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Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO PEOPLE
3 Unknown People in front of a Building Site - on the back the numbers: 709-36Kodakperson, group, business -
University of Melbourne, Burnley Campus Archives
Photograph - Colour print, The Herald, An Autumn Study, 1936
Photograph made by A.P. Winzenried as possible illustrations in, "Green Grows Our Garden." Colour prints. Copy of 2 newspaper articles made by A.P. Winzenried. 1. Top, "- An Autumn Study. Only 3⅟₂ miles from the City streets, the Plough Girl stirs the earth into fertility for a new season as the bare limbs of a fruit tree connote the death of the last - A study today at the Burnley Horticultural School." Female student using a horsedrawn plough in the Orchard. 2. A female student holding a bull wearing a head stall and a rope attached to a ring in its nose.Handwritten, "M. Younger. "The Herald." 12-5-36. Bottom, handwritten, "J. Wakeford & Vida's Boy. "The Herald." 12-5-36."a.p. winzenried, green grows our garden, plough, female students, fruit trees, j. wakeford, m. younger, students working outside, horse-drawn plough, bull, orchard, vida's boy -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Flyer - North Road Estate, Ormond
At the end of World War One, there was a renewed interest in residential land and a number of estates opened up in the Municipality of Moorabbin.Example of the progress of the Municipality of MoorabbinAdvertising flyer for auction of real estate sales - plan of building blocks for saleNorth Road Estate, Ormond - plan of subdivision.36north road, wicklow st, leinster st, ormond, real estate -
Phillip Island and District Historical Society Inc.
Photograph, Forrest Caves, Phillip island
Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984View of Forrest Caves on Phillip Island, with man standing inside a cave. Cape Woolamai seen in the distance.Forest Caves, Phillip Island. Valentine Series No.36local history, photography, photographs, postcards, black & white postcard copy, forest caves, cape woolamai, phillip island -
The Beechworth Burke Museum
Animal specimen - Carolina Squirrel, Trustees of the Australian Museum, 1860-1880
The Squirrel is a small to medium sized member of the rodent family Sciuridae. They are commonly located in America, Eurasia and Africa. The Squirrel was introduced to Australia by humans. Interestingly, the tail of the Squirrel serves the purpose of keeping the rain, wind or cold off the body of the animal, to help it cool off in hot weather, to counterbalance when moving and can be utilized as a parachute when jumping from one location to the next. Squirrels consume foods that are rich in protein, carbohydrates and fats. They eat nuts, seeds. fruits and vegetation. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Carolina Squirrel specimen has dark grey coloured fur. This specimen stands on a wooden platform and its arms are stylized in a raised position next to its face. A paper tag hangs from the right arm with a smaller tag attached to the left. The squirrel has dark black glass eyes and sharp claws on the hands and feet.A.4480 36. Carolina Squirrel / Catalogue, page, 49 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, squirrel -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. Japanese Pavilion, Expo '67, Montreal, Canada. (Architect: Yoshinobu Ashihara)Made in Australia / 3 / MAY 67M6 / 36 (Handwritten)expo 67, montreal, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. Montreal Expo '67, CanadaMade in Australia / 36 / MAY 67M6 / 14 (Handwritten)expo 67, montreal, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1970
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Expo '70, Osaka, JapanMade in Australia / 13 / MAY 70M3 / 36 (Handwritten)expo 70, osaka, robin boyd, slide -
The Foundling Archive
Photograph - W. Sydney
This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Smith 3 Dad, Mum, Jim HB732 36second world war; mcgrath photography; west sydney: australia -
Phillip Island and District Historical Society Inc.
