National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

Framed portrait of Diana J. Jones who the first female president of the Association for the Blind since Tilly Aston. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mrs Jones sits facing the painter with both hands clasped in her lap. She is wearing a black double breasted blazer, white shirt, blue beaded necklace and earrings and a gold bracelet . A white kerchief sits in her breast pocket. Diana Jones served for 8 years on the General Committee before being elected President. During this time she was deputy chairman of the Reach Out Appeal to raise funds for the building program and President of the Honorary Services Group which co-ordinated volunteers and gave them a spokesperson on the General Committee. In her 8 years as President a great deal was accomplished. New centres were opened or extended throughout Victoria and the Metropolitan area, volunteer services expanded and the Vision Resource Centre at Kooyong was built into which 3RPH radio was relocated. A Vision Information hotline, audiology services and the National Centre for Ageing and Sensory Loss were established, the Braille and Talking Book libraries was incorporated into the Association and the Charlie Bradley Cricket Pavilion opened at Kooyong. In 1990 Diana Jones became a member of the first Board of Directors of the newly incorporated Association for the Blind Ltd which ushered in a new era, requiring strict observance of financial and accounting methods in order to ensure continued Government funding. Mrs Jones was highly regarded by clients, volunteers and staff as a capable hard-working leader. Her services to the Association and over many years to the wider community, were recognised in her appointment as a Member of the Order of Australia in the 1993 Queen's Birthday Honours. She passed away in July 2009.1 art original in gold frame The plaque at the base of the painting reads 'Dame Diana J. Jones, AM DSJ / President 1984- 1992 / Association for the Blind'. association for the blind, diana jones

To recognise the dedication and service of non-military persons, the Member of the Most Excellent Order of the British Empire (civil order) was established. Shortened to MBE, the award consists of a silver cross with a circular centre and a fleur de lis attached on four sides. Above the north facing fleur de lis is a crown which is connected to a rose pink crossgrain ribbon with pearl grey edges, and tied into a bow. In the central part is the profile of King George V and Queen Mary, and the words 'For God and Empire' in raised letters against a roughened background edging the portrait. On the rear are the copperplate letters 'GRI' (which stand for Georgius Rex Imperator) and an image of a crown directly above this. It is designed to be worn on the left hand side by the female recipient. In 1974 this medal was awarded to Miss Elsie May Henderson for services to blind persons.1 silver coloured medallion in black frame association for the blind, medals, elsie henderson

To recognise the dedication and service of non-military persons, the Member of the Most Excellent Order of the British Empire (civil order) was established. Shortened to MBE, the award consists of a silver cross with a circular centre and a fleur de lis attached on four sides. Above the north facing fleur de lis is a crown which is connected to a rose pink crossgrain ribbon with pearl grey edges, and tied into a bow. In the central part is the profile of King George V and Queen Mary, and the words 'For God and Empire' in raised letters against a roughened background edging the portrait. On the rear are the copperplate letters 'GRI' (which stand for Georgius Rex Imperator) and an image of a crown directly above this. It is designed to be worn on the left hand side by the female recipient. In 1937 this medal was awarded to Miss Millicent Frances Ritchie for her service as Secretary of the Braille Association of Australia.1 silver coloured medallion attached to ribbon in black case millicent ritchie, victorian association of braille writers, medals

To recognise the dedication and service of non-military persons, the Member of the Most Excellent Order of the British Empire (civil order) was established. Shortened to MBE, the award consists of a silver cross with a circular centre and a fleur de lis attached on four sides. Above the north facing fleur de lis is a crown which is connected to a rose pink crossgrain ribbon with pearl grey edges, and tied into a bow. In the central part is the profile of King George V and Queen Mary, and the words 'For God and Empire' in raised letters against a roughened background edging the portrait. On the rear are the copperplate letters 'GRI' (which stand for Georgius Rex Imperator) and an image of a crown directly above this. It is designed to be worn on the left hand side by the female recipient. The medal from this box was presented to Katharine (Kitty) Margaret Rose in 1975 for her tireless work with the aged blind, and is on display at the Bendigo office.1 burgundy box (with silver medal on display at Bendigo VA office)association for the blind, medals, katharine (kitty) rose

An older woman sits on an outdoor chair, smiling to camera. She wears a cardigan and a floral dress.1 B/W photographs of older female sitting outsideassociation for the blind, elanora home (brighton)

Images of various unknown Elanora residents.3 b/w photographs of Elanora residentsassociation for the blind, elanora home (brighton)

Unknown portrait of an older female, slightly smiling and facing away from the camera. She is wearing a white collared top and a darker coloured cardigan or jumper. She could be either a client or a staff member.royal victorian institute for the blind, portraits

