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Bendigo Historical Society Inc.Document - RESEARCH NOTES: ONE TREE HILL, STORMWATER CHANNEL, ANTHONY TROILLOPE, HORSE TRAMWAY TO GOLDEN SQUARE
... Art Gallery... Brothers Mr John Crowley MR Jacob Cohn Art Gallery Mr Hugh McDevitt ...Typed and handwritten notes. Mentioned are: - Some Notes Concerning The Eaglehawk Logs, Damaging the Stormwater Channel, where some Chinese were digging away the Creek, the cutting down of the giant gum tree which gave One Tree Hill its name, How Anthony Trollope saw Bendigo in the 1870's, A Proposed Horse Tramway to Golden Square, Society’s' Trip to Bridgewater Flour Mill, A talk on a trip to Malaya by Mr D Hester, Society News and Happenings, Old Bendigonians and Safety Cages,document, various notes, eaglehawk logs, bendigo advertiser 19/10/1858, damaging the stormwater channel, bendigo advertiser 11/8/1872, harneys bridge, gas works, constable rogers, constable james bradley, joch, john o'c hattam, one tree hill, ryan, trollope's fabulous bendigo, anthony trollope, 'trollope’s australia', nelson press, alex h stone, bendigo advertiser 5/7/1897, mr peter ellis, cr hoskins, horse tramway, historical society, water wheel flour mill, june parry, mr pat wodetzki, mr leo wodetzki, neil murray, mr k hester, mr wes harry, mr i hendry, mr henry jackson, mr connelly, mr irons, mr harney, dr smith, dr hoyle, rev dr bachaus, rev dr nish, rev joseph dare, hon angus mackay, mr haverfield, mr j k robshaw, w p neal, mr george lansell, hon j h abbott, m l c, mr j casey, dr james boyd, dr atkinson, dr easie, mr t h henderson, old beehive, francis brothers, mr john crowley, mr jacob cohn, art gallery, mr hugh mcdevitt, mr alexander bayne, mr f sciallero, camp reserve, hon w i winter-irvine, mr george avery fletcher, great central goldfield of victoria, safety cages, bendigo advertiser, j h seymour, mr horwood, new chum and victoria tribute company, james watson, seymour's patent safety cage, londerry tribute, national show sandhurst, h banfield, mr a llewllyn, 'dear old bendigo', thomas bracken, mr william heffernan, mr edward (ned) ryan, mr samuel bastard, mr charles bird, mcpherson and co, fern hill club, mr george tolhurst, tolhurst brothers, union bank, mr lawrence ryan, mr shadrack jones, charley armstrong, armstrong brothers, mr abraham solomen, mr bladiere mr r t wheeler -
Bendigo Historical Society Inc.Document - A HILL AND ITS ADMINISTRATION
... Bendigo Art Gallery... Art Gallery A N A Lodge A N A Hall Goldfield Police M'Lachlan ...Typed notes titled 'a Hill and its Administration'. It mentions the Gold Commissioners, mining licences, Red Ribbon Movement, the buildings around Commissioner's Hill, corrupt police, the iron lock up and the log lock up.document, a hill and its administration, mr horn, captain dana, asst commissioner gilbert, commissioner cockburn, capt john urquart, asst commissioner panton, asst commissioner reid, asst comm j m clow, comm wright, captain bull, asst comm joseph anderson panton, red ribbon movement, governor latrobe, mr thomson, police commissioner mitchell, col valiant, queen victoria, eureka riot, lt finch, mt alexander mail sat 9 sept 1854, bendigo sports centre, post office, garden gully goldmine, high school, old supreme court, st jean's hill, volunteer rifle corp, vic volunteer cal regiment, vol cavalry, bendigo art gallery, a n a lodge, a n a hall, goldfield police, m'lachlan, fly bros, hustlers park mine, bendigo advertiser 15 january 1857, bendigo gaol -
Robin Boyd FoundationDocument - Manuscript, Robin Boyd, Mystery Shrouds Our National Gallery, 1971
... art gallery design... and Torzillo James Sweeney art gallery design Canberra Robin Boyd ...A brief history of the National Gallery of Australia, including the design competition, designs, location, collaboration of the chosen architect (Colin Madigan of Edwards, Madigan and Torzillo) with the gallery director, James Sweeney, approval by relevant statutory bodies, and the political upheaval that stalled progress.Original manuscript of an article published as ‘What’s become of our new gallery?' in "The Sunday Australian", 11.04.1971.Typewritten, (p/copy), quarto, 9 pagesnational gallery of australia, colin madigan, edwards, madigan and torzillo, james sweeney, art gallery design, canberra, robin boyd, manuscript -
Robin Boyd FoundationBook, Paula M. Kozol, Isabella Stewart Gardner Museum Guide, 1976
... Art gallery... melbourne Art gallery Walsh St library Softcover Isabella Stewart ...Softcoverart gallery, walsh st library -
Wangaratta Art GalleryPrint, James Jacques Joseph Tissot, Berthe, 1883
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...James Tissot is most famous for his artwork that depicts the European bourgeois society of the late 19th century. This societal period is often referred to as La Belle Époque, where affluent bourgeoisie living created a complicated mode of manners and dress. This subject matter used in his art made Tissot popular with the bourgeois society, however it made him unpopular with critics who deemed his works as of loose morals due to his subject matter. Tissot’s art style of Realism also put him at odds with his fellow artists and friends such as Degas and Manet who were greats of the European Impressionist movement. This print was made using the printmaking technique of etching, which allowed Tissot to make multiply prints of a particular artwork to sell on mass at a more affordable price to the general population who wished to emulate the bourgeoisie lifestyle of the wealthy.RealismRural City of Wangaratta Collection, Purchased with funds from the Wangaratta Art CouncilA rectangular portrait etching of a 19th century European young lady dressed in her best attire seated in a fashionable manner, printed in black ink on white paper. Obverse: J J Tissot/ 1883 (Artist's signature and date - located in the bottom right corner of the print)james tissot, 19th century, print, etching, portrait, tissot, wangaratta art gallery -
Wangaratta Art GalleryTextile, Paul Yore, Map, 2012
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...I see my work with textiles as always a negotiation of both the poetic and the political. A medium often relegated to the realm of ‘craft’, I see working with wool as a subtly subversive methodology, and an opportunity to engage in socio-political critique. As a laborious yet cathartic craft, the delicately feminine familiarity and domestic warmth of my hand-sewn tapestries allows me to open up and question traditional notions of masculinity through the enactment of a highly personalized queer ritual. Furthermore, wool carries with it frontier pastoral associations of early colonial expansion, and it is in this context that the work Map, which is based on the ethnographic mapping of indigenous language groups, was envisioned.contemporaryWangaratta Art Gallery Collection. Work acquired as winner of 2013 Wangaratta Contemporary Textile Award. Digital reproduction courtesy of the artist, Neo Parc Melbourne and Hugo Michell Gallery Adelaide.A rectangular wool needlepoint textile work that features a multi-coloured map of Australia on a black and white checkered background. textile, wcta, wangaratta art gallery, paul yore, wool needlepoint -
Wangaratta Art GalleryPrint, Arthur Willmore et al, The Old & New Home Stations, Victoria (Bontharambo, Wangaratta), 1873-1876
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...This etching by British engraver Arthur Willmore was created from Russian born artist Nicholas Chevalier’s original watercolour landscape of Bontharambo, Wangaratta (Chevalier’s watercolour is held in the collection of the National Library of Australia). Chevalier moved to Australia during the Colonial period and is famous for his landscape paintings, which were most commonly commissioned by wealthy landowners or merchants wanting to record their material success. Bontharambo is a historic property located in Wangaratta which was made famous by pastoralist Joseph Docker who took up the Bontharambo run in 1838 and has remained in the family since. The historic homestead on the property was built between 1857-1859 and was designed by architect Thomas Watts.ColonialWangaratta Art Gallery CollectionA rectangular landscape etching of the homes on Bontharambo station printed in black ink on off-white paper.Obverse: N. Chevalier/ A. Willmore/ THE OLD & NEW HOME STATIONSwangaratta art gallery, arthur willmore, nicholas chevalier, bontharambo, wangaratta -
Wangaratta Art GalleryTextile, Christine Upton, Gumnuts Galore, 1984
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Upton has used the traditional technique of Indonesian batik to create 'Gumnuts Galore'. Batik has a long history in the world and is believed to have originated on the island of Java in Indonesia. The designs traditionally used in batik are imbued with meaning and powerful symbolism to reflect the culture and beliefs of the place where it was made and for whom it was made for. Upton has instilled her piece such meaning and symbolism by depicting eucalyptus leaves and gumnuts which evokes a sense of belonging and pride.Rural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular design of gumnuts on silk created through the batik technique using natural dyes in shades of red, brown, and greenwangaratta art gallery, christine upton, batik, gumnuts, flora, australian flora, textile -
Wangaratta Art GalleryPrint, Leon Pericles, Ned's Gang Dive on the Great Barrier Reef, unknown
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Rural City of Wangaratta CollectionA rectangular print of a comical depiction of the Kelly Gang diving at the Great Barrier Reef, printed in brown and black ink on white paperObverse: AP/ "Ned's Gand Dive on the Great Barrier Reef"/ Leon Pericleswangaratta art gallery, leon pericles, ned kelly, kelly gang -
Wangaratta Art GalleryPainting, Lorna Chick, Up Where The Eagles Nest, 1969
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Lorna Chick was a local artist whose works depict farming and community landscapes, which reflected her main occupation of living and working on the family farm with her husband and two sons. Chick was a naïve artist who used the aerial viewpoint as a constant device in her landscapes. Her naïve art style allowed her to distort the common notion of landscape paintings being horizontal viewpoints, bringing a different understanding to her artwork.naïve artRural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular aerial landscape oil painting of a farming community overlooked by eagles painted using vibrant coloursObverse: LORNA CHICK ©wangaratta art gallery, lorna chick, landscape, farming, eagles, north east victoria, painting -
Wangaratta Art GalleryPainting, Christine Cochran, Untitled #1, 1974
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Rural City of Wangaratta Collection - Wangaratta Art Prize 1975A square painting that features blue, green and red brush strokes on a olive green backgroundwangaratta art gallery, christine cochran, painting -
Wangaratta Art GalleryPainting, Howard Sparks, World of Blue, 1966
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Rural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular landscape painting of trees and rocks at night painted in oil in shades of blue and brown.wangaratta art gallery, howard sparks, landscape, painting -
Wangaratta Art GallerySculpture, Mandy Gunn, Fire Sticks, 2009
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Gunn’s work explores political and social values through the mediums she uses and the inspiration she draws upon. In 'Fire Sticks', Gunn uses recycled material as an explorational response to throw away culture, while the design draws inspiration from the sticks used in firestick farming and the charred remains of flora after a fire, which highlights the history and place of fire in Australia.Wangaratta Art Gallery Collection. Winner of the 2009 Wangaratta Contemporary Textile Award.This artwork was sculpted out of recycled inner tubes woven together with cotton thread on wooden poles.wangaratta art gallery, mandy gunn, sculpture, textile, wcta -
Wangaratta Art GallerySculpture, Cheryl Kennedy et al, Thirst, 2019
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Yearn Hunger Thirst Always on the edge of oblivion, craving sustenance in a dry land. McLean and Kennedy have collected dry materials: hollow pipes, old hoses and worn metal hose fittings. The materials were then wrapped with dyed, frayed fabric, string and yarn to create a piece that expresses the collective longing for rain.Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2019.A sculpture made out of recycled hoses and irrigation fittings that have been wrapped and tied in overdyed yarn, string, fabric stripswangaratta art gallery, wcta, sculpture, cheryl kennedy, linda mcclean -
Wangaratta Art GalleryTextile, John Parkes, Conflagration, 2017
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...John Parkes avoids technology. This work expects the viewer to understand the importance of the hand and time… The blanket and the apron were gifted by friends in Germany. The apron was worn by Helen in her studio practice as a jeweller. The blanket was a find in the cellar of their Munich apartment. The red moleskin cloth was an OP shop find and originally a eucalyptic green. This cloth was discharged and overdyed. Cloth will often sit around the house, unattended, until ideas germinate. Is “Art” about “Art” or about the “Artist”?... There is a Buddhist notion of not writing in the first person, in that the Ego is not employed. There is a Japanese tradition “Boro” in which cloth is not discarded but repaired. These three cloths are now one.Wangaratta Art Gallery Collection - Winner WCTA 2017A square handsewn textile that features a white apron that has red running stitch squares, holes, hand paint stains across with initials in blue thread sewn in the bottom right corner of the apron which is in the center of the work. A brown wool cloth that features rows of white running stitches and red embroidery patches borders the apron, which is bordered by strips of red patterned fabric that has been dyed and features lines of red running stitches.wangaratta art gallery, textile, wcta, john parkes -
Wangaratta Art Gallery
Textile, Kate Just, SAFE Banner, 2014
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...HOPE & SAFE presents the material results of Kate Just’s two recent public banner projects in the UK and Melbourne responding to violence against women and current media coverage of this issue. Referencing and reviving moments in feminist history in which collective action and craftwork were deployed to enact change, HOPE & SAFE invokes a utopian reimagining of women’s safety and agency within the urban environment. In 2013, Just travelled around the UK with her KNIT HOPE Project. It involved an invitation to individuals and communities to publicly join her in knitting a night-reflective fluorescent yellow banner that spells the word HOPE in silver block letters. Later, various HOPE walks were taken in public at night with it. Bearing the artist’s daughter’s name, the resulting HOPE Banner manifests the artist’s wish for a brighter future for women broadly and for her own child specifically. Materially and conceptually, the banner entwines dualities of male and female, public and private, individual and collective. The uniquely patterned individual pieces refer to the work of many hands, joined together to form a seamless whole. The durability of the builder’s line and the high-vis reflective material, which is worn by construction workers, police and cyclists, imbues the banner with a level of visibility and authority. The singular large scale photograph HOPE Walk (Leeds) extends these complexities, documenting a moment in which police on horseback, donning coordinated yellow and silver jackets, asked if they could join the ‘protest.’ On return from the UK in early 2014, Just undertook the KNIT SAFE Project in Melbourne. It involved the communal crafting of a sister banner, a night reflective black and silver ‘blanket’ that spells SAFE. The more sombre SAFE Banner operates as a shield or soft monument constructed in the shadow of recent high profile violent deaths of women in Melbourne including Jill Meagher, Tracey Connelly and Fiona Warzywoda. The photograph SAFE Walk (Melbourne) captures a small group of banner holders quietly interacting with each other in the warm glow of a street lamp, projecting an almost fictional ideal of collective resistance to the harsh realities of the world. Also presented in the exhibition is the book HOPE SAFE, documenting the projects in their entirety and featuring an in-depth essay by art critic and historian Dr Juliette Peers. Photograph by Simon Strong. Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2015.A rectangular banner with a background made up of black yarn square panels that vary in shape and size with different knitted and crocheted designs, with lettering applicated onto the background using reflective nylon thread. A metal pole has been threaded through the top of the banner to enable it to be carried.wangaratta art gallery, wcta, textile, kate just -
Wangaratta Art Gallery
Textile, Patrick Snelling, 8.9, 0ct 2010 - Mar 2011
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...The textile traditions and aesthetics of Japan have always influenced my textile practice and I have created a construct that reflects the way this work has been developed and assembled. The grouping of hand and digitally printed textile hexagons, represent a meta language of patterns and techniques. There are classical Japanese motifs and very contemporary images that have been captured digitally from my visits to Tokyo and Kyoto. My combining the old and the new forms of textile printing, I am creating a traditional and contemporary conversation between processes. This work was started in October 2010, it was put aside for a few months and then I re-imagined it again with the tragic news coming out of Fukushima and Miyagi provinces.Wangaratta Art Gallery Collection. Winner of 2011 Wangaratta Contemporary Textile Award.Hexagon pieces of patterned fabric in varying shades of green, pink and yellow, which are arranged together to form a map of Japan.wangaratta art gallery, textile, wcta, patrick snelling -
Wangaratta Art GalleryPainting, Helen A'Beckett Read, Nocturne, 1980
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Helen A’Beckett Read is a traditional painter who did not start her career until later in life. Her art style in Nocturne can be described as contemporary impressionism, as the use of a tonal colour palette and the style of brushstrokes are impressionistic while the style of the landscape depiction is contemporary. While Helen A’Beckett Read is an accomplished artist in her own merit, she is also a member of the famous Boyd family being the daughter of Arthur Boyd and Emma Minnie A'Beckett.ContemporaryRural City of Wangaratta Council Collection. Purchased with funds from the Wangaratta Arts Council.A landscape oil painting of a night scene painted in the traditional style using shades of blue, brown, green and yellow.Obverse: Helen Read/ 1980/wangaratta art gallery, helen a'beckett read, the boyd family, landscape, painting -
Wangaratta Art GalleryPainting, Paul McDonald Smith, Flower Study, 1997
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...McDonald Smith is famous for paining in the tradition of tonal impressionism, with most of his works painted in oil. This influence of the European Impressionist art style is clearly seen in his artwork Flower Study. The notion of light, an impressionist theme, is depicted by the use of a tonal colour palette and varied brushstrokes. The depiction of a Japanese dragon vase hints at the art aesthetic of Japonisme in the European Impressionist movement, a possible nod of respect to the movement by McDonald Smith.Rural City of Wangaratta Collection, Wangaratta Art Prize 1997.A rectangular still life painting of a bunch of flowers in a vase painted in oil using shades of white, red, green, blue, and yellow.Obverse: P McDONALD SMITH (bottom right corner)wangaratta art gallery, painting, still life, paul mcdonald smith -
Wangaratta Art GalleryPainting, John Colin Angus, Borough Offices, 1962
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Rural City of Wangaratta Collection. Gift of Cr. D.M. Whittaker.A rectangular landscape of the old Borough Offices of Wangaratta painted in oil in shades of green, white, grey, red, yellow, and orange.Obverse: J. Colin Angus/ 1962/ (bottom right corner)wangaratta art gallery, landscape, j colin angus, john colin angus -
Wangaratta Art GalleryPainting, John Colin Angus, Dusk in the Bush, 1988
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Rural Council of Wangaratta Collection - Gift of the artist 1989A bush landscape painted in oil using shades of brown, blue, yellow, and green.Obverse: J. Colin Angus/ 88/ (bottom left corner)wangaratta art gallery, j colin angus, john colin angus, painting, landscape -
Wangaratta Art GalleryPainting, John Colin Angus, North East Pastoral, 1984
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Rural City of Wangaratta CollectionA pastoral landscape painting in oil using a tonal colour palette of greens, blues, browns and yellows.J. Colin Angus/ 84/ (bottom left corner)wangaratta art gallery, j colin angus, john colin angus, painting, landscape, pastoral -
Wangaratta Art GalleryPainting, John Colin Angus, Ratray's Store and Punt - Crossing the Ovens - 1839, 1963
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Rural City of Wangaratta CollectionA landscape of a river crossing painted in oil using shades of green, brown, blue, and white.J. Colin Angus/ (bottom right corner)wangaratta art gallery, j colin angus, john colin angus, landscape painting -
Wangaratta Art GalleryPainting, Elaine Burge, Forest Ferns At Healseville, 1983
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Arts Council.A rectangular landscape of forest ferns painted in oil using shades of green, brown, and blue.Obverse: Elaine Burge/ (bottom right corner)wangaratta art gallery, elaine burge, landscape, forest, healesville, painting -
Wangaratta Art GalleryPainting, Donald Cameron, The Yarrawonga Scout Hall, 1983
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Rural City of Wangaratta Collection. Gift of Mayor Lance Bullus, 1983.A landscape that features the scout hall in Yarrawonga, painted using oil in greens, blues, whites, browns, and reds.Obverse: DONALD CAMERON/ (bottom right corner)wangaratta art gallery, donald cameron, yarrawonga scout hall, landscape, painting -
Wangaratta Art GalleryWork on paper, Maurice Cantlon, Bontharambo, 1965
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Cantlon is widely known for his illustrative paintings of Victorian historic homes, and he wrote and illustrated Homesteads of Victoria 1836-1900 published by Georgian House in 1967. Bontharambo is a homestead located in Wangaratta and was built in 1857-9. This homestead plays a prominent role in the history of Wangaratta and the pastoral history of Victoria. Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An black ink sketch of the Bontharambo homestead on white paper.Obverse: Cantlon 65/ (bottom right)wangaratta art gallery, maurice cantlon, ink drawing, bontharambo, homestead -
Wangaratta Art GalleryWork on paper, Maurice Cantlon, Fairfield, Rutherglen, 1966
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Cantlon is widely known for his illustrative paintings of Victorian historic homes, and he wrote and illustrated Homesteads of Victoria 1836-1900 published by Georgian House in 1967. Fairfield, Rutherglen is located in the North East region of Victoria and is a historic homestead that was built in 1889 and plays a prominent role in the history of the region. Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An black ink sketch of the Fairfield homestead on white paperObverse: Cantlon 66/ (bottom right)wangaratta art gallery, maurice cantlon, ink drawing, homestead, fairfields, rutherglen -
Wangaratta Art GalleryPainting, Con Carter, Falls Creek, c. 1974
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Rural City of Wangaratta Collection, Wangaratta Art Prize 1974.A snowscape painted in oil using tones of white, brown, blue, and yellow.Obverse: Con Carter/ (bottom left corner)wangaratta art gallery, con carter, landscape, snow, painting -
Wangaratta Art GalleryPainting, Shirley Colby, Roadside Snow, c.1978
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Rural City of Wangaratta Collection, Wangaratta Art Prize 1978.A snowscape painted in oil using shades of brown, white, blue, and green. Obverse: colby/ (bottom right corner)wangaratta art gallery, shirley colby, painting, landscape -
Wangaratta Art GalleryPainting, Neville Connor, South of Gapsted, c.1982
... wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high ...Rural City of Wangaratta Collection, Wangaratta Art Prize 1982.A watercolour landscape painting of a pastoral scene in shades of brown, green, and blue.Obverse: NEVILLE CONNOR/ (bottom left corner)wangaratta art gallery, neville connor, landscape, watercolour painting, gapsted, pastoral
