An early black and white photograph of Steavenson Falls in Marysville in Victoria.An early black and white photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860's.Stevenson's Falls Marysville J 592 33 Kodak/ Print VELOXsteavenson falls, stevenson's falls, marysville, victoria, waterfalls, photograph, john steavenson

Wendy Dabourne was ordained in 1988 and was Lecturer in New Testament Studies at the Theological Hall and Kew.B&W full-length photograph of Wendy Dabourne walking through the arch at Queen's College, Melbourne."Wendy Dabourne C&N 14/9/1988 page 33"dabourne, wendy, queen's college, theological hall

Stories by Robert Bruce Plowman, the first patrol padre to the Australian Inland Mission 1912 - 1917. This is the first book in a trilogy.Brown hardcover logbook with the title, The man from Oodnadatta by R.B Plowman on front cover with black lines and a tiny black symbol. Spine has title, author and publisher. Black and white photographs throughout and endpapers have maps of the area and of Australia. Second Edition."Auntie - "Best wishes", from "Jean "Auntie" 22/9/33non fiction book, australia, religion

The wooden crate contains a set of patterns or moulds that were once used at Briggs’ Brass Foundry for making sand moulds. The traditional method of sand casting is over 2000 years old. It is part of a crafted process used to make brass and copper alloy goods suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-corrosive and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry display was one of the early ‘working craft’ shops at Flagstaff Hill. It included a historic Cornish chimney that was set up as a working model, telling the story of heat from furnaces to smelt metal, which would then be poured into the sand moulds. This chimney is made from specially curved bricks and is about two-thirds of its full height when originally located at the Grassmere Cheese factory. HISTORY of BRIGGS BRASS FOUNDRY: - The family business was founded in 1912 by Herbert Harrison Briggs (1963-1931) with his son George Edward Briggs, trading as Briggs & Son Foundry at 70 Wellington Street, Collingwood. Younger son Cyril Falkiner McKinnon Briggs joined the foundry in 1922, and it was renamed H H Briggs & Sons Foundry. Both sons ran the firm after Herbert’s death in 1931, making products mainly for marine purposes. They became Bell Founders in 1936 and were known for their specialty of high-quality ship bells. They produced miniature varieties of these and other decorative items such as small propellers. The firm became known as Briggs Marine Foundry. The great-granddaughter of Herbert Briggs inherited the Briggs Brass Bell, similar to the one at Flagstaff Hill. Cyril became the sole family member of the firm in 1965. The Briggs Marine was an exhibitor at the 1965 Boat Show, where he advertised as “non-ferrous founders” and “Bell Specialists”. The foundry relocated to Chesterville Rd, Moorabbin. Cyril passed away in 1967. It is thought that either Cyril or his business partner Frank Lee donated the objects from the Briggs’ Foundry around the time when the business moved to Moorabbin. However, Flagstaff Hill hadn’t been thought about until 1972. The donated items were registered in the Collection in 1986 but they could have been in storage from an earlier date. In October of that same year, Briggs Marine restored Schomberg Bell, a shipwreck artefact from the collection at Flagstaff Hill. Peter Oram, who had worked for the previous owners of Briggs Marine as a fitter and turner, took over the firm in 2014, reviving some of the old casts for current use. The business is now located at Seaford in Victoria and is part of Alliance Casting & Engineering Solutions (Alliance Casting Pty Ltd). In 2016 the original Collingwood Foundry building was repurposed as a thriving business hub named The Foundry. The crate and its patterns are significant for their association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. The patterns are associated with the long-running firm, Briggs Brass Foundry, that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine is also associated with the Schomberg Bell in Flagstaff Hill, restoring the bell to is former state to show an example of the bell from a luxury mid-19th century vessel. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. Wooden rectangular crate with removable wooden lid. Inside is a set of wooden patterns of various shapes and sizes for making sand moulds in a metal foundry. The crate is made from thick wooden planks nailed together. The extended wooden struts on the long sides form a frame to hold the wooden lid. A pair of metal handles are at each short end of the crate, fixed with strong metal bolds. Between each pair of handles is an inscription stamped into the wood. The underside of the crate has red paint splashes. There are insect holes in the wood but no sign of current infestation. Stamped: "H.33 / II" (H may be N or a square B)flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pattern, mould, foundry, brass foundry, metal foundry, crate, box, wooden container, briggs, traditional method, trade, sand cast, cast, brass alloy, copper alloy, marine equipment, marine tools, marine fittings, briggs' bronze, copper tin zinc lead, non-corrosive, briggs family, brassware, metalware, foundering, metalwork, maritime, casting, cornish chimney, curved bricks, grassmere cheese factory, 1912, herbert harrison briggs, h h briggs, george edward briggs, briggs & son foundry, collingwood, cyril falkiner mckinnon briggs, cyril briggs, h h briggs & sons foundry, bell founders, schomberg bell, alliance casting & engineering solutions, collingwood foundry, ship chandlers, marine products, flagstaff hill, warrnambool, maritime museum, maritime village, briggs & son brass foundry, briggs marine, moorabbin

Colourful cover with two helicopters landing. Groups of soldiers in the foreground & background ready to board helicopters. Two soldiers.The Band of the Australian Army Band Corps. 33 1/3 rpm.australian army band corps., lp record

7 Howard family members went to the First World War and all came home. These included Herbert, Percy, GeorgeDigital file only - scanned by EDHS from item on loan [Mounted in embossed card 33 x 18 cm] aif, lew howard collection, ww1, first world war

The Greensborough InterChurch Council was formed in 1989 as an ecumenical group with a strong Christ based mission statement. This book documents the Council until 2003.Detailed information about the people and church communities involved in the Greensborough InterChurch Council, written by Rosie Bray, committee member.33 pages, colour and black and white illustrations. Includes copies of memorabilia from the Inter Church Council and newspaper articles.. greensborough inter church council, new life centre, greensborough anglican church, greensborough church of christ, saint marys catholic church, saint thomas catholic church, lutheran church greensborough, watsonia macleod uniting church greensborough uniting church

Top Row, from left - Monika Roitinger, Carol Christie, Vivian Williamson, Anne Spurritt, Linda O'Laughlin, Dot Boyne, Graham Wilkie, Anne Rohan. Bottom Row, from left - Roger Collins, John Galea, Lyn Harris, Robert Abnett, Russell Yeoman, Julie Coulston, Peter Conroy. (Staff not present - Denis McKay, Garry Bartlett, Catherine Bickley).Colour photograph, laminated, without names 26.5 x 33 cm laminated (19 x 25.5 cm photo)Originally contained in an envelope with handwritten note on enveloe to Allan Baker dated 14 Dec 1987 "Enclosed for your use are staff photos of all departments. I've given each Champion of Committees copies for all their respective Councillor photos of Depts reporting to each committee. Outdoor staff photos will be taken next week and I'll make those available as soon as possible. Cheers (Undecipherable)"shire of eltham, council staff

Top Row, from left - Monika Roitinger, Carol Christie, Vivian Williamson, Anne Spurritt, Linda O'Laughlin, Dot Boyne, Graham Wilkie, Anne Rohan. Bottom Row, from left - Roger Collins, John Galea, Lyn Harris, Robert Abnett, Russell Yeoman, Julie Coulston, Peter Conroy. (Staff not present - Denis McKay, Garry Bartlett, Catherine Bickley).Colour photograph, laminated, without names 26.5 x 33 cm laminated (19 x 25.5 cm photo)Originally contained in an envelope with handwritten note on enveloe to Allan Baker dated 14 Dec 1987 "Enclosed for your use are staff photos of all departments. I've given each Champion of Committees copies for all their respective Councillor photos of Depts reporting to each committee. Outdoor staff photos will be taken next week and I'll make those available as soon as possible. Cheers (Undecipherable)"shire of eltham, council staff

Plaque"2/33 Australian Infantry BN AIF with colour patch" parts broken and stuck on board with Blau tackplaque, army

Map, Hustler's Line of Reefs, Fortuna Hustler's Mine, Plan, Plate No.11(2).Bulletin No 33 Signed H.A.Whitelaw.Underground Survey Office, Bendigo.map, bendigo, fortuna hustler's mine

Plastic mount (black base, white cover) of No. 33 and 38 crossing at the Gardens Loop. Photo by Travis Jeffrey, c1992.tramways, trams, wendouree parade, btm, gardens loop, tram 33, tram 38

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2017. Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.33 page booklet, colour cover with logo and colour photos of golf club members. Stapled in top left corner.annual reports, financial reports

Yields information about BTM Tram Showcase day, 30/9/2018Set of 11 digital images of tram operations at the depot during the BTM Tram Showcase day, 30/9/2018 (Oct. 2018 Fares Please!) by Floyd Bromley. .1 - 26, 28 and 40 .2 - depot interior with 28 and 40 .3 - 671 and No. 1 .4 - 27 on the fan.. 5 - 27 with Neville Britton and Carl Mahoney .6 - 33 and 27 .7 - 27 .8 - 33 and 13 .9 - 33, 13 and 28 on the fan .10 - 33 running out - P. Bruce taking a photo. .11 - 28 - side on view with Dave Macartney inside. Note: The white discs was a trial to indicate that a tram is following. This was an SEC practice in Bendigo. It was not subsequently adopted.trams, tramways, btm, depot, events, tram 40, tram 28, tram 26, tram 27, tram 13, tram 671, tram 1, tram 33

1956, 33, city of heidelberg repertory group, heidelberg theatre company inc, directed by patrick phillips, vdl victorian drama league one-act play festival

'Tennis USTA: Supplement to Tennis Magazine', December 1991, published by the US Tennis Association; 33 pages. Materials: Paper, Inktennis

Yields information about the appearance of some of the tram fleet of the Museum during 2015.Laminated A3 size colour photo of No.33 crossing Wendouree Parade at Depot Junction, early 2015. Photo by Roger Gosney.trams, tramways, btm, depot junction, tram 33

