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Federation University Art Collection
Ceramic - Wheel thrown pottery, [Bowl]
Australian Studio CeramicsWheel thrown bowl decorated with glazes. Artist unknown.ceramics, bowl -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The People have an Answer 1950, Noel Counihan
Australia 1913 - 1986Linocut [Artists Proof] on tissue paper s.34Signed and editioned -
Bendigo Military Museum
Album - IMAGES OF THE YMCA ON THE WESTERN FRONT
The sketches, contents were by William Cecil Dunford who trained in Artistry in the U.K and was posted to the YMCA as an Officer War Artist, his subjects were YMCA Places and Australian Diggers. It is believed that the originals are held by the AWM. Refer AWM Collection “NR P05307.003 which is a portrait of DUNFORD and a short biography.Large red buckram covered album with ornate gold trim on front, rear and spine, there are 31 sketches and photographic copies by War artist W.C.Dunford, on first page is a photo of YMCA Officers on Salisbury Plain July 1917.Label on the spine, “Sketches by C Dunford of 1914 - 18 war, scenes in Flanders. On the last page in pencil, “Methuen”ymca, flanders, military history, -
Nillumbik Shire Council
Sculpture, Ghost, 2012
The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Jim Connor, Eltham Copper Butterfly, 18 October 2015
... Artists ...This artwork, titled Eltham Copper Butterfly is made from recycled materials by community artist Felicity Gordon and is one of several of her projects at Edendale Community Farm. jim connor collection, artists, edendale community farm, eltham copper butterfly, felicity gordon, public art -
Bendigo Historical Society Inc.
Photograph - JOHN HALL COLLECTION: COLOURED PHOTOGRAPH CLARENCE UNITED MINE
Coloured photograph of artist's water colour - Clarence United Mine John Hall - artist Photos removed from frames 13/07/2021, from Specimen CottageJohn Hall -
Warrnambool and District Historical Society Inc.
Book, Picturesque Pursuits, 2005
This is a book written by Caroline Jordan about colonial women artists in Australia. It gives information on women artists whose achievements have been discounted in the past because they were labelled ‘amateurs’. This book is of interest because it provides information on colonial women artists and has important background details that will be useful to those studying early women artists in other towns and districts. The author visited Warrnambool as part of her study of early women artists. This is a hard cover book of 224 pages. It contains sections on Acknowledgements, Prologue, five chapters, Epilogue, Abbreviations, Notes, Bibliography, Sources of Illustrations and Index. The cover is cream-coloured with gold lettering and the dust cover has a grey background with a colour image of an artist’s work on the front cover and a colour image of a woman on the back cover. The book has many black and white and colour illustrations. women artists in australia, caroline jordan -
Eltham District Historical Society Inc
Book, Eltham Cemetery Trust, Our Eltham: Artistic Recollections, Eltham Cemetery Trust 2017, Eltham, Sep 2017
... artists ...Pictorial guide to the artwork Our Eltham, a collection of 31 panels celebrating life in the Shire that were collaboratively created by artist Nerina Lascelles and ceramicist, Linda Detoma and commissioned by the Eltham Cemetery Trust. Our Eltham Artistic Recollections is a collection of panels that was commissioned by the Eltham Cemetery Trust as part of its vision to offer the community a fresh and unique relationship to the Cemetery. 31 panels were produced depicting historical images of Eltham and the nearby area with images of indigenous flowers and plants. A majority of the images were provided to the collaborating artists in digital form by Yarra Plenty Regional Library in partnership with Eltham District Historical Society who holds the significant Shire of Eltham Pioneers Photograph collection in partnership. EDHS and YPRL staff (Local and Family History Librarian) provided advice on which images to use and also provided assistance with the provision of information and editing services for this booklet, which is also available electronically. The collection of panels was collaboratively created by artist Nerica Lascelles and ceramicist Linda Detoma. The project was designed and constructed by Leigh Wykes with Australian stone and Ironwork by Neil Carter. The panels were unveiled on September 21, 2017Artworks were based on images supplied by Eltham District Historical Society in partnership with Yarra Plenty RegionalLibrarySoftcover booklet; approx 66 pages, 20 x 15 cmnerina lascelles, linda detoma, eltham cemetery, artists, art works -
