Collaboration between ATCV, the local university and corporate and resource manager partners.The arboretum is well grown but is now poorly signed and appears neglected.Large sign-written board next to Ballarat regional Arboretum which is on the slopes above the campus of the University of Ballarat.See photograph attached

By 1881 Bunguluke was a small settlement as recorded, December 5, in the Charlton "Mercury". It reports that in that year Draper's Store, Hotel and Post Office and residence at Bunguluke North was totally destroyed by fire. For years now there has been little sign of community life with houses few and far between and acreages have gone into larger holdings. The map references land blocks and owners for that era.This important map shows the local land ownership and local features that existed in 1923. This is a photocopied black and white map of Bunguluke in the County of Kara Kara, Number L5149. Marked - Photo Lithographed by W.J. Butson 27.2.1923. The details include numbers of allotments, property owners, roads, rivers. The boundaries marked are the Parish of Jeruk, Parish of Wycheproof, Parish of Cooroopajerrup. Wycheproof township location is shown with the Scale of Chains. Bunguluke maps for other years are also in the collection.map, bunguluke, jeruk, wycheproof, cooroopajerrup

The Towaninnie Methodist Church no longer exists but on the Towaninnie plains a location sign marks it. In common with many church communities the faithful who met here were very patriotic and their young men were strongly supported when they volunteeered during the Great War of 1914 -'18. This Honour Board once hung on the Methodist Church wall but is now at the Pioneer Settlement,Swan Hill.The actual Honour Board is believed to be the only one of its type with this listing. This photo of it contributes to and is part of a Local, State and National collection of War memorabilia that honours our servicemen and women.Wooden framed Roll of Honour photo - Towaninnie Methodist Church listing of 21 local WW1 servicemen. The memorial has a triangular shaped top and features a simple wooden sculpured bottom edging with the gold inscriptions in 2 columns. Hosking,J.W./ Hosking, J.V. / FALLEN Nalder, J./ Smith,W./ Smith, J./ McPhee,W./ McPhee, A./ Holt,D.A./ Jolley,A./ Nalder,J.Q./ Hosking,J.H./ Dashwood,C./ Ellis,P./ Hercules,R./ White,H. / Mead,W.L./ Wilson,B./ Root,E./ Hosking, F./ Ellis,C./ Pryse,R. Roll of Honour Towaninnie Methodist Church. Hosking,J.W./ Hosking, J.V. / FALLEN Nalder, J./ Smith,W./ Smith, J./ McPhee,W./ McPhee, A./ Holt,D.A./ Jolley,A./ Nalder,J.Q./ Hosking,J.H./ Dashwood,C./ Ellis,P./ Hercules,R./ White,H. / Mead,W.L./ Wilson,B./ Root,E./ Hosking, F./ Ellis,C./ Pryse,R. roll - of - honour, towaninnie - methodist, towaninnie - church, world - war 1, wycheproof - servicemen

MEDIUM: Photographic print. DESCRIPTION: Black and white photography print, no frame. A figurative nude stands against a cracked and splitting wall, the image captures a faceless woman’s body as it curls inward upon itself, her head and chest guarded and held by her arms and hands. A vulnerable moment captured in black and white photography. Signed and dated across bottom of print.photograph, body, print, banda, form

MEDIUM: Gouache on paper DESCRIPTION: Red, black and blue Image under glass, black frameSigned, titled and dated on backing boardbell, northcote, sky, meatworks, gouache

MEDIUM: Acrylic and gouache on canvas. DESCRIPTION: Gold painting on blue background, no frame. Crowded luminous stick figures dominate the canvas; a dark blue midnight sky the background, the strokes rough and brushed, the crowd is captured with sparks of light, points of activity around and amongst the figures gives the work movement. Signed and dated proper left hand side of image.the, in, gouache, bove, out, crowd, acrylic

MEDIUM: Screenprint of drawing. DESCRIPTION: Black and white, signed print under glass, black outer frame, white board inner frame.Two figures are central on a light background. A man approaches a woman on a period chair. Signed across bottom of print (proper right).print, boyd, signed, limited, edition

MEDIUM: Acrylic on paper. DESCRIPTION: Image ranges from dark brown to pale brown with white. Light colored timber, outer frame with glass covering, white board and an inner frame. A very busy piece full of activity, starting from the bottom left we have an areoplane which is perhaps how this vacation begins, the sun sits above it and a bikini clad woman who has arrived to her destination is placed above the sun. There is cruise ship, a martini glass and a whale embracing the outer scene. Waves, a surfer, a marlin and a small guitar sit at the lower right. A large car takes the viewer to the centre of the picture where we come across a giant guitar. The music is what matters, this piece dances about the canvas in mushroom pinks and chocolates. Little outlines of fish fill the gaps. A very beachy scene. The image lyes quite flat to the eye, rough stick outlines of the images above. Signed proper left hand corner of image.bowers holiday, yardage, mambo acrylic

