Showing 369 items
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Federation University Art Collection
Painting, Antonion Muratore, Adam and Eve’s Property Settlement, 2002
Antonio MURATORE (1947- ) Born Reggio, Cagliari, Italy arrived Australia 1952 After completing studies at the Preston Institute of Technology and RMIT, Antonio Muratore studied and taught in India and Europe returning ti Australia in 1985. Antonio Muratore lectured in printmaking at RMIT IN1887 before taking up a residency at the Rigalto Print STUDII IN umbra, Italy. Since 1992 Muratore had worked between Perugia and Melbourne.Framed artwork of two people holding masks.mask, hats -
Federation University Art Collection
Artwork - Bookplates, Suit of wood engraved bookplates by David Frazer
David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He compled an Honours Degree in Fine Art (Printmaking( at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. David Frazer’s work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) These two wood engravings are the subject of the forthcoming Private Press book: ‘The Bookplates of David Frazer’ written by Robert C. Littlewood, The Lytlewode Press, Chateau Bosgouet, Normandie, France, 2014/2015. david frazer, bookplate, wood engraving, printmaking -
Ballarat Heritage Services
Ceramic - Ceramics, Garry Bish, Plate by Garry Bish, c2023
Garry BISH (1950- ) Born Charlton, Victoria After training as a secondary school art teacher in Melbourne in 1968-69, Gary Bish moved to Bendigo, where he established the Potters Arms Studio in Epsom in 1972 while studying for a Diploma of Art and Design in ceramics at the Bendigo Institute of Technology, graduating in 1974. Establishing an independent studio in Epsom in 1972, Garry Bish has lectured in Ceramics for many years. Bish marks his work with his signature or an impressed 'B' with a stem like a feather, or in later years the Initial GB in a square. Plate by hand drawn glaze designceramics, gary bish, australian studio pottery -
Melbourne Tram Museum
Newspaper, The Age, The Herald, "Swanston Express", "Its not easy losing green", "Keep our trams and buses green", 18/05/1985 12:00:00 AM
Series of newspaper clippings about travelling on Melbourne trams, people, conductors, and what can happen. .1 - Newspaper clipping titled "Swanston Express", from The Age 18/5/1985 by Alan Fitzgerald, about travelling on a tram and being on the wrong tram to an unusual destination and the things that can happen. Based around the story that a person was supposed to fly to Oakland USA but finished up in Auckland NZ. .2 - ditto titled "Its not easy losing green", from The Herald, 12/12/81 written by Lawrence Money about the loss of the green W's and their quirks - like sand on the floor, ticket butts, trap doors, peep holes, Melbourne habitats, compared to the orange trams. .3 - Letter to the Editor "Keep our trams and buses green", written by R Francis head of the graphic design, Swinburne Institute of Technology - regarding the colour of our vehicles, heritage and the craze of having orange colours - industrial design. Dated 8/5/1982. .4 - Editorial, 17/1/1995 - titled "Other peoples' trams" - The Age, about the reliance on Melbourne trams by its people, comparison with other large cities e.g. St Petersburg, cost of running it, finishes with the view that the system should be extended.trams, tramways, melbourne, behaviour, tramways, crews, tramcars, people and places, sanding equipment, compressors, livery, colour schemes -
Melbourne Tram Museum
Document - Report, Melbourne & Metropolitan Tramways Board (MMTB), "East Preston Tramway Extension - Feasibility Study July 1976", Jul. 1976
Ninety three page, plus yellow covers, plastic cover on front and bound with a brown coloured comb binder report titled "East Preston Tramway Extension - Feasibility Study July 1976", by the MMTB. Looks at the costs, construction, operating cots, revenue, proposals considered and patronage for the extension of the East Preston tramway in various stages. Has a number of maps, figures, tables, plans, property acquisition, extension to Preston Institute of Technology, road layouts, bus routes and analysis of costs.Stamped on cover and inside page "Discarded from PTC Library 19 Oct 1989".trams, tramways, east preston, mill park, latrobe university, tramway proposals, mmtb -
Federation University Art Collection
Painting, Robert Jenyns, 'Deux Cheveux' by Robert Jenyns, 2008
