Square glazed tile - multi coloured pattern of mushroom and grey-greenceramics, earthenware

Long oblong black border tile with green pattern.ceramics, earthenware

see NA359Blue, Cream and Pink glazed tile(On back) 9 34 T2333 B (Handwritten)ceramics, earthenware

Small dark green mottled glazed tileceramics, earthenware

Small oblong border tile - green with lighter green forming diamond pattern.ceramics, earthenware

See NA359Black and white squared glazed border tileceramics, earthenware

Square blue mottled unglazed tile.ceramics, earthenware

Garden edging manufactured by White Bros which is now known as Vitclay.Sandy clay coloured garden edging tile, square base with decorative top.'White Bros/Registered/2/3/88/ pressed onto front of tile.ceramics, terracotta

Six small square glazed tiles - dark pink, light pink, mid blue, mottled pink and blue, dark red, and light green.ceramics, earthenware

Tile came from home of Stanley Walker, Benares Street, Mitcham. Stanley was son of E.E.Walker. Prop of Australian Tesselated Tile Co.Terra cotta tile used for garden edge.ceramics, terracotta

Tile came from home of Stanley Walker, Benares St. Mitcham. Stanley was the son of E.E. Walker, proprietor of Australian Tesselated Tile CoTerra cotta floor tileceramics, terracotta

A square terracotta tile.ceramics, terracotta

Donated by Frank Gaudion who was manager of Geal Bros Pottery between 1963-75Hexagonal shaped tileceramics, stoneware

Dark red glazed border tile slightly rounded with darker edge.ceramics, earthenware

See NA359Plain terra-cotta border tileceramics, terracotta

See NA359Plain terracotta border tileceramics, terracotta

See NA359Unglazed terracotta border tile with pale dots and bordersceramics, terracotta

Green glazed tile with mottled pattern'Patent/England'ceramics, earthenware

See NA359Glazed border tile with black edge and pattern of green, dark orange and cream.'576' 'E6' (on back)ceramics, earthenware

See NA359Brown glazed border tile with rolled and decorated edge'1502'ceramics, earthenware

See NA359Glazed border tile - black background with yellow dots.ceramics, earthenware

See NA359Brown glazed corner tile. Raised edge with lighter brown design.ceramics, earthenware

See NA359Glazed border tile - black background with thin blue and white pattern across centre.ceramics, earthenware

see NA359Black and Pink squared glazed border tileceramics, earthenware

Green glazed tile.ceramics, earthenware

Long oblong brown glazed tile with gumnut and leaves pattern.1503ceramics, earthenware

John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Lidded ceramic form.art, artwork, john o'loughlan, ceramics, available, available ceramics

Electronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom. Blue paper sleeve housed in yellow plastic case. CD printed black and blue.non-fictionElectronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom.university of ballarat, federation university, graphic design, drawing, research, hdr, mt helen, school of arts, hearing loss, deafness, loris button, ross morgan, amanda george