MEDIUM: Photographic print. DESCRIPTION: A photograph of abstract architecture. Black outer frame with glass front panel and white board inner frame. An abstract collection of building faces meeting towards a left off centre vertical line collision point. This picture is a meeting of mirrors, how many remains a mystery. Where one mirror or building starts and another ends, to the viewers eye is met with some uncertainty. Following lines, the clearest meeting of mirrors is where the building on the left appears to be the same and collides with a variety of other buildings coming horizontally in a distinct vertical line to the top of the image. The bulidings on the right have somehow through the skill of the photographer captured a bermuda triangle of walls. The mirroring angles of the walls being from either several different buildings, or from several different mirrors. This creates a strange collecetion of imagery, the viewer unable to make clear distinctions of where something starts or ends or from where it is coming from. The tonal shades and shadows created also play a role in creating an interesting collage of shapes and lines. This piece essentially speaks of lines, angles, geometric shapes, meeting points, shadow and light. Signed and dated on white board inner frame, directly under left corner of image.photograph, st, considine, converge, collins

MEDIUM: Acrylic on canvas. DESCRIPTION: Blue and black, no external frame. A figurative nude, the close up takes most of the canvas. It sits on a dark background in undefined surroundings. The blue woman sits flat as many of Matisse’s works do, favouring this style over the illusionistic depth to achieve his aim, here we see this replicated. Matisse is also noted for his use of colour as a means of expression rather than description. Here we have a woman painted all in blue, with this knowledge we could say the artist has painted his subject as someone who has been captured in a very relaxed, very calm version of herself, an ocean onto herself, mysterious and captivating in this moment. Her arm slung confidently above and around her head, her view directly facing the viewer provocatively. The only other colour on her other than the thick black lines which outline and shadow her contours, is the circular red of her earring -mirroring the generous sweeping curves of the work. The presence of visible brushstrokes produces a sense of movement and energy as well as providing a decorative quality to the painting.Signed and dated on bottom proper left of center of image (on reverse of canvas).acrylic, darvall, matisse

MEDIUM: Oil on kiln dried red gum (wood block) DESCRIPTION: Black figure och blue and white background, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky. The crane set in the lower centre of the canvas almost becomes secondary to the sky and cloud which dominate the wood block. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green, the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives it a strong focal point. Signed and titled on reverse of imageoil, de, hope, clario, industrial, photograp

MEDIUM: Digital print. DESCRIPTION: A fractal exploration on 192 gsm archival matt. Image ranges from yellow, orange, and red to darker tones. Gold outer frame with a glass front. The Mandalas geometric designs are symbolic of the universe and used in Hinduism and Buddhism as an aid to meditation. The creative possibilities that exist in these sacred circles, are often based on a step-and-repeat principle, centre, and symmetry. Here we see this put into practise. The mandala has an iris quality about it with 16 pillars pulling centrally to what looks like a pupil, the centre of the mandala. This then has more points around it and then more once again. This fractal approach gives the work a textural depth. The use of blurring and merging in a kaleidoscopic fashion creates movement, the circular flow repetitive and calming. The use of reds throughout mandata art represent the glowing sun and of fire, red generally taken to be the color of life, love, joy and rage, the polar values of the color. Orange the colour of cheerfulness and gaiety, a colour mixed from red and yellow, it stands for kind-heartedness and warm-heartedness. Signed, titled, dated and editioned on image across bottom.de, print, digital, dear, amber, bead, mandala, fractal, expolration

MEDIUM: Inkjet print on cotton rag. DESCRIPTION: Abstract image, black and pale brown/ivory, black outer frame with glass, white board inner frame under glass. The objects appear to be broken up pieces of something greater. Pieces of a greater machine, here re-assembled in hard angular lines and triangular blocks, in abstracted form. The image is a close up, the ink on cotton comes up in rough grainy scratches of shadow. Shades of grey with highlights of blue. Dark angles with patches and corners of pure black. Hard dark lines which meet with white surfaces, blend into grey.Signed, titled and dated on backing board.de, grouchy, lightspace, inkjet

