BHS CollectionTea strainer souvenir of Toowoomba crest on handle. Star shaped pattern in bowl of strainer, marked out with the holes of the strainer. Ridged pattern on each end- bowl of strainer in the centre. Probably EPNS, but no marking visible.PITCHER MELBephemera, mementoes, tea strainer

This brass goblet has been used by the now-defunct Apex Cub of Warrnambool as a jar to hold the fines money contributed by members at a meeting. It may have been made in India, North Africa or a Middle East country but nothing is known of its origin or provenance.This goblet’s history is sketchy and it may be of use now in displays. The Warrnambool and District Historical Society has other historical material associated with the disbanded Warrnambool Apex Club.This is a brass goblet (a bowl on a pedestal base). It is etched with ornamental patterns and floral shapes. Handwritten on base of object: ‘W’bool Apex Club Fines Jar’. apex club of warrnambool, warrnambool

Silver plated bowl shape with decorative pattern around it. Circular base stand.egg cup, renown

Malcolm McKenzie entered the school in 1923 and again in 1929 and left in 1933. A highly competitive sportsman, this trophy was awarded to him as overall swimming champion in 1932. Malcolm also received the Open and Under 16 champion trophy in 1931 and the Under 16 Champion in 1930. Medium silver stand and bowl on melamine stand, silver plaque attached to standEngraved on plaque: BALLARAT COLLEGE / OPEN SWIMMING / CHAMPION / M. K. MCcKENZIE / 1932malcolm-mckenzie, sports, ballarat-college

Small carved wooden pipe in shape of clog.From a collection held in Greensborough.Small carved wooden pipe in shape of clog. Hardwood bowl with Bakelite stem.pipes, smoking pipes

Mixing bowls of this design were a common item in Austrailan kitchens in the late 19th and early 20th centuries. Women worked largely in the kitchen producing three meals daily for their families and, on farms, for the workers or casual labourers.Local significance for the history of women's work, especially the domestic duties of baking and cooking. Round, cream-coloured, ceramic mixing bowl with pouring lip, fluted design.baking, cakes, mixing bowl, kitchenware, women s work, domestic utensils, home cooked meals

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Earthenware bowl in a terracotta colour, glazed. Part of an opium pipe used by the Chinese.Chinese characters etched onto outer surface.chinese, pipe, goldfields, gios, glaze, buckland, earthenware, terracotta, opium

Bowl white enamel small with blue rim around top-in good conditionflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Glassware used by donor's grandmotherRound glass bowl decorated with clear glass rounds and diamond embossed dsquares.glass technology, glassware

Wooden walnut cracker - wooden bowl with screw in handle which crushes nuts.domestic items, food preparation

A gift of the relatives of donor.Pressed glass comport on stand with lid. Diamond cut design on bowl and lid.domestic items, ornaments / decorative

cream china jelly mould with grooves inside bowl to form patterns on jellydomestic items, food preparation

Owned by Herbert John & Sarah Cornell of High Street, Mount Waverley may have been their parents", the Cornells had an orchard.Two-piece Terracotta butter cooler has round bowl with a doomed lid.orchard, butter

World War One Trench Art from the Collection of Charles Henry HonybunA brass round bowl made from a shell casing with wire fram on top.on bottom - G.F.S.P. 264 June 1916trench art, ww1, honybun charles

An item from an and diverse collection, assembled by members of the Christian and Washfold families of Kew.Greeting card using a print of the Sidney Myer Music Bowl in the Kings Domainmyer music bowl, christian-washfold collection

Bowl shaped flower dish on curved stem joined to leaf. Silver Ornamentstawell

Smoking Pipe, curved stem. Wooden Bowl, Xylonite Stem. Metal Band.stawell

Blank letterhead for documents sent out by the Victorian Blind Indoor Bias Bowls Association, during 1980's.A4 page with photocopied letterhead of a cartoon lawn bowl with female and male on topnon-fictionVictorian Blind Indoor Bias Bowls Associationelizabeth maxwell, neil maxwell, office equipment and supplies, victorian blind indoor bias bowls association

Gladys REYNELL (04/091881 - 16/11/1956) Born Glenelg, South Australia Gladys Reynell was South Australia's first studio potter and the first Australian artist to apply modernist principles to the crafts. For four years she worked from Ballarat. Osrey Pottery Ballarat operated between 1922 and 1926 by Gladys Reynell and George Osborne. The name of the pottery was an acronym formed from their surnames. Gladys Reynell, her sister Emily and brothers Rupert and Carew supported the war effort during World War One. Rupert Reynell was a neurologist who valued handicrafts in the rehabilitation of shell-shocked soldiers. He influenced Gladys and Margaret Rose (Rose) McPherson (later known as Margaret Preston) to learn pottery at the Camberwell School of Arts and Crafts, London, in 1916. Next year a friend sent Gladys some Kangaroo Island clay which excited her: 'I thought then that it could be the most delightful thing on earth to make pots in Australia from virgin clay'. In 1918 Gladys and Rose began teaching pottery to soldiers at Seale Hayne Neurological Hospital, Devon. In September 1919 Gladys Reynell came home in September due to her father's illness. She established the Reynella Pottery and became responsible for all stages of pottery production. Using a seasoned dump of buff-coloured clay from a well at nearby McLaren Vale Gladys Reynell built and fired her own kiln; threw simple, robust forms based on early European folk pottery; and decorated them with designs inspired by both Aboriginal art—one of the earliest to use this as a source. Gladys Reynell decorated her earthenware pottery with the characteristic rich 'Reynella blue' slip. On 14 August 1922 at St Mary's Church, Edwardstown, Gladys married George Samuel Osborne, an ex-serviceman and gardener at Reynella; they had no children. Between 1922 and 1926 they set up Osrey Pottery In Ballarat. Gladys produced pottery for sale at fairs with George as her assistant. She would throw her pots in the street, causing a sensation. In 1926 George contracted lead poisoning from lead in the glazes. They moved to rural Curdievale where Gladys resumed painting and making woodcuts. From 1939 Gladys and George lived in Melbourne. In World War II she worked in the army pay corps, in the Taxation Office, and as a translator of French. Gladys died of cancer on 16 November 1956; her husband scattered her ashes at Reynella. Her ceramics, the work of one of Australia's earliest studio potters, have been avidly collected since the late 1960s and are in most major art galleries. Small blue glazed ceramic bowl incised around the top with a decorative frieze. Incised on the base "(Dam Clay) Ballarat 1923, Osrey"gladys reynell, osrey pottery, blue bowl, incised bowl, australian studio pottery, ceramics, native clay

Probably original to Mt Buffalo Chalet. Listed in the Draft Inventory of Significant Collection items. Appendix A.3, Snow sports equipment and other recreational items. (Pg 166 Historica). "Smoker's were well-catered for at the Chalet, and Smoking Rooms in similar resort establishments were considered to be a necessary facility. A guest house in the Blue Mountains in 1905 offered the' full comforts of a refined home' with views, spacious verandahs, tennis court and smoking room. James Boyce commented on expectorating smokers in the the Chalet's public rooms and recommended the provision of spittoons." (Pg 101. Historica) PROV . Undated photo of bedroom sitting room with same chrome ashtray, there are 3 in the MBC Collection. (Fif 52. Pg 63 Historica) Similar ashtray sighted on Ebay listed as Victorian Railways Spitoon, February 2012.3 x Brass and chrome standing spittoons with bulbous bases and bowl on a stem.

Purchased by Mr. & Mrs. H.N. Lord in 1966"Vancouver Ware" ruby bowl with pewter rose design fused onto glassbowls

Purchased by Mr. & Mrs. H. N. Lord in 1970. Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. IBlue and gold patterned Chinese Cloisonne bowl with lid, with gold lion on top.bowls

White jug and wash bowl with decorative pattern. Part of 1909 bedroom set.jugs, water pitcher