Port Melbourne Historical & Preservation Society
Document - Invitation, opening to exhibition of watercolours by Ray Johnstone, Ray Johnstone, Oct 1977
The artist, a member of this Society (self portrait inside cover), did several paintings of Creswick House, one of which was purchased by the owner Isobel Macbeth (also a PMH&PS member), who waved this item for the collection. Ray subsequently moved to France to paint.1997 invitation to the opening of watercolour artist Ray Johnstone's exhibition at Customs Wharf Gallery in Williamstown, in form of a folder of four polstcards, each with a 4 colour reprodction of a painting. One of these is Creswick House at 139 Bridge Street, Port Melbourne.arts and entertainment - visual arts, built environment - domestic, ray johnstone, creswick house, isobel macbeth -
Federation University Art Collection
Sculpture, Rebecca Greig, 'Orange 1' by Rebecca Greig, 2014
The artist, Rebecca Greig, completed the Bachelor of Fine Arts (Visual Arts) at Federation University in 2014. This work was the winner of the 2014 Federation University DVC Acquisition Award.Orange freeform recycled PVC pipe sculpture by Rebecca Greig. Artist's Statement: "This work is a reflection of the sub-conscious of my experiences through education. The sculpture reflects my feelings of inadequacy in education, therefore this sculpture reflects the triumph of my accomplishment through overcoming many hurdles."artwork, artist, sculpture, greig, rebecca greig, dvc acquisition award, recycle, pvc, available, available sculpture, orange -
Flagstaff Hill Maritime Museum and Village
Painting - Watercolour, Alfred A Perry, Part of Maritime Museum, Flagstaff Hill. Warrnambool, 22-09-1979
This watercolour painting depicts a scene at Flagstaff Hill Maritime Village, showing some of the buildings and one of the vessels in the lake. The artist, Alfred A. Perry, lived in Victoria at the time of creating this painting. This painting is significant for its association with Flagstaff Hill Maritime Village. It shows a point in time, September 22nd, 1979, at which time the Ship's Chandler store was on the north of the lake. In 2022 the Ship's Chandler' is on the south of the lake and has been there for many years..Painting behind glass, framed in wood, black outline with watercolour. Depicting a scene of vessel at anchor on water, crane on wharf, buildings on track, valley and hills in background. Location is Flagstaff Hill Maritime Village. Artist is Alf Perry, painting dated 22-9-79.Signed "Alf Perry / 22-9-79" Handwritten on reverse "Alfred. A. Perry / 31 Vera St. / Bulleen / 850-3367"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, alf perry, watercolour, alfred perry, alfred a perry, flagstaff hill history, 1979, flagstaff hill village -
Federation University Art Collection
Ceramic - Artwork - Ceramics, "Four Part Triangular Form' by Kingsley Marks, 1984, c1984
Kingsley MARKS (1929 - ) Kingsley Marks trained at the South Australian School of Art before teaching secondary schools. He became interested in pottery after attending a class one night a week at the John Martins building in Adelaide. He received grants to travel and study ceramics in Mexico the US and Canada, then taught for twenty years at the Torrens and South Australian Colleges of Advanced Education. Upon his retirement in 1985, he moved to Brentwood near Minlaton and established the Brentwood Pottery, specialising in sculptural work using a range of forming, decorative and firing techniques. (https://www.flickr.com/groups/1281707@N21/discuss/72157641492795284/) Kingsley Marks was a guest at Strezleckie Spotkanie in 1984. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Electric kiln-fired slipcast decorated earthenware. Kevin Marks uses the mark "K" on his work. Gift of the Artist, 1984ceramics, kingsley marks, artwork, gippsland campus, churchill, brentwood pottery, artist, jan feder memorial ceramics collection -
Greensborough Historical Society
Newspaper clipping, Valley Art, 2000_06
