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Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: May 31, 2005
... Sound recording... Sound recording Audio Around the Institute: May 31, 2005 1 ...Around the Institute was a weekly program consisting of interviews around a specific topic, undertaken by host Corey Nassau. May 31: CALD communities, a study with Massachusetts Polytechnic – Maree Littlepage and Bruce Noe, Horsham RVIB/VAF co-located office – Janet Robbins. royal victorian institute for the blind, radio shows -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: June 28, 2005
... Sound recording... Sound recording Audio Around the Institute: June 28, 2005 1 ...Around the Institute was a weekly program consisting of interviews around a specific topic, undertaken by host Corey Nassau. June 28: New name for amalgamated organisation – Stephen Jolley and Gerard Menses, Six week study tour of European orthoptists – Marisa Bielenberg.royal victorian institute for the blind, radio shows -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: February 15, 2000
... Sound recording... Sound recording Audio Around the Institute: February 15, 2000 1 ...Around the Institute was a weekly program designed to keep clients and staff informed of events, activities and thoughts relating to low vision and blindness. It consisted of interviews undertaken by Jo Matthews, with sound engineer Ed Gamble, designed to inform, educate and explore on a variety of topics. February 15: Melbourne Glaucoma Australia support group - Maureen Boyle, Water skiing – Kevin Murfittroyal victorian institute for the blind, radio shows -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: November 13, 2001
... Sound recording... Sound recording Audio Around the Institute: November 13, 2001 1 ...Around the Institute was a weekly program designed to keep clients and staff informed of events, activities and thoughts relating to low vision and blindness. It consisted of interviews undertaken by Jo Matthews, with sound engineer Ed Gamble, designed to inform, educate and explore on a variety of topics. November 13: Organ donation with Dr Alan McLaine, Meeting new Public Relations Manager – Julia Saralogis. royal victorian institute for the blind, radio shows -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: September 4, 2001
... Sound recording... Sound recording Audio Around the Institute: September 4, 2001 1 ...Around the Institute was a weekly program designed to keep clients and staff informed of events, activities and thoughts relating to low vision and blindness. It consisted of interviews undertaken by Jo Matthews, with sound engineer Ed Gamble, designed to inform, educate and explore on a variety of topics. September 4: Recreation update – Chris Headland, Book review – Marcus Stacey, M40 program – Janet Cronin, Website and computer tips – Glen Morrow. royal victorian institute for the blind, radio shows -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2007
1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture -
Creswick Campus Historical Collection - University of Melbourne
Sound, 1984
Off Air recording of "The Science Show" 14/01/1984 - Agricultural development in IsraelSorted by Sid and Gina CowlingCompact Cassette Tape -
Vision Australia
Administrative record - Text, Our 82nd year in Braille and Talking Book: eighty-second annual report and statements of account for 1975-6, 1976
Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: Colvan Charity Cup Golf Day raffle winner receives car from Bib Stillwell, Frank Moorhouse wins Braille Book of the Year with Barrett Reid, Dr Stephen Murray-Smith and Lloyd O'Neil making up the judging panel, luncheon to celebrate Alice McClelland's 54th year of service to the library, rationalisation of Moon books with RBS NSW, popularity of Fraser Twins Sound magazine, retirement of published Lloyd O'Neil from judging panel and appoint of Joyce Nicholson, death of Joan Armytage, former auxiliary organiser then committee member and renovation of library and construction of talking book room and recording studios (in notes to accounts).1 volume of print and illustrationsbraille and talking book library, annual reports -
Robin Boyd Foundation
Audio - Recording, Synchro Stereo
... sound recording... to the Board of the Australian Opera. LP sound recording opera Synchro ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.La Traviata. Opera in 3 acts by Verdi. LP 33RPM vinyl, Catalogue Number: SMS2353A, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, no author listed. Cover design H. Raynor. Conductor Gianfranco Rivoli: Chorus and orchestra Vienna State Operalp, sound recording, opera -
Robin Boyd Foundation
Audio - Recording, Score
... sound recording... melbourne Recording Audio Readings from the bible. Selections from ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Readings from the bible. Selections from the old and new testaments. LP 33RPM vinyl, Catalogue Number: POL 011, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, no author listed. Cover design H. Raynor. Brin Newton-Johnlp, sound recording -