Geoffrey MAINWARING (29 October 1912-13 April 2000) Born Adelaide South Australia Geoffrey Mainwaring studied at the South Australian School of Arts and Crafts before becoming an art teacher at Thebarton Technical School (1928-36). Mainwaring was adept at depicting a variety of subjects, from landscapes to portraits, and was very competent using a variety of media, including pencil, oils, and watercolour. He was a confident draftsperson, and completed many sensitively rendered portraits that give an insight into the character of the sitter. In June 1941 Geoffrey Mainwaring (SX13471) joined the 2nd Australian Imperial Force, and after five months was transferred to the Engineers and employed as a Sergeant-Instructor, specialising in demolitions. In late 1942, he was sent to New Guinea as an Australian army artist on probation. On 27 May 1947, Mainwaring was discharged from the Army, having served for five and a half years. He was appointed as an artist on a civilian basis until his paintings were completed in March 1948. In 1949 he was appointed Head of the Art School at the Ballarat School of Mines (now Federation University Australia). He continued to paint commissioned portraits for the Australian War Memorial until the late 1950s. Geoffrey Mainwaring died at Ballarat in April 2000. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A framed and triple mounted pastel portrait of Professor Shirley Randell. Shirley Randell is a long-time activist for gender equality and women's empowerment in education, employment, public service and civil society in Australia, the Pacific, Asia and Africa. She was the first female dean at Ballarat College of Advanced Education (later Federation University Australia). Her appointment as Dean of Academic Affairs made her the first woman to hold a senior management position at the college. In 2019 Shirley Randell is a Member of the Order of Australia, having received the Officer of the Order (AO) award in 2010 for her services to international relations through education, public sector, institutional reform and economic empowerment of women in Australia, the Pacific, Asia and Africa. She is a member of many important boards and committees including the Australian Government Women’s Alliance – Economic Security for Women and the indigo foundation. An Ambassador of Dignity Ltd, the Australian Centre for Leadership for Women, Women’s International Cricket League/FairBreak and The International Alliance for Women, Shirley Randell is also a member of the Independent Scholars Association of Australia Council, Graduate Women International Projects Committee, and sits on the several editorial boards including the BioMedical-Central Women’s Health Journal. Gift of Professor Shirley Kaye Randell, AO, PhD, Hon.DLitt, FACE, FAICD, FIML, first woman in the Executive Team of the Ballarat College of Advanced Education as Dean of Academic Affairs, 1989- 1990signature bottom right - "G. R. Mainwaring 1989."art, artwork, available, geoff mainwaring, geoffrey mainwaring, mainwarring, pastel, drawing, portrait, portraiture, woman, professor shirley randell, ballarat, g. r. mainwaring, shirley randell

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, national level. Mayoresses were also required to undertake Mayoral duties on occasions when their husband was unavailable. Mayoress Batchelder was born Elizabeth Helen Wilkinson and is recognised for her work among the poor of the district. Art NouveauFramed, oval photographic portraits with convex glass and print, created using a collodion wet plate process. Hand coloured detail.Mrs E.G. Batchelder / Mayoress 1928 - 1929 / Vincent Kelly / Bendigoelizabeth wilkinson, mayoress batchelder, mayor batchelder, vincent kelly photographer, city of bendigo, city of greater bendigo portraits

Prior to the election of female Councillor's and Mayors, the Mayoress role as wife of the Mayor, was one of the few ways women could officially undertake civic duties. Mayoress's made important contributions through their charity work, even stepping in on occasions to undertake Mayoral duties. Mayoress Giudice was born Beatrice Annie Harvey in Bendigo and became the first Girl Guide Commissioner in Bendigo. The Giudice family was associated with the Lyric Theatre, the Bendigo United Breweries, Shamrock Hotel and the Bendigo Lyric Photo Plays. Mrs Giudice died in 1980, aged 95 years.Framed, oval photographic portraits with convex glass and print, created using a collodion wet plate process. Hand coloured detail.Mrs M.G Giudice / Mayoress 1922 -24.sandhurst, bendigo, mayoress, mayor, vincent kelly, studio photography, portrait, giudice, beatrice annie harvey, lyric theatre bendigo, girl guides, mayor giudice, city of greater bendigo portraits

Prior to the election of female Councillor's and Mayors, the Mayoress role as wife of the Mayor, was one of the few ways women could officially undertake civic duties. Mayoress's played an important role in civic life through charity work, even stepping in on occasions to undertake Mayoral duties. Mayoress Niemann was born Ethel Emily May Harding in 1880 in Geelong and died in Canberra in 1959.Framed, oval photographic portraits with convex glass and print, created using a collodion wet plate process. Hand coloured detail.Verso; signed Vincent Kelly 1ethel harding, mayoress niemann, mayor niemann, vincent kelly photographer, city of bendigo, city of greater bendigo portraits

