Set of two cufflinks featuring coloured enamel School Crests attached to small silver chains and silver oblong keepersSchool crest featuring royal blue circle, with white diagonal cross, with dark green background and golden lantern with white flame on top of cross.education, school, morongo, geelong, girls, boarding, presbyterian, uniting, history, badges, cufflinks, private-girls-school, 1920-1994, kindergarten-year-12, sint-lucernae-ardentes, lucy shaw, gertrude pratt, dulcie brookshaw

One cufflink featuring coloured enamel School Crest attached to small silver chains and silver rod keeper.School crest featuring royal blue circle, with white diagonal cross, with dark green background and golden lantern with white flame on top of crosseducation, school, morongo, geelong, girls, boarding, presbyterian, uniting, history, badges, cufflinks, private-girls-school, 1920-1994, kindergarten-year-12, sint-lucernae-ardentes, lucy shaw, gertrude pratt, dulcie brookshaw

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of a group of adults attending an exhibition entitled Artists of Kew. Two people have been identified in the photograph - Cr WHS Dickinson and Alma Figuerola at centre. The location of the exhibition is at the old Kew Town Hall in Walpole Street. Both Miss Figuerola and Cr Dickinson were foundation members of the Kew Historical Society.Reverse: "Artists of Kew Exhibition. Founder of KHS Cr Dickinson in dark suit. Miss Alma Figrierola [sic] to his left". "KH-97" kew historical society - members, alma figuerola, cr whs dickinson, exhibitions - kew (vic), southesk - cotham road - kew (vic), kew town hall - walpole street

This harness would have been used on a rural property in the Orbost district.Horses played a vital role in the agricultural history of Orbost. This item is connected to that role.A dark brown leather horse harness with a britchen strap.harness horse farming rural

Augustus Bostock was the 9th child of Robert & Rachael Bostock of Vaucluse Epping Forest, Van Diemen’s Land. He was only 4 years old when his mother died. He was inspired by his father to seek his fortune in the Western District of Victoria. He arrived around 1850. He married Margaret Aitkin in July 1865. Augustus owned several properties in the district and leased others. He sat on the court of Warrnambool, Mortlake or Hexham as required. He resided at Marramook in Hawkesdale and later moved to Vaucluse in Hopetoun Road Warrnambool, where he died in 1920 at the age of 87. He was involved in many aspects of life in the Western District, racing, cricket, and social activities to name a few. This letter relates to the earliest recollections of Augustus Bostock and relate to land of the Western district from Camperdown, Darlington, through to Grasmere, Rosebrook and Yambuk. He writes about the terrain, vegetation and stock. This is one of a number of documents which relate to the Bostock family who were one of the most important pioneering families of the Western District. They owned and leased various properties around Warrnambool and were involved in many aspects of social and business life. As Augustus Bostock arrived in the district in 1845, this is one of the earliest accounts of the district.Cream sheet newsprint quality, typed in dark blue.Dated 23rd Oct 1912, Augustus Bostock to G B Palmer of Terang.augustus bostock, warrnambool, vaucluse

Martha Wright was the proprietor of a fancy goods store in Liebig Street, Warrnambool opposite Jordan's studio. She took art needlework classes offering seven lessons for 5 shillings . Her pupils were successful at local shows and she herself won second prize in the Australian Womens Work Exhibition of 1907 for the best made washing dress for a girl of 12. This item is significant as Mrs.Wright was a prominent business woman in Warrnambool in the early 20th century.White rectangular label with dark blue lines and background .ART NEEDLEWORK AND REQUISITES From Mrs. Wm. Wright LIEBIG ST. WARRNAMBOOL Telephone 158 GOLFERS & KNITTED SUITS A SPECIALITY martha wright, fancy goods, australian womens work exhibition

Dark green cover. Title and author in gold letteringnon-fictionA history of Marysville and the local district.marysville, history, local history, timber, tourism, victoria

Dark green cover. Title and author in gold letteringnon-fictionA history of Marysville and the local district.marysville, history, local history, timber, tourism, victoria

Dark green cover. Title and author in gold letteringnon-fictionA history of Marysville and the local district.marysville, history, local history, timber, tourism, victoria

Matheson collection.Beret, dark blue, black leather hat band.Manufacturer's label inside: “Beret Manufacturers Pty Ltd 1941” “Size 6 3/4”uniform - air force, costume - male, headwear

Beret, dark green, wool, complete with regiment badge no markings present

Men's necktie available to Greensborough Football Club members.Men's necktie, dark green wool with logo on front."GFC"greensborough football club, neckties

Digital image of drink coaster from Bundoora Hotel (also known as Winston's Night Club Bistro), 1990s.Part of a collection of miscellaneous historical images with a connection to the local area.Digital image of coaster, dark green with red logo. "Winston's Night Clun Bistro" and "Bundoora Hotel"bundoora hotel, winstons night club bistro

In business at 27 Aanensen Court Montmorency. Telephone number changed to 9432 9800Refrigerator magnet, printed in dark blue and red on whiteIncludes list of appliances, address and telephone numberbusiness cards, electrical appliances

Banyule City Council is a participant in the federal Natural Heritage Trust Wildlife corridor programWhite plastic sign printed in dark blue and maroonnative fauna, banyule city council

R. & E. Willett butcher shops were at corner Binns and Were Streets, Montmorency and at Main Street, Greensborough. Cash receipts were written before cash registers.Receipt form printed in dark blue and pink ink "Bought of R. & E. Willett, cash butchers"rob willett, main street greensborough, were street montmorency

Wedding party; groom, bride, older woman (possibly mother of the bride) plus couple on groom's L/H side. As Ethel is mentioned on inscription the bride could be Ethel Georgina Nightingale(b.1885 - 1946) currently do not have spouse's name. Older seated woman possibly mother of the bride could be Emma Augusta Thompson (1859 - 1949) (Needs further research for confirmation)Sepia photograph on dark grey card of wedding partyMakers mark: The Yeoman Studios Inscription on back: To Dear Ethel with best wishesthompson collection, nightingale

Typical colour and design from the 1970s, this uniform demonstrates the collaboration with fashionable Melbourne-based designer Noeleen King.Long dark orange raincoat with belt and golden buttons.hostess, stewardess, noeleen king

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps, drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found. Stoneware short spouted jar. Very dark brownchinese, jar, glaze, stoneware, gios, buckland valley, goldfields

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps, drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Stoneware short spouted jar. Very dark brownchinese, jar, glaze, stoneware, harrietville, aldo gios, goldfields

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps, drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found. Stoneware short spouted jar. Very dark brownchinese, jar, glaze, stoneware

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps, drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Stoneware short spouted jar. Very dark brownchinese, jar, glaze, stoneware

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps, drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Stoneware short spouted jar. Very dark brownchinese, jar, glaze, stoneware