... artists ...Article discusses the Loyola College Art Show and the photograph shows two Loyola students with artist Shirley Fraser. Shirley Fraser was involved in many community activities. She was a member of the pioneering Black family of Bundoora and Watsonia and a member of GHS. Photocopy of newspaper article. Text and photograph. Written in pen by Shirley Fraser: “June 2000” and “I had more weight, more hair, more teeth, and more “get up and go” then!! Now all is downhill or “shifted”!!” loyola college, loyola art show, shirley fraser, shirley black, xavier pearce, margie morrison, artists -
Eltham District Historical Society Inc
Photograph, Southernwood, 250 Bolton Street, Eltham, 1980
... artists ..."Southernwood" is the former home of Heidelberg School artist, Walter Withers and is listed on the Victorian Heritage Database VHR H2235 Black and white photograph of Southernwood, former home of Walter Withers, corner of Brougham and Bolton Streets, Eltham 1980.southernwood, bolton street, eltham, houses, walter withers, artists, brougham street -
Mission to Seafarers Victoria
Functional object - Calendar frontispiece, The Mission Boat on her Rounds, early to mid 20th C
"Charles E. Turner was an artist who exhibited at the Royal Academy in London, and specialised in landscape and marine views. Having served in the Royal Air Force in the First World War, reaching the rank of Captain, Turner worked as a war artist during 1939-45. Turner painted pictures of the Queen Mary and Queen Elizabeth for Cunard, which were made into a series of popular postcards. He also designed for Churchill Cigar Boxes, and, alongside paintings demonstrating his first-hand experience of combat, produced illustrations for Illustrated London News and Sphere magazines. Many of his oil and watercolour paintings of the two World Wars are preserved in the collection of the National Maritime Museum, London, and at the Imperial War Museum, London." (The National Archives UK)Representative and promotional example of service by MTS to the variety of ships visiting ports in the first half of the 20th C. Cardboard frontispiece of a calendar published by the Missions to Seamen. A colour painting titled "Mission Boat on her Rounds" by artist Charles E. Turner, represents an imaginary image of the mission boat with the Flying Angel flag sailing towards several ships.Written in pencil at the back: "With best wishes from the Chaplain and the LHL Guild"calendar, frontispiece, charles e. turner (1883-1965), hlg, harbour lights guild -
Australian National Surfing Museum
Programme, 2000 Rip Curl Pro / Sunsmart Classic at Bells Beach official contest guide, 01/03/2000
This magazine is representative of event guides prepared for the Rip Curl Pro at Bells Beach each year. This particular event guide features unique artwork by Indigenous artist/surfer Glenn Romanis including an indigenous representation of the world famous Bells Beach 'bell' on the top left hand corner.The 2000 Rip Curl; Pro event guide featured unique artwork by Indigenous artist Glenn Romanis. During this period the event was one of the first major sporting events in Australia to embrace Aboriginal culture.Full colour 32 page magazine with information about the 2000 Rip Curl Pro / Sunsmart Classic at Bells Beach. The cover features artwork by Indigenous artists Glenn Romanis. The artwork features an indigenous theme relating to Bells Beach.The cover includes the official event title plus sponsors logos, Rip Curl, Sunsmart, Coca-Cola, Tracks surfing magazine, Surfing Victoria, Surf Coast Tourism, Association of Surfing Professionals and Offshore Music.cheyne horan, bells beach, layne beachley, kelly slater, rip curl pro, sunsmart classic, glenn romanis, offshore music festival, terry richardson, nicky wood, mark occhilupo, tom curren, shane dorian, surfers appreciating the natural environment -
Kew Historical Society Inc
Photograph, Alma Figuerola, 1950-1959
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Undated photograph of the artist Alma Figuerola from her photograph album. The photograph is one of a number taken from the same photograph in different sizes.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph, Alma Figuerola, 1950-1959
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Undated photograph of the artist Alma Figuerola from her photograph album. The photograph is one of a number taken from the same photograph in different sizes.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Federation University Historical Collection
Book, David Larwill Stuff That Matters, 2002
