Showing 5058 items
matching 1901-1951
-
Ararat Gallery TAMA
Textile, Frances Burke, Angel Fish, 1951
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Tiger Lily, 1951
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Tennis Australia
Racquet, Circa 1951
A Bancroft Forest Hills tennis racquet, with plastic whipping from shoulders to shaft, and leather handle with patterned perforations. Bancroft logo features across base of head. Throat features model name, and a decal image of Forest Hills main court. 'B' trademark features on lower shaft and butt cover. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Cloth, Adhesive tape, Paint, Stringtennis -
Kew Historical Society Inc
Functional object, Victorian Railways, Mr F.H. Noble : First Class Railway Ticket, Melbourne-Kew, 1951
This yearly train ticket was issued to Frederick Noble to travel from the Kew Railway Station to Melbourne. The Kew Branch Line ceased operations as a passenger service in 1952, the year after the ticket was issued. The Kew Railway Station was demolished in 1957. The ticket was donated to the Society by the City of Kew in 1989.Brass VR First Class Rail ticket issued to Frederick Noble. The token is dated 1.1.51. It names the owner as Mr F.H. Noble. Frederick Noble lived in Molesworth Street at this time and worked as a sports journalist on The Age.1-1-51 / Kew / Mr F.H. Noble / Melbourne 1-1-51 / Kew / First Class / Melbournekew railway station, frederick noble --molesworth street -- kew (vic.) -
Kew Historical Society Inc
Programme, 'The Miser' by Moliere, 1951
Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme for a performance of The Miser by Moliere by The Everyman Theatres Company in association with the Council of Adult Education. The text was adapted by Miles Malleson. The 12-page programme includes a cast list, individual performer profiles and notes regarding the history of Everyman Theatres Company. arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, the everyman theatres company -
Kew Historical Society Inc
Programme, Fourteenth Subscription Concert / Kew Philharmonic Society, 1951
The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of the fourteenth subscription concert of the Kew Philharmonic Society. The program was advertised as an "All-English Programme". arthur dear collection, kew philharmonic society -
Kew Historical Society Inc
Photograph - Programme, Fifteenth Subscription Concert / Kew Philharmonic Society, 1951
The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).The Arthur Dear Collection is a comprehensive collection of theatrical ephemera relating to performances by theatrical and musical organisations from within and outside the former City of Kew who typically performed at venues in Kew during the 1950s and 1960s.Concert programme of the fifteenth subscription concert of the Kew Philharmonic Society. The concert program was advertised as a "Special Xmas Programme"arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme -
RMIT GSBL Justice Smith Collection
Book, Williams, Glanville Llewelyn, Joint torts and contributory negligence : a study of concurrent fault in Great Britain, Ireland and the common-law domionions, 1951
ISBN: 0420453105negligence: contributory -- great britain, torts -- great britain: negligence: contributory -
RMIT GSBL Justice Smith Collection
Book, Oram, R. T, Commonwealth statute law decisions, 1903-1950, being sections of the Commonwealth statutes including the constitution, judicially considered by the High Court of Australia and the Judicial Committee of the Privy Council, 1951
Second edition No. of volumes: 2 Volume range: Vol. 1-2 Missing volume: Vol. 1annotations and citations (law) -- australia, law reports; digests: etc. -- australia, law -- australia -- indexes -
Kew Historical Society Inc
Booklet, W. M. Houston, Government Printer, A Descriptive Guide to the Botanic Gardens, Melbourne, 1951
Descriptive guide to the Melbourne Botanic Gardens.Brochure describing the Botanic Gardens of Melbourne. 50 pp, Contents, Photographs, Fold-out map, Index.non-fictionDescriptive guide to the Melbourne Botanic Gardens. botanic gardens-- melbourne (vic.), christian-washfold collection -
Kew Historical Society Inc
Booklet, W. M. Houston, Government Printer, A Descriptive Guide to the Botanic Gardens, Melbourne, 1951
Guide to the Melbourne Botanic GardensA Descriptive Guide to the Botanic Gardens, Melbourne. Numbered 10864/53. 41 pp. Preface, Contents, Illustrated, Fold-out map, Indexnon-fictionGuide to the Melbourne Botanic Gardensbotanic gardens-- melbourne (vic.), christian-washfold collection -
Queen Victoria Women's Centre
