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matching children at the show
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Torquay and District Historical Society
Photograph (copy), Early Beach Scenes Torquay
Photograph shows boys jumping into the sea off Rocky Point, a cliff formation adjacent to the Torquay back beach with the sweeping beach in the backgroundChildren indulging in a now prohibited beach pastime..Black and white photograph -
Torquay and District Historical Society
Photograph (copy), Early Torquay Beach Scenes
... Photograph shows two young children in bathing suits... Torquay great-ocean-road Photograph shows two young children ...Photograph shows two young children in bathing suits holding hands on the beach near Point Danger at Torquay.A memory of early TorquayBlack and white photographtorquay victoria -
Torquay and District Historical Society
Photograph (copy), Early Torquay Beach Scenes
... Photograph shows four adults and two children sitting... Torquay great-ocean-road Photograph shows four adults and two ...Photograph shows four adults and two children sitting on the rocks at the beach at Torquay.A nostalgic beach sceneBlack and white photographtorquay victoria -
Torquay and District Historical Society
Photograph (copy), Early Torquay Beach Scenes
... Photograph shows seven children in bathing costumes... Torquay great-ocean-road Photograph shows seven children ...Photograph shows seven children in bathing costumes with two parasols on the beach at Torquay. The three eldest girls are believed to be Betty, Yvonne and Peggy Evans.A memory of a day at the beach.Black and white photographtorquay victoria -
Torquay and District Historical Society
Photograph (copy), Bellbrae Cemetery Memorial Exhibition 2015
Photograph shows a gathering in front of the original Bellbrae school. The Bellbrae school was the seat of learning for the children of the Bellbrae pioneers.Black and white photographbellbrae victoria pioneer families -
National Wool Museum
Tool - Spinning Wheel, c.1980
This spinning wheel originates from New Zealand; however, it has no distinguishing features relating to its creator such as an inscription, so its exact maker is not known. Gill Stange remembers buying the wheel on Bridge Road in Richmond, approximately 30 years ago. Gill had joined her local Spinners and Weavers Guild after the Ash Wednesday bushfires of 1983. She was a then resident of Mount Macedon and lost everything in the fires. Moving to Melbourne to get away from the scene of much pain, Gill was also in need of a new hobby to help occupy her mind. That is when spinning and weaving entered her life. The local Spinners and Weavers Guild was a great support network for her and with their recommendation, she purchased her own spinning wheel. Her passion was started, and the wheel was to become a treasured item in Gill’s home. She had several spinning wheels within her possession over the years, however, this wheel was her first and always her favourite. When the time came for Gill to downsize, there was simply no longer room for her spinning wheel. This is when she decided to donate the wheel to the National Wool Museum. Gill remembers one highlight was weaving a tablecloth from a traditional German design. It took her two years to complete, with Gill spinning all the wool herself on this wheel. The tablecloth won the first prize in the Melbourne Show in 1987. Gill also used the wheel to teach programs to school children on how to spin and knit wool. She would take the easily transported little wheel, and its accompanying seat, with her to schools. Its small size enabled her to teach children to knit and spin, bringing others the joy that spinning had brought her. Not just limited to schools, Gill also taught programs with the wheel here at the National Wool Museum. It is a fitting home for the wheel, which Gill donated to the National Wool Museum in 2021.Dark varnished wood in a Castle style spinning wheel. The wheel has 8 small spokes which meet a thick outside rim. The outside rim has four golden disc weights on the bottom edge, to aid in the turning of the wheel. The spinning wheel has four legs of turned wood giving a sculptural form, a design pattern which is continued throughout. The wheel has a single medium sized foot pedal. This pedal is well worn with varnish missing from years of use. The wheel is completed with its accompanying chair. Made of the same dark varnished wood, its legs are also of turned wood, continuing the design pattern and uniting the two objects. The chair is very simple outside of the legs, with a medium size base and a thin backrest ending in a rounded head. The chair’s varnish is also starting to fade from years of use. The chair is small, designed to keep the spinning wheel operator at the appropriate height when spinning on the equally small and compact Castle style spinning wheel. Additional parts were donated with the Spinning Wheel. - 3 x Lazy Kates - Spare Maiden. - 450mm Niddy Noddy - Steel teeth brushspinning wool, spinning wheel, ash wednesday, mount macedon, textile production -
Koorie Heritage Trust
Book, Bourke, Colin, Before the invasion, Aboriginal life to 1788, 1980
