of duties. The overall tone is chatty but informative and the dedication to the welfare of Junior Legatees is obvious.Brings to life the work of Melbourne Legacy in the early years.White foolscap paper with black type x 3 pages of a newsletter for legatees.'H 50' (see Item 00937) in blue ballpoint on page 1.newsletter, legatees -
Vision Australia
Audio - Sound recording, Rebecca Ryan Memorial concert: an evening to remember, 19/10/2001
Every two years the Burwood Education Centre holds a music concert in Ormond Hall, where blind and low vision performers come from around the state to perform. The concert is held in memory of Rebecca Ryan, a talented musician who passed away aged 15. This recording was made on Friday 19th October 2001 and features a variety of performers, a tribute to John Shute and the presentation of scholarships from the monies raised through ticket sales.2CDS of audio recordings of the music concert for Rebecca Ryanrvib burwood school, joseph samarani, maritah suki, marina connelly, astrid connelly, samuel hodson, dean carland, megan sykes, amara wagner, michael kelly, jordie howell, natasha paterson, felicity joyce, rory burnside, melissa cutler, ashleigh malone, peggy soo, alysha hayes, alan taylor, christopher hooper, mick curran, jim millar, ross de vent, paul shorten, bianca nolan, lauren hayes, kristian kupsh, maree littlepage, john shute -
Stawell Historical Society Inc
Photograph - Group Photo, High School, December 1908
Huttley - Martin FamilyB/W Group portrait in front of brick buildingStawell High school Marge front row 3rd from right Mum's friends ( I.E. Madge Huttley) Agnes Crag ? - front right - close friend of mum died of suicide pact - husband survived & goaled in Adelaide. Cath Jack - 2nd row 3rd from right Marg Heal - 2nd row 4th from right Thema Porter from 3rd from Lefthuttley, martin -
Melbourne Legacy
Audio - Recording, tape, Special Legacy Week Address by the Governor General, 1960
A special Legacy Week Address by the Governor General, in 1960. Legacy week was a time to appeal to the public for donations and the Governor of Victoria was the patron of Legacy.A record that the Governor General of Australia was involved in promoting Legacy during Legacy week in the 1960s.Cardboard box containing audio tape recording of the address by the Governor General in 1960.Cardboard box with paper sticker, John Clemenger Pty. Ltd. Adervertising. 473 Bourke Street, Melbourne. Permanent record wriiten with blue ball point pen. Special Legacy Week Address by the Governor General. Please return to Tony Charlton after use on September 4th, 1960. Cardboard box, recoding. Tape sato - 3 Clear plastic spool, audio tape plastic film.legacy week, legacy promotion, governor general -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Veterinary Field Case Book, (estimated); Early 20th century
Army Book 32 Contains case details by Capt, later Major Grayson, Veterinary Officer, 4th Light Horse Regiment Warrnambool Camp, 19 Feb-24 March 1934; 8th Light Horse Regiment Benalla Camp 2-9 March 1936; 8th Light Horse Regiment Corowa Camp 16 Oct-14 Nov 1939. Also contains prescriptions for various veterinary applications, namely - Arsenic 1% solution, Argyrol, Aloes, Syrup, Alterative Powder, Anaesthetic (local), Antidote mixture, Condition pill for horse, Red blister, Bran and linseed mash, Balinitis (wether) Tincture of Iodine, Liniment for chill blains, Mange dressing, Mouth wash and gargle, Nicotine sulphate 0.06% Veterinary Field Case Book Army Book 32warrnambool, 4th light horse, light horse, army veterinary corps, veterinary, case book, grayson, 8th light horse, benalla, corowa, veterinary prescriptions -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, Len Millar, 10/01/1992 12:00:00 AM
Set of four colour prints of the operations for the 1992 Ballarat Scout Jamboree held between the 4th and 11th of January. Taken on 10/1/1992 by Len Millar - See also January 1992 Fares Please! 1320.1 - Scene at Carlton St. with group of Scouts boarding trams. 1320.2 - as above 1320.3 - group at Tram depot standing in front of No. 1 road - used in January 1992 Fares Please! 1320.4 - Group photo of btm staff standing in front of 14 near Depot Junction. In photo (Left to right), Peter Walker, Frank Puls, John Treloar, Andrew Mitchell, Carolyn Dean and kneeling - John Phillips, Len Millar. Not known who took photo. See January 1992 Fare Please!scout jamboree, btm, charters, depot, tram 14, tram 661, tram 40 -
Wodonga & District Historical Society Inc
Photograph - Fred Rochow Railways Collection - Retirement send-off for Claude Clancy and Jack O'Donnell, 1955
The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Group photo at gathering for the retirement of Claude Clancy and Jack O'Donnell in Wodonga, 1955. Back row left to right: Bill Baldock, Norm Davey, Tom (Milky) Cosgrove, Lionel McCormick, Bill Welch, Jimmy Lawler, Pat Murphy. 2nd row: Don Shepherd, Brian Putt, Norm O’Neill, Tom Guinane, Allan Smythe, Fred Leitch, Les Cross, Hugh Fraser, Eddy Moss, Colin Whitehand, Max Church, Eric Molloy, Frank Conway, Vin Snow, Stan Warnock, Dave Sutton 3rd row: Tommy Fitzgerald, Claude Clancy, Alex Reid, Jack, O’Donnell 4th row: Frank Rand, Kevin Goocher, Buddy Strachan, Cyril Tannick, Allan Elvish, Wally Rileyrailways wodonga, fred rochow, wodonga railwaymen, claude clancy, jack o'donnell -
Warrnambool and District Historical Society Inc.
Packaging, Box, Early 20th century
The box pieces belong to a VeeDee Massager that has been in the Historical Society collection for several years. It is an interesting example of the dubious medical aids used by 19th century and early 20th century people who resorted to this sort of appliance to try to find relief for many ailments. The box lists the ailments that the massager claims to be able to treat effectively. These include rheumatism, lung troubles, sciatica, insomnia, kidney disease, paralysis, constipation, deafness, bowel complaints and tumours. These box pieces are kept because they have much information on them regarding the use of the VeeDee massager, with a list of the ailments and medical conditions that are claimed to be cured or aided by the use of massager. The information is of use when researching social and medical history and tells us much about the primitive knowledge of ailments and illnesses in the 19th and early 20th centuries. The massager is a medical curiosity of much interest to people today and is a valuable and fascinating display piece. These are the remains of a box that contained a VeeDee massager. There are two pieces - a flattened piece of cardboard that once formed the base and sides of the box and another cardboard piece that was the top of the box. The two small ends of the original box are missing. The inside of the box is red and the base and the sides are green and white with illustrations and descriptive material in black printingThe box pieces have much printed material on them in six languages, but the main heading is ‘THE VEEDEE FOR VIBRATORY MASSAGE’warrnambool, allied health -
Warrnambool and District Historical Society Inc.
Document:, Letter from Joseph Kirkham 1872, 1872
This letter refers to the production of long wool and sourcing the fleece and breeding stock of the Lincoln long wool breed. He writes from Lincolnshire and is looking at developing opportunities in Australia and New Zealand. The breed became popular in the latter part of the 19th century and large prices were paid for stock particularly rams. They were bred for wool as well as meat. The breed had declined in popularity in the later part of the 20th century. This letter is part of the Bostock collectionA handwritten letter documenting the link between English markets and Australian sheep farmers.Pale blue paper, lightweight, handwritten in black ink.Joseph* Kirkhamwarrnambool, lincoln long wool, joseph kirkham lincolnshire, 1872, bostock