Book, N.S Ecersley Pty. Ltd, A History: The First Fifty Years, 1951
Book written about the first 50 years of the Queen Victoria Memorial Hospital 59 pages. Red cover with silver text. Internal, white paper with black ink, black and white images throughout. The Queen Victoria Memorial Hospital crest on the front cover. hospitals, books, historic buildings, women health professionals -
Stawell Historical Society Inc
Map, Moyston, County of Borung, 1951
Moyston, County of Borungstawell -
Williamstown Botanic Gardens- Hobsons Bay City Council
Photograph - Williamstown Botanic Gardens, 1951
Images collected by donor for Williamstown High School archives and scanned by Lindy Wallace for Botanic Gardens archiveThe images demonstrate the social value of the Gardens to the local community and how they used as a place for meeting, playing and celebrating with friends and family.Black and white image of Williamstown High School students at the Gardens. 7 girls sitting on grass in front row; 7 girls kneeling in second row; approximate 17 students standing in two rows at rear; teacher standing to the right of the image. They are on the lawn with paths and trees in the background. -
Surrey Hills Historical Society Collection
Work on paper - Certificate, Certificate re birth of Laurie Young, 15 October 1951
Dr Agnes Donaldson practised as a GP at 'Luxmee' in Windsor Crescent, Surrey Hills along with her sister, Dr Roberta Donaldson. The practice was originally in Blackburn Street commencing in the early 1920s. It moved to 'Luxmee' where Dr Navroji (Neville) Gandevia had previously practised. Their father had been a doctor at Linton, near Skipton and their brother was a doctor in Skipton. A one page note written on cream paper in blue ink."This is to / certify that / Laurie Young / was born on / August 18th 1946 / A R Donaldson / MB BS Melb / 15.10.51"laurie young, 'luxmee', windsor crescent, dr agnes donaldson, certificate -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Lyttlewood Press, "Ex libris K. Brian Stonier Melbourne Grammar Melbourne University" by Lionel Lindsay, 1951 (Lindsay)
Lionel Lindsay (1874–1961) Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award..1) An etched book plate by Lionel Lindsay for Brian Stonier in brown ink on cream card. The bookplate features an old sailing ship at sea. .2) Framed etched book plate by Lionel Lindsay for Brian Stonier in blue ink on cream card (as above)Printed on bookplate "Ex libris K. Brian Stonier Melbourne Grammar Melbourne University" Printed lower right below image but within plate-mark, "Lionel Lindsay"bookplate, lionel lindsay, k. brian stonier, melbourne grammar, melbourne university, sailing ship, sea, robert c. littlewood, framed bookplate, keith wingrove bookplate design award, keith wingrove memorial trust -
Vision Australia
Text, Letter to V.S. Hollow regarding M.A. Aston Estate, 16/2/1951
Letter to Mr V.S. Hollow in response to his requests for information regarding execution of the M.A. Aston Estate. "Dear Sir, M.A. Aston Estate Your letter dated 20th December was hand delivered to me at 12.15 today. In answer thereto, I have to advise: 1. Mr Paterson is William Henry Paterson. Mr Worrall is Albert Victor Worrall. 2. The stock comprises two blocks 300 pounds and 200 pounds totalling 500 pounds. Yours faithfully, General Secretary1 torn half of a carbon copy pageassociation for the advancement of the blind -
University of Melbourne, Burnley Campus Archives
Plan, Department of Public Works, Burnley School of Horticulture, c.1951
Department of Public Works, Melbourne, Victoria plan No. 51/66 of extension of grounds. Area bounded by Yarra River to north and south. Additional areas coloured. Position of new buildings and new house shown.burnley school of horticulture -
University of Melbourne, Burnley Campus Archives
Plan, E.M. Gibson, Revised Roads Plan for Burnley Gardens, 1951
(1) 8 copies Plan by E.M. Gibson. (2) Report to Accompany Master Garden Plan for Burnley Gardens by E.M. Gibson 1.12.1949. Includes all areas around new Administration Building. Refers to help from C.R.T.S. students. Note: Master Garden Plan itself not found.e.m. gibson, burnley gardens, crts, students -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Administration Building, 1949-1951
Black and white photograph. Taken from a long distance across the lawn looking towards the Eastern facade. Early days of garden planting. On reverse, 85 556 and a signature.administration building, garden planting, garden view, main building, emily gibson beds, lily ponds, luffmann ponds -
University of Melbourne, Burnley Campus Archives
