This music stand set of shelves is one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. Many of the items of furniture, linen and crockery in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) whose photos are in the parlour. They married in 1880. Henry, born at Tower Hill in 1858, was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. THE SHELVES During the years 1869-1935 there were well over 250 registered bamboo furniture producers in Britain. The earliest recorded firm was Hubert Bill of 14 Little Camden St, London N.W., who claimed to have been established in (1869 the first bamboo furniture maker), while Daniel Jacobs & Sons of Hackney Road, London, were still in business in 1915, after 45 years of production. Design, quality, price and methods of construction were fairly consistent throughout the whole period, but it was the imaginative and often eccentric choice of subject matter that marked the differentiation between the various firms. While most produced standard tables, stands and fire-screens, the more adventurous offered for sale items such as Corner shelve units, charcoal barbecue grills and musical tea tables. Shelves were often covered with embossed leather paper designs, at first imported from Japan and then later produced in England. Some firms incorporated the knobbly roots of the bamboo stems into their designs, generally to form feet. Occasionally handles to drawers and cupboards were made with these roots although they were more commonly carved as imitations. Handles were mostly of cheap metal or brass. The ends of the bamboo canes were capped with stamped metal or turned bone, ivory or wooden discs. Methods of construction fell into three categories. First and most common is that of pegging. Bamboo stems being hollow, thick dowels can easily be glued into the joints. Some firms farmed out this work of `plugging' the ends of the canes to part-time workers at home. The second method, that of pinning, was far less satisfactory as bamboo tends to split lengthwise and therefore the jointed pieces eventually disintegrated. The most efficient method was that patented in 1888 (patent No 2383) by the firm of W. F. Needham in Birmingham. It consisted of metal shoes and covers for all joints which were made by wrapping a metal strip around the stems and soldering the overlapping ends. Some joints were further strengthened by a small pin or screw. Needham was by far the largest and most successful manufacturer and their individual and superior method of construction undoubtedly gained them their reputation. A. Englander & Searle of 34 Gt Eastern St and 31 Mare St, Hackney, London, were a firm particularly concerned with methods of construction. Although they seem to have entered the bamboo furniture market at a comparatively late date, about 1898, they produced inexpensive bamboo, aimed particularly at the export trade. The company stated in their catalogue that bamboo furniture “can be exported in one piece or it can be exported in pieces and put together again. The fixing up is much facilitated by a system of marking and numbering. Further, no glue is required for putting together as the screw system only is applied”. This method of construction best fits the Etagere in the Flagstaff collection and it is believed to have been made by A Englander & Searle, exported in a knock down form to Australia, purchased in kit form from a dealer hear and put together by the owner. The Etagere is a significant item as it highlight furniture fashion of the late Victorian era. This item was highly sort after in its time and although mass produced, not many examples remain, so this example is a valuable addition to the Flagstaff collection. It is believed that the construction method used is by a notable and respected maker of bamboo furniture and that its production was aimed at the export market and probably came to Australia in kit form.Bamboo shelves: decorative free standing Etagere comprising three large shelves and one small shelf. Shelves are made of wood used to store either orange or bacon boxes (as there are no knots in the wood, imported from South America and cheap to recycle). Shelves are covered with embossed leather paper. Frame is made from tortoise shell bamboo (brown lacquer applied to simulate tortoise shell appearance). Ends of bamboo canes are covered with metal shoes and fixed with a pin. Other bamboo joints are fixed with round head steel screws. This item is part of the Giles Collection.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bamboo shelves, bamboo etagere, victorian furniture, furniture, bamboo furniture, embossed leather paper, simulated bamboo, tortise shell, a englander & searle, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century furniture

Green, orange, red and white label. The Bendigo Preserving Co. Ltd. Bendigo, Victoria, Australia. Under the word ''Bendigo'' a picture of the apricots and the words Apricot Conserve, to the left of the picture the words: made from cane sugar and apricots 5lb net. On the back written in pencil: relating to mayor Ewingbusiness, retail, bendigo preserving co.

The Lowen family were one of the first to settle in East Burwood. They were orchardists.Black and white photograph of the Lowen family of East Burwood taken outside near their orchard in about 1931. Both parents are seated on cane chairs. Standing: (left to right) Cedric Jnr.,Thelma, Florence. Seated: Cedric Lowen, Merle, Joy and Lucy Lowen (nee Tainton) In front: Shirleyorchardists, lowen, shirley, lowen family, cedric, thelma, florence, merle, lowen lucy (nee tainton), joy

Knobkerrie are clubs used as weapons mainly in South and East Africa. The club end can be used to throw at an animal or to club an enemy's head in. Usually these would be carved from a protruding tree branch. The name is Afrikaans and comes from 'Knop', meaning knot or ball and 'Kierie', meaning cane.Accessioned into the museum collection in 1913 and donated by a Mrs Newcome, there is not much other information on its provenance. However, the museum collection holds several artefacts from this region of South Africa and much of it was collected during the Boer Wars of 1880-1881 and 1899-1902.A wooden club type object. It has a narrow cylindrical handle with a large wooden sphere at the top. The wood is shiny and smooth with a polished effect. The handle is 31.5cm long with a 2cm diameter and the head or knob has a height of 9.5cm and a circumference of 27cm.This would have been hand carved from a protruding tree branch. Towards the end of the handle is a 13.9cm section of zig-zag patterning. Further down towards the 'knob' there looks to be carved into the wood 'Jud'.knobkerrie, boer war, zulu, south africa, ethnography, weapon

Metal badge consisting of an oval shaped medallion coloured with a dark blue edge and light blue centre, white cane across length of medallion and inscriptions written around the edge. Clasp is silver coloured metal on both tie pins and badges. Marked: On front of badge : Association for the Blind.1 metal pin 1 metal badgeAssociation for the Blindwhite cane day, badges

Various activities occur during a day centre session. In one image, a woman holds a man's hands as he twists a cane strip to make a basket handles, whilst in others two seated women in the Kooyong Day Centre with their walking sticks, watching Colin Pascoe and his dog.6 digital images of day centre attendeesvision australia foundation, day centre, colin pascoe

Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. One of a pair of cream silk parasols, each bordered by overlapping bands of beige lace. The underlying structure and mechanism includes a bent cane handle and black metal expanding spokes. The lace borders are layered to create an overlapping fringe. The high-domed umbrellas may have been created for a bridal party."Coombs Collection"coombs collection, clothing accessories, parasols

A brown cane oval woven sewing basket with a lid which has a pink studded silk lining. It contains - a pair of scissors, a cotton reel, embroidery thread, a bone handled crochet hook, tailors chalk, plastic containers, darning wool, press studs, bias binding, a doily and applique flowers.Crotchet cotton - Coates fast 609 colour Mercer Crotchet 60, 6 Black British Snap press studs - Guaranteed Rustless Size 1 Made in England, Standard darning Wool, Tailor's Chalk - RogeR & Gallet Paris, Scissors 101, 89 on one side of blades and Razor Silver Steel Saranti Forge Nogent france on the other side, Standard darning Wool Co Pty Ltd Stawell, Vic. Australia, steel crotchet hook has an embossed pattern on the handle, Superior Linen Thread No 30, Lindsay Thompson (Threads) Ltd Belfast, black pure flax linen thread 60 750 yards reverse twist.sewing baskets, baskets, sewing equipment

Colour photograph. Opening of bridge showing bonfire ; showing hill behind footbridge with dead blackberry canes on right. This item and all other Darebin Parklands Association archival material is now held by State Library Victoria (Accession No: YMS 13746). Please contact State Library Victoria if access is required.Annotated on back.

1863 was the last steam locomotive built by Hudswell Clarke for the Colonial Sugar Refining Co (CSR). It was also the last steam locomotive imported Australia for use on the Queensland Cane fields It originally worked at the Victoria Mill at Ingham ,Queensland and was named "CORONATION" it was latter transferred to Macknade Mill where it was numbered "9"Historic - Industrial Narrow gauge Railway - Steam locomotive - CSR - Colonial Sugar Refining Co. - Victoria Mill, Ingham, Queensland, Australia Steam Locomotive - 2' gauge 0-6-0 tender locomotive made of iron, steel 1863coronation, puffing billy, no9, hudswell clarke, 1863, steam locomotive, victoria mill, csr - colonial sugar refining co.

Regional fishermen supplied fish to the Melbourne market in these cane baskets. The basket had a flat lid (we are searching for a lid) and bracken fern was packed between the fish as ice was not available at the time. Photos show that fish boxes were introduced in 1900 and no post 1900 photos of baskets in use have been found. The baskets were mainly destroyed once boxes were introduced and only two baskets have been found. . Oval shaped large wicker work basket

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Newhaven is in Edinburgh, Scotland. Portraits of fishwives were popular subjects for postcards due to the colourful, layered, striped outfits that they wore. The elderly fishwife stands beside a cane basket of fish. The postcard would appear to be a studio portrait. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.NEWHAVEN FISHWIFEpostcards, george and edith weir, newhaven - east sussex, fishwife series