Robin Boyd Foundation
Audio - Recording, TPL Records
... sound recording... of the Australian Opera. LP sound recording TPL Records ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Parade de Printemps. LP 33RPM vinyl, Catalogue Number: TPL 91006, Record cover, paper sleeve, 1 vinyl disk. Cover notes, no author listed. Robert Stoltz, Bernard Sinclair, Claudine Granger, Marina Florence, Henri Murge. Director: Jean Doussardlp, sound recording -
Robin Boyd Foundation
Audio - Recording, Columbia Records. EMI Records Limited
... sound recording... melbourne Recording Audio Maria Callas sings great arias from French ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera. As Penleigh Boyd wrote in his obituary to his mother: "In 1988, Patricia was appointed a Member of the Order of Australia for her service to opera involving many years of voluntary work on the Board of the Australian Opera - work which she greatly enjoyed involving travel, music and meeting many interesting and entertaining people. She was also a Life Member and former President of the National Gallery of Victoria Women's Association." Maria Callas sings great arias from French operas. LP 33RPM vinyl, Catalogue Number: SAXO-2410, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, Andrew Porter. Cover photo: Luc Fournol, Jours de France. Maria Callas. Conductor: Georges Petre, Orchestra National de la RTFlp, sound recording, opera, ohm2022, ohm2022_9 -
Robin Boyd Foundation
Audio - Recording, Decca
... sound recording... of the Australian Opera. LP sound recording opera Decca ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Operatic Highlights Die Fledermaus (Johan Strauss). LP 33RPM vinyl, Catalogue Number: LXT 2576, Record cover, no sleeve, 1 vinyl disk. Cover notes, no author listed. Johan Strauss, Conductor: Clemens Krauss, Vienna State Opera and Choruslp, sound recording, opera -
Robin Boyd Foundation
Audio - Recording, Deutsche Grammophon Gesellschaft
... sound recording... melbourne Recording Audio Dimitri Schostakowitsch Sinfonie Nr. 5 op ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Dimitri Schostakowitsch Sinfonie Nr. 5 op 47. LP 33RPM vinyl, Catalogue Number: 138031, Record cover, Paper sleeve, 1 vinyl disk. Cover notes, no author listed. Dimitri Schostakowitsch, Conductor: Witold Rowicki, Sinfonie-Orschester der Nationalen Philharmonie Warschaulp, sound recording -
Robin Boyd Foundation
Audio - Recording, HMV. World Record Club recording
... sound recording... melbourne Recording Audio The fabulous Victoria de los Angeles. LP ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.The fabulous Victoria de los Angeles. LP 33RPM vinyl, Catalogue Number: WRC S/4838, Record cover, Plastic sleeve, 1 vinyl disk, paper Lyric pamphlet. Cover notes, J.D. Bicknell. Victoria de los Angeles Piano: Gerald Moore.lp, sound recording -
Robin Boyd Foundation
Audio - Recording, Reprise
... sound recording... of the Australian Opera. LP sound recording Reprise ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.That was the year that was. LP 33RPM vinyl, Catalogue Number: R-6179, Record cover, Paper sleeve, 1 vinyl disk. Cover notes, no author listed. Cover design: Eric Martin. Tom Lehrer.lp, sound recording -
Robin Boyd Foundation
Audio - Recording, Decca Stereophonic EMI Limited
... sound recording... melbourne Recording Audio Operatic arias. LP 33RPM vinyl, Catalogue ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Operatic arias. LP 33RPM vinyl, Catalogue Number: SXLA2159, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, Gordon Stewart. Joan Sutherland. Conductor: Nello Santi. Paris Conservatoire Orchestra.57/6lp, sound recording, opera -
Robin Boyd Foundation
Audio - Recording, Decca Record Company Limited
... sound recording... appointed to the Board of the Australian Opera. LP sound recording ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Joan Sutherland Luciano Pavarotti Operatic Duets. LP 33RPM vinyl, Catalogue Number: SXL 6828, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, Jon Perrin Cover photo: Christian Steiner. Joan Sutherland, Luciano Pavarotti. Conductor: Richard Bonynge, National Philharmonic Orchestra, London Opera Chorus (Chorus master Terry Edwards), Jacquelyn Fugelle, soprano; Elizabeth Cornell, mezzo-soprano.lp, sound recording, opera -
Robin Boyd Foundation
Audio - Recording, Europa
... sound recording... appointed to the Board of the Australian Opera. LP sound recording ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Robert Stolz dirigert Melodien von Robert Stoltz. LP 33RPM vinyl, Catalogue Number: 111157.4511157.9, Record cover, Paper sleeve, 1 vinyl disk. No cover notes. Robert Stoltz, Die Weiner Symphoniker.lp, sound recording -
Robin Boyd Foundation
