Black and white photographClub Hotel at East Ringwood

Black and white photographClub Hotel at East Ringwood

Black and white photographMaroondah Hwy & Warrandyte Rd intersection view to NW. (Pinemont just visible)

Black and white photographMaroondah Hwy & Warrandyte Rd intersection view to West, past railway station entrance

Black and white photographBedford Rd. Ringwood Cellars,formerly Blood bros store

Black and white photographMaroondah Hwy. Nth side opp Station

Black and white photographMaroondah Hwy. Nth side opp Station

Black and white photographMaroondah Hwy. Old Town Hall site

Black and white photographRingwood Railway Station

Black and white photographRingwood Railway Station

Black and white photographRingwood Railway Station. 1999 trackwork

Black and white photographMaroondah Hwy. view East to Wantirna Rd.

Black and white photographMaroondah Hwy.& Wantirna Rd intersection (old coolstore site)

Black and white photographRingwood St. East side, North of Maroondah Hwy. (opp Seymour St)

Black and white photographRingwood Station entrance, with National Bus Lines bus departing.

Black and white photographMaroondah Hwy. view to NE. across former clocktower site from Station vehicle entrance

Black and white photographAdelaide St. view to W. towards entrance to carpark beneath the Library complex.

Black and white photographMaroondah Hwy. view East from Heatherdale Rd

Black and white photographMaroondah Hwy. view East from Heatherdale Rd

Black and white photographMaroondah Hwy. view East from bonview Ave near proposed site of Eastern Ring Road

Black Mask (Scultpure)

Keith Rash was interested in Ballarat History. He took this photograph in the 100th year since the discovery of gold at BallaratThree small black and white photographs are taped together to form a panorama of Ballarat from Black Hill.ballarat, keith rash, black hill, mining

This artwork is thought to have come from Robin Boyd's East Melbourne office after his death in 1971. Robin Boyd was a long time friend of Grahame King and sculptor Inge King and he designed their Warrandyte home and studio in three stages between 1952 and 1964. This artwork may have been a gift from them.Red and black abstract composition.Signature and date on lower right. 3/20grahame king, inge king, robin boyd, walsh st artwork, ohm2022, ohm2022_22

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk and lace bodice.victorian fashion, netta fuller, bodices