See Item 11000.189A Collection of Photographs of decorations for Hanro Window Display: All black and white photo's. Photo A) A soft toy of a lamb with a bow around its neck and in the mouth is a garment with Hanro embroider on it. On the back is the number 2056 hand written in blue ink. Photo B) has two cane suitcases with handles one smaller than the other. Both have flowers woven through the cane. A petticoat with lace and two thin straps at the top is laid through the larger suitcase and a sign *Hanro* sits on the bench. On the back is 2100 hand written in blue ink and in pencil VV11. Photo C) Is of a Cane French Horn with a bunch of flowers in the horn part. A Hanro sign is attached to the middle of the Horn and a petticoat with a lace bodice and hem and two thin straps is draped through the bottom of the French Horn. Some glue on the back and 2114 in biro, 14 in pencil. Photo D) Is a mock cloths line in front of a dark background with three petticoats. The first has a lace top and hem with two straps pegged to the line, the second is hung upside down with two pegs. It has a lace top with a V neck. The third has a lace V neck top and at the hem line. The garment is pegged to the line by the straps. There are two pots with flowers hanging from the line. Photo E) A vase made of cane with flowers and a Hanro sign attached. Two petticoats either side are laid on the bench both with a lace bodice. There are two Hanro signs on the table. On the back in blue ink hand written is *Dek. Nt.2094 Photo F*. There are three cane baskets with flowers and Hanro signs at the top of each hung on a wall and two cane baskets with flowers on the table. One petticoat is hung up on the wall through the baskets. The petticoat has a lace border at the bodice, The other is laid on the table, has a V neck and lace border. A Hanro sign is in front of the petticoat. On the back printed in blue ink is *Dek. Nr. 2098* Photo G) Is three bunches of flowers to have Hanro sign attached. On the back is *Dek. 2077. Photo H) Is three groups of several crystal balls strung together with pine needles at the top and the sign Hanro at the top of each. On the back hand printed in blue ink is *Dek.2124* The photos were together in a piece of paper which has writing in green ink *Decorations for clients window display*.Reg. V. Brock Studiosphotograph, hanro. reg. v. brock.

Item in the collection relating to Alexander Norman Cummin No 18, 38th Batt AIF. Refer 2535P for his service details.Black & white photo of 2 soldiers leaning on a sign. Both Soldiers have peak caps & are carrying canes. Left side soldier wearing leather leggings, no patch visible. Right side soldier is also wearing leather leggings. The sign says: If you're a soldier you're welcome, if not .............. There is a building in the background & rocks in the foreground.The rear has the numbers 089 written on it.photography-photographs, military history - army

Hand carved wooden cane depicting a Rising Sun Emblem, and the names of places visited and vessels traveled on. Including, K.M. MURRAY AANS 1917 HMS MOOLTAN COLOMBO ADEN SUEZ ALEXANDRIA PORT SAID and on the reverse, KANDY It is riddled with borer holes and is broken at the neck. The tassle is also suffering wear as it is a woven grass like material.

Bendigo Advertiser '' the way we were'' from Wednesday, March 10, 2004. Self-serve: Bendigo's first self service store, H. G. Hawley and Sons, opened in Hargreaves Street in 1937. Cane baskets were available at the door. Pictured are, from left, Bill Turner, Keith Holland and Shirley Sturat. The clip is in a folder.newspaper, bendigo advertiser, the way we were

sepia toned photo of male seated on cane and wooden chair. Dressed in pin striped 3 piece suit. Fob watch chain to vest. 2 buttons on sleeve, cravat at neck of shirt with horse shoe pin in knot. Signet ring on left hand little finger. Palms beside chair. 467 in lead pencil on back.Yeoman & Co., next to Theatre Royal, Melbourne.person, individual, portrait male

Photograph - black and white in a heavy glass frame. The photo is a postcard, looks like mother sitting on a cane (unusual) shape chair, daughter sitting on a stool with elbow rests. Both women tied their hair up in a bun, high neck frilled blouse. Frame is heavy, glass and maybe 'mother of pearl' on the 4 corners of frame.Kalina, 578 69, Pall Mall, Bendigo.person, family, mother and daughter, portrait 2 women. kalina bendigo.

Fighting pick appears to be from Papua New Guinea. (Tari Fighting Pick ?) Implement is made of wood (appears soft wood handle with hard wood head.) Pick/hammer shaped with head attached to handle by cane binding.Some grooving on rear of the head and small binding at back.Wood colour with some red coloring in the grooves at back of head.