Prior to the election of female Councillor's and Mayors, the Mayoress role as wife of the Mayor, was one of the few ways women could officially undertake civic duties. Mayoress's played an important role in civic life through charity work, even stepping in on occasions to undertake Mayoral duties. Mayoress Pethard was born Hilda Robina Leed in Eaglehawk in 1889 and died in 1966. Mrs Pethard travelled extensively with her husband throughout their time in Office. Framed, convex, oval photographic studio portrait. Hand coloured detail. vincent kelly, studio photography, hilda leed, tarax, city of greater bendigo portraits, city of bendigo, city of bendigo mayoress

Prior to the election of female Councillors and Mayors in the 1960’s, The Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Mayoress Taylor was born Hannah Ellen Mullany and died 9th September 1963 aged 83. Hannah Taylor served as Mayoress from 1930 -31, 1937 - 38 and 1942 - 43.Framed, oval photographic portraits with convex glass and print, created using a collodion wet plate process. Hand coloured detail.lr, Mrs W H Taylor / Mayoress 1930 - 31 / " " 1937 - 39. ll, Vincent Kelly / Bendigohannah mullany, taylor, studio photography, city of greater bendigo portraits, city of bendigo mayoress

Prior to the election of female Councillors and Mayors from the 1960’s onwards the Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when the Mayor was unavailable. Laura Jane Truscott (nee Baxter) born New South Wales (1880-1967).Framed, oval photographic studio portrait. Hand coloured detail. Flat glass and print. ll; Vincent Kelly / Bendigo. lr; Mrs A Truscott / Mayoress 1945 - 46studio photography, city of bendigo mayoress, city of greater bendigo portraits

Prior to the election of female Councillors and Mayors from the 1960’s onwards the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook Mayoral duties on occasions if their husband was unavailable. Framed, oval photographic studio portrait. Hand coloured detail.lcl, Mrs R. H. Wilson / Mayoress 1960 - 61. lr Martin Washingtonstudio photography, martin washington, wilson, lansell pendant, city of greater bendigo portraits, city of bendigo mayoress

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Ellen May Turner (Nell) was born in 1925 and died in 2008 aged 83. Reproduction of photographic studio portrait sitting behind oval mount.lr; Mrs R. F. Turner / Mayoress 1965 - 66 / Martin Washingtoncity of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, martin washington photography, mayoress turner, mayor r.f. turner, lansell pendant

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Aileen Baldwin was born in Eaglehawk and was one of the youngest Mayoresses that the City has had. Reproduction of Black and White photographic studio portrait sitting behind oval mount.city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayoress cambridge, mayor w cambridge, cambridge printers, lansell pendant

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Gwen Jeffrey served as Mayoress from 1969 - 70.Reproduction of Black and White photographic studio portrait sitting behind oval mount.lr; Martin Washingtoncity of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayor jeffrey, mayoress jeffrey, lansell pendant

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Peg Elliott served as Mayoress from 1971 - 72.Black and White photographic portrait sitting behind oval mount.lr; Martin Washingtonstudio photography, city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, elliott collection, mayor d elliott, mayoress p elliot, lansell pendant

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Phyllis Campbell served as Mayoress from 1975 - 76 and 1979 - 80 and was born in 1916 and died in 1995.Colour photographic studio portrait sitting behind oval mount.Inside lr; Don Semmens / Bendigostudio photography, city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayor r campbell, mayoress phyllis campbell., lansell pendant

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Gwenda Joan Cooper was born in Ballarat in 1924 and served as Mayoress from 1976 - 77.Colour photographic studio portrait sitting behind oval mount.Inside lr; Don Semmens / Bendigostudio photography, city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayor r cooper, mayoress joan cooper, lansell pendant

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Kathy Tomkinson served as Mayoress from 1980 - 81.Colour photographic studio portrait sitting behind oval mount.Inside lr; Don Semmens / Bendigocity of bendigo mayoress, city of bendigo mayor, mayoress tomkinson, mayor tomkinson, lansell pendant

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Elizabeth Stolz served as Mayoress from 1981 - 82.Black and White photographic portrait sitting behind oval mount.lr; Don Semmens Bendigocity of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, lansell pendant, mayoress stoltz, mayor stotz

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Judith Mansell served as Mayoress from 1983 - 84.Colour photographic portrait sitting behind oval mount.lr; H. Hampelcity of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, lansell pendant, mayor mansell, mayoress mansell

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Gloria Quin was Mayoress from 1985 - 86.Colour photographic portrait sitting behind oval mount.lr; H. Hampelcity of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, lansell pendant, mayor quin, mayoress quin

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Gloria Quin was Mayoress from 1985 - 86.Colour photographic portrait sitting behind oval mount.city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, lansell pendant, mayor currie, mayoress currie