Audio - Recording
... sound recording... of the Australian Opera. LP sound recording ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.January the twenty sixth. LP 33RPM vinyl, Plastic sleeve, 1 vinyl disc, cover notes, no author listed. Selections from historical recordings by arrangement with the ABC. Musical direction by Hector Crawford (orchestra). Drama direction by Dorothy and Ian Crawford. With special guest Lana Cantrell.lp, sound recording -
Robin Boyd Foundation
Audio - Recording, Capitol Records
... sound recording... appointed to the Board of the Australian Opera. LP sound recording ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Kiss Me, Kate. LP 33RPM vinyl, Catalogue Number: STAO 1267, Double layout cover 1 vinyl disc, inside cover notes by Miles Kreuger. Cole Porter, Orchestra and chorus conducted by Pembroke Davenport.lp, sound recording -
Robin Boyd Foundation
Audio - Recording, Decca, released in Australia exclusively by World Record Club
... sound recording... appointed to the Board of the Australian Opera. LP sound recording ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.The Art of Michelangeli. LP 33RPM vinyl, Catalogue Number: World Record Club W.R.C. S/4831, Record cover, plastic sleeve, 1 vinyl disc, cover notes (no author listed). Beethoven, Galuppi, Scarlatti.lp, sound recording -
Robin Boyd Foundation
Audio - Recording, Oriole Records Ltd
... sound recording... of the Australian Opera. LP sound recording Oriole Records Ltd ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Selection of the Songs from Salad Days. LP 33RPM vinyl, Catalogue Number: MG 20004, Record cover, plastic sleeve, 1 vinyl disc, cover notes (no author listed). Book and lyrics by Dorothy Reynolds and Julian Slade. Music by Julian Slade.lp, sound recording -
Robin Boyd Foundation
Audio - Recording, Decca Record Company Ltd, London, England
... sound recording... of the Australian Opera. LP sound recording Decca Record Company Ltd, London ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Bach Harpshichord Recital. LP 33RPM vinyl, Catalogue Number: SXL 2259, record cover, plastic sleeve, 1 vinyl disc, cover notes (no author listed). George Malcolm (harpsichord).lp, sound recording -
Robin Boyd Foundation
Audio - Recording, E.M.I. Records Limited
... sound recording... melbourne Recording Audio At the drop of a Hat. LP 33RPM vinyl ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.At the drop of a Hat. LP 33RPM vinyl, Catalogue Number: PMC 1033, record cover, double layered paper and plastic sleeve, 1 vinyl disc, cover notes (no author listed). Michael Flanders and Donald Swann.lp, sound recording -
Robin Boyd Foundation
Audio - Recording, Concert Hall
... sound recording... melbourne Recording Audio A Strauss Concert. LP 33RPM vinyl ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.A Strauss Concert. LP 33RPM vinyl, Catalogue Number: AM 2271, record cover, plastic sleeve, 1 vinyl disc, back cover notes by Stefan de Haan . Josef Krips conducting the Vienna Festival Orchestra.lp, sound recording -
Robin Boyd Foundation
Audio - Recording, Decca Record Company Ltd, London, England
... sound recording... melbourne Recording Audio Tenor Arias from Italian Opera. LP 33RPM ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Tenor Arias from Italian Opera. LP 33RPM vinyl, Catalogue Number: SXL 6498, record cover, plastic sleeve, 1 vinyl disc, back cover notes by Alan Blyth, inside double layout liner notes included. Luciano Pavarotti.lp, sound recording, opera -
Robin Boyd Foundation
Audio - Recording, Decca Record Company Ltd, London, England
... sound recording... of the Australian Opera. LP sound recording opera Decca Record Company Ltd ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Puccini's La Boheme. LP 33RPM vinyl, Catalogue Number: LXT 2623, Record cover, plastic sleeve, 1 vinyl disc, back cover notes (no author listed). Orchestra and Chorus of The Accademia di Santa Cecilia Rome. Conducted by Alberto Erede.lp, sound recording, opera -
Robin Boyd Foundation
Audio - Recording, EMI Records Limited
... sound recording... melbourne Recording Audio Symphonie Fantastique. LP 33RPM vinyl ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Symphonie Fantastique. LP 33RPM vinyl, Catalogue Number: ASD 399, Record cover, plastic sleeve, back cover notes author David Drew, one vinyl record, one plastic sleeve. Berlioz, Conductor: Sir Thomas Beecham.lp, sound recording -
Robin Boyd Foundation
Audio - Recording, Philips
... sound recording... melbourne Recording Audio Ballet Encores. LP 33RPM vinyl, Catalogue ...The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Ballet Encores. LP 33RPM vinyl, Catalogue Number: GL 8, Record cover, plastic sleeve, back cover notes (no author listed). Tchaikovsky, Delibes, Gounod, Weber. Vienna Symphony Orchestra, Paris National Opera Orchestra Lamoureux Orchestra, The Hague Philharmonic Orchestra.lp, sound recording