An ultrasonic torch sends out a high frequency beam that bounces off items in it's path and sends back signals to an ear piece worn by the user. A change in sound indicates the nearness of an object, and it was (at the time) thought to be a possible replacement for white canes in the future. In this image, a man descends steps at the William Street building of RBS, using the torch to guide him.B/W photograph of man using torch6/68049 Ultrasonic torch being used at the Royal Blind Society.royal blind society of new south wales, orientation and mobility

The Battalion C.O. was Lt.Col. F.G. Woods.Black and white portrait of a group of AIF Officers 37 Btn AIF, They are arranged in three rows with a corrugated iron hut behind them. There is long grass in front of them. The officers are in service dress with Sam Brown belts, canes and riding crops. Captain W J Symons V.C. is in the front row. The photo is mounted on a piece of thick cardboard.Names of the officers are printed on the cardboard under the photo. The makers name and address is there as well.ww1, 37 btn, aif, symons v.c.

sepia photograph of men in top hats, some carrying walking canes, cricket bats, ( shadowy figures in background ) Written on image ' old identities of Bendigo and its famous Beehive, from George D. Meudell, old members of the Bendigo Stock Exchange. ' 22nd. August 1934' on bottom photo 1860. on back BEEHIVE EXCHANGE MEMBERS ' BEE HIVES 'person, group, beehive exchange

The “Northrop” is an American copy of the “Zogling” which was designed in Germany in the 1920s as a training glider. Apparently, the Northrop primary glider takes its name from a Marvin Northrop of Minneapolis who imported a Zogling from Germany and from that glider had plans drawn and published in a magazine called Modern Mechanics in 1930. The Australia Gliding Museum’s Northrop was built over the period of 1970 to 1974. The project was conceived by a pioneer of Australian gliding, Ken Davies, about 1969, as a hobby project and to experience afresh gliding flight of the early years. By that time, few primary gliders, which performed a fundamental role for gliding clubs in the 1930s and 1940s, remained in Australia. Ken began construction and was helped to finish the project by two old time Gliding Club of Victoria members, Dave Darbyshire and Rudi Feil. The glider was test flown on 8 March 1975 at Benalla. The glider was stored at the Gliding Club of Victoria and flown on special occasions in the 1980s. Later it was damaged at the 1996 vintage glider rally at Ararat as a result of a heavy landing. Storage was then provided for the glider by the Victorian Motorless Flight Group at Bacchus Marsh until it was returned to Dave Darbyshire for restoration in 1998. Fully restored, the glider was donated by Iris Davies and Dave Darbyshire to the Australian Gliding Museum in April 2001. This exhibit is the type of machine that formed the basis of the sport of gliding from 1929 to about 1945. The glider consists of an open (uncovered) wooden framed fuselage (painted blue) with a brown vinyl covered seat, fabric covered wooden framed wings of constant chord (painted silver) with provision for attachment of semi-circular cane wing skids, and fabric covered wooden framed tailplane, elevators and rudder (painted silver). When assembled the airframe is wire braced.australian gliding, glider, northrop, zogling, davies, darbyshire, feil, gliding club of victoria, victorian motorless flight group

Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography]Seated sepia toned studio portrait of Rev A T Holden C.B.E. wearing clerical collar and sitting in cane chair, he looking at the camera with his body turned to his right. He has two badges on his left lapel. The photograph has the name of the photographer embossed at the bottom right. It has an inscription handwritten in white ink at the bottom."REV. A.T.HOLDEN. C.B.E. (Gen. superintendent)"rev albert thomas holden methodist minister, methodist home missions secretary, victorian fourth contingent (imperial bushmen), methodist chaplain general, australian imperial force, general superintendent of the methodist church of australasia, grand master of the grand lodge of freemasons of victoria

Opening of Pioneers’ Memorial c 1938. The photo was taken to commemorate the crowd gathering at the opening of the Pioneers' Memorial. To the right in the photo, people are seated, while on the right the majority of the crowd is standing. Black & white photograph of the opening of Pioneers' Memorial c 1938. The photo is taken from the memorial looking down into the crowd. To the right in the photo, you can see the sides of the steps and people seated in cane chairs. On the left side the majority of the crowd is standing. In the background the moonlight dam can be seen plus a ladder leaning against a pole to the right.Opening of Monument on Big Hill. stawell

Fighting pick. Appears to be from Papua New Guinea. (fighting pick of Tari.?) Implement in shape of pick with handle and head. Head attached to handle by way of cane binding. Appears to be soft wood handle and head of harder wood. The rear piece of the head behind the binding has carving notches and coloured blue,red,yellow and red inside the carvingpick, fighting pick, tari, papua new guinea