Australian Artist David Larwill was the commissioned artist for a tapestry held in the Federation University Art Collection, woven at the VIctorian Tapestry Workshop.Seventy two page book on Australian artist David Larwill.Australian Artist David Larwill was the commissioned artist for a tapestry held in the Federation University Art Collection, woven at the VIctorian Tapestry Workshop. david larwill, artist -
Federation University Art Collection
Artwork-Ceramic, (Untitled) Lidded Vessel
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Wheel thrown lidded vessel. Decorative glazed. Artist unknown. art, artwork -
University of Melbourne, Burnley Campus Archives
Drawing - Sketch, watercolour, Old Schoolhouse Burnley S.G.S. 48, 1948
"The Pavilion"/"Old Schoolhouse" (Burnley Gardens Melbourne) in course of being demolishedColoured ink sketch of the Pavilion in the course of demolition by unidentified artistOld Schoolhouse Burnley S.G.S. 48pavilion, drawing, watercolour sketch, demolition, schoolhouse building -
Kew Historical Society Inc
Work on paper, Joy Stewart, Derham House, Ruyton, c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Prelimiinary sketch of 'Derham House, Ruyton' by the artist Joy Stewart. Inscription: "Derham House, Ruyton".joy stewart, derham house (ruyton) -
Eltham District Historical Society Inc
Folder, William Frater, 1890-1974
Folder of information on William (Jock) Frater, 1890 to 1974, Artist.william frater, jock frater -
Port Melbourne Historical & Preservation Society
Drawing - Sketch, Artists impression, Bayside development proposal, Barry Merat, Port Melbourne's New Town Centre, 1987
Display item used during public information sessions conducted in 1987 by the Port Melbourne City Council's (PMCC) Community Committee (Brenda BEDFORD, Frank CALLAGHAN, Ron WEST and Barry MERAT) regarding SCDC Bayside Development.Artist's impression of proposed Bayside development (highrise office blocks).town planning - proposals shelved - bayside, public action campaigns, sandridge city development co pty ltd, scdc, brenda bedford, frank callaghan, ron west, barry merat -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour Development Illustration, n.d
Port of Portland Authority ArchivesBack: White sticker - 'PORTLAND HARBOUR TRUST' E.C.P. Hughes Scheme -black biroport of portland archives, portland harbour -
Federation University Art Collection
Work on paper - Printmaking, Returning Ducks, 1999
Yang Deliang was from the Jinshan Peasant Painting Academy where Chinese folk art of southeastern Yangtze River area of Shanghai is undertaken. The paintings integrate the folk arts of printing and dyeing, embroidery, paper cutting, wood carving, and cook stove painting, and depict the peasant's colorful customs and daily life. This style of folk art was born in 1972, under the guidance of a professional painter Wu Tongzhang. Jinshan Peasant Painting made its international debut in the Expo 1980 in Brussels, Belgium. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed silkcreen An artist's 'chop' is evident on the lower right cornerart, artwork, yang deliang, chinese, silkscreen, jinshan peasant painting academy, j -
Federation University Art Collection
Ceramic - Artwork- Ceramic, (Untitled) Banksia Vase
Small vase glazed with incised banksia designs. Artist unknown.artwork, ceramics -
Federation University Art Collection
Artwork, Celia Rosser, Banksia caleyi by Celia Rosser, 1986
Celia Rosser (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Celia Rosser (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.celia rosser, gippsland campus, botanical, banksia -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Framed Print, J Attard, The Ceremonial Opening of Hopkins Barracks 31 Oct 1985, 1986
Framed print, glass fronted, landscape of opening of Hopkins Barracks by HRH the Prince Charles, Colonel-in-Chief Royal Australian Armoured Corps 31 Oct 1985. All RAAC guidons with escort are in line facing dais and guests. A Centurion tank is passing along road next to parade ground with crew commander saluting. Another tank is following.Signed by artist - "J Attard 1986" -
Australian Queer Archives
Cartoon, Wicked Women : There's no stopping us now!, 1990
Wicked Women (1988-1996) was a sex-positive lesbian erotica magazine established, published and edited in Sydney by Francine (Jasper) Laybutt and Lisa Salmon. Later edited by Kimberly O'Sullivan.Pen an ink drawing on laid paper.Signed and dated by the artist lower right.