See "Green Grows Our Garden," A. P. Winzenried, for further details about the Yarra Revegetation Programme.Minette Russell-Young Explaining Planned Revegetation of Yarra Bank, talking to David Aldous (Principal Lecturer) and 2 visitors. Clyde Holding and ?david aldous, lecturer, clyde holding, minette russell-young, revegetation, yarra bank, vice-principal

Correspondence between Mrs T. R. Mannix, Swan Hill Wolf Cub Pack master to District Scout Commissioner Mr J. I. Samson for an invitation to be included with the local scout groups in functions to welcome Queen Elizabeth and the Duke of Edinburgh to Bendigo on Friday, the 5th of March 1954. The response from the Commissioner included typed plans of the event and maps of the royal tour through the streets of Bendigo starting and finishing at the train station.Set of correspondence including typed gatefold letter, typed plans for placement of visitors and role of the military and maps of CBD Bendigo and of Upper Reserve.queen elizabeth, duke of edinburgh, boy scout association, mayor clayton, city of greater bendigo royal visits, city of greater bendigo community groups, city of greater bendigo tourism

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse 74 / Courthouse / Visitor Ned Kelly . B'worth Reverse: BEECHWORTH / COURTHOUSE / B5 / 06 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

A colour photograph of a chainsaw sculpture situated in a chainsaw sculpture garden in Marysville in Victoria.A colour photograph of a chainsaw sculpture situated in a chainsaw sculpture garden in Marysville in Victoria. The sculptures were created by a local resident, Harley Morgan, as an attraction for visitors to Marysville.chainsaw sculpture, marysville, victoria, photograph, harley morgan

Document. Typed notes and a poem about the Bendigo Wax Flower. The poem was written by a Bendigo resident. It tells of the popularity of bunches of wax flower with visitors.document, lucy hill collection - bendigo wax flowers, bendigo advertiser

Photo of George Robinson and Valda Arrowsmith signing the Visitors Book, on the occasion when George offered a 'Rob's Special' Bike to the Historical Society. (NA2587)blackburn road, blackburn, no. 12, robinson, george, rob's cycle and sports, arrowsmith, valda

Diggers & Mining: Bendigo.Bendigo tram outside of former Post Office now Visitor Information Centre. Markings: 11 DEC74M10. Used as a teaching aid.Kodachromeeducation, tertiary, bendigo

number in album 03528.01Black and white photograph Grace Ellis, May and Wally Heasley visitors viewing the progress of the Lakes Entrance Aquatic Centre Lakes Entrance Victoriarecreational facilities, people

TO ADVERTISE THE GOLDFIELDS IN VICTORIATHE GOLDFIELD'S VISITOR'S GUIDE WINTER EDITION - 1992 COVERING THE CITY OF MARYBOROUGH, SHIRES OF TULLAROOP, TALBOT AND CLUNES, MALDON, AVOCA, BET BET AND NEWSTEADlocal history, documents, newspaper, visitor's guide

Colour three parts foldable leaflet explaining the history of the Mission, the Flinders Street building and the ANL Art Prize. Leaflet available in the club room for visitors.mission to seafarers, marketing

Photograph, Alexandra Fountain, Charing Cross, Bendigo, Visitor Information Centre, The Commercial Banking Company of Sydney Limited, other buildings up View Street.photograph, streetscape, bendigo

Churchill Island Heritage Farm has a large collection of photographs dating from the nineteenth century.Photograph of two woman standing in front of an informational display for Gerard Neville Buckley . Photograph has been taken from a distance showing the Visitors Centrecatalogue number written on reverse in pencilchurchill island, photograph

An article outlining the research potential for students especially V.C.E. environmental science and biology studies. The education program coordinator's request for more volunteers to help visitors. Outlining the research potential for students especially V.C.E. environmental science and biology studies. secondary education, blackburn lake information centre, blackburn lake education program coordinator, meagher, dorothy, victorian certificate of education, wurundjeri aboriginal tribe

Black and white photo of front entrance to Mitcham State School 2904.Mitcham Road Mitcham. C1970. Visitors only entrance - pupils to rear of buildingmitcham state school no 2904, visitors only entrance - pupils to rear of building

23 coloured photographs (a-w) of the launch of Rosalie Whalens' book 'The amazing life of Mary Schwerkolt'. Photos taken in both the visitors centre and the work room.book launch, whalen rosalie, the amazing life of mary schwerkolt

Number in album 03339.02Black and white photograph of Rita Sadler, resident of Nursing Home at Kalimna, with visitors Ashley and Doug Bowler during Carers Week. Lakes Entrance Victoriabusinesses, alcohol

This is a set of three photographs of an Open Day held at the Army Headquarters Survey Regiment, Fortuna Villa, Bendigo, circa 1960s. Although most of the photos were taken outdoors, a technical tour may have been conducted through the production areas of the unit. It is likely the band performing next to Fortuna’s lake in photo .3P was the 3rd Military District Band.This is a set of three photographs of an Open Day held at the Army Headquarters Survey Regiment, Bendigo c1960s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. They were scanned at 300 dpi. .1) & .2) - Photo, black and white, 1960s. Unidentified civilian visitors. .3) - Photo, black and white, 1960s. The 3rd Military District Band, unidentified civilian visitors..1P to .3P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

These folders contain letters written to the Slab Hut either requesting information or making comments. There are copies of the replies.The Slab Hut (Orbost Visitor Information Centre) is an Orbost icon. This slab hut was built in 1872 as a family dwelling on a site about 3 km upstream from the junction of the Buchan and Snowy Rivers about 40 kms from Orbost on the Yalmy Rd. No nails were used in the construction; it was all wired together. After a period in storage the slab hut was opened in its present location in Orbost as the Information Centre in 1987.Two manila folders containing correspondence to/from Orbost Visitor Information Centre. The letters are tied together with string/ribbon. Most are information requests with copies of the replies.correspondence-orbost-visitor-information-centre tourism

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities, are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to a lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up a home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Melbourne Illustrated and Victoria Described Author: Horace Perkins Publisher: Horace Perkins Further Information: Melbourne Illustrated and Victorian Described. The Visitors Handbook of Facts and FiguresThe label on the spine cover has the typed text RA 919.45 PER flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, melbourne illustrated and victoria described, horace perkins

Photographs a part of the John Cook album.Three photographs of The Nobbies Kiosk. 81-93 & 93a. View from the car park with many visitors 81-93b. View taken from the pathway to The Nobbiesthe nobbies kiosk, the nobbies phillip island, tourists, john cook

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island.Black and white photograph of a family sitting and standing around a cart. Taken near the rear of Amess House. Probably visitors on a daytrip to Churchill Island. Printed on card.Catalogue number written on reverse in pencil Handwritten in pencil on reverse 'Taken at entrance to rear of house - coming up from the jetty' In another hand 'c 1955 - 60 (pre-bridge) Having a day trip' churchill island, amess house

The 8/13 Victorian Mounted Rifles Museum has had three iterations: Buna Barracks Albury 1988-2000; Building 105 North Bandiana 2003-2009. The latest installation was officially opened at Simpson Barracks 8 December 2019.Heavy card covered book with leather covering on corners and spine, being Visitors book for 8/13 Victorian Mounted Rifles Museum from 1991 to 2009.visit, museum, victorian mounted rifles

Yields information about Ballarat's trams during 1964 and the Scrubber tram at the depot during an AETA tour.Kodachrome cardboard mount, colour slide of the scrubber car, No. 38 and 18 on the depot fan. Would appear that the scrubber can has been moved out for the visitors."AETA Convention 21-4-62" in ink.tramways, trams, depot, scrubber tram, aeta, aeta tour, scrubber