Robert JENYNS (1944- 16/11/2015) Born Melbourne, Victoria Bob Jenyns' career spanned over four decades. Producing sculptures, prints, drawings, and paintings he has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Humour and subtle satire is a focus of his work. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. At the age of 16 Jenyns studyied advertising art at the Caulfield Institute of Technology. He then studied fine art with artist/teachers including Ken Scarlett, Kenneth Jack and Fred Cress, and night life drawing classes at the National Gallery schools under John Brack. After graduating the 20 year old Jenyns taught sculpture and carving at Aspendale Technical School (Melbourne). Two years later he moved to Daylesford and where he taught art until 1978, having received teaching qualifications from Hawthorn Teachers College in 1972. From 1979 Jenyns was based in Tasmania, initially lecturing in sculpture at the Tasmanian School of Art and later serving as head of the sculpture department until 2005. Gift of the Jenyns Family, 2021Painting of a blue truck painted onto stretched canvas.truck, bob jenyns, robert jenyns, available, transport -
Federation University Art Collection
Painting, Robert Jenyns, [Red Truck] by Bob Jenyns, c2008
Robert JENYNS (1944 - 16/11/2015) Born Melbourne, Victoria Bob Jenyns' career spanned over four decades. Producing sculptures, prints, drawings, and paintings hee has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. At the age of 16 Jenyns studyied advertising art at the Caulfield Institute of Technology. He then studied fine art with artist/teachers including Ken Scarlett, Kenneth Jack and Fred Cress, and night life drawing classes at the National Gallery schools under John Brack. After graduating the 20 year old Jenyns taught sculpture and carving at Aspendale Technical School (Melbourne). Two years later he moved to Daylesford and where he taught art until 1978, having received teaching qualifications from Hawthorn Teachers College in 1972. From 1979 Jenyns was based in Tasmania, initially lecturing in sculpture at the Tasmanian School of Art and later serving as head of the sculpture department until 2005. Gift of the Jenyns family, 2021Painting of a red truck painted onto a stretched canvas.truck, bob jenyns, robert jenyns, transport, available -
Vision Australia
Certificate - Text, Quality Assurance Services, Certificate of Quality Assurance System registration, March 2002, 8 March 2002
Certificate reads "Certificate of Registration. Royal Victorian Institute for the Blind Limited, 557 St Kilda Road Melbourne, VIC 3004 Australia (refer to Schedule of Addresses dated March 8 2002 for additional certified sites) complies with the requirements of AS/NZS ISO 9001:2000 Quality Management Systems Requirements for the following capability: This registration covers the Quality Management System for the provision of case management, production, resources, and support services including education, course development and provision of training, rehabilitation, employment, technology, information and fundraising for people who are blind or vision impaired. The registration also includes the provision of commercial products and services through RVIB Enterprises." Signed: Alex Ezrakhovich, General Manager Certification. Certificate #: QEC12897. Issue Date: 8th March 2002. Certified Date: 29th December 1999. Expiry Date 29th December 2002.1 certificate with QA logoroyal victorian institute for the blind, registration -
Vision Australia
Certificate - Text, Certificate of Quality Assurance System registration, April 2003: 557 St Kilda Road, 1 April 2003
As part of management standards to adhere to best practice, RVIB went through the certification process to receive ISO accreditation within its offices.1 certificate with signatures and stampCertificate reads "Certificate of Registration. Royal Victorian Institute for the Blind Limited, 557 St Kilda Road Melbourne, VIC 3004 Australia (refer to Schedule of Addresses dated March 20 2003 for additional certified sites) complies with the requirements of AS/NZS ISO 9001:2000 Quality Management Systems Requirements for the following capability: This registration covers the Quality Management System for the provision of case management, production, resources, and support services including education, course development and provision of training, rehabilitation, employment, technology, information and fundraising for people who are blind or vision impaired. The registration also includes the provision of commercial products and services through RVIB Enterprises." Signed: Alex Ezrakhovich, General Manager Certification. Certificate #: QEC12897. Issue Date: 1st April 2003. Certified Date: 29th December 1999. Expiry Date 19th March 2006.royal victorian institute for the blind, registration