Photo of the 1952 Bedford Tower truck parked inside the depot. Tram 33 is visible beside the truck. Taken in December 2012trams, tramways, tower truck, tram 33

May 1970 issue of 'Tennis U.S.A.' (Vol.33, No.5), with Betty Ann Grubb, on the cover. Materials: Ink, Paper, Metaltennis

Inside - Neighbourhood page 30, 32 and 33. Page 30: Colour photograph of QVWC building facade. Black and white portrait of Dr Constance Stone. Page 32: Two coloured portraits one of Kay Setches and the other, Cheryl Teng CEO. Page 33: Black and white photograph of the Queen Victoria Hospital. historic buildings, women's history, official events

Set of 37 photographs taken or arranged by Warren Doubleday on 7/3/2004 during the 2004 Begonia Festival, which was sponsored by Alstom, featuring on the destination boxes, stop signs and tramcars and clothing worn by BTM staff. All taken in Wendouree Parade. .1 - 671 waiting for 27 to enter the crossing loop .2 - 671 and 27 in loop .3 - ditto .4 - people boarding No. 27 with Carolyn Dean observing .5 - ditto, with Peter Winspur in background .6 - 671 in loop .7 - 27 and 671 in loop, with people leaving 671 .8 - 661 in Wendouree Parade, at pedestrian crossing .9 - 671, 27 and 661 in loop .10 - ditto with people leaving 661 .11- 661 in loop passengers boarding, John Clowes in photo .12 - 33 and 671 at pedestrian crossing .13 - ditto .14 - 27 side on .15 - 33, 671, 661 and 27 in or near loop .16 - ditto .17 - 33 at pedestrian crossing .18 - 661 side on .19 - 33 at pedestrian crossing with people board .20 - 33 side on .21 - ditto .22 - 661 near crossing .23 - 27 side on .24 - 27 in loop with people leaving .25 - 27 in loop with people waiting to board .26 - Robert Paroissien standing by 27 with 671 in background .27 - ditto .28 - Sam Boon issuing tickets inside 33 .29 - ditto .30 - Sam Boon giving bells .31 - Len Millar and 27 at Depot Junction .32 - 671 at depot junction .33 - Len Millar at 33 at Depot Junction .34 - 33 at Carlton St, with Ben Shields .35 - 27 at Carlton St from the Prisoners of War memorial .36 - ditto .37 - as for .25btm, begonia festival, alstom, wendouree parade, tram 33, tram 27, tram 661, tram 671

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. Like many species of quail, the Brown Quail is often difficult to see, as it inhabits rank, overgrown grassy areas, often in damp, low-lying patches beside wetlands. They are difficult to flush from this cover, preferring to squat among the grass or run quickly off through the vegetation rather than fly off. As is the case with many species that inhabit dense habitats, the Brown Quail may be heard more often than it is seen, with its characteristically mournful two-note call whistle often heard at dawn and dusk. The Brown Quail is found across northern and eastern Australia, from the Kimberley region in Western Australia to Victoria and Tasmania, as well as in south-western Australia. It is also found in Papua New Guinea and Indonesia, and has been introduced to New Zealand. The Brown Quail feeds in the early morning or evening, on the ground, mainly on seeds and green shoots, but also on insects. In some area, quails will readily cross roads and may be seen feeding along roadsides.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Brown Quail is a small, plump ground-dwelling bird. It is variable in colour, ranging from red brown to grey brown with fine white streaks and black barring above, and chestnut brown below. The eye is red to yellow, the bill black and the legs and feet orange-yellow. In Tasmania, this species is called the Swamp Quail and tends to be larger and darker than mainland birds, with a pale yellow eye. Female Brown Quails are larger and may be more heavily marked with black and paler below than males. Young birds are like adult females, with less distinct markings and a dark brown eye.Label: 33. / Swamp Quail / See Catalogue, page 30 / Mount: 09/taxidermy, quail, brown quail, taxidermy bird, burke museum taxidermy

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. African Place, Montreal Expo '67, Canada. (Architect: John Andrews.)Made in Australia / 33 / MAY 67M6 / Encircled 8 (Handwritten) / 39 (Handwritten)expo 67, montreal, robin boyd, slide

Colour slide in a mount. Poster advertising, unknown location, AustraliaMade in Australia / 33 / JUN 67M6 / Encircled 8 (Handwritten) / 8 (Handwritten)slide, robin boyd

Book

Male student learning to climb a tree with an instructor. On reverse,"Aldous" and "Publicity Branch Victorian Department of Agriculture 1981 (914-33)."students, tree climbing, instructor, aldous, arboriculture

St Patrick’s Day Procession – 11/3/33. Tram arrangements for procession through CBD. 2 newspaper clippings from unknown newspaper. Memo from Assistant Manger to Dist Traffic Superintendents informing of St Patrick's Day procession arrangements. Memo dated 27/2/33. 6 associated memos relating to this event.trams, tramways, instructions, events, st patrick's