MEDIUM: Photo/collage DESCRIPTION: Photo collage Green wooden outer frame with glass front Image and yellow board inner frame under glass. The complete image is made up of 18 individual photographs compiled together to make one image. The image is of Disney Florida’s 25th Anniversary; here the artist captures the excitement and colour of such an event. The textural quality this collage technique offers is an interesting one. Each photograph has an individual quality about it, the outer perimeters of each print having lighter or darker edges to its neighbouring print. Continuous lines do not always meet; the tops of spiers are at times cut off. The tonal qualities of each print also vary, some slightly, some dramatically different to each other. Signed "Massimo'96" proper right hand corner in image - Vertical script.photograph, world, di, sora, massimo, collage, disney, florida

MEDIUM: Oil and acrylic on paper DESCRIPTION: Oil and acrylic painting, pink and blue No frameSigned and dated; proper left corner on underside of frame; signed, dated, titled on reverse of frameoil, evans, acrylic, sregnarts, jonathan, apple, paper

MEDIUM: Photograph / Silver bromide DESCRIPTION: Black and white photograph, silver bromide Black outer frame with glass front Image and white board inner frame under glassSigned and dated on on white board inner frame, proper left corner - under photographphotograph, silver, gibb, stone, angel, carlton, bromide

MEDIUM: Oil pastel on paper DESCRIPTION: Red oil and pastel painting Cream outer frame with glass front Image and white board inner frame under glassSigned and dated; bottom proper left corner Signed and dated on backing board - geographical referencecorner, store, goldberg, pastel

MEDIUM: Oil on canvas DESCRIPTION: Oil painting on canvas. Brown, blue and green. No outer frameTitled, signed and dated on reverse of frame2, oil, banksia, howie, bluff, canvas

MEDIUM: Acyrlic on paper DESCRIPTION: Black and white acrylic painting on paper Black outer frame Paper mounted on tan colored boardSigned and dated along bottom edge of tan colored boardacrylic, hunt, city, lights

MEDIUM: Oil on linen DESCRIPTION: Ranges from yellow to deep red Cream outer frameSigned and dated on reverse of canvas and frameoil, janczewski, desert

MEDIUM: Aerosol enamel on canvas DESCRIPTION: Black, yellow, green and red No frameSigned, titled and dated on reverse of canvasenamel, kempken, mario s, 5, aerosol

MEDIUM: Acrylic on canvas DESCRIPTION: Red, white, black, brown and red painting. 2 x outer frames; cream outer most frame and black inner frame Signed, titled and dated on reverse of framefamily, acrylic, kennedy, at, hastings

MEDIUM: Oil on linen DESCRIPTION: Crimson linen background Crimson colored skulls in cloth mounted on background No frame Signed, titled and dated on reverse of paintingkuskoff, skulls, alizarin

MEDIUM: Acrylic on DESCRIPTION: Painting with white figures on black base No frame Signed and titled on reverse of framedansie resident, spirit acrylic

MEDIUM: Digital print on canvas DESCRIPTION: No frameSigned, titled and dated on reverse of canvasprint, digital, canvas, gant, take, me

MEDIUM: Unknown DESCRIPTION: Image ranges from black/dark brown to gold/yellow Timber outer frame with glass front White board inner frame Inscription on reverse Signed and dated; bottom proper left corner on white boarsegg, clancy golden

MEDIUM: Photograph/Print DESCRIPTION: Black and white photograph print No outer frame White board frameSigned, titled and dated under bottom of image on printbanda that, dress photograph

MEDIUM: Watercolor painting DESCRIPTION: Gold outer frame with glass front Image and white board inner frame under glass Signed, proper left bottom corner on imagepeitsch, horizons, watercolor

MEDIUM: Photograph/Print DESCRIPTION: Photographic collage Black outer frame with glass Image and white board inner frame under glassSigned and dated; proper left corner on white board under imagephotograph, de, print, me, roach, catch, if, you, can

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. The publisher firm, Longmans, Green & Co, was originally founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC.The book is also significant for its connection to the publisher Longmans, Green and Co., of London, a firm that has been established for around two centuries and is renowned for publishing and printing reference works that contributed to the education of scholars over many years. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.Short Studies on Great Subjects Vol 1 Author: James Anthony Froude Publisher: Longmans Green and Co. Date: 1872 Fly page has inscriptionsThe label on spine cover with typed text PAT 824 FRO Pastedown front endpaper has a sticker from Warrnambool Public Library Front loose endpaper has a stamp from Corangamite Regional Library Service Fly paye inscriptions: in pencil: - "111" "103"(crossed out), "102" "974" "3" P/w" "4455" " Fly paye inscriptions: in blue pen:- "824"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, short studies on great subjects vol 1, short studies on great subjects, james anthony froude, longmans green and co., l & co., 1724, thomas longman, paternoster row london, free library