Blurb: Before the Invasion gives a vivid overview of traditional Aboriginal life. It describes what Aborigines wore, their houses, weapons, tools, canoes, and shows their practical ingenuity and resourcefulness in making the most of what their environment offered. It also covers families, clans, roles of men and women, attitudes to children and the old; and the religious world-view which determined the rhythm of their life and underlay all their laws art and music. The authors bring out the broad patterns Australia-wide, but they are careful to note the differences between groups in different areas and to give specific documented examples...112 p. : ill. ; 21 x 23 cm.Blurb: Before the Invasion gives a vivid overview of traditional Aboriginal life. It describes what Aborigines wore, their houses, weapons, tools, canoes, and shows their practical ingenuity and resourcefulness in making the most of what their environment offered. It also covers families, clans, roles of men and women, attitudes to children and the old; and the religious world-view which determined the rhythm of their life and underlay all their laws art and music. The authors bring out the broad patterns Australia-wide, but they are careful to note the differences between groups in different areas and to give specific documented examples...1. aborigines, australian -- social life and customs. schools - project referencers. i. johnson, colin, joint author. ii. white, isobel m., joint author. iii. title -
Koorie Heritage Trust
Book, Bishop, Mervyn, 1945, Let's rap!, 1995
... in their communities. Colourful photographs show children cooking, dancing ...This series is a great collection of stories for beginner readers. As the teachers guide says, these books are about things children do in their communities. Colourful photographs show children cooking, dancing and playing. `A Big Day` is a story about a group looking for bush tucker. This would be an unfamiliar experience to many non-Indigenous Australians and a good source of new and interesting vocabulary. The series introduces beginning readers to a variety of text types including recount, narrative and procedural. They would make excellent texts for guided reading sessions to introduce textual features and develop reading strategies. The teacher book introduces literacy theory and links outcomes to a curriculum profile of Australian schools. It details relevant text information for each reading book and gives extensive guidance on teaching and learning strategies. The Teacher Book also includes a variety of activities including worksheets and links with curriculum areas.16 pages ; 48 cmThis series is a great collection of stories for beginner readers. As the teachers guide says, these books are about things children do in their communities. Colourful photographs show children cooking, dancing and playing. `A Big Day` is a story about a group looking for bush tucker. This would be an unfamiliar experience to many non-Indigenous Australians and a good source of new and interesting vocabulary. The series introduces beginning readers to a variety of text types including recount, narrative and procedural. They would make excellent texts for guided reading sessions to introduce textual features and develop reading strategies. The teacher book introduces literacy theory and links outcomes to a curriculum profile of Australian schools. It details relevant text information for each reading book and gives extensive guidance on teaching and learning strategies. The Teacher Book also includes a variety of activities including worksheets and links with curriculum areas.readers (primary) | readers (primary) -- aboriginal australians. -
National Wool Museum
Quilt
The creator was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Quilt crocheted by Vera Neale in the 1950s.crochet handicrafts, neale, mrs vera, crochet, handicrafts -
National Wool Museum
Quilt
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of two quilts used on bunk beds.Quilt knitted by Vera Neale in the 1950s.crochet handicrafts, neale, mrs vera, crochet, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Ladie's short sleeve jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Cardigan
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's cardigan knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Tea cosy
The knitter was Vera Neale, 1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Dress
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.The only dress knitted by Vera Neale, c 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Cardigan
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's cardigan knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Fawn child's jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Socks
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Socks knitted by Vera Neale,1901 - 1990.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Tea cosy
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Tea cosy knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Gloves
The knitter was Vera Neale, 1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Gloves knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Shorts sleeved jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Vest
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Man's vest knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Mustard ladies' jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Cardigan
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's cardigan with cables knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Child's jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Tea cosy
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Tea cosy knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Clothing - Bed jacket, Vera Neale, 1950s
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Pale pink bed jacket, long sleeved, hand knitted. Vertical pattern on sleeves and most of body. Round collar with tie.knitting handicrafts, neale, mrs vera, knitting, handicrafts, bed jacket, clothing, children -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Peach child's jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's jumper with cowl neck knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Ladies' jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts