Photograph of Junior Legatees on a motorised train called the Tottenham Flyer in the grounds of Government House in December 1973. 1973 was the Golden Jubilee year for Legacy. Several events were attended by the Governor of Victoria Sir Rohan Delacombe, and this event was hosted at Government House for the children. Government House hosted Christmas parties for Legacy for many years.A record of an outing for Junior legatees in the Golden Jubilee year.Black and white photo of a children's train at a Christmas party at Government House.Handwritten 'Legacy Xmas Party at Govt. House 1973' in blue ink on reverse. Stamp '8 Dec 1973' in purple ink. Stamp of copyright belonging to The Age in blue ink.christmas, junior legatee outing, government house party

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in her Studio, D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola standing in the portico of D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists

Newspaper clippings titled: “Tracking their way through a deserted city” by Timna Jacks Newspaper clipping from the Age 21/09/2020 Tram driver Tamara Startin describes experience of driving trams through the deserted Melbourne streets during the COVID-19 lockdown.trams, tramways, route 58, covid-19

Newspaper clipping, The Age 16/7/1997, titled "Tram depot site in Southbank up for sale", advising the depot site would be sold by Colliers Jardine. Gives details of the site and has an aerial photo. Quotes John Marasco of Colliers. Written by John Hurley.trams, tramways, sale of land, south melbourne depot, southbank depot, tram depot

Set of three Newspaper clippings written by Jacqui Macdonald, about the withdrawal and storage of W class trams. ,1 - The Age 11/2/1992 - titled "State accused of campaign to run down heritage trams", quotes Don Gibson Chairman of the Friends of the W class at the National Trust and Minister Peter Spyker. Comments around the cost of maintenance. .2 - The Age 27-4-1992 - titled "Historic trams to go into permanent storage", includes a photo of SW5 758, to a North Melbourne warehouse in Alfred St, about 50 trams, without bogies, PTC spokesman said to secure storage. .3 - The Age 28/4/1992 - titled "Trust furious at plans to mothball old trams" - Quotes Don Gibson, not happy, more trams than needed, space issue, cost of overhauls, compared to new trams. Has a photo of Mr Brown, opposition transport spokesman, policy to keep as many as possible and run them.trams, tramways, w class, maintenance, national trust, withdrawn trams, stored trams, tram 758

Newspaper Clipping - set of four clippings adhered to two sides of two sheets of ruled quarto paper with punched holes on the left hand side - from newspapers about the removal of trams from Melbourne 1 - Part one of a Large article written by John Messer of The Age, titled "City that went off the rails" about the impact of the closure of the Brisbane tramway system, quotes Brisbane City Mayor - Clem Jones. Dated 7/5/1969 2 - Second part "Is it time to get rid of Trams", dated 8/5/1969 following the closure of the Brisbane system. Mainly quotes from Brisbane transport officials with some Sydney officials. Has photos of a tram in Swanston St and a crowded tram. 3 - "Willy-nilly scrapping of trams 'nonsense'" - written by F. R. Kirby - Acting Chairman of the MMTB - The Age" responding to John Messer's articles. The Age 20/5/1969. 4 - letter from Bernard Boles of Reservoir about the removal of trams in Collins St and replacement by buses. 5 - "Hour fight to free trapped driver" - The Age 19/5/1969 - about the collision of a panel van at corner of High and Chapel St Prahran 6 - Set of two Letters from Edward Sykes and V. Lovel about the removal of trams - for and against.trams, tramways, brisbane trams, sydney trams, closure, tram replacement, buses, collins st, accidents, letter to the editor

Newspaper excerpt from The Sunday Age. Page 5 and a smaller introduction probably from the front page. Smaller excerpt colour photo of blue-stone and cast-iron wall which was to be demolished. Larger excerpt, a black and white aerial view of QVWC and the block where it is situated. building construction, building permits, historic building

Article with colour photograph of Michèle Adler standing in front of new Field Station gates in "The Age" 'Voice' 09.12.2013. Gates were to be named after Michèle Adler to remember her work to promote the Gardens through the Friends of Burnley Gardens but the The University of Melbourne guidelines did not allow this.michèle adler, the age, gates, field station gates, friends of burnley gardens, fobg, 150th anniversary of gardens

Newspaper clipping - titled "Ticket to Ride", looking at the Connies or tram conductors and the forthcoming exhibition at the State Library Feb. to March 1998. Has a number of photographs featured in the associated book "Connies" - see Reg Item 2190. From The Age Good Weekend 23/1/1999.trams, tramways, conductors, mta, ptc, one man trams

Set of two newspaper clippings reviewing the book "Mind the Curve" by John D. Keating .1 - "Gliding along stately streets" - The Age 31/10/1970 - written by Stephen Hall .2 - "Hold tight for the curves" - The Herald, 15/10/1970 - written by Laurie Power.trams, tramways, melbourne, cable trams, books

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.On reverse, handwritten "4583 Alma Figuerola" Photographer stamp" Copy Right This photograph may not be reproduced without permission in writing from the Editor of "The Age", *** Collins Street, Melbourne, and Pitt Street, Sydney"alma figuerola album, arists - kew (vic), art exhibitions - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville, Barry Street, Kew. The section of the house photographed is of the hall looking into the drawingroom. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

THIS PHOTOGRAPH WAS FOUND INTHE FORMER HOME OF THE LATE LAURA HUDSON, IN LOWER FRASER STREET, CLUNES. [NOW BLACKMORE ROAD]BLACK & WHITE PHOTOGRAPH OF A FAMILY GROUP, INCLUDING LAURA HUDSON [AGE 93 YEARS] HOLDING HER GREAT-GRAND DAUGHTER, DEANNE C. TAYLOR [AGE 6 WEEKS]CLUNES 1941 GREAT GRAND MA AGED 93 YEARS DEANNE C. TAYLOR AGE 6 WEEKS.local history, photography, photographs, hudson, laura

2 newspaper articles in "The Age" June 8, 1976 and the "Australasian Express" June 25, 1976 about Burnley College students. Michael Rigby (1976) and Gwyn Cleeves (1978) who claim to have discovered a successful method of grafting gum trees. Same photograph, reversed of Michael Rigby.the age, australasian express, students, michael rigby, gwyn cleeves, grafting, gum trees, eucalypts

Newspaper clipping from The Age, 22/2/1947, titled "Memories of the Cable Trams", recalling the days of the cable trams, its developments, recalling the good and bad of the cable trams, working on hot and cold days. Has a photo of a grip man in MMTB uniform and a cable tram in Bourke St.trams, tramways, cable grip, cable trams, closure, crews

Newspaper clipping, The Age 15/7/1992, titled "Hit by a bureaucrat's tram", written by Kevin Childs, photo Angela Wylie, about Phil Pinder, an artist who created ceramic models of the Transporting Art trams. Who was displaying and selling them. This breached copyright, advised by the Ministry of Arts.trams, tramways, transporting art, copyright, models

Photograph of 3 children donating toys to two Legatees. From newspaper articles in Trove Victorian school children made and donated toys to Legacy to give to junior legatees at Christmas time. It came from a Legacy envelope marked P7, 1966. The contents were described in red pen as: 1 Christmas Party / Govt House 2 Toy presentation Dept of Education 3 Residence Christmas party 3 HMAS Cerberus / Operation Float / Operation Firewood (added in blue pen). (these other items will be items 00411 to 00416)A record of the items and events provided to Junior Legatees.Black and white photo of Legatees receiving toys from Victorian school children.On reverse: stamped 10 Nov 1966 in purple ink, stamped "Copyright The Age" in blue ink, and "2956" in pencil. Was stored in an envelope marked P7, listing it's contents in red pen and 1966 in pencil.christmas gifts, christmas

Yields information about the accident that involved a tram hitting a tree after being derailed and amount of damage done at the time.Black and white photographic reproduction print of a photograph that appeared in The Age Newspaper on 3/12/1941 of an accident involving Ballarat Tram No. 24 running away following a collision in Drummond St. South and hitting a tree at the corner of Dana St. on 2/12/1941. Photograph has the heading and caption. Made in March 2000 by the State Library of Victoria from a copy of the newspaper held in their collection. A similar photograph also appeared in the Courier. The Age copy was in better condition. Hi Res scan added 25/3/2011. See Reg item 5306 for a different photo, but a very good photo, original print - Wal Jack album and gives date as 1-12-1941.On rear of photograph at the bottom is a sticker - "Reproduction rights reserved - Copied by State Library of Victoria"trams, tramways, accidents, ballarat, drummond st, runaway, tram 24

Newspaper cutting (page 4 of The Age, 7-1-1993), about the proposals by the State Government to revise the way the public transport system operated in Victoria including removal of conductors. Has maps or diagrams showing the proposed changes, including shutting of tram and rail lines and calling tenders for replacement services on country rail lines. Includes headlines: "Transport: The New Order" "Stupidity of reforms attacked by groups" "Advent of machine age means all change for trammies" "Pre-battle scramble for high ground" "Brown attacks massive rorts" Has a photo of conductors Ken Walker and Roberto D' Andrea by Michael Clayton Jones at South Melbourne Depot with W5 874 in the background.trams, tramways, ptc, tramways, melbourne, railways, upfield, closure, buses, unions, public transport, tram 874

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola and her sister standing beside a creeper growing up the wall of D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists