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Glenelg Shire Council Cultural Collection
Print, Edward Henty, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of three framed images on a striped background. The top left image is a black and white sketch of Burswood. The top right image is a black and white portrait of Edward Henty. Below these images is a coloured image of two bluestone buildings. The background is striped pattern of red, blue and gold.Front: Edward Henty (lower centre) Back: 46 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Marine Discovery Centre Portland, Victoria, 20/10/2000
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Glenelg Shire Council Cultural Collection
Print, Androgynous Aerobics [or which end of the toothpaste do you squeeze?], 1983
UnknownViews of different aerobic exercises being conducted by a man and a woman. Each exercise takes place in a diferent square, totalling 12 squares in all. Each square is coloured alternately in apricot and pale blue. The man's pants are green, and the woman's top is red. No matt. Framed in black frame with glass glazing.Front: 15/60 Androgynous Aerobics [or which end of the toothpaste do you squeeze] V. McConville '83 (across lower centre, left to right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, The Organist, 1984
CEMA Art Collection. Part of "A Community View: 150 years in Portland Screenprint Exhibition". Part of Angela Gee residency 1983 and 1984.Screenprint of torso and head of a woman. The woman is wearing a long-sleeved top, a large necklace, and a brown hat with large feathers. The background is yellow wit light brown wallpapered patterning. No Matt. Wooden frame with gold edging and glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left, stamp) 1/20 A Gee The Organist (lower centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, Angela Gee, Tuna Fishing Pt Lincoln, 1986
UnknownFive portraits of male figures in five square at top of print. Each man is in a different pose, with a blue wash background. Underneath are hand-written inscriptions identifying them as different people involved in the tuna-fising industry. The bottom part of the print is a handwritten short essay on the tuna-fishing industry. Mounted without a matt in a pale blue metal frame with glass glazing.Front: 9/40 (lower left) Tuna Fishing, Pt Lincoln (lower centre) Angela Gee '86 (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, The Wedding, c. 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Artwork, other - Reproduction of print - Pen and ink drawing of Kingsley House Portland Victoria, T.V. Lyons, Kingsley, 1980
Displayed at History House.Reproductive print of pen and ink drawing of a turreted two-storey house with bay windows, gabels, an open upper verandah and an enclosed lower verandah.Front: T.V. Lyons '80. (printed, lower left in image) Kingsley (printed, lower centre, in image) -
Glenelg Shire Council Cultural Collection
Print, View of Early Portland, 1890-1900
Displayed in window of History House, 1991-2006. Given by Betty Wilson to her husband, Murray J. Wilson.View of a town on a harbour with piers. Two steam ships-one berthed at a pier, another in the bay, centre left. Small sailing craft in harbour; people on beach and cliff tops. Black and white lithograph. Mounted in matt.Front: (no inscriptions) Back: (no inscriptions) Murry J. Wilson/from E. Wilson (cursive handwriting, blue pen. Taken from back of frame and a fixed in Mylar to back of mount) -
Glenelg Shire Council Cultural Collection
Painting, W.V. Tippel (?), English Farm Scene, 1853
Unknown. "Item of the Month", 2006 (Jan-July) - on display in Council Foyer (Portland Office).Scene of a man herding cattle and sheep down a country lane. To the left is a wooden pole fence and trees edging the road. On right, a path curves up and behind bushes. A man in a red coat is walking at the end of this path with his back to the viewer. In mid-ground on right is a white, thatched roof building and a church is evident behind it. In background are mountains, painted in rose and violet. Clouds sweep across the sky and mist fills the valley in front of the mountains. Framed in ornate gold-painted frame.Front: (no inscriptions evident) Back: Conservation Centre label. From previous Worksheet: W.V. Tippel, 1853. Jefferson, Artists Colours, Crystal House Baths, BRISTOL (stamp). -
Glenelg Shire Council Cultural Collection
Painting - Painting (Henty Street Casterton), Untitled, 1995
The watercolour painting depicts a street scene with a grass hill in the background. The street forms the centre of the foreground and features a row of buildings and cars on both sides of the street. Long shadows extend from the buildings and trees with yellow leaves frame both edges of the work. Across the middle of the work green trees are used to separate the street from the hill in the background. The large grass hill features an outlined shape (Scout symbol) on the side and a building surrounded by trees on top. The work is mounted and framed in a brown and gold frame with glass.Front: Mervyn Hill/95 Back: Framing by W.D. & C.M. Davis RMB 1256 Casterton 3311 Phone (055) 75 3290 -
Glenelg Shire Council Cultural Collection
Drawing - Drawing - "Burswood", 1890
Displayed in History HousePen and ink sketch of a house partially obscured by trees. In foreground are two paddocks, with two horses grazing at centre right. Mounted in grey matt in black wooden frame, under glassFront: C G Darvall/Jan 1890 -
Glenelg Shire Council Cultural Collection
Painting - Painting - [Moonlight Trees], Pro Hart, untitled [Moonlight Trees], 1967
Included in the 1999 "Salvage" Exhibition at CEMA Arts CentreThe painting depicts numerous leaf-less trees in the moonlight. The trees are painted in shades of brown, black and cream with the main focus on those in the centre foreground. The surrounding trees are completed in darker shades and are hazy and out of focus. The glow of the moon is depicted in white which dissipates into the dark blue/green sky. In contrast to this, a burnt orange is used as the background for the trees. The work has a gold and black frame with no mount or glass.Front: 67 PRO HART (black and gold paint, lower corners) Back: PRO HART "UN-NAMED" (1967) Donated by the Artist (typed label) White Sticker: 2 (in a circle) -
Glenelg Shire Council Cultural Collection
Painting, Phillip Petrie, Langley's Bridge, 1990
Depiction of a bridge over a creek edged with trees. On left are the branches of a tree with grey-green leaves. The creek fills the lower centre area of the image, painted in pale blue, grey, highlights of white and darker areas of dark blue. The wooden rail bridge curves in an even arch in centre of image. On right is a bank rising from the creek, with large tree with pale grey-green foliage and a tree with darker olive foliage. The background shows what could be hills and the sky is very pale blue. Mounted in a double matt (white on orange), framed under glass in wooden frame with gold details.Front: Phillip Petrie 90 (lower left) (grey paint). Back: "Langley's Bridge" watercolour. 570 x 420 mm $150.00 -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 16, Bob Stone, 'Exposed for a whole week without shelter - clinging to the bulworks for very life....' Portland Guardian, 15th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Sixth in a suite of 16 in the Admella Rescue Series. Shows head and shoulders and right arm of man on Admella, holding the hand of someone in the sea. Two bands and forearms of another person in the the sea reaching up. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 'Exposed for a whole week without shelter - clinging to the bulworks for very life....' Portland Guardian, 15th August 1859 - hand written in black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 4, Bob Stone, Some valuable horse stock was on board .... the horses were thrown overboard.... SA Advertiser 7th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Fourth in a suit of 16 in the 'Admella Rescue Series'. Depicts the head of one horse, and the head and one forelegg of the second horse, among large waves. Printed in black on white archival paper.Front: Front - Linocut Bob Stone 'Some valuable horse stock was on board .... the horses were thrown overboard.... SA Advertiser 7th August 1859' - hand written, black penadmella, portland lifeboat, shipwreck -
Glenelg Shire Council Cultural Collection
Artwork, other - Engraving - Portland Bay and township from observatory hill, AH. Fullwood, Portland, n.d
Hand coloured engraving taken from the publication 'Australasia Illustrated' 1884, the image shows Portland Bay and township from observatory hill. Narrow gold and black speckled Matt board around image, then wider cream matt board. Image backed with white matt board - certificate of Authenticity attached top left. (Reproduction)Front: Artists signatue, bottom left, 'Portland' printed centre border beneath engraving. -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 3, Bob Stone, '..... they were four hours amongst the rocks and breakers before they got ashore' - SA Advertiser 20th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut Print. Third print in suite of 16 in the Admella Rescue Series. Shows two men on rocky shore, rough sea in background. One man on hands and knees, the other, still in water, holding a long box. Printed in black on white archival paper.Front: Front - Linocut Bob Stone 2009 '..... they were four hours amongst the rocks and breakers before they got ashore' - SA Advertiser 20th August 1859' - handwritten, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 6, Bob Stone, A public meeting was held to raise a fund for the relief of the survivors. Portland Guardian 26th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Sixteenth in a suite of 16 in the Admella Rescue series. Printed in black on white archival paper. Depicts a group of 6 people, one of whom is addressing a crowd of people.Front: 'Linocut Bob Stone 2009' A public meeting was held to raise a fund for the relief of the survivors. Portland Guardian 26th August 1859 - hand written, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Painting, Julie Kent, Beach Scene, n.d
Hung in CEO's Office 5/9/2003Scene depicting a beach. On the right are sand dunes with grass covering them. On the left is the ocean. The beach runs from foreground left to the upper centre of image, diminishing in size. In centre left of image three standing adult figures and one child stand to the left of a seated figure wearing a red hat. A fishing pole is braced in the sand beside the figure's chair.Front: J Kent (blue paint, lower right) Back: (unknown) -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 16, Bob Stone, 'Four heavy seas struck ... washing one man overhead, who was, however, picked up. Portland Guardian 18th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Tenth in a suite of 16, in the Admella Rescue series. Depicts Portland lifeboat. 