Postcard - Post Card, black & white, Forrest Caves, Phillip Island
One of a collection of Photographs/Postcards in a album donated by Bernard Grayden.Small black + white postcard. Image includes man in shirt and jacket standing at cave entrance, with ocean front in background."Forest Caves, Phillip I." Valentine Series No. 36forrest caves phillip island, bernard grayden, early postcards -
Federation University Historical Collection
Letter, Letter from Thos T. Draper & Co to Ballarat School of Mines
Ballarat School of Mines is a predecessor of Federation UniversityHandwritten letter on lined paper with letterhead Written on the back 36 Bags [ ] 5-19-2 [ ] thos t. draper & co, ballarat school of mines, electrical and mechanical engineers -
Dandenong/Cranbourne RSL Sub Branch
Memorabilia - Hand Grenade, Manufactured between 1917-1972
Oval, black, metal, heavy, Red ring pullNo 36 M MK1 R.B.O 8-41 F.L.Hmills bomb, bomb, grenade, hand grenade, world war two, second world war, ww2 -
Stawell Historical Society Inc
Photograph, Man and Horses, 1930's
Written under the Photograph. 'Mick's Father'Copy of B/W Photograph showing a Man Standing next to four (4) Horses in harness'36' on a round white sticker on lower left cornerfarming -
Whitehorse Historical Society Inc.
Clothing - Vest
Child's sleeveless wool vest in light brown. Criss cross pattern in dark brown and other patterns in blue, red and green. V neck.Tailored for perfect fit Sutex Pure Wool 36costume, children's -
Ballarat Tramway Museum
Photograph - B&W print of donated negative, John Webster, 11/4/1953
Yields information about Ballarat No. 39 and the street scene at the corner of Sturt and Lydiard St in 1953 and Holden Motor carsBlack and white digital print from a scan of a donated negative bogie tram No. 39 in Sturt St with the intersection of Grenville Street behind. In the rear are the buildings on the south west corner of the corner - featuring Mc Nultys Dry cleaning, a milk bar and grill room next door and Paterson's in the background. Note the Holden's (FJ's ?) parked with the rear into the kerbs. Black and White print made from scan of negative. Original Negative stored with Negatives. Image rescanned from copy neg and updated 31/5/2020. See On this basis, the envelope and marking matches that of Reg Item 4158, photo of No. 40, by John Webster and assumed taken on the same day as Item 4157, 4158, 4168, 4178 - 11/4/1953. Contained within Envelope No. 31.On left hand side of the negative in ink is "EI 36".tramways, trams, sturt st, grenville st, tram 39 -
Federation University Art Collection
Work on paper - Artwork, Martin King, 'The Time Has Come' by Martin King, 2015
Martin KING (1957 - ) Born Melbourne This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print Editioned lls '2/36' Signed lrs 'King'artist, artwork, printmaking, parallel prints, martin king -
Ballarat Tramway Museum
Slide - 35mm slide/s, 3/03/1968 12:00:00 AM
35mm colour slide - Kodak white cardboard of a line up of trams in Lydiard St North, Sunday 3/3/1968, looking towards the railway level crossing from the Seymour St loop. Has trams 41, 34, 43, 36, 40, 11, 20, 11, 39, 37 and 21 over crossing. Special service for the Vintage Train.In ink "Ballarat Sunday 3/3/68, Lydiard St North towards railway xing from loop, 41, 34, 43, 36, 40, 11, 20, 11, 39, 37 and 21 over crossing, as specials for passengers off "The Vintage Train"" and KSK stamp with number "19-1"tramways, trams, seymour st, lydiard st nth, tours, vintage train, tram 41, tram 34, tram 43, tram 36 -
Greensborough Historical Society
Photograph Album, Diamond Valley Community Hospital. Surgical/Day surgery/ Theatre/CSSD, 1990o
The Diamond Valley Community Hospital was established in 1942 in Grimshaw Street Greensborough. Due to financial circumstances, the hospital closed in 2000. This collection of photo albums is from the 1990s and was collected by staff. Photographs include staff, patients, buildings and functions held for the hospital. Photographs are not named. Albums may be accessed at the GHS Resource Centre. This volume is numbered 2.As the Diamond Valley Community Hospital is now closed, this collection of albums records some of the people involved. Photo album with grey cover. 15 pages, 36 colour photographs of varying sizes. Title typed and pasted on front cover. diamond valley community hospital, greensborough, dvch -
Lara RSL Sub Branch
Booklet, Monash's Militia Camp (Lilydale February 7-14 1914)
Some Historical Significance36 page paper and cardpaper Booklet, Black and White with Title in "Red" Rectangle in shape Foreword by Brigadier (Retired) Mike Phelps AM -
Ringwood and District Historical Society
Booklet, Ringwood Technical School - 30th Anniversary School Magazine 1988, 1988
A4 School Magazine - 30th Anniversary Edition 1988. 36 pages (Black and White)rts, ringwood tech -
Robin Boyd Foundation
Booklet, Australia at Expo 67, 1967
Small booklet describing the Australian pavilion exhibits at Expo 67 in Montreal, 36 pageswalsh st library -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
16th Light Horse Regiment was raised in 1912 from former Light Horse units of Victorian Mounted Rifles, as part of reorganization of Commonwealth Military Forces ( Militia ) with troops in North East Victoria.Fine photograph of citizen soldiers immediately prior to WW1Black and white photograph mounted on card of an Officer and 36 soldiers posed in three ranks." B. Troop C Squadron 16th L. Horse , 5 - 8 14 " and Heath Beechworth " -
Flagstaff Hill Maritime Museum and Village
Felt
When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Piece of Felt, small. Artefact Reg No S/36. Recovered from the wreck of the Schomberg.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, felt -
Federation University Historical Collection
Book, Environment Victoria, Driving the Fast Train Further: Integrated Public Transport Across All Victoria, 2001, 05/2001
Used by the local branch of the Public Transport Users Association.Yellow soft covered 36 page book outlining the feasibility of a Fast Train for Victoria.transport, linking victoria, railway, fast rail, ballarat corridor, bendigo corridor, traralgon corridor, geelong corridor, warrnambool corridor, level crossings, country rail lines, ararat rail line, trains -
Ballarat Tramway Museum
Photograph - Digital image, 1956
Yields information about the early use of Ballarat's 2nd bogie tram and its appearance after being renumbered in 1956 and the scene outside the depot..Digital image from the Wal Jack Ballarat Album of No. 36 in Wendouree Parade outside the depot with Lake Wendouree in the background. Wal's album notes "No. 36 ex No. 15 outside depot 1956" See image i2 for rear of photograph.No details on rear of print.trams, tramways, depot, lake wendouree, tram 36 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Wal Jack, 24/06/1949 12:00:00 AM
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photograph of Geelong trams 36, 3 and 31, inside the depot at Geelong 24-6-1949. Shows the Geelong trackwork at the depot and overhead. Photo by Wal Jack. See Also Reg item 5889 for an elevated photograph. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 29/6/2020.On rear in ink SEC Geelong / Nos. 36, 3, 31 inside sheds (from ground level), Geelong depot / 24-6-1949". Has the Wal Jack copyright stamp in the top right hand corner with the number T297 written in.trams, tramways, geelong, depot, tram 36, tram 3, tram 31 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, The Courier Ballarat, 22/09/1971 12:00:00 AM
Yields information the operation of a Ballarat bogie tram in Melbourne following the close of the tramway system in 1971 and gives a direct comparison with a later model Melbourne tram.Series of two Black and White newspaper photographs of the operation of Ballarat 36 in Melbourne on 22/9/1971. 3887.1 - 36 and W2 542 in bound on Princes Bridge with a number of men in hats waiting at the tram stop. Has "Tourism Week Go See Ballarat" signs on the tramcar and Jex Soap pads on No. 542. No. 36 has the destination of Sebastopol. 387.2 - a proof sheet of 12 photographs, 35mm negatives, of No. 36 in St Kilda Road/Swanston St that a photos were selected from. Collected by Alan Bradley from the Ballarat Courier early 1980's. On the rear of each photograph is a Herald Sun copyright stamp.tramways, trams, hawthorn, melbourne, ballarat tourism, tram 36, tram 542 -
Tennis Australia
Magazine, Feb-73
February 1973 issue of 'Tennis U.S.A.' (Vol.36, No.2). Materials: Ink, Paper, Metaltennis -
Kew Historical Society Inc
Book, Jane Sandilands, Helen Macpherson Schutt Philanthropist 17 April 1874-19 April 1951, 2001
Melbourne : Helen M Schutt Trust , 2001 36 p. : ill., ports ; 30 cm. non-fictionschutt family, schutt helen macpherson, helen m. schutt trust, philanthropists -- australia -- biography, women in philanthropy. -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Pistol
Luger German 9mm semi auto SN3893 (Register #36) All matching part numbersweapon, 1916