Album - Black and white prints, E. M. Gibson Collection, 1942 - 1951
It is possible that E.M. Gibson left these photographs at the College when she retired from teaching there. Photographs relate to her work in designing new planting around the Administration Building and a general record of what the whole site looked like during this time. Various numbering systems have been used on reverse of photographs but the most consistent one has been used for cataloguing and sorting. These photographs include some of the missing ones from Series 1, 2, 4, 6 and 76 in B09.0005 and are the same as those in the negatives B09.0001. Possibly one person (J.L. Provan?) has taken the photographs and E.M. Gibson has picked out the ones she wanted. See B09.0005 for slides that have been made of these photographsCollection of black and white photographs stored in a photograph album with plastic pockets. These have been removed and replaced in archival album. Handwritten description attached in T.H. Kneen's writing identifying some of the photographs. Also his handwriting on reverse of many of the photographs. Identified as THK in catalogue. Some photographs have descriptions handwritten on reverse in different handwriting presumed to be that of E.M. Gibson. Identified in catalogue as EMG.See separate cataloguet.h. kneen, e.m. gibson, teacher, administration building, j.l. provan, rock point, luffmann ponds, lily ponds, entrance, garden views, hilda kirkhope rockery, sequioa sempervirens, orchard border, orchard, students working outside -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Student Turning in Green Manure Crop, c. 1951
Note by E.B. Littlejohn, "Ferguson tractor with scalloped disc cultivator turning in a green manure crop. Note boxthorn hedge," and by T.H. Kneen, "Margaret Hunt at controls of Ferguson tractor.Student. Margaret Hunt, turning in Green Manure Crop with scalloped disc cultivator on Ferguson tractor. Early Spring. Boxthorn hedge in the background.ferguson tractor, scalloped disc cultivator, green manure crop, boxthorn hedge, margaret hunt, orchard -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 315/11, c. 1951
BinsLeft side of photograph: "Plant Res. Lab claims this glass house is theirs. It is 240 yds from PRL." Right side of photograph: "School of Hort Soil Bins & Pot Washing Shed." EMGplant research laboratory, glass houses, e. m. gibson collection -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 315/12, c. 1951
Pasture Branch (Agrostology) Equipment Shed & general store & field staff room. 250 yards from nearest part of Pasture Field. EMGpasture branch, agrostology, equipment shed, general store, field staff, e. m. gibson collection -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 315/15, c. 1951
Army Hut erected during building of new School. Now functions as 1. PWD Store 2. Demonstration Room 3. Temporary Fruit Preserving Kitchen & Store. EMGArmy Hut erected during building of new School. army hut, e. m. gibson collection -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 315/24, c. 1951
Media binsmedia bins, e. m. gibson collection -
Lilydale RSL Sub Branch
Book, Chatto and Windus, The Big Show, 1951
Some experiences of a French Fighter Pilot in the R.A.F.non-fictionSome experiences of a French Fighter Pilot in the R.A.F. -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, "Student Interview", 1950-1951
Note by T.H. Kneen, "The photo was staged to depict a "mother" and "son" seeking information about Burnley. "Mother" was a staff member and "son" was a current student."Black and white photograph. Staged student interview depiciting a mother and her son.t.h. kneen, mother, son, staff, students, student interview, publicity -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, "Student Interview", 1950-1951
Note by T.H. Kneen, "The photo was staged to depict a "father" and "son" seeking information about Burnley. "Father" was a staff member (Ray Harding)and "son" was a current student."Black and white photograph. Staged student interview depiciting a father and his son being interviewed by the Principal, T. H. Kneen. 2 copies. On reverse of 1 copy, "1950-1."t.h. kneen, father, son, staff, students, student interview, ray harding -
Falls Creek Historical Society
Photograph - Ray Meyer, 1951
MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.This image is significant because it depicts a pioneer of the Falls Creek area and one of the founders of Skyline Lodge.A black and white image of Ray Meyer relaxing on a cot (labelled SEC) in one of the huts in the Bogong area.ray meyer, falls creek, victorian snowfields