3 crew members leaning leaning over sid eof life boat towards someone in water. Printed in black on white archival paper.Front: Linocut, Bob Stone. ...'Four heavy seas struck ... washing one man overhead, who was, however, picked up. Portland Guardian 18th August 1859' - Handwritten, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 12, Bob Stone, The boat at times appeared to stand up perpendicular on a wave that rose up like a wall, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Twelth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts Portland lifeboat being rowed through heavey seas.Front: Linocut Bob Stone 2009 The boat at times appeared to stand up perpendicular on a wave that rose up like a wall. 'SA Advertiser 20th August 1859' - Black pen, hand writtenadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut Admella Rescue Series No. 15, There was much celebration when the survivors were taken off the 'Lady Bird', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Fifteenth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts band playing in street, by standers each side.Front: 'Linocut Bob Stone 2009 There was much celebration when the survivors were taken off the 'Lady Bird' - Hand written, black pen.admella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 14, Bob Stone, on arrival at Lady Bird some 3 or 4 were in the last stage of existence 'Portland Guardian 15th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Fourteenth in a suite of 16 in Admella Rescue Series. Printed in black on white archival paper Depicts a man with a rope around his chest and under his arm pits, being hauled up the side of the 'Lady Bird'. Two members of the Portland life boat also visible, watching procedure from lifeboat.Front: 'Linocut Bob Stone 2009 ... on arrival at Lady Bird some 3 or 4 were in the last stage of existance. Portland Guardian 15th August 1859' - hand written in black ink.admella, portland lifeboat, shipwreck -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 8, During the night the Portland lifeboat was launched, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Eighth in a suit of 16, of the Admella Resue Series. Depicts a man with a lantern, standing in the bow of the Portland Lifeboat, as it is being launched by several men with ropes. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 2009 'During the night the Portland lifeboat was launched.' - hand written, black penadmella, portland lifeboat, 150th anniversary, linocut -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 13, Bob Stone, Help had reached the sufferers at last... Every heart will rejoice over this good news Portland Guardian 11th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Thirteenth in a suite of 16 in the Admella rescue series. Printed in black on white archival paper. Depicts 3 men on Admella, with a rope from them to the Portland lifeboat.Front: 'Linocut Bob Stone, 2009 Help had reached the sufferers at last... Every heart will rejoice over this good news Portland Guardian 11th August 1859' - Handwritten, black ink.admella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No 2, Bob Stone, Poor George Fisher was one of the first swept away.... SA Advertiser 20th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Second print in suite of 16 in the 'Admella Rescue Series. Depicts a hand rising from the sea. Printed in black on white Archival paper.Front: Front - 'Linocut Bob Stone 2009 - Hand written, black pen. 'Poor George Fisher was one of the first swept away.... SA Advertiser 20th August 1859' -
Glenelg Shire Council Cultural Collection
Print - Linocut Admella Rescue Series No. 5, Bob Stone, Many a heart will bleed to think of what must have been suffered, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Fifth in a suite of 16, in the Admella Rescue Series. Depicts 5 distressed people on the deck of the Admella, surrounded by rough seas. Printed in black on white archival paper.Front: Front - Linocut Bob Stone Many a heart will bleed to think of what must have been suffered.... SA Advertiser 9th August 1859 - handwritten, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 11, Our telegrams were passed from hand to hand being read aloud.' SA Advertiser 9th August 1859.', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Eleventh in a suite of 16 in the Admella Rescue series. Printed in black on white archival paper. Depicts man reading telegram to group of men and women.Front: 'Linocut, Bob Stone Our telegrams were passed from hand to hand being read aloud.' SA Advertiser 9th August 1859.' - hand written, black penadmella, portland lifeboat, shipwreck -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella REscue Series No. 9, Bob Stone, 'She (The Portland Lifeboat) rode most splendidly over the high waves' Portland Guardian 2nd September 1859, n.d
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Ninth in a suite of 16, in the Admella Rescue Series. Depicts Crew rowing the Portland lifeboat through rough seas. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 2009 'She (The Portland Lifeboat) rode most splendidly over the high waves' Portland Guardian 2nd September 1859 - hand written, black pen.admella, portland lifeboat, shipwreck -
Glenelg Shire Council Cultural Collection
Print - Lithograph, Kenneth Jack, Lake Surprise, Volcanic Plains No. 1, c. 1961
Lithograph, orange / yellows, white, grey, white double mount, black wooden frame, reflective glass, hanging wire width of frame, on backFront: 'Lake Surprise 4/40 No.1 Vocanic Plains of Victoria Kenneth Jack (signature) - pencil, in border between lithograph and mount Back: Black stamp 'KWD JACK P/L P.O.Box 1 Doreen Vic 3754' - centre back '79' pencil, bottom Left Hand corner