Korean War-vintage great coat Typical army issue great coat. Owner’s service record yet to be determined.Khaki, Woollen Great Coat of a Royal Australian Artillery Major. Embroidered shoulder titles. Brass rank insignia on epaulettes. 13 brass RAA buttons, 9 plastic buttons. Manufacturer’s label ‘W.Ludgate S.A. 1952’. ‘Lt. Morris K M’ hand written

Worn by patients at Sunbury Asylum.Man's shirt (buttons L over R) in unbleached calico with blue stripe. Long sleeved, patch pocket on wearer's lower front side, three buttonholes - buttons missing.costume, sunbury asylum, george evans collection

Belonged to the donor's aunt or grandmother, she was born in 1888Black crepe evening dress, rouched bodice over bust. Tie rouched belt fastened with eight covered buttons. Back of bodice rouched and fastened with 21 covered buttons.costume, female

From A. & D. Munro's bootmaker's shop. Archie Munro came to Orbost and started a boot shop in Cameron's barn where he was Acting Post Master.High button boots became a fashion in the 1870s when hemlines were fashionable at the ankle, rather than dusting the top of the shoe. Previous to the high button boot was the ankle bootie favored by Queen Victoria. They laced up and gave no support to the ankle. But, when the dress hemline inched up a bit, more of the ankle was exposed. So, industrious shoe designers came up with a taller shaft of the boot, fastened with buttons rather than laces. This item is an example of early fashion.Six small black boot buttons on a silver safety pin.buttons costume accesories footwear

Standard Issue Jungle Green cotton shirt bakelite Buttons.uniforms - army, jungle green

This lady's jacket would have been worn for special occasions by an early settler of the Moorabbin Shire c1900. Bombasine material was usually black and worn during the mourning time. It has a dull, twilled surface with a silk warp and worsted wool weftA lady's shiny black Bombasine dress jacket with embroidery at buttonsclothing, brighton, moorabbin, pioneers, sewing, dendy henry, early settlers, craftwork, jackets

RAAF Dress tunic, trousers. Warrant officer (needs buttons)uniform, 1972, raaf

Greatcoat jacket with Royal Australia Armoured Corps silver buttonsuniform, 1951, army

Army drill with 2 years overseas service chevrons (No buttons)uniform, army

Card of 12 small purple ball shaped silk buttons.costume accessories, clothes accessories

19 white crocheted spherical buttons sewn on to a piece of cardboard.All cotton. Made in Japan.

Button hook with bone handle used for fastening buttons on dressescostume accessories, clothes accessories

Used for buttoning boots.Button hook for buttons on shoes. Has grey wooden handles.costume accessories, footwear accessories

Man's flannel undershirt with short sleeves and three buttons in front.All wool Physician registration Chill proof Unshrinkable.costume, male underwear

Various buttons, ribbons, rank and badges on black backing board.Donated to Cranbourne R S L by Sgt. George E Buttigieg. Ex. 19th Field Regiment RA.

Green army great coat with gold buttons - Medical Corps.Nil

Khaki drill jacket WW2 with darkened AIF metal buttons

Black telephone woth 18 buttons on front face and screen.NEC

Ten Pearl Buttons, various size. One ornamental Button.stawell

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Sleeveless beige vest with four front self covered buttons. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Dark grey men's trousers with 4 buttons at the front (fly)Sanforized Reg. Td. Shrunk Fabrictrousers

An ergonomic keyboard designed for people who need to type with one hand. Typing speeds of 85 WPM are possible with this keyboard. The layout of the keyboard is designed for one handed users to type quickly and efficiently.The shape allows the natural movement of the hand. The company was formed in 1977 and this model was created in 1981. Single handed keyboard with grey and yellow buttons and power cord. Maltronkeyboard, maltron, disability, one handed keyboard, impaired aid, electronic

CL025 black wool britches with braces and three buttons and a buckle at the knee. CL016b Black wool britches with button fly and silver coloured buckles at the knee and four buttons at the side of the knee.presbyterian moderator

Items in the collection re Patrick Joseph Morgan, pre WW1 service, No 3415 AIF, KIA. Refer Cat No 1848P for his service details..1) Silver domed cap button with bullet hole with Australian Commonwealth under the crest. .2) Silver dome cap from a uniform button damaged by a small piece of shrapnel same crest and motto as .1) .3)Silver domed button same motto and crest as .1)uniforms, buttons

This ladies suit belonged to an elderly neighbour of the donor, Margot Miller, who lived in Black Street, Brighton in the 1970s. The neighbour had offered Margot a selection of her old clothing, dating from the early 20th century, as she wanted somebody to hold onto and care for the items after she died. Before Margot could take the items the neighbour was moved into a nursing home and, while cleaning out the house, the woman's son took the clothing to the tip with a load of rubbish. Margot happened to see him leave and was able to follow him and retrieve the clothes. They remained in the Miller family for many years; some were worn by Margot's daughters and some were ultimately passed on to others. Based on our research, we believe that the suit's original owner may have been Julia Richards (nee O'Keefe, c. 1882-1976), who lived at 59 Black Street during this time. Born in Ireland, Julia emigrated to Queensland in 1900. She married William Alfred Richards in 1911 and lived with him in Ayr, near Townsville, where they ran a hotel. It is unclear what became of William, but by the mid-1920s Julia and her two children were living in Brighton, where she remained until her death in 1976, aged 94.Cream wool ladies suit consisting of a jacket and skirt. Jacket is partially lined with silk, quilted around shoulders. Fastens with four self-covered buttons, one attached to a belt. Two box pleats at front and back, each featuring four decorative self-covered buttons at the waist. Upturned cuffs, each with two buttons. The skirt features a fabric belt and triangular pockets in each side with decorative self-covered buttons. Hook fastenings at side.1910s, women's suit, julia richards

The nurse uniform is worn by nurses for hygiene and identification. Worn by students at the Ballarat College of Advanced Education School of Nursing.White button up "Ben Casey" style shirt with a single top pocket on left chest. There are 4 buttons on right side and 3 buttons at the shoulder of the right side. and a round reinforced neckline. The pocket patch says Ballarat C.A.E. Nursing with emblem.nurse uniform, male nurse uniform, nurse shirt, professional, ballarat college of advanced education nursing, costume, textiles, ben casey

1. This is a light blue full length dress, made from polyester and cotton. It has epaulettes. It has 2 breast pockets - held shut with brass buttons, It is held shut with 5 brass buttons. the brass buttons are round with a motif of a crown and an eagle. 2. Light blue belt. It is cotton polyester. Uses a brass buckle.Inside shirt, written on label = W326143 B. Williams.raaf, cadets, female uniform

Accordians came into being around the start of the 19th century and has become a well loved instrument. It is thought that they originated from areas in Austria and Germany but over the following century its popularity has spread to all parts of the world. Accordians come in various sizes but all operate on the same wind principle. An object which is relatively common .Brown wooden ends with metal buttons with concertina section painted blue with black edge.Two glass buttons on one end with dark pink and clear glass centres. Parts of the wood work are decorated with scroll work. two metal discs with diagrams of lyres on end above the buttons. Remains of floral pattern around each end.warrnambool, button accordian